Collections : [University of Michigan William L. Clements Library]

These photograph albums contain pictures of scenery, people, and buildings in the Adirondack Region of northern New York and in Washington, D.C.

These photograph albums (19cm x 30cm) contain 49 pictures of scenery, people, and buildings in the Adirondack Region of northern New York. Labeled photographs show buildings, animals, and scenery in and around Ilion, New York; Clifton, New York; Oxbow, New York; Chippewa Bay, New York; the Grass River; the Oswegatchie River; and Washington, D.C. Houses and other buildings shown include a home on "Preston Isle" in Chippewa Bay, the "Old Morris House" (a colonial stone house), an abandoned iron furnace, the White House, and the United States Capitol. Photographs of construction equipment are also present. Of the individuals and groups pictured, only Jack Moffett, a young boy, is identified. Photographs of note include pictures of an encampment, the exterior of a log cabin decorated with pine boughs, game and fish, and replicas of the ships Niña, Pinta, and Santa Maria. Two photographs indicate the photographer's interest in capturing motion: one shows the Empire State Express at full speed and another shows a woman throwing water, captured at a shutter speed of 1/50 second. The albums have black or blue binding with "Photographs" embossed in gold on the covers.

This photograph album contains photographs of scenery in Alaska, Yellowstone National Park, and the Yosemite Valley in the late 19th century. Several photographs feature tourists or members of the photographer's traveling party, and others were taken onboard the steamer Queen.

This photograph album (25cm x 19cm) contains 87 photographic prints depicting scenes in Alaska, Yellowstone National Park, and the Yosemite Valley in the late 19th century. The photographs, all of which have captions, were taken during visits to four geographic areas: Muir Glacier (21 photographs); Tacoma, Washington, and Helena, Montana (8 items); Yosemite National Park (48 items); and the Yosemite Valley and Arizona (10 items). Most photographs show natural scenery such as mountains, rock formations, waterfalls, and geysers, and some are pictures of hotels. Many show tourists climbing or viewing natural formations and scenery, and some show members of the photographer's party posing for portraits.

The album has two identical prints of a group of amateur photographers holding box cameras onboard the Queen, which is shown in several other photographs. Views of buildings in Sitka, Alaska; Tacoma, Washington; Helena, Montana; and Yosemite National Park are also included. One photograph shows a woman modeling a Chilkat blanket and totem pole cane, and another shows a "Tamed Bear" standing on a raised platform. Also of note is a picture of a train, taken as the photographer's party disbanded near Chicago. The volume is a quarter-bound album with a title stamped on the cover in gold: "Photographs."

This album contains pressed algae specimens and a photograph of Fort Jefferson, Florida. Possibly compiled and owned by someone named Stuart.

This album (24cm x 24cm) contains 305 algae specimens collected around the mid-1860s, comprised of 294 items pressed onto 10cm x 6cm cards and 11 items pressed onto larger cards. Only one specimen is identified. The smaller cards are mounted six to a page and the larger cards are laid into the volume between pages of specimens. Numerous types of algae are represented, in a multitude of colors. The bottom cards on the first two facing pages spell the name "Stuart," which is also stamped in gilt on the front cover. The album is bound in brown leather and cloth with the title "Algae from Fort Jefferson, 'Tortugas,' Florida" is stamped on the back cover and "Album" stamped on the spine. A photograph of Florida's Fort Jefferson is pasted onto the first page as a frontispiece.

The American Tour photograph album contains 96 Photographs of a tour taken of the United States and Canada, featuring the World's Columbian Exposition of 1893 in Chicago.

The American Tour photograph album (24 x 18 cm) contains 96 Photographs of a tour taken of the United States and Canada, featuring the World's Columbian Exposition of 1893 in Chicago. The photographic narrative follows a trip from Southampton, England, across the Atlantic to New York City; Richmond, Virginia; Chicago, Ill.; the Niagara region; Saratoga, New York; the Hudson River valley; and finally New York City and Coney Island, New York. Images from the trans-Atlantic trip include the dock at Southampton, the Steamship SS Paris at sea; the Sandy Hook pilot boat; views of the Statue of Liberty; and steerage passengers on an ocean liner. Several images of Richmond, Va., and rural homes in Amelia County, Va. appear. One view showing a three adults and one child on a wagon "leaving Sherwood" may be of the travelers. Numerous views of the Columbian Exposition grounds in Chicago are at the center of the album. Photographs of Niagara Falls and the Niagara River include an image of Clifford Calverley crossing the river on a tightrope. Other images include barges on both the Saint Lawrence Seaway and Hudson River; boating and scenery at Lake George; and ice houses and sailboats along the Hudson River. Photographs of New York City depict Wall Street; Brighton Beach and Coney Island; the Statue of Liberty; and Jersey City Ferry Boat "Orange." The album's half-bound brown cloth cover is stamped in gilt "American Tour. 1893."

The Amherst, Massachusetts photograph album contains 13 photoprints taken in and around North Amherst, Mass., including images of churches, the post office, and parks. Also includes an image of the Amherst College campus and a photograph of a railroad bridge.

The Amherst, Massachusetts photograph album (18 x 26 cm) contains 13 photoprints taken in and around North Amherst, Mass., including images of churches, the post office, and parks. Also includes an image of the Amherst College campus and a photograph of a railroad bridge.

The album cover has black textured paper over boards, with gold printed title "Photographs," bound with string. Housed in a pale blue cardboard box.

This bound manuscript contains the text of a sermon delivered in Lancaster, Pennsylvania, in December 1783, about a desirable political future of the United States from a Christian point of view.

This bound manuscript contains the text of a sermon delivered in Lancaster, Pennsylvania, in December 1783, about a desirable political future of the United States from a Christian point of view. The 31-page volume, entitled "An Exhortation to Peace under the American Revolution, addressed to the Inhabitants of Lancaster in the State of Pennsylvania, December 11, 1783," is divided into several sections, each copied by a distinct, clear hand and signed, though the text runs unbroken throughout the book. The first page of the address indicates that it is based on Jeremiah 24:7, and it begins by examining the situation of the Jews in ancient Babylon, and comparing that to the situation that led to the American colonies' fight for independence. From there, the sermon continues to expound upon religious and political themes, encouraging a "cordial union among the members of each particular state, as well as among the United States in general" and arguing that a Christian ethos would serve as a strong foundation for the new nation. The treatise weaves together themes of Christian faith and contemporary politics to create a vision of a positive future for the United States.

This volume contains the double-entry bookkeeping records of a merchant based in Ann Arbor, Michigan, in 1849. The unidentified merchant sold a variety of goods to customers in and around Ann Arbor, Pittsfield, Whitmore Lake, Webster, and Hamburg, Michigan.

This volume (8" x 12", 145 pages) contains the double-entry bookkeeping records of a merchant based in Ann Arbor, Michigan, in 1849. The unidentified merchant sold a variety of goods to customers in and around Ann Arbor, Pittsfield, Whitmore Lake, Webster, and Hamburg, Michigan. Most pages contain running accounts for specific individuals, with debits and credits noted in two columns. Notes along the margins of many pages indicate the customer's specific location in eastern Washtenaw County or southern Livingston County.

Though the merchant most often recorded sales of "sundries," the accounts occasionally specify items such as hats, shoes, coffee, ribbon, a broom, and sugar. Occasionally, he paid for errors made in previous bills. Customers paid in cash or in kind, most frequently with foodstuffs or items of clothing and sometimes with more unusual items, including a horse and buggy (p. 14). One note concerns a boarder named Carpenter who moved into a home in late August 1849 (p. 97). Though the merchant most frequently dealt with men, the ledger documents accounts with a few women and several firms. A fragment from a letter to Charles W. Butler concerning unsold land, dated January 19, 1833, in Ann Arbor, Michigan, is laid into the volume between pages 144 and 145.

This slim volume contains a partial account of a trip from New York City to Niagara Falls in August 1825, with entries cutting off abruptly at Lockport, New York. The currently unidentified writer traveled on the incomplete Erie Canal aboard the safety barge Lady Clinton and by road on the last leg of their journey. The author included descriptions of scenery, geographic features, towns, and canal systems they passed. Within the volume are calligraphic headings, pressed leaves, and a color illustration of two birds and flowers.

This slim volume contains a partial account of a trip from New York City to Niagara Falls in August 1825, with entries cutting off abruptly at Lockport, New York. The currently unidentified writer traveled on the incomplete Erie Canal aboard the safety barge Lady Clinton and by road on the last leg of their journey. The author included descriptions of scenery, geographic features, towns, and canal systems they passed. Within the volume are calligraphic headings, pressed leaves, and a color illustration of two birds and flowers.

Major points of the route serve as headings within the volume, being visually differentiated from the main text by calligraphic headings. Observations on town layouts and architecture—including rough estimations of population count—provide a developmental snapshot of the region as perceived by the writer. Also mentioned is the construction on the Mt. Pleasant Prison at Sing Sing [Sing Sing Prison, Ossining, New York] and the quarry of white marble used by the builders.

The writer's travel by road was apparently not as easy as their travel by canal. After turning off the Ridge Road at Hartland, New York, descriptions of the woodland seem to indicate a host of obstructions in the form of mudholes, ruts, and stumps (p. 22). Apart from the entries on towns and landscapes, the writer noted a hotel landlord in Victor, New York, who kept two wolves, two small deer, and a fox in his yard (p. 16).

Yellowed imprints of larger leaves placed into the volume can be found on later pages, but only the smallest have lasted to the present day.

The Architecture Militaire is a single manuscript volume that provides instructions for the construction of a fortified building in the shape of a star. The volume consists primarily of prose description, but also includes a series of 16 illustrative plates showcasing detailed architectural drawings.

The Architecture Militaire is a single manuscript volume that provides instructions for the construction of a fortified building in the shape of a star. The volume consists primarily of prose description, but also includes a series of 16 illustrative plates showcasing detailed architectural drawings. The drawings are signed "A Toulouse chez Baour." The book has 12 chapters about construction methods, including lists of potential problems with suggested remedies. The volume includes discussions and critiques of existing construction methods, including those of the ancient French, the Dutch, the Comte de Pagan, Vauban, and others (chapter 11). The final chapter, entitled "Idee generalle de l'attaque d'une place et de la maniere de fortifier un camp," contains equations relevant to fort construction. The final section of the book consists of detailed ink drawings similar, but not identical to, those found in Samuel Marolois's Fortification ou Architecture Militaire Tant Offensive que Deffensive. These show different aspects of construction relevant to the text and include one page illustrating various military paraphernalia.

This volume is an English translation of a French account of military affairs during the Seven Years' War, primarily from 1756-1757 on the border between New York and Canada.

The full title of this manuscript reads, "A Relation of the different Military Operations since the Year 1755 & amongst others taking of Fort St. George in No. America--From a French Manuscript taken upon the Surrender of Louisberg in 1758." Containing 28 pages of writing, this volume is an English translation of a French account of military affairs during the Seven Years' War, primarily from 1756-1757 on the border between New York and Canada.

The account begins with a short reflection on the English Fort St. George [Fort William Henry], the strategic advantages gained by the French upon gaining control of it, and English losses during the war. The narrative continues with detailed descriptions of French military actions from January 21, 1757, with the Battle on Snowshoes near Fort Carillon and Fort St. Frédéric, through an attempt on Fort William Henry in March 1757. The account highlights French command, Native American military participation, and the strategic focus on forts, watercraft, and communication lines.

The section entitled "Advantages gain'd over the English in July 1756" details reconnaissance efforts concerning the English Fort St. George [Fort William Henry] and Fort Lydius [Fort Edward], naval engagements, and military encounters with British forces.

The manuscript continues with "An Account of the Taking Fort St. George--(or Fort William Henry," from the engagement's commencement in late July 1757 to the English surrender on August 9. Copies of the articles of capitulation, correspondence between Louis-Joseph de Montcalm and the British commander of the Fort, George Monro (ca. 1700-1757), and intercepted British correspondence are included. In his letters Montcalm uses his inability to "restrain the Savages" as a plea for the fort's surrender. The author mentions French attempts to counter Native American "Fury," a reference to cannibalism, and Native American military support of both English and French troops.

A copy of an unattributed letter from Quebec, from August 17, 1757, describes "particulars relating to the Government of this Country, which is the Theater, and Primum, Mobile of the War." This letter details naval operations around Quebec and Louisbourg, as well as the state of local provisions, troops, and morale.

The "Account of the Damage our fleet sustain'd from the Gale of Wind and the yet Greater, sustain'd by the English Squadron" describes operations against Isle Royale [Cape Breton Island], English timidity in regards to the French fleet, and the damage both navies suffered during a heavy storm. This account likely references the 1757 Louisbourg expedition and the fleet under Francis Holburne's (1704-1771) command that was damaged in a storm on September 24. This account also reflects on Native American warfare, noting incidents of scalping.

The volume closes with a "List of the French Ships of War under Mr. du Bois de la Mothe," referencing the ships under the command of Emmanuel-Auguste de Cahideuc, Comte DuBois de la Motte (1683-1764). The list includes the names of the ships, number of guns, and commanders.

This arithmetic copybook was compiled by an anonymous student in the nineteenth century. It includes rules and examples for addition, subtraction, multiplication, and division, as well as practical examples relating to money and weights and measures.

This volume, which may have belonged to a Scottish teacher, contains pencil drawings of everyday objects and notes related to instruction in art and geography.

This volume, which may have belonged to a Scottish teacher, has pebbled covers, with the title "Sketch Book" stamped in gold on the front. The first section, "Specimen course for Second Year Higher Grade," contains 6 pages of pencil drawings. The subjects include books, plants, household items, a shoe, a water tank, an umbrella, a broom, a basket, and a hand. The final page of drawings includes the note: "Complete course with interiors & outdoor work."

The second part of the volume is a 2-page chart titled "Geography. Scheme of Work," with tables of geographical subjects for students at various levels. Each month's course included the study of a country or geographical region, a "practical" subject, and a "physical" subject. The areas represented are primarily European nations; British colonies such as South Africa, Australia, New Zealand, Canada, and India; North and South America; Asia, and Pacific islands. The teacher offered practical instruction in navigational concepts, the use and creation of maps, and surveying, and offered instruction on various geological topics such as the Earth's atmosphere, climate, and physical features such as volcanoes and glaciers.

The Atlantic City photograph album contains approximately 90 photographs related to an unidentified couple and their daughter, Jane, during a trip to Atlantic City in April and May of 1914.

The Atlantic City photograph album contains approximately 90 photographs related to an unidentified couple and their daughter, Jane, during a trip to Atlantic City in April and May of 1914. The album (18.5 x 27 cm) is bound in hand-painted varnished leather on paper boards with wood overlay. Images of particular interest include views of horseback riding on the beach, strolling on the boardwalk, and riding in rolling chairs and a pony-drawn cart. Atlantic City is seen largely as a backdrop to family activities. Additional photographs show the young girl sledding and with toys and friends at home. Also includes a photograph of Eleanor R. and Frederick D. Countiss and their daughter, Henrietta, in a studio portrait.

The At Peace Street photograph album contains 14 photographs of upper middle class home and family in Providence, R.I. Possibly the home of Linwood O. Towne, who inscribed the volume to the Prescotts in 1900. Several images of family members reading and photographs featuring the family cat.

The At Peace Street photograph album (16 x 23 cm) contains 14 photographs of upper middle class home and family in Providence, R.I. Possibly the home of Linwood O. Towne, who inscribed the volume to the Prescotts in 1900. Several images of family members reading and photographs featuring the family cat.

The album has brown burlap covers with inscribed title "At Peace Street," bound with string, and is housed in a gray wrapper with dark brown cloth spine.

This oversized scrapbook consists of sections of Barnum, Bailey & Hutchinson circus advertising posters. The imagery includes circus tents, musical wagons (including the "Silver-Tubed Caliope" and "Sacred Chimes"), camels and horses, animal trainers, artillerymen seemingly of Middle Eastern descent (possibly part of the "Bedouin Arab" performers), acrobats, minstrel performers, African American musicians, and portraits of P. T. Barnum, J. A. Bailey, and J. L. Hutchinson.

