Collections

This collection of small paintings is housed in an embossed leather carte-de-visite album with a single metal clasp. Within are 12 landscape oil paintings of Lake Champlain, Lake George, and the Glens Falls area. Each image includes a caption denoting location.

This collection of small paintings is housed in an embossed leather carte-de-visite album with a single metal clasp. Within are 12 landscape oil paintings of Lake Champlain, Lake George, and the Glens Falls area. Each oil painting includes a handwritten caption denoting location.

The New York Surveyors collection is made up of documents, notes, and maps related to property ownership. The bulk of the material is comprised of surveyors' notes and manuscript maps of private properties.

The New York Surveyors collection is made up of documents, notes, and maps related to property ownership. The Documents series (21 items) has indentures and other items pertaining to ownership of real property in the state of New York, particularly in Albany and Greene Counties. The Field Notes series (4 items) contains 3 sets of notes by unidentified surveyors and a field book that belonged to H. A. [Whitlock?]. The notes concern surveys of farms and other properties in the late 18th and early 19th centuries.

The Surveys series (140 items) comprises the bulk of the collection and consists of notes and maps of surveys conducted between 1794 and 1821; one item is dated April 20, 1831. The surveys, which relate to private property, often have descriptions of the area, and some items have notes about the reasons for conducting the surveys, usually related to sales. Some of the material pertains to members of the Ten Eyck family.

The New York Woman's travel journal chronicles two trips undertaken by a woman and her father. In March and April 1888, the pair traveled across the country to New Orleans, and in June 1889 to Scotland and England.

The New York Woman's travel journal chronicles two trips undertaken by a woman and her father. In March and April 1888, the pair traveled across the country to New Orleans (pp. 1-52), and in June 1889 to Scotland and England (pp. 54-93). The cover of the volume bears a silver inlaid illustration entitled "Composition," and opens with the father and daughter embarking on a Pullman car on March 19, 1888, bound for "the West" from Jersey City. During their railroad journey, they traveled through Philadelphia, Indianapolis, and St. Louis, where they remained for a short stopover before heading south. Between St. Louis and Little Rock, their train collided with another vehicle, killing an engineer and delaying their arrival in the Arkansas capital, where they stayed for an additional week. The 12-page narrative of this leg of the trip is colored by anecdotes and descriptions of fellow passengers, and is followed by a lengthy account of the pair's time in Vicksburg, Mississippi, and in New Orleans. In Vicksburg, the tourists made note of Civil War-era caves used during the city's siege, and visited a Civil War cemetery, which the author found profoundly moving. Once in "thoroughly Southern" New Orleans, the writer described in detail the sights and sounds of the city, and frequently mentioned popular tourist destinations; she also noted the "swarms of little darkies" and other African Americans she encountered throughout her time in the city. She and her father left New Orleans on the steamboat Knickerbocker on April 19, and returned to New York via the Gulf of Mexico and along the Atlantic Coast; upon her return, she reflected briefly on the positive impact the trip had on her worldview.

The second portion of the volume is titled "Letters written during our stay in England and Scotland in the summer of 1889," and is about the author's transatlantic voyage from New York to Glasgow on the State of Georgia, and the opening stages of her European adventures. After writing about the pleasant 12-day voyage, the diarist described several sights throughout Scotland, including a detailed depiction of Edinburgh Castle, complete with a brief history of the structure. York was their next destination, and they moved thence by rail to London, where sightseeing resumed in full force. The pair, along with a traveling companion named Leslie, proceeded to take in a thorough tourist's view of London, including several bus trips around the city and the requisite visits to St. Margaret's Church and Westminster Abbey. While in Europe, the author often reflected on how easily she was identified as an American, and on local social customs. The volume also recalls a visit to the British Museum to see the Magna Carta (pp. 92-93), but its final entry, dated July 4, 1889, is cut off just as the author catches a glimpse of Queen Victoria at a garden party.

The Niagara Falls travel diary contains entries written while the diarist (anonymous) was on a trip from Albany, New York, to Niagara Falls, in the summer of 1815. The volume includes descriptions of the terrain around the falls and of the people the traveler met during the journey.

The Niagara Falls travel diary (18 pages) contains entries written while the diarist was on a trip from Albany, New York, to Niagara Falls, in the summer of 1815. The volume includes descriptions of the terrain around the falls and of the people the traveler met during the journey.