This oversized scrapbook consists of sections of printed Barnum, Bailey & Hutchinson circus advertising posters. The imagery includes circus tents, musical wagons (including the "Silver-Tubed Caliope" and "Sacred Chimes"), camels and horses, animal trainers, artillerymen seemingly of Middle Eastern descent (possibly part of the "Bedouin Arab" performers), acrobats, minstrel performers, African American musicians, and portraits of P. T. Barnum, J. A. Bailey, and J. L. Hutchinson. The back cover bears the print "Toilers of the Sea - Trawling on t[he Dogger Bank]," showing fishermen at sea.

The Beauties of The Sea photograph album contains five small commercial photographs of scenes on Nantucket along with four alternating sheets of decoratively arranged pressed algae.

The Beauties of The Sea photograph album (12 x 14 cm ) contains five small commercial photographs of scenes on Nantucket (The Old Windmill; Brant Point Light; Harbor and Sailboats; the Town Crier; and Bank and Methodist Church) glued into small album along with four alternating sheets of decoratively arranged pressed algae. The photographs are possibly by Henry S. Wyer. The album's faded green paper covers are tied with gold tasseled string with a wash drawing and inscribed title "Beauties of The Sea" in ink. Album is housed in light green folder.

This volume contains a manuscript play prompt for the fairytale "Beauty and the Beast," drawn directly from Julia Corner's 1854 adaptation of the same tale.

This volume contains a manuscript play prompt for the fairytale "Beauty and the Beast," drawn directly from Julia Corner's 1854 adaptation of the same tale.

The text largely corresponds with Corner's adaptation, albeit with abbreviated or simplified stage directions. The text appears to have been written by one hand, with a pencil annotation at the end of the volume in a second hand, crediting the performance of this play to "some of the girls that go to Miss Lacy's School."

Although the location of Miss Lacy's School is unclear, the spelling within may indicate contemporary American rather than British expectations. The roles are for a merchant, the Beast, the merchant's daughters, Beauty, and a beneficent fairy with four attendants.

This volume contains a manuscript play prompt for the fairytale "Beauty and the Beast," drawn directly from Julia Corner's 1854 adaptation of the same tale.

This volume contains a manuscript play prompt for the fairytale "Beauty and the Beast," drawn directly from Julia Corner's 1854 adaptation of the same tale.

The text largely corresponds with Corner's adaptation, albeit with abbreviated or simplified stage directions. The text appears to have been written by one hand, with a pencil annotation at the end of the volume in a second hand, crediting the performance of this play to "some of the girls that go to Miss Lacy's School."

Although the location of Miss Lacy's School is unclear, the spelling within may indicate contemporary American rather than British expectations. The roles are for a merchant, the Beast, the merchant's daughters, Beauty, and a beneficent fairy with four attendants.

This collection is made up of three items (8 pages) relating to the investigation into the death of 17-year-old Etna Bittenbender, who was raped and murdered in Sciota, Hamilton Township, Pennsylvania on October 31, 1880. The contents include statements by Samuel Harvey, Samuel A. Singer, and four members of the Marsh family who employed Etna as a housekeeper. They attested to their personal backgrounds and lives, their locations at the time of the murder, and what they witnessed.

The Boston to St. Louis travel diary recounts an arduous month-long journey between the two cities made by rail, steamboat, and stagecoach in the fall of 1837.

The Boston to St. Louis travel diary recounts an arduous month-long journey between the two cities made by rail, steamboat, and stagecoach in the fall of 1837. The anonymous author, a staunchly religious man, refused to travel on Sundays and attended Sunday religious services at Presbyterian churches throughout his travels, which took him through northern New York, down the Erie Canal, across lower Michigan and northern Illinois, and finally down the Mississippi River to St. Louis. The diarist wrote daily entries about frequent delays, bad weather, his route, the scenery, and various traveling companions, many of whom he knew. Though the initial leg from Boston to Rochester, New York, proceeded without difficulty, he became stranded in Cleveland and was frequently held back by poor, muddy roads as he proceeded by stagecoach from Detroit to Chicago. He finally reached St. Louis on November 28 and concluded the journal on November 30, a lonely and homesick Thanksgiving. Though the author's daily entries fully chronicle the hardships of travel in the early 19th century, they also provide interesting anecdotes and commentary, including encounters with wild animals along the road, and news of the murder of abolitionist minister Elijah Parish Lovejoy, which the diarist first heard about in Chicago, but also later in Alton, Illinois, where the murder made "abolitionism…more than ever the topic of conversation" (November 25). The final two pages of the volume consist of a table of distances, fares, and expenses incurred throughout the trip.

This 82 x 43 x 36 cm wooden document trunk, dating from around 1765, includes a hand-wrought iron lock, reinforcement bands, corner tips, and fancy handles. Its interior is grooved for the placement of three removable wooden panels, one of which is present. Contemporary manuscript lettering on the interior left side of the lid reads "Commissariat / on His Majs: Acct / from Mr Oswald" and on the right "Papers / for the Germn: Army / May 1766 / accounts – [A?] & B."

This 82 x 43 x 36 cm wooden document trunk, dating from around 1765, includes a hand-wrought iron lock, reinforcement bands, corner tips, and fancy handles. Its interior is grooved for the placement of three removable wooden panels, one of which is present. Contemporary manuscript lettering on the interior left side of the lid reads "Commissariat / on His Majs: Acct / from Mr Oswald" and on the right "Papers / for the Germn: Army / May 1766 / accounts – [A?] & B."

A January 9, 1861, note by Philadelphia lawyer Henry J. Williams indicates that the trunk was seized by the French as a prize during the American Revolution, and that his father Jonathan Williams brought it to the United States when returning from his service as acting U.S. Consul at Nantes. Mid-twentieth-century paper tags indicate that the trunk was one of three from the estate of Henry J. Williams' son-in-law Alexander Biddle, discovered after the death of Biddle's son Lynford Biddle in 1941, and sold by Parke-Bernet Galleries in 1943.

This photograph album contains 10 albumen prints related to the Bunker Hill Monument in Charlestown, Massachusetts.

This souvenir photograph album (12cm x 18cm), which contains 10 albumen prints, is bound in blue pebbled book-cloth and has the title "Album Photographs[,] Bunker Hill Monument" stamped in gold on its cover. The first 2 pictures show the Bunker Hill Monument (a stone obelisk) and the statue of Colonel William Prescott, respectively. The remaining 8 photographs are aerial views of Charlestown and the surrounding area taken from the monument, showing residences, industrial buildings, the Charlestown Navy Yard, and the Charles and Mystic Rivers. Sailing ships are visible in many of the aerial views. The album belonged to Lucia K. Hathaway, who inscribed her name on its first page on November 15, 1884.

The California and Western Tour photograph album contains commercial and amateur photographs of scenes in Yosemite National Park, Yellowstone National Park, California, New Mexico, and other locales. The volume includes a group of photographs taken at the World's Columbian Exposition in Chicago, Illinois, in 1893.

This album (23cm x 30cm) contains 67 commercial and amateur prints of scenes in various locales, particularly in the western United States. The album is bound in red pebbled leather with small gold trim. Many of the photographs are commercial prints as large as 19cm x 24cm, with captions and negative numbers. Manuscript captions accompany some of the items, often with information about the size of natural features shown. Pictures of rock formations, waterfalls, rivers and lakes, and geysers are most common, along with shots of architectural landmarks and groups of tourists. Prominent photograph locations include Yosemite National Park (9 items), Garden of the Gods (4 items), New Mexico (3 items), the Columbia River (3 items), and Yellowstone National Park (20 items). The album has 2 pictures of Niagara Falls, one of which was taken in winter.

Though the album focuses on natural scenery, several photographs show various types of buildings, such as missions in California and New Mexico, hotels in California, the Lick observatory, a group of buildings at the Shasta Springs retreat, a railroad dining car interior, and the exterior of a Chinese restaurant in San Francisco, California. Scenes of horse-drawn carriages fording the Fire Hole River in Yellowstone National Park and passing through a tunnel cut into the trunk of a large tree in Yosemite National Park are present, as are other group photographs. One shows "Miss E. P. Gould" riding a horse, and another shows a group of men fishing on Yellowstone Lake. An 1888 portrait of John C. Frémont, his wife Jessie, and their daughter shows them standing in front of the "Fremont tree" in Redwood Grove. A final group of photographs consists of pictures of various buildings constructed for the 1893 World's Columbian Exposition in Chicago, Illinois.

The California travel photograph album (17.5 x 14 cm) contains twelve gelatin silver print views of various travel destinations in California in 1898.

The California travel photograph album (17.5 x 14 cm) contains twelve gelatin silver print photographs of various travel destinations in California in 1898. Captions are written below each photograph.

An anonymous United States Army sergeant wrote these 3 letters (18 pages) to his mother while serving at Camp Hancock, Georgia, between August and December 1917. "Herb," a member of Company D, 103rd Engineer Regiment, reported on his regiment's work laying pipes and about several aspects of military life.

An anonymous United States Army sergeant wrote these 3 letters (18 pages) to his mother while serving at Camp Hancock, Georgia, between August and December 1917. "Herb," a member of Company D, 103rd Engineer Regiment, reported on his regiment's work laying pipes and on several aspects of military life.

In each of his letters, "Herb" encouraged his mother not to worry about him, and he took pride in his work with the military and in his continuing advancement through the ranks; he was expecting a commission as lieutenant. He also mentioned some of his regiment's duties, which included laying pipes for newly constructed buildings at Camp Hancock and building temporary bridges for other units on bivouac assignments. Herb described other aspects of camp life, such as the comings and goings of other soldiers and his leisure activities, which included trips to nearby Augusta and football games. In two of his letters, he discussed the reorganization of the army's cavalry and artillery units, and in one letter, he mentioned English and French guest officers' instruction in trench warfare (November 11, 1917).

The Camp Lin-E-Kin photograph album (16 x 24 cm) contains 36 photographs of people and activities at a girls' camp in Maine.

The Camp Lin-E-Kin photograph album (16 x 24 cm) contains 36 photographs of people and activities at a girls' camp in Maine. Images depict varied activities: hiking, boating, dancing, and calisthenics. Of interest are numerous photographs of girls wearing costumes and a group wearing swimming outfits, an image of a cabin interior with girls writing letters and knitting, and two photographs of girls holding cameras. An envelope with 10 additional photographs is laid in the album.

The album has a black cloth cover tied with string; housed in a grey board wrap with blue cloth spine.

The Caribbean photograph album contains photographs of towns, scenery, and people in Jamaica, Saint Vincent, Barbados, and Trinidad.

This photograph album (19cm x 26cm) contains 77 photographs of towns, scenery, and people throughout the Caribbean. Most pictures are 14cm x 22cm, though a few are 10cm x 15cm, and many have lengthy captions with additional information about locales pictured; many are numbered. Captions include information about hotel rates, population figures, vegetation, geographic features, and local customs. The photographs show Jamaica (43 items), Barbados (13 items), Trinidad (12 items), local residents (4 items), Saint Vincent (3 items), and other scenes (2 items). The album has many views of city streets and towns taken from street level and from higher vantage points, as well as views of rivers in Saint Vincent and Jamaica and of Carlisle Bay, Barbados. Structures such as sugar plantation windmills, railroad stations, hotels, markets, a prison, and churches are visible in many pictures, as are residents and, less often, tourists. A group of 4 photographs at the end of the album show East Indian women who worked in Trinidad, and 3 photographs show members of the West Indian Regiment and its band, including 1 picture of the band playing in a gazebo. Harbor views show Royal Navy ships and other vessels. The album's covers have a hard cloth covering, and the pages are bound together with rope. One loose page has been removed from the volume.

This incomplete 312-page manuscript catechism contains a series of questions and answers about religious faith, including the doctrine of predestination, the creation of the world, Jesus Christ, and the form and contents of prayer. A marginal note by a different 18th or 19th century hand suggests that this is "perhaps the writing of N Chauncey Hatfield or Samuel Wh[illegible]."

This incomplete 312-page manuscript catechism contains a series of questions and answers about religious faith, including the doctrine of predestination, the creation of the world, Jesus Christ, and the form and contents of prayer. A marginal note by a different 18th- or 19th-century hand suggests that this is "perhaps the writing of N Chauncey Hatfield or Samuel Wh[illegible]."

The manuscript begins with a discussion of heaven and hell, and proceeds through additional topics, often accompanied by scriptural references. Each subject is part of a continuing question-and-answer process, often based on a previous answer, and many themes recur frequently. Several brief proverbs appear on the final page.

The Celebrity portraits scrapbook contains numerous clipped engraved portraits of actors, actresses, singers, musicians, entertainers, politicians, writers, and other famous individuals that were compiled by an aunt of Florence C. Everett (wife of Norwood, Massachusetts-based journalist William Winthrop Everett) during the 1880s.

The Celebrity portraits scrapbook contains numerous clipped engraved portraits of actors, actresses, singers, musicians, entertainers, politicians, writers, and other famous individuals that were compiled by an aunt of Florence C. Everett (wife of Norwood, Massachusetts-based journalist William Winthrop Everett) during the 1880s.

The volume (32 x 19 cm) has brown leather covers (front cover detached) and contains 176 pages, all of which bear pasted-in engravings that were clipped from various newspapers, magazines, journals, advertisements, etc. Two inscriptions are present on the inside of the front cover; one states “This book is the property of W. W. Everett - 76 Winter St. Norwood, Mass.” while the other reads “The book was made by Mrs. W. W. Everett’s aunt Helen, probably in the 1880s. WWE.” The volume appears to have originally served as some type of accounting ledger before being repurposed.

Notable individuals represented within the volume include Joseph Jefferson, Sarah Bernhardt, P. T. Barnum, Lillie Langtry, Genevieve Ward, J. H. Haverly, E. A. Sothern, Sol Smith Russell, Ada Gilman, James H. Wallick, Adelaide Neilson, Buffalo Bill, Mittens Willett, Henry Clay, Susan B. Anthony, Wendell Phillips, Henry Wadsworth Longfellow, Elizabeth Cady Stanton, and Louis Pasteur.

This volume contains 20 ink portraits of members of the New Jersey State Senate of 1876 and 4 illustrations of scenes from the senate's centennial session.

This volume (5.5" x 6.75") contains 20 ink portraits of members of the New Jersey State Senate of 1876 and 4 illustrations of scenes from the senate's centennial session. E. S. Ellis presented this book to William J. Sewell, president of the New Jersey Senate. The individual portraits of senate members are organized alphabetically by the county each senator represented; Sewell, who represented Camden County, is the only member not individually drawn. The 4 additional illustrations depict an eagle holding the shield of the United States, Sewell calling the senate to order, a member reading the minutes, and a composite portrait of five individuals representing major newspapers.

A sailor only identified as "Charley" maintained this diary from January 1, 1857, to September 22, 1857, while serving aboard the mercantile clippers Charger from Boston to San Francisco and the Stag Hound from San Francisco to Hawaii and China. The Stag Hound carried 380 Chinese passengers from San Francisco to China, where it loaded a cargo of tea, silk, fancy matting, and other goods, to be returned to New York. Charley wrote about social matters, including descriptions of San Francisco, Hong Kong, Fuzhou, and the coasts of the Yangtze River, as well as shipboard life among sailors, officers, and passengers. He commented several times about one of his crewmates, possibly an African American man who went by the name of "Jim Crow," and noted the presence of captains' wives and children. He included several drawings of Chinese ships (junks) as well as coastal views of places in South America, Hawaii, the Philippines, Southeast Asia, and China. Charley also included a number of poems, mostly relating to sailors and seafaring, several of which appear to be originals.

A sailor only identified as "Charley" maintained this diary from January 1, 1857, to September 22, 1857. He first served aboard the mercantile clipper Charger under the command of Captain Luther Hurd, travelling from Boston, Massachusetts, past Cape Horn, to San Francisco, California. He switched berths in San Francisco to the Stag Hound who carried Chinese passengers under Captain Peterson to Hawaii, Hong Kong, and Foochow (Fuzhou), via the Chang (Yangtze) River. They passed various places in the Philippines and South China Sea without stopping, and returned to New York with a cargo of tea, silk, fancy matting, and other goods. Charley wrote about social matters, including descriptions of ports like San Francisco, Hong Kong, and Fuzhou, and shipboard life among sailors, officers, and passengers. He commented several times about one of his crewmates, possibly an African American man who went by the name of "Jim Crow," and noted the presence of captains' wives and children. He included several drawings of Chinese ships (junks) as well as coastal views of places in South America, Hawaii, the Philippines, Southeast Asia, and China. Charley also included a number of poems, mostly relating to sailors and seafaring, several of which appear to be originals.

Details about the labor of sailing are found throughout the diary, with regular notes about wind, weather, and sea conditions, land sightings, and occasional notations of latitude and longitude. Charley described the Charger as "a new one" (January 1), and several times noted that the ship was outpacing others. He commented on various shipboard tasks like cleaning the deck, handling and repairing sails, managing dwindling food and provisions, and catching sharks, fish, and porpoises to eat. Comments about the difficulty of the work and various demands appear regularly, as well as notes of various mishaps on board, damaging storms, and other dangers, like falls, sails gone awry, the hazards of Cape Horn (March 7), freshwater getting tainted (March 20), waterspouts (August 27), and suspected pirates (September 16). At least one crewmember died, seemingly of illness contracted prior to the voyage, and Charley wrote of his distress at how his body and burial were handled (July 17).

When he switched berths to the Stag Hound, travelling from San Francisco to Hawaii and Hong Kong, Charley wrote of the demands of manning an "outward bound ship":

"Everbody is in bad humor. The officers irritable. the crew more so. words pass between them. everything to do and nobody to do it. Bed clothes. sea boats. jackets. chests. and numerous other things of a sailors outfit tumbled together in confusion. chickens crowing. geese quacking turkeys gobbling. pigs squealing. these are the scenes and noises that must be endured by the outward bound" (May 15). Noting that "people on shore think that a sailors leads an idle life," he detailed the daily labor they typically performed (August 30).

Charley's depictions of shipboard life also reference issues of discipline and management of the crew. While on the Charger, he noted the captain distributing "a lot of tracts" to the crew (January 18 and February 8) and complained of officers making sailors work on the Sabbath (January 25). He wrote a detailed description of the Charger's officers on March 11, including physical and behavioral attributes, and noted that the rest of the crew consisted of 28 men from America, England, Ireland, Scotland, Holland, and Italy. He noted several physical fights and that crew members were imprisoned for matters like theft and violence (February 14 and May 8) or threatened to have their noses wrung by the captain for fighting (April 30). Charley recorded that the third mate confined "one of our boys who goes by the name of Jimmey Ducks" in the hencoop for "not feeding the fowls in the morning" (February 15). On another occasion, "the mate frightened one of the greenhorns nearly to death by hoisting him up to the royal mast head" when he cried when being asked to slush the mast (February 23). As provisions began to run out, Charley bemoaned that the sailors had to drink rainwater that was tainted by the ship's tar and paint, while "the officers can drink and use as much of the Boston water as they choose" and the steward "used two buckets of the good water to wash the cabin floor" (April 19). Upon landing in San Francisco, Charley noted that Captain Hurd was trying to convince the sailors to continue on with him on the next leg of the voyage by withholding wages from the crew, was struck by a passenger who accused him of "ill treatment to his sister," and that "Whenever our crew see him in the streets they are hooting him and throwing stones at him" (May 10-11).

Charley continued to note disciplinary issues when he transferred to the Stag Hound, including reminiscences about being imprisoned in Honolulu for refusing to work while on a whaling voyage aboard the Hobomok in 1852. Others' refusals to work and their punishment were documented (June 14), as well as efforts to manage unruly passengers (May 22). He noted that infighting and complaining "is the custom with sailors... When they cannot find fault with the officers or with the grub they must growl amoung themselves for pastime" (May 26). On the return voyage, Charley noted the "youngsters" were yelled at for being slow in their work (August 24).

The volume contains much detail about issues of race and ethnicity. He wrote about a man "that goes by the name of Jim Crow. he would make a horse smile to hear him singing comic songs and spouting Shakespere &c.," possibly an African American sailor (January 26). Charley made another reference to "James Crow" on February 28, participating in a demonstration by the sailors when their "advance was up" and they "assert[ed] our rights as sailors" and made an effigy that was hung and buried at sea. Charley called him a "courious genious. he makes sport for all hands in the ship. I don't know how we would get along without him" (February 28). Charley was pleased "to see my friend Crow" among those who switched berths to the Stag Hound (May 14). Charley commented on his singing and musical abilities (June 24, August 11), and he wrote about him in a poem (June 12), travelled ashore with him in Hong Kong (July 7), and remarked on his cure for toothaches (September 8).

Charley's entries also reflect on the individuals he encountered during his voyages, including a description of indigenous South Americans sailing catamarans to fish, some 20 miles from shore (February 5), and the multi-ethnic crew of the Stag Hound. On May 24, Charley described in detail the Stag Hound's Dutch captain and his wife, the Dutch first and second mates, the English third mate, American bosun and carpenter, and two Chinese stewards and two Chinese cooks. "Before the mast we have a sprinkling of all nations. It would puzzle a Philadelphia Lawyer to understand one half of them. I dont believe that there was one half of the confusion at the building of the tower of Bable as there is in our forecastle at meal times."

The bulk of his racial commentary revolves around the approximately 380 Chinese passengers who travelled aboard the Stag Hound to Hawaii and Hong Kong, of which he initially wrote disparaging comments (May 12). Some of Charley's entries reflect on Chinese shipboard experiences, such as gambling (May 20) and fighting (June 6), while others seem to indicate prejudiced behavior on the part of the Stag Hound's captain. He rationed Chinese passengers' allowance of water (May 22) and threatened violence against one English-speaking Chinese passenger for complaining (January 19). While approaching China, Charley noted the crew worked on cleaning guns due to "lots of pirates now in these seas, but we do not fear them so much as we do the passengers, for it is a common thing for them to try and take the vessel that they are in when they find that they are near to China" (June 25). He remarked on the Chinese Emperor, "said to be the brother of the Sun, and likewise the King of ten thousand islands" (June 29), the passengers praying for fair wind (July 1), and reacting with joy upon seeing the area near Hong Kong (July 5). He described Hong Kong, commenting on religion (July 6-7) and fears of Chinese boarding the ship at night to murder the crew (July 10). He noted passing the wreck of the Wild Duck and seeing Chinese junks painted "with large eyes on their bows so that they can see" (July 20), and he described places they passed while travelling up the Chang River under the guidance of a Chinese pilot and their arrival at Foochow (Fuzhou). He noted the work Chinese laborers undertook on the Stag Hound while at Fuzhou (July 24, 26, 27) and detailed his visit to a "pagoda" in the city (August 2).

Several references to women also appear in the diary. Charley remarked on the presence of the captain's wife aboard the Charger, noting her disdain for sailors (January 4, March 16). As the initial voyage to California wore on, Charley recorded a fight between the captain and his wife where she was threatened with violence if she spoke to the first mate (April 24). The captain's wife also accompanied the Stag Hound, and Charley described her and her scorn for the sailors as well (May 24). The captain's daughter was also aboard the Stag Hound, and Charley noted the purchase of a cat for her and her distress during a typhoon (July 27, September 7). He later noted the cat's disappearance and his suspicion that sailors disposed of it, "for a sailor would as soon see his Satanic Majesty on board of his ship as a cat for to him a cat is linked with superticion [sic]" (August 17).

Mentions of other ships throughout the volume reflect the international dynamics of sea travel and mercantilism. Charley noted ships from various American ports, Prussia, Brazil, England, and France. Upon arriving in Hong Kong, he observed French, English, and Portuguese men-of-war (July 6 and July 8), and named American ships by name while in Chinese ports. He recorded the goods taken on the Stag Hound in China, including opium, silver, fire crackers, tea, silk, and fancy matting.

In addition to his diary entries, Charley also documented his experiences with drawings. He included several pictures of Chinese junks and coastal views of the following locations:

• Cape Horn
• Tierra del Fuego
• South Farallon Islands
• Morotai Island
• "Wahoo" [O'ahu]
• Diamond Head
• "Cocowaner" island
• "Peico" island
• Balintang Islands
• Bashee Islands
• Batan Island
• Sabtang
• Goat Island
• "An Island in Hong Kong Harbor"
• "Great Lema Island"
• Pratas Islands
• "The last light of Hong Kong"
• "[Oaksu?] Islands"
• several views from along the River Chang
• Balabac Strait

Charley included clips of poetry and quotations, mostly relating to sailors and sea life. He copied a poem attributed to a crew member, "To the Albatross" (February 25), and others appear to be originals that he may have composed, such as one celebrating the passage past Cape Horn (March 7), another musing on the wide variances in a sailor's life (April 22), and one entitled "To the Stag Hound" (May 31). Other poems memorialize food poisoning (June 12), the death of a crewmate (July 17), and heading home for America (August 16). The final page of the volume includes a poem entitled "To Charley, by J.H.S." about their friendship and an amusing incident regarding cheese, seemingly written at their parting, and the lyrics to a song about a charcoal vendor.

A post-1886 newspaper clipping, "Boston Clippers," is pasted on the inside front cover and references the few remaining "splendid clippers which the discovery of gold in California and Australia produced," including the Charger .

A sailor only identified as "Charley" maintained this diary from January 1, 1857, to September 22, 1857, while serving aboard the mercantile clippers Charger from Boston to San Francisco and the Stag Hound from San Francisco to Hawaii and China. The Stag Hound carried 380 Chinese passengers from San Francisco to China, where it loaded a cargo of tea, silk, fancy matting, and other goods, to be returned to New York. Charley wrote about social matters, including descriptions of San Francisco, Hong Kong, Fuzhou, and the coasts of the Yangtze River, as well as shipboard life among sailors, officers, and passengers. He commented several times about one of his crewmates, possibly an African American man who went by the name of "Jim Crow," and noted the presence of captains' wives and children. He included several drawings of Chinese ships (junks) as well as coastal views of places in South America, Hawaii, the Philippines, Southeast Asia, and China. Charley also included a number of poems, mostly relating to sailors and seafaring, several of which appear to be originals.

A sailor only identified as "Charley" maintained this diary from January 1, 1857, to September 22, 1857. He first served aboard the mercantile clipper Charger under the command of Captain Luther Hurd, travelling from Boston, Massachusetts, past Cape Horn, to San Francisco, California. He switched berths in San Francisco to the Stag Hound who carried Chinese passengers under Captain Peterson to Hawaii, Hong Kong, and Foochow (Fuzhou), via the Chang (Yangtze) River. They passed various places in the Philippines and South China Sea without stopping, and returned to New York with a cargo of tea, silk, fancy matting, and other goods. Charley wrote about social matters, including descriptions of ports like San Francisco, Hong Kong, and Fuzhou, and shipboard life among sailors, officers, and passengers. He commented several times about one of his crewmates, possibly an African American man who went by the name of "Jim Crow," and noted the presence of captains' wives and children. He included several drawings of Chinese ships (junks) as well as coastal views of places in South America, Hawaii, the Philippines, Southeast Asia, and China. Charley also included a number of poems, mostly relating to sailors and seafaring, several of which appear to be originals.

Details about the labor of sailing are found throughout the diary, with regular notes about wind, weather, and sea conditions, land sightings, and occasional notations of latitude and longitude. Charley described the Charger as "a new one" (January 1), and several times noted that the ship was outpacing others. He commented on various shipboard tasks like cleaning the deck, handling and repairing sails, managing dwindling food and provisions, and catching sharks, fish, and porpoises to eat. Comments about the difficulty of the work and various demands appear regularly, as well as notes of various mishaps on board, damaging storms, and other dangers, like falls, sails gone awry, the hazards of Cape Horn (March 7), freshwater getting tainted (March 20), waterspouts (August 27), and suspected pirates (September 16). At least one crewmember died, seemingly of illness contracted prior to the voyage, and Charley wrote of his distress at how his body and burial were handled (July 17).

When he switched berths to the Stag Hound, travelling from San Francisco to Hawaii and Hong Kong, Charley wrote of the demands of manning an "outward bound ship":

"Everbody is in bad humor. The officers irritable. the crew more so. words pass between them. everything to do and nobody to do it. Bed clothes. sea boats. jackets. chests. and numerous other things of a sailors outfit tumbled together in confusion. chickens crowing. geese quacking turkeys gobbling. pigs squealing. these are the scenes and noises that must be endured by the outward bound" (May 15). Noting that "people on shore think that a sailors leads an idle life," he detailed the daily labor they typically performed (August 30).

Charley's depictions of shipboard life also reference issues of discipline and management of the crew. While on the Charger, he noted the captain distributing "a lot of tracts" to the crew (January 18 and February 8) and complained of officers making sailors work on the Sabbath (January 25). He wrote a detailed description of the Charger's officers on March 11, including physical and behavioral attributes, and noted that the rest of the crew consisted of 28 men from America, England, Ireland, Scotland, Holland, and Italy. He noted several physical fights and that crew members were imprisoned for matters like theft and violence (February 14 and May 8) or threatened to have their noses wrung by the captain for fighting (April 30). Charley recorded that the third mate confined "one of our boys who goes by the name of Jimmey Ducks" in the hencoop for "not feeding the fowls in the morning" (February 15). On another occasion, "the mate frightened one of the greenhorns nearly to death by hoisting him up to the royal mast head" when he cried when being asked to slush the mast (February 23). As provisions began to run out, Charley bemoaned that the sailors had to drink rainwater that was tainted by the ship's tar and paint, while "the officers can drink and use as much of the Boston water as they choose" and the steward "used two buckets of the good water to wash the cabin floor" (April 19). Upon landing in San Francisco, Charley noted that Captain Hurd was trying to convince the sailors to continue on with him on the next leg of the voyage by withholding wages from the crew, was struck by a passenger who accused him of "ill treatment to his sister," and that "Whenever our crew see him in the streets they are hooting him and throwing stones at him" (May 10-11).

Charley continued to note disciplinary issues when he transferred to the Stag Hound, including reminiscences about being imprisoned in Honolulu for refusing to work while on a whaling voyage aboard the Hobomok in 1852. Others' refusals to work and their punishment were documented (June 14), as well as efforts to manage unruly passengers (May 22). He noted that infighting and complaining "is the custom with sailors... When they cannot find fault with the officers or with the grub they must growl amoung themselves for pastime" (May 26). On the return voyage, Charley noted the "youngsters" were yelled at for being slow in their work (August 24).

The volume contains much detail about issues of race and ethnicity. He wrote about a man "that goes by the name of Jim Crow. he would make a horse smile to hear him singing comic songs and spouting Shakespere &c.," possibly an African American sailor (January 26). Charley made another reference to "James Crow" on February 28, participating in a demonstration by the sailors when their "advance was up" and they "assert[ed] our rights as sailors" and made an effigy that was hung and buried at sea. Charley called him a "courious genious. he makes sport for all hands in the ship. I don't know how we would get along without him" (February 28). Charley was pleased "to see my friend Crow" among those who switched berths to the Stag Hound (May 14). Charley commented on his singing and musical abilities (June 24, August 11), and he wrote about him in a poem (June 12), travelled ashore with him in Hong Kong (July 7), and remarked on his cure for toothaches (September 8).

Charley's entries also reflect on the individuals he encountered during his voyages, including a description of indigenous South Americans sailing catamarans to fish, some 20 miles from shore (February 5), and the multi-ethnic crew of the Stag Hound. On May 24, Charley described in detail the Stag Hound's Dutch captain and his wife, the Dutch first and second mates, the English third mate, American bosun and carpenter, and two Chinese stewards and two Chinese cooks. "Before the mast we have a sprinkling of all nations. It would puzzle a Philadelphia Lawyer to understand one half of them. I dont believe that there was one half of the confusion at the building of the tower of Bable as there is in our forecastle at meal times."

The bulk of his racial commentary revolves around the approximately 380 Chinese passengers who travelled aboard the Stag Hound to Hawaii and Hong Kong, of which he initially wrote disparaging comments (May 12). Some of Charley's entries reflect on Chinese shipboard experiences, such as gambling (May 20) and fighting (June 6), while others seem to indicate prejudiced behavior on the part of the Stag Hound's captain. He rationed Chinese passengers' allowance of water (May 22) and threatened violence against one English-speaking Chinese passenger for complaining (January 19). While approaching China, Charley noted the crew worked on cleaning guns due to "lots of pirates now in these seas, but we do not fear them so much as we do the passengers, for it is a common thing for them to try and take the vessel that they are in when they find that they are near to China" (June 25). He remarked on the Chinese Emperor, "said to be the brother of the Sun, and likewise the King of ten thousand islands" (June 29), the passengers praying for fair wind (July 1), and reacting with joy upon seeing the area near Hong Kong (July 5). He described Hong Kong, commenting on religion (July 6-7) and fears of Chinese boarding the ship at night to murder the crew (July 10). He noted passing the wreck of the Wild Duck and seeing Chinese junks painted "with large eyes on their bows so that they can see" (July 20), and he described places they passed while travelling up the Chang River under the guidance of a Chinese pilot and their arrival at Foochow (Fuzhou). He noted the work Chinese laborers undertook on the Stag Hound while at Fuzhou (July 24, 26, 27) and detailed his visit to a "pagoda" in the city (August 2).