In the first entry, dated July 24, 1815, the author described a tour to Niagara Falls, starting at Albany and traveling past Utica along the Mohawk River. The diarist noted that the terrain was "unmistakable for its beauty" and compared it favorably to Harper’s Ferry. The second entry, August 4, describes the trip by ferry from Buffalo, New York, to Fort Erie, and eventually to Niagara. At Fort Erie, which was "a heap of ruin," the traveler encountered a military officer who had witnessed the fort’s siege by the British in 1814. Next, the author described the town of Chippewa, which suffered a damaging battle one year earlier. Passing Fort Niagara, the travelers enjoyed an easy approach to Niagara Falls; the writer described its physical features as well as the inhabitants of the area, including the Forsyth family, who hosted them. The diarist was disappointed that this natural wonder was so easy to reach, and lamented that the falls were "so completely at our command[,] so entirely abased at our feet." Multiple paths stretched along the falls, including trails on both the Canadian and New York sides.

This collection consists of letters and portions of letters expressing the author's affection for and devotion to the recipient.

This collection consists of letters and portions of letters expressing the author's affection for and devotion to the recipient and continually reaffirming his devotion. The letters were written around the late 19th century.

This collection is made up of 10 inventories of the personal and real property of one person or family in and around Norton, Massachusetts, over the course of 26 years. The entries include objects and land ownership, along with valuations. The property owner began with four heifers/steers/bulls, around 10 acres of woodland, carpenter's tools, and a selection of clothing items. The following inventories reflect the expansion of a carpentry business, accumulation of more and higher quality clothing, aging of livestock, acquisition of horses, lambs, and oxen, improved tack, neck stocks, wagons, plows, shovels, chains, and more. In the late 1850s and 1860s, they gained a "detach Lever silver watch," picture frames, a checkerboard, a sword cane, pocketknives, firearms, lanterns, and other household goods. After the Civil War, they started saving money in a bank account, purchased bonds, and held cash and currency. By 1876, the real property expanded to over 43 acres in Norton, Easton, and Mansfield. The concluding inventory is a list of real estate, a selection of objects, and an entry for "Houshold Stuf to numerous to mention." In 1850, the total assets were $760.50. By 1876, they were $17,076.25.

This collection is made up of 10 inventories of the personal and real property of one person or family in and around Norton, Massachusetts, over the course of 26 years. The entries include objects and land ownership, along with valuations. The property owner began with four heifers/steers/bulls, around 10 acres of woodland, carpenter's tools, and a selection of clothing items. The following inventories reflect the expansion of a carpentry business, accumulation of more and higher quality clothing, aging of livestock, acquisition of horses, lambs, and oxen, improved tack, neck stocks, wagons, plows, shovels, chains, and more. In the late 1850s and 1860s, they gained a "detach Lever silver watch," picture frames, a checkerboard, a sword cane, pocketknives, firearms, lanterns, and other household goods. After the Civil War, they started saving money in a bank account, purchased bonds, and held cash and currency. By 1876, the real property expanded to over 43 acres in Norton, Easton, and Mansfield. The concluding inventory is a list of real estate, a selection of objects, and an entry for "Houshold Stuf to numerous to mention." In 1850, the total assets were $760.50. By 1876, they were $17,076.25.

The Norwalk, Ohio family photograph albums consist of two volumes containing approximately 560 photographs that depict an unidentified family, their homes, vacations, and construction of a house.

Volume 1: This album (29 x 36 cm) has black leather covers and black paper pages. Images include many affectionate pictures of children and pets as well as photographs of family vacations, homes, and the construction of a large house. At the end of the album, several photographs of children that appear earlier are replicated in larger formats.

Volume 2: This volume (35.5 x 43 cm) is a leather portfolio bearing an elaborate embossed elephant design on the front cover. Contained within is a series of thirty large format mounted photographs of the same house that is pictured while under construction in Volume 1. Photographs include views of surrounding natural scenery and gardens, exterior shots of the house, and images showing the porch and sunroom.

An unnamed parent or caregiver kept notes about children in a partially used Teachers' Institute Note Book, 1886. The volume was printed in Chicago and Maquoketa, Iowa, by Donohue & Henneberry and W. M. Welch, respectively, and includes advertisements on the inside covers for educational texts and forms. Two pages of manuscript notes define musical intervals. An additional nine pages of text sporadically document the words and actions of at least two children, Harry and Inez, between the ages of 1.5 and 5.5 years old. The writer notes the ages at which children were singing, the type of art they created, the humorous questions, observations, and comments they made, and religious thoughts they vocalized.