Several references to women also appear in the diary. Charley remarked on the presence of the captain's wife aboard the Charger, noting her disdain for sailors (January 4, March 16). As the initial voyage to California wore on, Charley recorded a fight between the captain and his wife where she was threatened with violence if she spoke to the first mate (April 24). The captain's wife also accompanied the Stag Hound, and Charley described her and her scorn for the sailors as well (May 24). The captain's daughter was also aboard the Stag Hound, and Charley noted the purchase of a cat for her and her distress during a typhoon (July 27, September 7). He later noted the cat's disappearance and his suspicion that sailors disposed of it, "for a sailor would as soon see his Satanic Majesty on board of his ship as a cat for to him a cat is linked with superticion [sic]" (August 17).

Mentions of other ships throughout the volume reflect the international dynamics of sea travel and mercantilism. Charley noted ships from various American ports, Prussia, Brazil, England, and France. Upon arriving in Hong Kong, he observed French, English, and Portuguese men-of-war (July 6 and July 8), and named American ships by name while in Chinese ports. He recorded the goods taken on the Stag Hound in China, including opium, silver, fire crackers, tea, silk, and fancy matting.

In addition to his diary entries, Charley also documented his experiences with drawings. He included several pictures of Chinese junks and coastal views of the following locations:

• Cape Horn
• Tierra del Fuego
• South Farallon Islands
• Morotai Island
• "Wahoo" [O'ahu]
• Diamond Head
• "Cocowaner" island
• "Peico" island
• Balintang Islands
• Bashee Islands
• Batan Island
• Sabtang
• Goat Island
• "An Island in Hong Kong Harbor"
• "Great Lema Island"
• Pratas Islands
• "The last light of Hong Kong"
• "[Oaksu?] Islands"
• several views from along the River Chang
• Balabac Strait

Charley included clips of poetry and quotations, mostly relating to sailors and sea life. He copied a poem attributed to a crew member, "To the Albatross" (February 25), and others appear to be originals that he may have composed, such as one celebrating the passage past Cape Horn (March 7), another musing on the wide variances in a sailor's life (April 22), and one entitled "To the Stag Hound" (May 31). Other poems memorialize food poisoning (June 12), the death of a crewmate (July 17), and heading home for America (August 16). The final page of the volume includes a poem entitled "To Charley, by J.H.S." about their friendship and an amusing incident regarding cheese, seemingly written at their parting, and the lyrics to a song about a charcoal vendor.

A post-1886 newspaper clipping, "Boston Clippers," is pasted on the inside front cover and references the few remaining "splendid clippers which the discovery of gold in California and Australia produced," including the Charger .

The Chicago photograph album contains pictures of buildings, park landscapes, and people in Chicago, Illinois; Grand Rapids, Michigan; and Detroit, Michigan. Items include interior and exterior views of a Chicago home, portraits of small groups of individuals, views of gardens in John Ball Park (Grand Rapids, Michigan), and a photograph of a steamboat in the Detroit River.

The Chicago photograph album (14cm x 18cm) contains 24 photographic prints, each placed in a 9cm x 11.5cm window. The first item is an exterior view of a home located at 5828 Indiana Avenue in Chicago, Illinois, and the following eight items are interior views of parlors and a dining room; one shows a woman sewing. The album includes six photographs of John Ball Park in Grand Rapids, Michigan, with various garden scenes and a shot of two women in a small horse-drawn carriage, and one photograph of the steamer "The North Land" passing Belle Isle near Detroit, Michigan. One item features the Michigan Soldiers' Home in Grand Rapids, Michigan, and another shows a woman feeding a group of birds there. The remaining six items are informal group and individual portraits taken in Washington Park (Chicago, Illinois) (2 items), Palmer Park (Detroit, Michigan) (1 item), "Our Back Yard" (Chicago, Illinois) (1 item), and unidentified outdoor locales (2 items); two men posed by a bicycle in Washington Park. The album's cover is decorated with a colored floral pattern, with a gray geometric pattern near and covering the spine.

The Chicago to Colorado photograph album contains approximately 210 photographs taken by an unidentified photographer related to a tour from Chicago, Illinois, to Colorado and back again through Milwaukee, Wisconsin.

The Chicago to Colorado photograph album contains approximately 210 photographs taken by an unidentified photographer related to a tour from Chicago, Illinois, to Colorado and back again through Milwaukee, Wisconsin. The album (26 x 32 cm) has black paper covers and a manuscript note inside the front cover that reads: "Tour of 1903." Chicago-related photographs include a commercial street view, the Chicago River, and Lincoln Park. The following 191 photographs were taken in various locations around Colorado, including 20 images of commercial streets, residential streets, and parks in Denver and Colorado Springs; an early motorized sightseeing bus on a Colorado Springs street; and scenic views documenting visits to the Garden of the Gods, Pikes Peak, and the Gunnison River.

Several photographs show the main building and a small cabin at Sprague's Ranch in Moraine Park, Colorado. The travelers, a party of two men and a woman, are shown fishing, posing beside their platform tents, and sightseeing with larger groups. Also shown is the dramatic scenery of Ouray, Colorado, with views of the mountains, the box canyon, Silver Plume mines, and street scenes which include a stagecoach and loaded burros. Following several photographs of hotels in Glenwood Springs, Colorado, and a view of the Grand Canyon of the Arkansas, there are three images that show streets in Milwaukee, including the Schlitz Brewery, as well as two additional images of Chicago street scenes.

The City and country life photograph album contains approximately 70 photographs primarily showing the city and country residences of an unidentified wealthy family.

The City and country life photograph album contains approximately 70 photographs primarily showing the city and country residences of an unidentified wealthy family.

The album (21 x 27 cm) is half bound in black leather and has a detached front cover.

City scenes include views of townhouses on a city block in winter; a woman entering a carriage beyond a decorative wrought iron fence; a well-dressed couple in a two-wheeled carriage; an infant in a wicker baby buggy; a housekeeper or servant standing at a side door; and women and a young girl standing on a city street in elegant winter capes, muffs and hats. One woman stands on a snowy sidewalk holding a Kodak Brownie camera in her gloved hands. Five photographs show well-furnished formal interiors.

Rural scenes include views of a log house on a wooded lake whose well-furnished interior includes bookshelves, Native American baskets and textiles, snowshoes, a wolfskin rug, a desk, a chaise, and a piano. Men and women are shown with guns and gamebirds, fishing from a dock and in a rowboat, and partaking in an elaborate outdoor tea party. One photograph shows a Native American man sitting on the cabin steps. Nature views include images of logs in a flooded river, streams, a small wooded island, and a spotted fawn.

The City of Boston Public Celebration July 4th, 1918, photograph album contains 81 photographs documenting Fourth of July celebrations that took place in Boston, Massachusetts, in 1918.

The City of Boston Public Celebration July 4th, 1918, photograph album contains 81 photographs documenting Fourth of July celebrations that took place in Boston, Massachusetts, in 1918.

The album (39 x 28.5 cm) is sting-bound and has gray cloth covers with "Photographs" stamped in gold on the front and black paper pages. The first page contains a handwritten label that reads "City of Boston July 4th, 1918." Most but not all images include handwritten captions. The album's contents are grouped into three sections marked by handwritten labels: “Patriotic Exercises,” “Sports and Pastimes,” and “The Parade in the Evening."

"Patriotic Exercises" begins on pg. 3 and contains 19 photographs. Images include several views showing Boston mayor Andrew James Peters overseeing flag raising exercises performed by uniformed U.S. Army soldiers on Boston Common; views of a floating stage at Frog Pond; three photographs of speakers at the Old State House including Rabbi Abraham Nowak, Mayor Peters, and Walter A. Whelan; and two photographs related to a speech by Judge Joseph J. Murley at Wood Park Island.

“Sports and Pastimes” begins on pg. 43 and contains 35 photographs. Images include numerous views of swimming and boat races held at the Charles River Basin; views showing a baseball game, brass band performance, and parading Naval Battalion at Wood Island Park; views of the “Italian populace,” “Italian societies,” and others at North End Park; views showing the distribution of ice cream at the Charles River Gym and Prince Street Playground; views of athletic competitions taking place at Boston Common including foot races and tug of war; and a view of bathers at City Point.

"The Parade in the Evening" begins on pg. 115 and contains 27 photographs. All of these images showcase participants in a parade procession and include views of U.S. Army troops and the 10th Massachusetts State Guard, various ethnic groups (including Latvians, Italians, Portuguese, Albanians, Chinese, Greeks, and Armenians), a coordinated group of children in formation as a "living flag," and the Mission Church Band.

The Civil War Battlefields photograph album contains pictures of broken wooded landscapes and military cemeteries.

The Civil War Battlefields photograph album (17cm x 29cm) contains 34 pictures of broken wooded landscapes, Arlington National Cemetery in Virginia, and views of a river, likely the Potomac. Each numbered print is mounted in a 11.5cm x 16.5 cm window, framed by a thin gold border with decorations at the corners. Most images are views of wooded landscapes, many showing evidence of possible military activity and earthworks, taken in unidentified flat and hilly regions. Streams, small wooden buildings, and fences are sometimes visible. The album begins with a camping scene, presumably a self-portrait of the album's unidentified compiler in the field. Another view shows a group of three posed on a house's porch. Two photographs show a three-story domed public building, adjacent to what appears to be a war monument. Four pictures show Arlington National Cemetery, one including a plaque with lines from Theodore O'Hara's poem "Bivouac of the Dead." Of particular note is a group portrait of seven African American schoolchildren with their young teacher, taken inside a crude schoolhouse; the following picture shows the exterior of two wooden buildings, possibly in the same unknown location.

The Colombia photograph album contains approximately 110 photographs showing scenes from Cartagena, Turbaco, and Barranquilla in Colombia.

The Colombia photograph album contains approximately 110 photographs showing scenes from Cartagena, Turbaco, and Barranquilla in Colombia. The album (18 x 28 cm) is half bound in black leather. Images of particular interest include photographs related to diplomatic functions, such as views of the British and Spanish consulates, interiors of the American consulates in Barranquilla and Cartagena, two portraits of the British Consul and family, and a series of portraits of the large family of the Spanish Consul, "Familia Zubiria Stevenson." Other images of note include photographs of a bullfight, the tomb and former home of Rafael Núñez, street and architectural views, churches, thatched huts, local inhabitants including mule drivers and cemetery workers, guns at the Baluarte de San Javier, soldiers in formation, and harbor views including views of passanger sternwheel ferry Alicia and a clipper ship. Some photographs have handwritten captions in Spanish.

This volume (12 pages) contains detailed descriptions of the 1893 World's Columbian Exposition in Chicago, Illinois. The author commented on exhibits, provided personal reactions to them, and reflected generally on the fair. Brief discussions of crowds, childcare, and women's involvement are also included.

This volume (12 pages) contains detailed descriptions of the 1893 World's Columbian Exposition in Chicago, Illinois. The author commented on exhibits, provided personal reactions to them, and reflected generally on the fair. Brief discussions of crowds, childcare, and women's involvement are also included. Some of the attractions mentioned include:

• Manufactures and Liberal Arts Building, in particular exhibits on Japan, Italy, France, Russia, Germany, and Austria
• United States Government Building
• Fisheries Building
• Children's Building
• Art Galleries
• Horticultural Building
• Agricultural Building
• Dairy Building
• Machinery Hall, with a brief aside about "industrial education" for African Americans
• Krupp Gun Pavilion
• Electricity Building
• Forestry Building
• Shoe and Leather Building
• Anthropology Building
• Administration Building
• Transportation Building
• Choral Hall
• Music Hall
• Woman's Building
• Convent of La Rábida
• Columbus' Caravel
• Foreign Government Buildings

This manuscript is a student's condensed transcription of Charles Morton's Compendium Physicae. It lacks the mnemonic verses and diagrams found in Morton's work.

This volume is a 68 page student transcription of Charles Morton's Compendium Physicae. Previous catalogers tentatively identified the student as Nathaniel Chauncey (1681-1756).

The Conesus Lake Camping commonplace book contains poetry, drawings, and autographs compiled by a group of friends who camped near the New York lake in August 1889.

The Conesus Lake Camping commonplace book contains poetry, drawings, and autographs compiled by a group of friends who camped near the New York lake in August 1889. The loosely bound, 32-page volume opens with an inscription from William Cullen Bryant's poem "The Painted Cup," (p. 1) and also includes a copy of "Of a'the Airts the wind can blaw…," a poem by Robert Burns (p. 3). Of particular interest is a cheerful and humorous narrative poem composed by a woman staying with several female friends under the watchful eye of a chaperone, Aunt Margaret, and a male "protector," Rob. The poem, entitled "Camping Out," describes each of the six members of the camping party and includes a few of their adventures as well as a hint of nostalgia (pp. 19-25; p. 10). The book also contains a series of short cheers associated with prestigious colleges, including Princeton and Yale (p. 12), and, two ink drawings of three male friends: Newton Shepard, William S. Church, and F. B. Foster. One drawing, a tree labeled "Log Cabin" and adorned by an owl (p. 5), appears to be a detail of a larger image of a log cabin labeled "Eagle Point" (p. 32). The book also contains a number of autographs collected from camp visitors from around the country.

The Cook family photograph album contains carte-de-visite and tintype studio portraits of members of the Cook, Augusbury, and Zoller families of Cedar Rapids, Iowa; Boone, Iowa; and Watertown, New York.

The Cook family photograph album (15cm x 12cm) contains 16 cartes-de-visite, 6 tintype prints, and 2 card photographs. The pictures are studio portraits of members of the Cook, Augsbury, and Zoller families taken in Cedar Rapids, Iowa; Boone, Iowa; and Watertown, New York, in the late 19th century. Most photographs feature women, infants, and young children, and a list of captains identifies each person pictured. One card photograph shows a daguerreotype studio portrait of a young girl. The album's brown leather cover is stamped with decorative designs, some in gold. One of the volume's two original metal clasps is still affixed to the back cover.

The Corning-Southwick photograph album contains cartes-de-visite and tintypes of infants and young children. Several people pictured were members of the Corning and Southwick families.

The Corning-Southwick photograph album (13cm x 9cm) contains 15 cartes-de-visite and 3 tintype photographs, primarily of babies and young children. Many of the children pictured were members of the Martin, Corning, Gardner, and Southwick families. Two lithographs of a young girl putting on a boot and a young boy posing by a basket full of apples are also present. Included is a carte-de-visite showing the wedding of Charles Sherwood and Lavina Warren Stratton (Mr. and Mrs. Tom Thumb). The album has a decorative hard cover and a metal clasp.

This item is a bound collection of espionage correspondence from Paris, 1780, that describes the locations and numbers of French and Spanish ships in Gibraltar, New York, Canada, and the West Indies.

This volume is a bound collection of espionage correspondence from Paris, 1780. The 37 reports (65 pages) describe the locations and numbers of French and Spanish ships in Gibraltar, New York, Canada, and the West Indies. Many entries discuss the number of troops stationed at various ports, the conditions of the crew ("They are badly manned and sickly, especially the Spanish who also find it difficult to recruit their navy" p.40), and the outcomes of engagements ("The French had suffered greatly, most of the ship's masts being damaged...100 men have been killed and at least 1,200 wounded" (p.47). The author often provides logistical information such as lists of ships and crew sizes, as well as the names of the ships' captains.

The Crum-Ely family photograph album contains studio portrait photographs of individuals and groups living in Ohio. There are 28 cabinet photographs and 14 cartes de visite, and many pages include hand-written identifications of the subjects in the photographs.