An unnamed parent or caregiver kept notes about children in a partially used Teachers' Institute Note Book, 1886. The volume was printed in Chicago and Maquoketa, Iowa, by Donohue & Henneberry and W. M. Welch, respectively, and includes advertisements on the inside covers for educational texts and forms. Two pages of manuscript notes define musical intervals. An additional nine pages of text sporadically document the words and actions of at least two children, Harry and Inez, between the ages of 1.5 and 5.5 years old. The writer notes the ages at which children were singing, the type of art they created, the humorous questions, observations, and comments they made, and religious thoughts they vocalized.

The childhood observations about death, spirits, and God reflect a religious upbringing and household, including one entry about how Harry "was drawing a picture of a deathbed scene where angels were coming to carry the man's spirit to God in accordance with what he had been told on the subject. He said 'Mama I guess one angel holds the man's mouth open while the other takes his spirit out of him.' " Comments about dogs, toys, and imaginative games speak to youthful entertainment and play, and others are more suggestive about the conditions in the children's environment that caught their attention. Questions like "what color is the moon on the other side," or observations that a dead mouse "is kind of wilted isn't it," provide insights into what the children were seeing and wondering about.

One entry at the back of the volume reads, "J. D. McAuliff (Heals by rubbing) St. Louis, Mo."

"Notes for a Journal of a Pedestrian Tour" is a 112-page account of a group's walking trip from Baltimore, Maryland, through northern Maryland, southern Pennsylvania, and eastern West Virginia in the late summer of 1816.

"Notes for a Journal of a Pedestrian Tour" is a 112-page account of a group's walking trip from Baltimore, Maryland, through northern Maryland, southern Pennsylvania, and eastern West Virginia in the late summer of 1816.

The account, written after the journey, is divided into 12 titled chapters chronicling the group's experiences. Notes pertain to the scenery and acquaintances the group encountered, both old and new. Group members "Suffolk" and "Sidney" left Baltimore on August 6, 1816, and traveled to Frederick, Maryland, by way of the Patapsco River. There, they picked up their luggage, sent ahead by stage. They proceeded west toward the mountains and entered West Virginia just before September; they stayed at Harper's Ferry and Bath (Berkeley Springs). After several weeks traveling by foot, the men joined two Baltimore companions, "Manly" and "Moreton," on a trip down the Potomac River toward "George Town." The party then returned to Baltimore. In its rendering of dialogue and descriptions of scenery, the account often adopts a prose style similar to that found in fictional narrative. The volume has colored ink drawings of several men and women gathered around a roaring fire and the "Falls of Potomac." The author also included a poem by the travelers, entitled "An Evening on Potomac" (pages 97-109).

• Chapter 1: Introduction (pages 1-5)
• Chapter 2: The Peerless (pages 6-16)
• Chapter 3: The Maid of Benvoirloch (pages 16-42)
• Chapter 4: Frederick Town (pages 43-47)
• Chapter 5: The Misfortune (pages 47-53)
• Chapter 6: Harper's Ferry (pages 53-57)
• Chapter 7: The Cave (pages 57-69)
• Chapter 8: The Thunderstorm (pages 70-78)
• Chapter 9: The Merriest on the Border (pages 78-87)
• Chapter 10: The Descent (pages 88-109)
• Chapter 11: The Conclusion (pages 109-112)

This volume, compiled in the 1820s, contains an encyclopedia article, extracts and writings, diagrams, tables, and newspaper clippings pertaining to the design and construction of canals.

This volume (450 pages), compiled in the 1820s, contains extensive information on the design and construction of canals. The first few pages include a manuscript subject index. Pages 1-155 consist of a printed encyclopedia article about canals, bound directly into the volume. Other articles and fragments of articles are included, including the entire entry for "Canada."

The remaining pages consist of manuscript extracts, writings, and notes about canals, illustrated with colored diagrams and drawings. The volume includes sections about types of locks; tunnels; drawbridges; excavation; building materials, labor, and costs; water supply; the effects of rain and evaporation on canals; and hydraulics. Sections focus on canals in the United States, England, Wales, and France. The manuscript contains tables of data about the number and length of canals in each country. Specific structures, such as the Ohio & Chesapeake Canal, Union Canal, and Erie Canal are described and used as examples throughout the text. Illustrations include diagrams of locks, tunnels, and canals; a depiction of a method for burrowing out soil using a horse and several workers (p. 370); and a map of France highlighting its canals (p. 424). Notes, newspaper clippings, and additional drawings are laid into the volume.