The Crum-Ely family album (27.25 x 21.5cm) is a 34 page maroon plush velvet album containing 42 studio portrait photographs of individuals and groups living in Ohio and other Midwestern states. The people featured include members of the Crum, Ely, Folck, Matthias, Greer, Gilbert, and Riddle families. There are 28 cabinet photographs and 14 cartes de visite, and many pages include hand-written identifications of the subjects in the photographs.

The photographs were taken in West Unity, Bryan, Wauseon and Fayette, Ohio. There are also portraits from Osage Mission, Kansas and Bowman, Missouri.

Of note is the portrait of two women and a dark skinned man serving them.

There is a humorous occupational portrait of "Ed and Griffin" as tailors.

The Cuba photograph album contains 40 photographs of buildings, monuments, and other sights in Havana, Cuba, taken by an unidentified American tourist around 1901.

The Cuba photograph album contains 40 photographs of buildings, monuments, and other sights in Havana, Cuba, taken by an unidentified American tourist around 1901.

The album (14 x 18 cm) has grey cloth covers and is in fragile condition, with some early pages possibly missing. All 40 photographs are in good condition and include detailed inscribed captions. Most images are of major buildings and monuments such as the Cathedral Havana, Tacon Market, and Morro Castle.

• The wall where Spanish soldiers executed eight medical students falsely accused of desecrating a cemetery in 1871.
• Hotel Inglaterra (still in operation) with the empty pedestal in front where a statue of Queen Isabella II of Spain stood until 1899.
• The remains of the USS Maine, sunk in Havana Harbor in 1898 during the Spanish-American War.
• Tourists looking through the fence at General Fitzhugh Lee’s Marianao headquarters where he served as a commander of occupation forces from January 1899 until November 1900. Gen. Lee was a popular consul general in Havana from 1895 until the Spanish-American War broke out in April 1898, and he was the last American to leave Cuba. During the war, he trained a group of volunteer soldiers in Jacksonville, Florida, but never saw combat. He was appointed commander of occupation forces in the Havana District and returned to Cuba on January 1st, 1899, the day the Spanish evacuated the island

This manuscript, titled "Toasts," includes 13 toasts along with actual or suggested musical accompaniment for each pronouncement. The speeches express strong support for the Democratic Party and regard such individuals as George Washington, Thomas Jefferson, Andrew Jackson, Martin Van Buren, Richard M. Johnson, James Madison, and Thomas Hart Benton. One toast decries the Bank of the United States.

This manuscript, titled "Toasts," includes 13 toasts along with actual or suggested musical accompaniment for each pronouncement. The speeches express strong support for the Democratic Party and regard such individuals as George Washington, Thomas Jefferson, Andrew Jackson, Martin Van Buren, Richard M. Johnson, James Madison, and Thomas Hart Benton. One toast decries the Bank of the United States. Musical accompaniment includes "The Rights of Man," "Hail Columbia," "Jackson's March," "Auld Lang Syne," "Roslin Castle," "Rogues March," "Yankee Doodle," "Hail to the Chief," the "Star Spangled Banner," and others.

The manuscript bears strikethroughs and revisions, suggesting that it is a working copy. Its reference to President Andrew Jackson and to Martin Van Buren ("worthy to succeed the illustrious Jackson") suggest a likely date of July 4, 1836.

This diary of a railroad and steamer trip chronicles the author's travels from Philadelphia, Pennsylvania, to the Midwest. The diary includes descriptions of scenery and cities in Illinois, Missouri, Kansas, and Iowa.

This diary of a railroad and steamer trip (88 pages) chronicles the author's travels from Philadelphia, Pennsylvania, to the Midwest. The diary includes descriptions of scenery and cities in Illinois, Missouri, Kansas, and Iowa.

The volume opens on April 21, 1857, the author's 30th birthday, and begins with a cross-county railroad trip on the Central Railroad from Philadelphia to Pittsburgh. Fom there, he traveled on the Pittsburgh, Fort Wayne, and Chicago Railroad to St. Louis, Missouri, where he arrived on April 25. In St. Louis, he noted the 55-minute time difference, went sightseeing, and met acquaintances from Delaware. His travels in the area included a trip to the Jefferson Barracks, which he recorded in detail (April 27, 1857), and several visits to nearby St. Charles, where he attended a Mormon church service (May 3, 1857). From May 6-12, he embarked on a boat trip to Leavenworth, Kansas, on the steamer Oceana, making frequent mentions of scenery in his diary. During his time in Kansas, he visited several local land offices, where he commented on inflated prices, and he discussed the recent history of the region, tainted by the violence of "Border Ruffians." From Kansas, he returned to St. Louis via Missouri River steamers and traveled up the Mississippi River to Quincy, Illinois, and Keokuk, Iowa. Throughout his journey, he recorded his incoming and outgoing correspondence, primarily to relatives in Delaware, and attended religious services of numerous Christian denominations. Additionally, he continued to meet friends and describe scenery and points of interest. He also occasionally made note of emigrants encountered along his travels, including a group of French socialist settlers in Nauvoo, Illinois (June 10, 1857) and other emigrants headed further west from Missouri and Kansas. The diary ends in Quincy, Illinois, on June 22, 1857, with the author setting out for Palmyra, Missouri, where he spent much of the last week of his travels.

This collection contains 5 official copies of letters exchanged by United States Army officers regarding African American regiments in the Carrollton District of New Orleans, Louisiana, in 1864. The writers discussed topics including courts martial, troop transfers, commemorations of the Emancipation Proclamation, and soldiers' wives and families.

This collection contains 5 official copies of letters exchanged by United States Army officers regarding African American regiments in the Carrollton District of New Orleans, Louisiana, in 1864. The writers discussed topics including courts martial, troop transfers, commemorations of the Emancipation Proclamation, and soldiers' wives and families.

The box and folder list for this finding aid includes information about the contents of the letters in the collection.

The Drew family photograph album contains 27 photographs related to a New York family including images of children, family pets, family tombstones, a man posing with a horse and gig, group rowboats, and the Canadian steamboats Hamilton and Spartan.

The Drew family photograph album contains 27 photographs related to a New York family including images of children, family pets, family tombstones, a man posing with a horse and gig, group rowboats, and the Canadian steamboats Hamilton and Spartan.

The album (16 x 20 cm) is half-bound with black leather binding and black cloth boards. Lacking spine.

The Eastern shore photograph album (13 x 17 cm) contains 48 amateur photoprints showing scenes from Atlantic City, N.J. and what appears to be downtown Baltimore, Maryland.

The Eastern shore photograph album (13 x 17 cm) contains 48 amateur photoprints showing scenes from Atlantic City, N.J. and what appears to be downtown Baltimore, Maryland. There are numerous images featuring horses and carriages, including a photograph at a racetrack. There are several photographs of boats including an image of the New York Ocean Going Excursion Steamboat "Columbia." A number of images show bathers on the beach and boardwalks at Atlantic City, N.J., including two views of the Heinz Ocean Pier. Other interesting photographs include a self-portrait and three images of a dressed up skeleton, perhaps for Halloween.

The album is covered in plastic, has a black cloth binding and is housed in a light blue box.

This currently unidentified student's cypher book contains mathematical rules and examples largely in the service of commerce. Entries relate to the addition of money, addition of Troy weight, addition of dry measure, subtraction, a numeration table, a multiplication table, the Golden Rule (i.e. the rule of three), and similar concepts. Currency in this volume is almost exclusively British coinage, but at least one problem references conversion of British pounds into the (newly created) U.S. dollar. The covers of the volume are (apparently re-used) canvas, possibly sailcloth. The cypher book was owned by the Higgins family of Cape Cod, Massachusetts, and it contains names of Higgins family members, but the author is yet undetermined.

These Eighteenth-Century sermons pertain to numerous topics such as sin, repentance, and salvation.

Seven eighteenth-century Christian sermons concern numerous religious topics. Five are dated February 6, 1757-August 28, 1757; and 2 are dated August 17, 1760, and April 26, 1761. Each sermon is based on a Bible verse, usually in the New Testament, and most pertain to sin, repentance, and salvation. The undated item of copied Bible verses also has notes about baptism and the life and miracles of Jesus Christ. See the Detailed Box and Folder Listing for more information.

This volume (22 pages) is a typewritten biography of Elias Durand, a French immigrant who became a notable pharmacist and botanist in Philadelphia, Pennsylvania, in the mid-19th century. The biography, written by a former apprentice, concentrates on Durand's final years in France and on his pharmaceutical career in the United States.

This volume (22 pages) is a typewritten biography of Elias Durand, a French immigrant who became a notable pharmacist and botanist in Philadelphia, Pennsylvania, in the mid-19th century. The biography, written by a former apprentice, concentrates on Durand's final years in France and on his pharmaceutical career in the United States.

Durand's final apprentice wrote this biography, entitled Some Recollections of an Old Corner, in 1886. Two images are pasted into the book's opening pages: an illustration of Durand's pharmacy and a photograph of Elias Durand. The biography begins with a brief history of Durand's studies in France, as well as a description of his service as an assistant pharmacist in Napoleon's Army. The bulk of the narrative concerns Durand's experiences in the United States, first in Boston and Baltimore and then as a pharmacy owner in Philadelphia.

The author traces Durand's first jobs in America, including descriptions of Durand's encounter with a group of Native Americans outside of Baltimore (pp. 7-8) and his establishment of his own business, which he operated between 1824 and 1852. The biography frequently discusses Durand's role in the professionalization of the American pharmaceutical industry and mentions many of his accomplishments, such as his invention of an apparatus for making "carbonic acid water" (p. 10), his use of French literature and research to further American pharmacy expertise (pp. 11-12), his soda water and fruit juice concoctions (pp. 13-14), and his work bottling mineral water (p. 18). The author credits Durand with the creation of several medicines and notes the pharmacist's association with prominent Philadelphia doctors including Charles Meigs and Samuel Jackson. The biography also briefly mentions Durand's later botanical career and his personal life.

This volume contains diary entries about the author's travels in England and Scotland during the summer of 1799. The author commented on towns visited, road conditions, geographical features, architecture, industry, and other subjects.

This 78-page "Journal During a Tour to the Lakes of Cumberland, Westmoreland, and Lancashire and the Highlands of Scotland" concerns the author's travels with a companion around England and Scotland from June 24, 1799-September 14, 1799. They left from and eventually returned to London, visiting cities and towns in northern England and southern Scotland. The author commented on the towns, their residents, and local architecture, occasionally noting buildings of historical interest such as the Scone Palace in Scotland. A lengthy entry written around July 4-8, 1799, describes the area around Buxton and Castleton, England, where the travelers toured caverns and the Odin Mine. The diarist also discussed local industries, prominent geographical features, and road conditions.

The diary entries are followed by 5 pages of supplementary information. A 4-page table lists the names of towns visited, the names of inns utilized by the author, 1-3-word descriptions of the conditions at the inns, and the number of miles traveled between each location. A 1-page list of excursions taken from main stopping points along the route is also present.

The European vacation photograph album contains 74 photographs taken throughout Europe ca. 1910. A majority of the photos show various rooms and interior views of an apartment in Rome. Other specific locations include Oxford (England), Subiaco (Italy), Canterbury (England), Füssen (Germany), Weesen (Switzerland), and Glarus (Switzerland).

The European vacation photograph album contains 74 photographs taken throughout Europe ca. 1910. A majority of the photos show various rooms and interior views of an apartment in Rome. Other specific locations include Oxford (England), Subiaco (Italy), Canterbury (England), Fussen (Germany), Weesen (Switzerland), and Glarus (Switzerland).

The first 50 photos housed in the album consist primarily of interior views of the apartment. Handwritten notes provide general descriptions of the view (e.g. "looking from salon through little room where the books are into the salottino"). One specific piece of furniture mentioned is a credenza; which, according to the note, came from the British Embassy. Also included are images of a garden terrace (covered in snow), rooftop cityscape views of Rome, and three individuals (man, woman, and maid). The woman, likely the creator of the album, is referred to as Mable and the maid as Livie. In addition, there is one photo of the Holywell Ford House at Magdalen College, Oxford.

The remaining 24 photos are loose and housed in an envelope. These images show scenes of traveling and sightseeing throughout Europe. Specific sites include the House of Agnes in Canterbury, Sacro Speco in Subiaco, and downtown views of Weesen and Füssen. Of particular note is a photo of a pile of empty fiaschi. The handwritten notation on the back reads "This is our pile of empty wine flasks. I don't belong to the WCTU."

The album is 20.5 x 15 cm with black cloth covers.

This scrapbook, titled "The Examination of Benjamin W. Greene," contains clippings of three short articles published in the Hartford Courant newspaper of testimony given at the trial of accused murderer Benjamin W. Greene in early 1866. Greene was charged with the murder of Eunice North Greene, his wife, on November 5, 1865, and the court sought to determine whether the homicide (and Benjamin's subsequent suicide attempt) was due to insanity.

This scrapbook, titled "The Examination of Benjamin W. Greene," contains clippings of three short articles published in the Hartford Courant newspaper of testimony given at the trial of accused murderer Benjamin W. Greene in early 1866. Greene was charged with the murder of Eunice North Greene, his wife, on November 5, 1865, and the court sought to determine whether the homicide (and Benjamin's subsequent suicide attempt) was due to insanity.

An investigation of the Greene household allowed witnesses to piece together the progression of events on November 5, 1865. As Eunice was reading, Benjamin approached her from behind and cut her neck with a razor. She was able to call for help after Benjamin fled and to name him as the perpetrator, but her wounds were too severe to overcome. After a brief search, two men found Benjamin inside of a locked room, lying next to the same razor used to kill Eunice. Despite having cut his own wrists and neck in a suicide attempt, he was able to be stabilized and survived.

The loss of Eunice and Benjamin's eldest daughter, Harriet North Day (1831-1864), was consistently cited as the reason for the sharp decline in Benjamin's mental and physical health. The family physician, Dr. Beresford, held Benjamin's "singular and peculiar delusions with regard to his domestic affairs" (p. 2) as evidence of his mental instability. Often centered around Eunice, or supposed financial burdens, the validity of those claims was challenged by what Dr. Beresford and other witnesses observed prior to the homicide (p. 7, 11, 12, 14).

Before the murder, Benjamin repeatedly denied help from his family and friends, blocking at least one attempt by physicians to inform Eunice (p. 4) of his mental state. His nephew, William D. Wyatt (1828-1884), tried several times to intervene and help his uncle—both at his own behest and at Eunice's—but ultimately failed. William did not deem it safe to be alone with Benjamin, and testified that during one visit, Eunice told him that her husband was "a crazy man" and "had been a deranged man for years" (p. 11).

The scrapbook does not include the final ruling of the court, but the following is a quotation from an article [not present] containing the verdict, published in the Hartford Courant on March 14, 1866:

"The finding that Mr. Greene was insane at the time he killed his wife, will undoubtedly render his will, which was made in July last, and which was referred to in the testimony offered during his examination, of no account. In this will he bequeathed all his property to Robert E. Day, his son-in-law, and Mr. Day's little daughter. His action, in this respect, would seem to show that he labored under the delusion claimed that his whole family, with the exception of Mrs. Day, was leagued against him. After her death he said he had lost his best friend, and from that time forward declined in health rapidly."

The Family and travel photograph album contains approximately 120 commercial and amateur photographs primarily showing a couple and their two young children.

The Family and travel photograph album contains approximately 120 commercial and amateur photographs primarily showing a couple and their two young children.

The album (18.5 x 28 cm) features photographs of the unidentified couple and an their children at home, visiting friends, and on trips to the shore. Also included are photographs of stately homes and several childrens' parties, with one group of children holding hoops and sticks. Commercial photographs include a view of Washington, D.C. from the Capitol dome; the U.S. Capitol building; the Statue of Liberty; the former Treasury building on Wall Street in New York City; the Brooklyn Bridge; Carpenters' Hall; the S.S. Teutonic; and a nearly completed Philadelphia City Hall.

This manuscript contains detailed descriptions of boxing matches, biographical information about prominent boxers, and related poetry, portraits, and illustrations, primarily concerning the sport's history in England during the early 1800s.

This 546-page manuscript contains information on boxing and boxers in the early 19th century. Approximately 512 pages include detailed descriptions of boxing matches and biographies of prominent boxers, with an additional 27 pages devoted to boxing- related poetry. A 7-page index of names, matches, illustrations, and poetry finalizes the volume.

The round-by-round descriptions of matches provide details about the combatants and their movements, locations of the fights, histories of the participants, physical states of the fighters after the bouts, and prizes awarded. The biographies vary in length and are occasionally accompanied by portrait illustrations of the men in everyday or formal attire. English and American boxers are represented, including some African Americans. Additional drawings depict boxing matches and trophies.

The Sewing designs sample book contains 47 hand-stitched design samples made of thread on paper.

The Sewing designs sample book contains 47 hand-stitched design samples made of thread on paper. Designs range from simple to complicated shapes and patterns to fruit, a circular shell, and Native American-inspired objects such as a bow and arrow, a moccasin, a snowshoe, and a canoe. Multiple colors of thread are utilized. The sample book (24 x 28.5 cm) is closed with a string tie.

This Flavius Vegtius Renatus Epitoma rei militaris manuscript was produced circa twelfth century on vellum.

Epitoma rei militaris. [Incipit] Flauij. vegetii. renati. viri illustris epitoma instituto rei militaris. de cōmentarijs catonis augusti. Traiani. adriani. et erumptorii [i.e. Frontini] Libri numero. iiii.

This Flavius Vegtius Renatus, Epitoma rei militaris manuscript was produced circa 12th century on vellum. It is 63 leaves (plus 2 blank), with small characters; the titles of books and chapters are in red, and some capitals are drawn in red or green. This copy was executed in Europe (likely Northern France or England). The first leaf contains the name "Sir Simeon Stuart Bart." (18th century). A fragment of a contemporary manuscript (1 leaf at the beginning and 1 at the end) was supplied for protection. The binding is 19th century brown morocco, blind tooled, with gilt edges, by W. Pratt.

The treatise is divided into four books, concerning army reform, the duties of soldiers and officers, military maxims, fortifications and sieges, and naval matters.

The Franconia Notch and Washington, D.C. photograph album consists of 65 photographs primarily showing landscape scenes of Franconia Notch, New Hampshire, architectural views of Washington, D.C., and a camping trip to an unidentified location likely somewhere in the Northeast.

The Franconia Notch and Washington, D.C. photograph album consists of 65 photographs primarily showing landscape scenes of Franconia Notch, New Hampshire, architectural views of Washington, D.C., and a camping trip to an unidentified location likely somewhere in the Northeast. The album (18 x 27 cm) is half bound in brown leather with brown cloth boards. Washington, D.C.-related views include the White House with an interior ballroom, the Washington Monument, the Teasury Building, the U.S. Capitol, the Smithsonian Castle (with the Capitol in the background), and the Senate and House chambers. Camping-related images include photographs of a wooded lakeside area showing campers hiking, boating, painting, fishing, playing guitar, reading, and contemplating the scenery. In one view of a tent encampment in a grove of trees, a table is set for a meal, and a man stands beside a camera on a tripod. Several people from the camping trip are shown in various other settings: in a back garden, in front of a frame house with fencing, and in several Victorian-style interior rooms. Additional photographs show the Maplewood Hotel in Bethlehem, New Hampshire, and a boardwalk (possibly in Atlantic City, New Jersey).

"Fredericksburg During the Civil War" is a typed account of a Union soldier's experiences during the Battle of Fredericksburg, Second Battle of Fredericksburg, and Battle of Salem Church. The account includes detailed descriptions of each battle and of the "Mud March" of January 1863. The writer commented on his regiment's movements, casualties, the experience of coming under heavy fire, and other subjects.

Fredericksburg During the Civil War (16 pages) is a typed account of Union soldier's experiences during the Battle of Fredericksburg, Second Battle of Fredericksburg, and Battle of Salem Church. The account begins with a description of the area around Fredericksburg, Virginia, and brief remarks about its strategic importance. The bulk of the document consists of the author's reminiscences about his experiences between December 1862 and May 1863. While crossing the Rappahannock River toward Fredericksburg, he saw a large number of playing cards discarded by soldiers who did not want to seem morally compromised in the event of their death. He described the large number of casualties between Union and Confederate lines during the Battle of Fredericksburg and recalled a heroic Confederate sergeant who took water to the wounded despite the risk of being shot; both sides ceased to fire while he tended to the wounded. After retreating to winter quarters, the author and his tent-mate built a log hut and participated in General Ambrose Burnside's aborted "Mud March" in January 1863.

The narrative resumes in May 1863, when the author's regiment joined the "disastrous" Chancellorsville campaign under General Joseph Hooker. The VI Corps approached Fredericksburg on May 1, 1863, and then engaged Confederate forces. Though the author exchanged fire with Confederate soldiers, he was unsure whether he had been directly responsible for any deaths. He discussed the capture of the Washington Battery, noted the death of a college classmate during the battle, and wondered whether the victory had justified the large number of casualties. As the Union Army continued to move toward Chancellorsville, the author became involved in the Battle of Salem Church, which he recounted in the present tense, listing multiple marching orders and providing accounts of several specific soldiers. The essay ends with the author locating his disjointed regiment and retreating back toward a previous encampment at White Oak Church.

The Galveston, Texas photograph album contains 33 photographs, the majority of which depict Galveston, Texas ca. 1908.

The Galveston, Texas photograph album contains 33 photographs, the majority of which depict Galveston, Texas ca. 1908. Included are cyanotypes, albumen prints, and postcard photo prints. Photographs consist of a railroad crossing tower, railroad station, trestle bridge, freight and passenger steamers, downtown street views, family photographs, grandstands, earth embankments, buildings under construction, and Galveston's seawall and grade raising project. Amusement/water parks shown include Electric Park (Galveston, Texas), Chutes Park (Galveston, Texas), and Lake Cliff Park (Dallas, Texas).

The album is 19 x 14.5 cm with brown paper covers. A cyanotype of an unidentified building is pasted to the front cover.

The Genesee County photograph album contains approximately 121 photographs related to an unidentified family farm in Genesee County, Michigan, ca. 1923.

The Genesee County photograph album contains approximately 121 photographs related to an unidentified family farm in Genesee County, Michigan, ca. 1923. The album (21 x 15 cm) has a string-bound brown cover with "Photographs" stamped in gold on the front. Most of the photographs present in the album were taken on a rural farm. Photographs include individual portraits of various family members as well as images of family gatherings, farm animals, barns and other farm buildings (including pictures documenting building construction), children, camping, automobiles, and pets. Additionally, pg. 26 contains six photos of people dressed in Ku Klux Klan attire while pg. 29 includes a photograph of a World War I monument honoring several fallen alumni of the Lundhill Sunday School in Wombwell, England.

The author (or authors) of these diaries traveled from Vienna, Austria, to the United States and back in the summer and fall of 1901 and from Bremen, Germany, to the United States and back in the summer and fall of 1904. The first volume mostly concerns the author's meetings with businessmen and contains descriptions of engineering works, factories, and machinery. The second volume pertains to the author's travels around the United States, including visits to Colorado, California, and Yellowstone National Park.

These typed transcripts of German language travel diaries (2 volumes) concern 2 visits to the United States by a group of Austrians or Germans in the early 20th century. Volume 1 (356 pages), entitled "Reise-Tagebuch 1901," pertains to the author's trip to the United States from Vienna, Austria, and back from August 19, 1901-November 8, 1901. The account covers the author's journey from Austria to England and his subsequent travel from England to the United States onboard the Campania. Once in the United States, the author spent most of his time in New York City, where he met with businessmen. The diary reflects his interest in engineering and machinery; it contains descriptions of steam shovels, canals, reservoirs, drills, and other inventions. The author, who was based in New York, visited Washington, D.C., and made an extended trip west through Pennsylvania, Ohio, Michigan, and Illinois. The final entries recount his return voyage on the Deutschland. Some of the entries, particularly those written during the return trip, list the time in the author's current location and in Europe.

Volume 2 (343 pages) describes the author's round-trip journey to the United States from Bremen, Germany, between June 25, 1904, and September 27, 1904. After sailing to New York on the Kaiser Wilhelm II, the author wrote about his time in New York City, where he commented on factories and industries. Much of the volume is devoted to the author's travels in New York and, later, throughout the West. Before leaving New York, he watched a baseball game and visited Niagara Falls. He then headed for the Mississippi River and subsequently discussed the scenery in places such as Missouri, Colorado, Utah, Arizona, and California. The diary includes mentions of mines, Mormons, and the Grand Canyon. The author took the Great Northern Railway to Yellowstone National Park, where he remarked on the geysers and other scenery, and then continued eastward through cities including Saint Paul, Chicago, Columbus, and Pittsburgh. The final entries recount his return to Bremen.

The Gloversville, New York photograph album contains 100 photographs taken in Gloversville, New York, and the surrounding area ca. 1905.

The Gloversville, New York photograph album contains 100 photographs taken in Gloversville, New York, and the surrounding area ca. 1905. The first portion of the album consists of natural landscape and scenic cyanotypes. Also included are photographs of a flood, street-railroad cars, city street views, a photographer's studio, children, a farm, dogs, a drugstore, and a soda fountain. The last few pages of the album contain 60 small portraits.

The album is 20 x 14.5 cm with black cloth covers.

This 84-page volume contains orders, muster rolls, and supplementary material concerning the operations of the British Army's 15th Regiment of Foot in June 1841.

This 84-page volume contains orders, muster rolls, and supplementary material concerning the operations of the British Army's 15th Regiment of Foot in June 1841. The volume originally belonged to an officer stationed with the regiment, and it contains 8 pages of orders issued by Lieutenant Colonel Lord Charles Wellesley in June 1841. Wellesley's orders pertain to the division of the regiment's companies into smaller squads, specify requirements for personnel records, and provide a list of drill movements to be performed by each squad. The orders are followed by a roster of members of the 2nd Squad of the regiment's 1st Company: a 22-page printed chart filled out in manuscript, followed by a 15-page roster with the same format, written entirely in manuscript. The roster includes information about each member of the unit, including his name, age at enlistment, height and weight, birthplace, trade, level of literacy, religion (Catholic or Protestant), and marital status; it also provides space for additional remarks, often used to record promotions, discharges, deaths, transfers, or the number and ages of children. The next 8 pages (bound into the volume) contain printed instructions for non-commissioned officers, including discussions of officers' duties, procedures and regulations concerning the formation of companies, and information about guards and barracks.

Other portions of the book record specific orders for the regiment to proceed to Fareham, blank handwritten grids for the names of men to be disciplined or promoted, and lists of duties for orderly sergeants and orderly corporals. The volume also contains a list of daily drill procedures, a diagram of a "Complete Kit laid out," and the light marching order.

The Greene Family Lake Winnipesaukee photograph album contains views of the Greene family's steam yacht on Lake Winnipesaukee, lakefront properties and lakeside scenery, pictures of people enjoying indoor and outdoor recreational activities, and formal portraits.

The Greene Family Lake Winnipesaukee photograph album (25cm x 30cm) contains 32 photographs taken on and around the New Hampshire lake in the late 19th century. Most prints are 24cm x 19cm, pasted one to a page, or 12cm x 19cm, pasted two to a page; one page has four prints, each 9cm x 12cm. The original covers are no longer extant.

A large steamboat, the Lady of the Lake, appears in one or two images. A small steamboat belonging to the Greene family, theMohawk, is shown on the water in numerous photographs, often with people relaxing on deck or waiting to board from a dock. The album contains many scenic views of lakeside properties, likely owned by the Greene family, including one of the Hotel Weirs. One boy posed by a tall flagpole with a large United States flag, erected next to a lakefront house, and one item shows a flock of ducks around a sign for Roxmont Mineral Spring, possibly part of the Hotel Weirs grounds. Some of the pictures are interior views of unidentified people relaxing in a parlor; in one photograph, a woman sits at the piano while a boy plays a horn and a man reads a newspaper from Boston, Massachusetts. J. A. Greene appears in at least two photographs; in one photograph he sits in a parlor with an unidentified woman and in another photograph he is shown with freshly caught fish along the lakeshore. Photographs of a hunting party beside a log cabin, fishing from a canoe, riding in a horse-drawn wagon, and posing by a dead deer are also included. The album has a formal group portrait of a man, woman, and young boy and a formal portrait of a young girl, all likely members of the Greene family. Two fanciful images show a person standing next to a florally decorated bicycle with a large umbrella attached and a staged scene of a tooth extraction set in a medical office. A second photograph of the same medical office shows a man writing at a desk.

A list of photographs is housed with the album.

The Grenfell, Saskatchewan snapshot album (22.25 x 15.25 cm) contains 26 unidentified snapshot photographs and 1 index sheet. The contents are of landscapes, First Nations people and their campsites, village buildings, livestock, townspeople, and a locomotive.

The Grenfell, Saskatchewan snapshot album (22.25 x 15.25 cm) contains 26 snapshots and 1 index sheet. The title printed on the front cover reads "Scenes by the Way." The contents are of landscapes, First Nations people and their campsites, village buildings, livestock, townspeople, and a locomotive. A note written on the inside front cover indicates that this was a Christmas gift to a cousin, and a note below this includes information about the Grenfell railroad station. An index of captions is loose in an envelope within the album. The identified subjects in the album are referred to by their first names.

This collection consists of a commonplace book (approximately 50 pages) compiled by Ann Greene after 1790, and an account of a 44-day voyage John Grew and his family took from Liverpool to Boston in the summer of 1795. The 22-page travel diary also includes an 8-page copy of a letter Mary Grew, John Grew's mother, wrote to her family in England upon her arrival in Boston.

This collection consists of a commonplace book (approximately 50 pages) compiled by Ann Greene after 1790, and an account of a 44-day voyage John Grew and his family took from Liverpool to Boston in the summer of 1795. The 22-page travel diary also includes an 8-page copy of a letter Mary Grew, John Grew's mother, wrote to her family in England upon her arrival in Boston.

Ann Greene's commonplace book has two parts: 33 pages of transcribed poetry (24 poems) begin at the front cover, and 15 additional pages of personal reflections and letter drafts begin at the back cover. Much of the poetry was originally written by British authors whose work circulated widely in the eighteenth century, such as James Boswell, James Thomson, William Cowper, and Elizabeth Singer Rowe. Greene occasionally recorded the volume and page from which she transcribed poems. The other portion of the volume contains personal resolutions about making good use of one's time, interspersed with light-hearted notes about beaux or friends.

The travel diary records the Grew family's emigration from Birmingham England, to Boston, Massachusetts, in 1795. Daily entries, written between May 23 and July 8, 1795, detail several aspects of the voyage, such as the weather, passing ships, maritime wildlife, and the ship's progress. The diarist also mentioned an instance when another vessel mistook their ship for a French privateer, and the effects of a tumultuous storm.

The final 8 pages contain a copy of a letter Mary Coltman Grew (1756-1834) wrote to her mother in England from Boston, Massachusetts (July 24, 1795). She detailed her initial impressions of the city and of local customs. Among other topics, she reflected on the climate, housing, servants, dress, food, and religious customs. She also related an anecdote about Benjamin Franklin, who reportedly distributed printed cards to strangers in order to preempt any inquiries about him.

The Hampton, Virginia, photograph album contains approximately 120 photographs, mainly panoramic images, showing waterfront views of the Hampton Roads region of Virginia as well as images of a rural farm or estate.

The Hampton, Virginia, photograph album contains approximately 120 photographs, mainly panoramic images, showing waterfront views of the Hampton Roads region of Virginia as well as images of a rural farm or estate. The album (28 x 38 cm) is half bound in brown leather. Images of interest include several exterior and interior views of a beach cottage; men, women, and children in swimming apparel, bobbing in the surf, strolling the beach and the boardwalk, and posing on the cottage porch swing and lawn; two photographs of a family group dining on the cottage veranda while an African American servant holds a fan; and a well-dressed African American couple on the porch steps.

Other photographs include views of the Chamberlain and Buckroe Beach hotels; the Cape Henry lighthouse; the Hampton Institute from across the water; the Ocean View Resort in Norfolk; the electric railway bridge over the water; and the Hampton soldier's home. Marine subjects include views of numerous small boats manned by sailors; possibly engaged in a rowing exercise; a naval station and battleship in the background; a Navy monitor under steam; and sailing boats moored in a harbor. An additional series of photographs show exterior views of a large country house in a landscaped setting, with elegant horse-drawn carriages, a farmyard with livestock, an African American man plowing a field, workers harvesting fruit in an orchard, and two African American men tending a steaming vat over an open fire.

The Hawaii photograph album contains approximately 130 photographs, including snapshots and commercially produced prints, that document a trip to Hawaii in 1924.

The Hawaii photograph album contains approximately 130 photographs, including snapshots and commercially produced prints, that document a trip to Hawaii in 1924. The album (18 x 30 cm) has tapa cloth covers. Images include views of a row of submarines at Pearl Harbor; surfers on Waikiki Beach; the Laie Mormon Temple on Oahu; the steamships Matsonia and Haleakala; scenic waterfalls and coastal views; and shots of tourists picnicking, swimming at the beach, and posed wearing grass skirts.

The Heath family photograph album, Ilion and Dolgeville, N.Y., contains approximately 60 photographs primarily taken in Herkimer County, New York, related to the Heath family.

The Heath family photograph album, Ilion and Dolgeville, N.Y., contains approximately 60 photographs primarily taken in Herkimer County, New York, related to the Heath family. The album (18 x 27 cm) has black cloth covers, and some photographs bear manuscript captions. Images include street views of Dolgeville, the Dolge factory complex, tree-lined residential streets, a patriotic parade and rally in Ilion, a procession of young women holding rifles marching beside a cemetery, and the interior of a room stocked with chemicals (possibly a photographic darkroom). Other images show farm scenes, posed individual and group portraits, and people with horses. One subject is identified by caption as "Clark Heath."

Three young girls named Lillian Holmes Keyes, "Mildred," and "Edith" wrote these 6 letters to their grandparents in the summer of 1896. Edith's letters were penciled by her mother, Fannie. The girls wrote on illustrated children's stationery and commented on scenery, wildlife, health, and family news. Mildred addressed one of her letters from East Tilton, New Hampshire.

Three young girls named Lillian Holmes Keyes, "Mildred," and "Edith" wrote these 6 letters to their grandparents in the summer of 1896. Edith's letters were penciled by her mother, Fannie. The girls wrote on illustrated children's stationery and commented on scenery, wildlife, health, and family news. Mildred addressed one of her letters from East Tilton, New Hampshire.

Lillian Holmes Keyes wrote 2 letters to her grandparents on July 19 and 22, 1896, about her ongoing recovery from scarlet fever. Though she could not interact with other children, she did enjoy a trip to a nearby lake with her Aunt Alice. "Mildred" sent 2 letters (July 9, 1896, and undated), describing a picnic and other outdoor activities such as swimming. She also thanked her grandmother for throwing her a 7th birthday party. The final 2 letters are attributed to a child named Edith, though they are written by her mother, Fannie. The first letter reports family news, such as the recent sale of their store and an anticipated August vacation. The second offers greetings to various family members and bears scribbled drawings by a young child (possibly Edith).

Each letter is written on illustrated children's stationery with images of children writing, accepting a letter from a dog, riding in a cart, and repairing a doll.

The Holyoke Canoe Club photograph album contains pictures of canoeing and scenery along the Connecticut River, and of men and women socializing indoors and outdoors.

The Holyoke Canoe Club photograph album (19cm x 26cm) contains 65 pictures of scenery, communities, and activities along the Connecticut River. The red pebbled cloth cover has the title "Photographs" stamped in gold gothic letters on the front. Included are photographs showing wooded scenery and structures along the river, including pictures of the Holyoke Canoe Club boathouse, the sailing and paddling of canoes, and of men and women in sporting dress socializing indoors and outdoors. Many of the images focus on men in sailing canoes, including one view of a man sitting in a sailing canoe on shore with sails set. Two photographs show a woman standing next to a beached canoe and a woman paddling a canoe along a flooded street. Individual and group portraits appear, taken at a small cabin in a wooded area, in front of a doorway, beside an indoor fireplace, and beside indoor and outdoor tables set with food, among other scenes. A group gathered around a piano appears in two images, one of which shows two of the women holding banjos. The album contains exterior shots of churches and other unidentified buildings, some overlooking a body of water. A view of two horses pulling a large log on a sleigh is also included.

Of note are views of a steam launch at the canoe club dock; a view of canoes stored on racks inside the boathouse; and two views of the interior of what is likely a local textile mill.

The Horatio Noyes collection is made up of letters and essays pertaining to Louisiana sugar plantations, life on the Wyoming frontier, travels through the South, the history of astronomy, and other subjects.

The Horatio Noyes collection is made up of 5 letters (28 pages) and 2 essays (70 pages). Noyes wrote a detailed letter to his son Charles in December 1871 about his travels in rural Louisiana, including his impressions of riverboat steamers and sugar plantations. A later draft (unsigned) describes the author's travels in Virginia and North Carolina, with a detailed description of Richmond and observations about Southern culture. Two unsigned letters from late 1879 and early 1880 describe a soldier's life on the Wyoming frontier, with Horatio Noyes's requests for the letters to be proofed and returned to him. Two lengthy essays concern the history of astronomy and contemporary astronomical knowledge, particularly about the Solar System. See the Detailed Box and Folder Listing for more information.

The Japanese tea production photograph album (15 x 23 cm) contains 12 hand-tinted gelatin silver prints pertaining to tea production in Japan ca. 1910.

The Japanese tea production photograph album (15 x 23 cm) contains 12 photographs pertaining to tea production in Japan ca. 1910. Photographs depict workers at various stages of processing tea, including picking, weighing, drying, transporting, and selling. Men, women, and children are represented performing various tasks. Also included are two photographs showing Japanese women in traditional clothing presenting and drinking tea.

The album has a coarse brown cloth cover with a painted design of two women picking tea and is tied with green string. Housed in gray board wrap with blue cloth spine.

This collection includes 2 letters that Lieutenant Colonel John Herries wrote to Charles Herries while serving with the 102nd Regiment of Foot in Canada during the War of 1812, as well as a later manuscript service record.

This collection includes 2 letters (7 pages) that Lieutenant Colonel John Herries wrote to Colonel Charles Herries while serving with the 102nd Regiment of Foot in Canada during the War of 1812, as well as a later manuscript service record (1 page).

Herries wrote his first letter (4 pages) from Moose Island, Passamaquoddy Bay, on October 30, 1814, and his second letter (3 pages) from St. John, New Brunswick, on August 5, 1815. Herries reflected on his military activities and reported recent war news, such as the Royal Navy's defeat at Lake Champlain in September 1814. Herries described New Brunswick as a "rascally country," and noted that its main population consisted of pioneers. In his second letter, he reported that he had read about the Duke of Wellington's victory at Waterloo. The final item is a manuscript document that provides details about Herries's military career, which included service in India, Europe, and North America. The record was compiled after his death; according to the docket, the document was "Read 12/2 51."

The Journal of a trip from Kingston, Ontario, to Cincinnati, Ohio, recounts a traveler's experiences during a journey that took him through New York and Pennsylvania in February and March 1820.

The Journal of a trip from Kingston, Ontario, to Cincinnati, Ohio, recounts a traveler's experiences during a journey that took him through New York and Pennsylvania in February and March 1820. The traveler embarked on February 24, 1820, and immediately encountered icy, rough roads and other difficulties. He noted machinery he saw on the Canadian countryside. After crossing into New York, the author visited Albany, where he observed the state legislature (February 28, 1820), and New York City. The author initially found Pennsylvania "very dull" (March 4, 1820), but later enjoyed the western countryside, despite being prevented from traveling on one Sunday when he found himself in an area where the population observed strict religious rules (March 12, 1820). On March 17, 1820, the diarist boarded a Cincinnati-bound boat, whose crew told "a great Number of Anecdotes of the late War & [portentously] of the Rascally treatment they received when prisoners." Many entries pertain to anecdotes about traveling companions and lodgings. An account of "Articles Bot" is in the back of the volume.

This volume contains an anonymous journal of a voyage from Kennebunk, Maine, to New Orleans, Louisiana, and Cincinnati, Ohio, between December 9, 1852, and January 24, 1853, as well as poetry, short stories, and essays composed by a second unknown writer between May 1857 and February 1887. One poem and one story concern the Civil War, and the author composed biographical essays about prominent individuals, families, and other topics.

This volume contains an anonymous journal of a voyage from Kennebunk, Maine, to New Orleans, Louisiana, and Cincinnati, Ohio, between December 9, 1852, and January 24, 1853 (21 pages), as well as poetry, short stories, and essays composed by a second unknown writer between May 1857 and February 1887 (117 pages). One poem and one story concern the Civil War, and the author frequently composed biographical essays about prominent individuals, families, and other topics.

The first 21 pages, titled "Journal of a voyage from Kennebunk to New Orleans," are made up of daily diary entries composed during a voyage from Maine to Louisiana and from Louisiana to Ohio. The author embarked from Kennebunk, Maine, onboard the Golden Eagle (commanded by Captain Nathaniel Thompson) on December 9, 1852, and made daily observations about life at sea. As the Golden Eagle approached Florida in late December, he described the scenery in the Bahamas, the Florida Keys, and coastal Louisiana. On one occasion, the ship encountered a boat transporting slaves to New Orleans. The author arrived in New Orleans on December 28, where he wrote about some of his experiences in the city, such as a visit to the cattle market. On January 12, he boarded the steamer Yorktown for a journey up the Mississippi and Ohio Rivers to Cincinnati. He noted the cities passed along the way, such as Vicksburg and Memphis, and described southern plantations, making note of their use of slave labor. On January 15, he reported that the Yorktown had taken a newly purchased African American family onboard, who entertained the passengers with dancing and music. By the final entry, dated January 24, 1853, the author had just passed Evansville, Indiana.

The volume also contains a commonplace book, in which the writer composed 117 pages of poetry, short stories, and essay. Several poems are translations of German poems by Johann Wolfgang von Goethe and Ludwig Uhland, and others appear to be original compositions. Among the latter is "Our Native Land," a patriotic verse written in March 1863, and additional poetry dated June 1869. The author wrote one short story in March 1862. An essay, "the Presentiment," consists of recollections of a war-era soldiers' relief society worker and a story respecting a woman's premonition of her own death. Biographical sketches and essays comprise most of the remaining material and are often annotated with small edits. Persons of interest include Horace Walpole, William Cowper, Nassau family members, Michael Faraday, Sir Philip Sidney, Norman Macleod, Dr. John Brown, and Henry of Navarre. Other essays concern the "Besor brook" in Judaea, the rivers of Babylon, and the telegraph.

A financial account between Charles Thompson and Nathaniel L. Thompson, settled in Kennebunk, Maine, on January 1, 1856, is laid into the volume.

The Journal of Our Trip Through Europe chronicles the European travels of Americans "Billie" and "Blanche" in the summer and fall of 1891.

The "Journal of our trip through Europe" (147 pages) chronicles the European travels of Americans "Billie" and "Blanche" from July 22, 1891-October 7, 1891.

The diary concerns the travelers' transatlantic voyages on the City of Paris (July 1891) and Friesland (October 1891) and their experiences in London, Paris, Rome, other Italian cities, several German cities, and Brussels. They spent most of their time enthusiastically sightseeing, but were frustrated in Italy when attacked by pickpockets (September 6, 1891). In Paris, they visited the catacombs and witnessed a suicide at the Eiffel Tower (August 24, 1891). The diary records visits to art museums throughout Europe, such as the Louvre and the Vatican Museums, and notes the travelers' impressions of architecture and public sculptures.

The Key West, Dry Tortugas album (10 x 12 cm) contains 14 collodion printing-out-paper prints consisting of architectural views of Fort Jefferson, Florida, portraits of government employees at Fort Jefferson and Key West, a view of Bird Key and a group of dairy cows on Key West.

The Key West, Dry Tortugas album (10 x 12 cm) contains 14 collodion printing-out-paper prints consisting of two exterior and seven interior views of Fort Jefferson, Florida, two group portraits of the "Commandant" with his brother and wife, a view of "Bird Key, near K[ey] W[est]", a group portrait of 25 men posed outdoors with the caption: "Govt. employees at Key West, Florida. All except 11 died, yellow fever, 1899.", and a picture of cows on a street captioned: "A walking dairy at Key West; the manner in which milk is delivered." Two photographs in mounts are labeled: "Burgert Bros., Key West, Florida.

The album has a half-cloth cover with floral cloth boards and the title "Photogs" imprinted in silver. Housed in a gray box.

The Ladd family carte-de-visite album contains carte-de-visite and tintype portraits of members of the Ladd and White families, as well as other individuals. The volume belonged to a woman named Annis.

The Ladd family carte-de-visite album (14cm x 12cm) contains formal studio portraits of members of the Ladd and White families, as well as other individuals. The photographs are comprised of 30 cartes-de-visite and 6 tintypes. An index to the photographs is partially filled out, though some items may not remain in their original positions or may have been removed. The volume contains pictures of men, women, and children, sometimes photographed in pairs; one child is shown sitting in a baby carriage. Some items have the photographer's name and studio location printed on the back; many were taken in Sterling, Illinois, and various towns in Michigan. The volume's brown cover has a raised geometric design, and the book has one metal clasp.

The Lakefront Michigan cottage photograph album contains approximately 440 images documenting the construction of a family lake cottage likely located in lower Michigan.

The Lakefront Michigan cottage photograph album contains approximately 440 images documenting the construction of a family lake cottage likely located in lower Michigan. The album (18.5 x 29 cm) has black cloth covers. Photographs include views of a work party clearing land for the cottage on May 3 1920; a truck with a load of lumber mired in a rut before being subsequently rescued; three men sealing the bottom of a rowboat which proceeds to sink in shallow water; the framing and roofing of the cottage; the mounting of a sign reading, "Non Nobis Solum" over the cottage; the addition of a dock; and furniture being moved inside. Other activities depicted include a game featuring a blindfolded woman holding a beer stein; the erection of a flagpole and subsequent raising of a flag accompanied by a bugle player and firing of a miniature cannon; swimming in the lake with innertubes; wading in the lake; and rowing in a seaworthy rowboat. A truck from Edgar's Sugar House in Detroit also appears in several photographs related to the construction of the cottage.

This volume is a typed journal of a group's canoe and camping trip on Lake George, New York, in the summer of 1892. The typescript is illustrated with 21 photographs of the campers, their equipment, and the scenery.

This volume is a 27-page typed journal of a group's canoe and camping trip on Lake George, New York, in the summer of 1892. The typescript is illustrated with 21 photographs of the campers, their equipment, and the scenery.

The Lake George camping party consisted of at least seven acquaintances: Charles W. Byrnes, Alice B. Byrnes, William L. Brown, Georgia B. Sumner, Edwin W. Andrews, Maybelle Ramsay, and R. C. Sargent. Maybelle and a man referred to as "the Doctor" left the group partway through the trip. The account, titled "Wotlarks: A Camping Journal," opens with an epigraph by William Henry Harrison Murray, followed by 24 pages of recollections. The campers embarked from Caldwell, New York, on July 31, 1892, spent 2 weeks on the lake, and then boarded a train for Boston from the area around Fort Ticonderoga on August 13, 1892.

The author of this typescript (possibly camper William L. Brown), described the scenery, meals, and notable incidents. He or she also quoted poems by P. Buchanan Read and Isaac Ogden Rankin. The 7 party members signed the final page of the typescript. Twenty-one photographs, pasted onto sturdy boards between pages of the journal, depict scenery around Lake George, the campers in their canoes, men and women posing with guns, a man fishing, the group near their tents, and other scenes.

The volume includes a carefully drawn or traced manuscript map of Lake George, marked with the places that the campers visited.

This volume contains an introduction to land surveying and its underlying mathematical principles. Included are practical problems, illustrated examples, and reference tables.

This volume (174 pages) contains an introduction to land surveying and its underlying mathematical principles. Included are practical problems, illustrated examples, and reference tables.

The book, entitled "Land Surveying," opens with an introduction to geometry and trigonometry then focuses on practical surveying applications (around p. 49). Definitions, theorems, and problems are illustrated with diagrams and example problems. The remainder of the volume (pp. 142-174) pertains to surveying measurements, methodology, and tools. The author explained different measurements, such as Scottish units, English units, and the "chain," and applied mathematical principles to surveyors' practices. Many problems include ink-and-watercolor pictures of irregularly shaped lakes or fields, and several concern locations referred to as "Broom Park," "Mire Park," "Farm Park," and "Hill Side Farm." Additional subjects of study are land division and measuring levelness. The volume also contains tables of measurements. Decorative geometric drawings, done in ink with the occasional addition of watercolors, are interspersed throughout the book.

The Liberty Bell Tour photograph album contains approximately 580 photographs depicting the journey of the Liberty Bell from Philadelphia, Pennsylvania, to the Panama-Pacific International Exposition in San Francisco, California, and back again in 1915.

The Liberty Bell Tour photograph album contains approximately 580 photographs depicting the journey of the Liberty Bell from Philadelphia, Pennsylvania, to the Panama-Pacific International Exposition in San Francisco, California, and back again in 1915.

The album (40 x 28 cm) has black paper covers and 305 pages, 14 of which do not contain any photographs. The photographs are generally arranged in chronological sequence and depict loading the Liberty Bell onto parade floats and train cars, celebratory parades, gathered crowds, and individuals and groups posing with the Liberty Bell. Numerous pictures include captions referencing the locations in which they were taken. The album also contains two small maps, each showing one of the routes of the cross-county trips that the Liberty Bell took, as well as landscape photographs of scenes in the western United States. Notable persons photographed with the Liberty Bell include Thomas Edison, members of the Daughters of the American Revolution, and groups of Native Americans in Cayuse, Oregon. Landscapes pictured include views of Wyoming, Pulpit Rock, Bear River Canyon, Mount Shasta, Shasta Springs, Horseshoe Curve, Royal Gorge, the Rockies, Salt Lake, and Feather River Canyon.

This collection consists of 8 affidavits recorded in Lincoln County, Kentucky, in 1808. The statements, all provided by slaves, concern events leading up to the stabbing of a slave named Moses in May 1808.

This collection consists of 8 affidavits (16 pages) recorded in Lincoln County, Kentucky, in 1808. The statements, provided by slaves named Ben, Peter, Caleb, Martin, Frank, David, Lew, and Jim, concern events leading up to the stabbing of a slave named Moses in May 1808. According to their testimony, Ben and Lew had a financial dispute after a card game, which later led to an altercation between a slave named Surry, who was a relative of Ben, and Moses, who was acquainted with Lew. The slaves who were involved in and who witnessed the incident belonged to several different masters. The affidavits provide detailed information about the men's activities before and during the fight between Surry and Moses.

Additional research about the collection and the context of Surry's murder trial is available in the Manuscripts Division.

This collection contains five letters written by a woman named "Lizzie" to "John," a close friend or family member. She discussed her life in New York City, with a particular emphasis on the 1875 Henry Ward Beecher trial, religion, and life in Harlem.

This collection contains five letters written by a woman named "Lizzie" to "John," a close friend or family member. She discussed her life in New York City, with a particular emphasis on the 1875 Henry Ward Beecher trial, religion, and life in Harlem. Lizzie, who first lived near Columbus Circle, was interested in the ongoing litigation between Henry Ward Beecher and Theodore Tilton, and repeatedly expressed her desire to procure tickets should the famous preacher take the witness stand. She wrote that "There are some who would never believe him guilty but consider him the victim of a cruel plot or circumstantial evidence; but there are other some [sic] who express themselves as willing to accept whatever verdict the jury brings in" (January 21, 1875). Lizzie also shared the experiences of her daily life, particularly after her relocation to Harlem, which she described in a February 1875 letter. In addition, Lizzie provided her thoughts on her local church and, briefly, on the merits of a number of New York newspapers (May 12, 1875). In one letter, dated March 12, 1875, she drew a small diagram of her lamp chimney.

The Louis G. Monté collection is made up of 2 diaries about Americans traveling in Europe in the summer of 1899. Monté and another traveler wrote entries about sightseeing in England, France, Germany, and the Netherlands. Both journals have pencil drawings of people encountered and each doubles as a scrapbook with photographs, tickets, programs, and other ephemera.

The Louis G. Monté collection is made up of 2 diaries about Americans traveling in Europe in the summer of 1899. Monté and another traveler wrote entries about sightseeing in several European countries, and both used their journals as scrapbooks.

Louis G. Monté wrote daily diary entries between July 5, 1899, and August 26, 1899 (Volume 1, pages 5-73). He described his journey from Charlestown, Massachusetts, to England on the steamer New England and arrived on July 14. He saw the sights in London, England; Paris, France; Aix-la-Chapelle (Aachen), Cologne (Köln) and Düsseldorf, Germany; and Amsterdam and Haarlem, Netherlands. He often visited museums and commented on local architecture and customs. Monté's brief final entries pertain to his return journey from Antwerp, Belgium, to New York on the steamer Southwark. Monté also used his book as a scrapbook for photographs and ephemera (pages 1-4 and 1a-36a; not all pages are used), and he wrote notes about French, English, and German currency on pages 2-4. The book's endpapers and cover also have items pasted in, such as tickets, programs, advertisements, and other ephemera. Photographs primarily depict scenes and people in the Netherlands, and numerous drawings illustrate people he encountered during his European travels. Pages 21a-22a (Volume 1) contain an essay on English architecture.

The second diary (unattributed) covers the author's travels from August 3, 1899-August 16, 1899 (pages 1-33), with photographs, stamps, tickets, train schedules, and other ephemera interleaved with the journal entries (pages 34-55 and 1a-55a; not all pages are used). The author drew pictures of people and wrote notes. He visited the same locations as Monté and sketched a nearly identical image of a woman in Aix-La-Chappelle, Germany (Vol. 1, p. 19a; Vol. 2, p. 2). Most of the pasted-in ephemera items pertain to travels in the Netherlands.

The MacMillan Arctic Expedition photograph album contains approximately 160 photographs related to the Arctic Expedition to Greenland in the summer of 1925 led by Donald Baxter MacMillan aboard the ships Peary and Bowdoin.

The MacMillan Arctic Expedition photograph album contains approximately 160 photographs related to the Arctic Expedition to Greenland in the summer of 1925 led by Donald Baxter MacMillan aboard the ships Peary and Bowdoin. The photographs were removed from the journal of Chief Boatswain Earl E. Reber, an expedition pilot, and stored in plastic sheets in a green three-ring binder (30 x 30 cm). Images of interest include scenes from the departure out of Boston, Massachusetts; a stop at Labrador; many views of native peoples and landscapes of Greenland; and shipboard photographs including individual and group crew portraits, crew members playing pirate, and a view of the captain's table with officers and servants. Landscape views include rocky shorelines, glaciers, drift and pack ice, icebergs, and aerial photographs of Etah harbor, the Greenland ice cap, and Ellesmere Island. Crew members are shown in various images interacting with native Greenlanders onboard ships, showing a group of children how to use a camera, and visting a native Greenlander residence. Additional images include views of an Inuit summer hut and permanent shelter, sled dogs, and natives kayaking and cleaning a walrus carcass; the unloading and assembly of the Loenig amphibious aircraft; and waterfront views of Battle Harbor, Labrador, and of Gotthaab, Godhavn, and Umanak, Greenland.

Expedition members identified by typewritten captions include: Floyd Benney, Richard Byrd, Leo Max Davidoff, Albert Francis, Jacob Gayer, John La Gorce, Donald MacMillan, E. F. McDonald, A. C. Nold, W. D. Publicover, Earl E. Reber, Charles Rocheville, M. A. Schur, Nels Sorensen, and G. F. Steele.

A currently unidentified person wrote this temperance speech in Madison, Connecticut, around 1849. The writer included extracts from previous annual reports of the Madison Temperance Society and provided a brief history of the society before writing about the effect of drinking and temperance on society.

A currently unidentified person wrote this temperance speech in Madison, Connecticut, around 1849. The writer included extracts from previous annual reports of the Madison Temperance Society and provided a brief history of the society before writing about the effect of drinking and temperance on society.

The extracts include the number and sex of adult members, as well as the number of juvenile members. The writer noted that a majority of the members were women and that a significant portion of members who pledged against the use of distilled liquors were self-proclaimed Sons and Daughters of Zion.

The writer frequently referenced the Gospel, proclaiming that "no drunkard shall inherit the Kingdom of Heaven" (page 20). They tell the story of a man in the prime of his life who, although working hard, could never acquire a "permanent home" for himself and his family because of his expenditures on alcohol. The writer insisted that if those men stopped spending their money on alcoholic beverages, they would be able to afford a home and good clothing for their family within a few years.

The speech concludes with a condemnation of members who violated their pledges, and a suggestion that further steps be taken to ascertain the exact number of society members on account of poor record-keeping.

Manuscript Passages from the Greek Testament, with English Translations by Cotton Mather is a twenty-six page manuscript, containing selected verses from books of the New Testament. Some verses are in Greek, some are in English, and others are in both languages.

Manuscript Passages from the Greek Testament, with English Translations by Cotton Mather is a twenty-six page manuscript by an unknown hand, containing selected verses from books of the New Testament. Some verses are in Greek, some are in English, and others are in both languages.

Pages 1-3 include verses from Matthew, Mark, Luke, and Acts. They are not in order by book, chapter number, or verse number. The remaining 23 pages contain verses and partial verses from all of the books of the New Testament except Philippians, Titus, and Philemon; most are from Matthew, Mark, Luke, John, and Acts. Short phrases in many of the English verses are underlined and alongside them are Greek translations in parentheses. Although the manuscript is not explicitly subdivided, some verses are grouped by verb usage. For example, part of page 20 groups Romans 5:5, Romans 5:11, 1 Corinthians 7:37, 2 Corinthians 1:24, and others together. They each contain some variation of the verb ίστημι.

The manuscript is bound with an undated portrait engraving of Cotton Mather, by H.B. Hall's Sons, New York. A letter from Thomas J. Holmes, librarian at the William Gwinn Mather Library in Cleveland, Ohio, to J.C. Wheat, librarian at the William L. Clements Library (May 13, 1935) is laid inside the front cover of the volume. In the letter, Mr. Holmes offers his opinion regarding whether or not the manuscript is in the hand of Cotton Mather; he is uncertain.

The Massachusetts and Rhode Island vacation photograph album contains 28 snapshot photographs taken along the coastal regions of Massachusetts and Rhode Island ca. 1905.

The Massachusetts and Rhode Island vacation photograph album contains 28 snapshot photographs taken along the coastal regions of Massachusetts and Rhode Island ca. 1905. A majority of these images show Martha's Vineyard and Newport, Rhode Island. Many of these images show scenes of tourist destinations. Notable destinations include Paul Revere's House, the Thoreau-Alcott House, The Breakers, Touro Synagogue Cemetery, and the Marine Hospital of Vineyard Haven. Also shown are views of beaches and people in swimwear.

The album is 18.5 x 14.5 cm with dark brown cloth covers.

This photograph album contains formal portraits of men and women, many of which were taken in Massachusetts around the late 19th century.

The Massachusetts family album (15cm x 12cm) has 39 carte-de-visite and 3 tintype portraits of men and women. The photographs are formal studio portraits attributed to photographers in locations such as Boston, Massachusetts; Salem, Massachusetts; and Romeo, Michigan. Many of the photographs depict young men or women, and one photograph shows a couple. The tintypes have some hand-coloring. The album has a decorative red and black stamped leather cover with a metal clasp.

The Meadville (Pa.) and Scandia (Kan.) photograph album contains cabinet cards, cartes-de-visite, and other photographs of men, women, and children taken in Meadville, Pennsylvania, and Scandia, Kansas, in the late 19th century. Pictures of the National Monument to the Forefathers and a grave marker are included, as is a remembrance card for Nancy Anderson.

The Meadville (Pa.) and Scandia (Kan.) photograph album (27cm x 22cm) contains 38 items, including 26 cabinet cards, 8 cartes-de-visite, 1 tintype, and 3 additional photographic prints. The volume's purple-padded covers are bound in cloth, and it has a large metal clasp. A metallic plate shaped as the word "Album" was once affixed to the front cover and is now laid into the volume.

Most of the photographs are studio portraits of individual men, women, and children taken in Meadville, Pennsylvania, and Scandia, Kansas, in the late 19th century; the children pictured are infants and toddlers. Occasionally, the subjects are shown with a drum, a book, a dog, and one man posed on the sill of an artificial window. Two items laid into the volume are outdoor portraits of adults standing in front of a house, with a windmill visible to the side. A piece of tissue paper affixed to one of the cabinet cards has printed line drawings of a girl's face and flowers. The remaining items are a photograph of the National Monument to the Forefathers in Plymouth, Massachusetts; a photograph of a headstone for members of the Smock family; and a black card dedicated to the remembrance of Nancy Anderson (1818-1889), with a brief poem and other details printed in gold.

The Michigan School photograph album contains studio portraits of unidentified men, women, and children taken mostly in Central and Southeast Michigan in the late 19th century, as well as two pictures of school buildings, at least one of which is from the campus of Michigan Agricultural College. The album contents are possibly a mixture of students and professors of M.A.C. plus family and friends of the unknown compiler.

The Michigan School photograph album (27cm x 21cm) contains 54 studio portraits of unidentified men, women, and children taken in Michigan cities such as Albion, Ann Arbor, Jackson, and Lansing in the late 19th century. The photographs are comprised of 40 cabinet cards and similarly sized card photographs, 11 cartes-de-visite, and 3 tintypes. Four pages from a different album (containing seven photographs) are laid into the volume, as is a photograph of an infant. Most of the images are individual portraits of adult men and women. Two images by a Lansing Michigan photographer are of school buildings, one identified as Michigan Agricultural College. A floral design is printed directly onto each page, and one cabinet card is designed to look as though the print is peeling off of the mount. A pink ribbon with the letters "Q," "L," and "S" attached to it is laid into the album. The volume's padded covers are wrapped in red cloth with a floral design imprinted on the front. A hard surface with the title "Album" is attached to the front cover.

The Midwest family travel album contains approximately 150 photographs showing travel and leisure activities in Virginia, New York, Vermont, Iowa, Michigan, Minnesota, and Georgia that were likely compiled by a friend or relative of lumber executive and one-time mayor of Manistee, Michigan, Charles J. Canfield.

The Midwest family travel album contains approximately 150 photographs showing travel and leisure activities in New York, Vermont, Iowa, Michigan, Minnesota, and Georgia that were likely compiled by a friend or relative of lumber executive and one-time mayor of Manistee, Michigan, Charles J. Canfield.

The album (26 x 35 cm) has a black cloth binding. Photographs of interest taken in Vermont and New York include rural views, country roads, a woman bicycling, and a group relaxing beside the Batten Kill River in Eagleville, New York. Images from Sioux City, Iowa, include views of public buildings, a golf tournament between Sioux City and Le Mars, a football game between Sioux City and Council Bluffs, an interior view of a woman working at a desk, a high school group on stage in blackface, a shooting expedition, and group portraits of young people at the Sioux City High School and in costume at a "hobo party." Michigan-related photographs include views of Charles Canfield's cottage in Onekama, Michigan, Canfield's yacht "Uvira," views of forests in Manistee, and a lumber camp scene captioned "Camp 4 near Luther, Mich." Photographs from unidentified locations include views of a sawmill, flum, and lumber camp, several home interiors, mountains, and giant trees likely indicative of the West Coast. Two photographs also show a canoe with a Native American family on a lake in Northern Minnesota.

The Mildred Drury photograph album contains 175 photographs of young men and women taken while traveling throughout Europe and the United States ca. 1910.

The Mildred Drury photograph album contains 175 photographs of young men and women taken while traveling throughout Europe and the United States ca. 1910. The images consist primarily of informal snapshots of family, friends, and travel. There are no captions or notations beyond an inscription on the front inside cover which reads, "Mildred W Drury."

The first pages of the album include photographs taken in New York City. On a few of these pages, Columbia University's Low Memorial Library can be seen. On page 15, a woman sculpting a bust and a sculptor's studio are shown. The next few pages show various views from the grounds of Château de Versailles. In particular, Hameau de la Reine can be seen in the background on page 20. Also taken in France, photographs on pages 68 through 70 show views from the Eiffel Tower. On page 21 are photographs of Ely Cathedral. The next series of photographs were likely taken in the Netherlands. Images show canals, canal boats, towpaths, and traditional dress and architecture of the region. Following, are five pages of the Alps, traveling through the mountains, and hotels. Photographs on pages 48 through 52 were taken in Italy and show Amalfi, Amalfi Drive (Strada Statale 163), Piazza San Marco, gondolas, and women doing laundry. The last portion of the album includes photographs likely taken in the United States. These photographs show family gatherings, snowshoeing, golfing, and canoeing.

The album is 20.25 x 14.75 cm with green cloth covers.