Collections : [University of Michigan William L. Clements Library]

This account book contains financial records pertaining to the sale of food, alcohol, leather and skins, and general merchandise from around 1783 to 1859.

This account book contains financial records pertaining to the sale of food, alcohol, leather and skins, and general merchandise from around 1783 to 1859. The first page has a list of items purchased of George Walter Farrington "for Use of the Store" on May 1, 1783, including an iron stove, furniture, and measuring devices.

The general store sold a variety of goods, such as foodstuffs and alcohol, shot, powder, thread, and shoes. The earliest accounts reflect individual purchases, organized chronologically (March 12, 1783-May 12, 1785).

These accounts are followed by a separate series of entries pertaining to Richard Powell and Charles Willess, who sold animal hides and skins in 1799, and miscellaneous accounts between the bookkeeper and various individuals (1804-1805). One of the latter records concerns transactions with an African American man named Elius, who paid for clothes and meat by performing manual labor. The remainder of the volume contains financial transactions related to food, wood, and other materials (1825-late 1850s).

The Hair documents, ephemera, and prints collection is comprised of 103 items, mostly printed materials related to hair, shaving, and wigs. Included are ephemeral advertisements, trade cards and price lists, government acts relating to hair and wigs, manuscript letters and indentures, caricatures and cartoons, broadsides, sheet music, other miscellaneous prints, and one braided lock of hair.

The Hair Documents, Ephemera, and Prints collection is comprised of 103 items, mostly printed materials related to hair, shaving, and wigs. Included are ephemeral advertisements, trade cards and price lists, government acts from British monarchs George II and George III relating to hair and wigs, manuscript letters and indentures, caricatures and cartoons, broadsides, sheet music, other miscellaneous prints, and one braided lock of hair. The material spans from 1717 to the late 1980s, with the bulk of materials dating from the late eighteenth century to the end of the nineteenth century. A majority of the materials are from England, although some are from Belgium, France, Switzerland, and Scotland. Many of the items are satirical and are commentary on fashion and the idea that the local barber was the "jack of all trades." Two similar items, a comical manuscript resume of "Isaac Morgan" and a fictitious advertisement for the varied services of "Isaac Factotum" offer exaggerated illustrations of how a barber did more than cut hair. Of interest is a series of mid-nineteenth century Valentines which center around the love-lives of barbers. Also included is a letter from Alex Campbell to his relative John Campbell, the Cashier of the Royal Bank of Scotland during the Jacobite rising of 1745. There is also sheet music from the composer (Franz) Joseph Haydn (1732-1809), A Pastoral Song, better known as My Mother bids me bind my hair. Of note are prints by British satirists William Hogarth, Isaac and George Cruikshank, and Thomas Rowlandson.

The Historical views of Malden album contains approximately 200 items including photographs, reproductions, prints, newspaper clippings, and maps related to the history of Malden, Massachusetts.

The Historical views of Malden album contains approximately 200 items including photographs, reproductions, prints, newspaper clippings, and maps related to the history of Malden, Massachusetts. The album (26 x 31 cm) is largely disbound with black cloth covers. Many items are loose.

Items of interest include images of street scenes, commercial buildings, schools, houses, gravestones, plaques, monuments relating to the history of Malden (with particular attention paid to the homes of the Winship, Sprague, and Waite families), and several group portraits of Malden students including "Malden High School Cadets" in uniform holding bayoneted rifles and the Centre Grammar School graduating class of 1883 at their school desks. Also present are images of interior and exterior views of city hall (festooned for the 250th anniversary in 1899), and Massachusetts Governor Curtis Guild dedicating Bell Rock around 1905.

Two maps showing Malden in 1852 and 1856 as well as a laid-in negative photostat showing "Sales at auction of the pews in Malden Meeting House, January 13th, 1803" replete with names and prices are also included

This scrapbook includes clipped articles and images, original drawings, and written entries within the pages of a 1850s blankbook of receipts. Contextual clues indicate that individual(s) added to the volume at later dates, pasting clippings over used pages, and internal evidence suggests at least one compiler may have lived in Maine. Original drawings primarily center on themes of violent encounters between scouts and Native Americans, romantic entanglements, and conflict. Sometimes illustrated newspaper and magazine clippings are pasted throughout the volume, many relating to themes of marriage, love, women, family, and memory. Several pages were used to copy a portion of an undated letter, an essay, and a manuscript poem.

The individual(s) who created this scrapbook pasted items, drew scenes, and wrote entries within the pages of a 1850s blankbook of receipts, seemingly created for use by a Boston shipping or exportation company. Contextual clues indicate that persons added to the volume at later dates, pasting clippings over used pages, and internal evidence suggests at least one compiler may have lived in Maine.

Penmanship exercises and short notes are written on many of the pages, either where no additional content has been added or where clippings have been pasted on top. The names James Randall Reeves and Orren Cunningham appear on some of these pages, as well as place names of Bennington and Windsor, Maine, possibly indicating one of the early owners of the volume. The handwriting appears to match the text that accompanies the original illustrations.

Original drawings made using pencil, colored pencil, and ink can be found throughout the volume, sometimes with dates added, ranging from 1863 to 1869. Remnants of clippings that had previously been affixed to the page indicate that an owner of the volume must have pasted items into the scrapbook at a later date than the drawings were originally produced. Many of the images depict scenes of conflict or relate to two fictional characters, Hezekiah and Ezekiel. The two men appear to be scouts, and the images depict their encounters with villains, Native Americans, and a love interest, Flora. Violence, unrequited love, and emotional disappointment are central themes, and the concept of a "gas of hope" that spontaneously streams from Ezekial's head appears several times when the character experiences excitement or distress.

• Page 1: "Back Villains for your lives, says Peter, or you shall all die at the break of day by Cats." At the base of the page: "Indifference.". The illustration shows a man carrying a revolver in one hand while a woman holds his other arm. She extends an arm out behind her towards two men following them, one with a darker complexion and a machete raised over his head and the other pointing a musket at them.
• Page 3: "As the Villains again leaped against the door, an arm was thrust through the broken hand, and a voice cried out." The illustration is a nighttime scene with three men with a battering ram striking at a closed door of a house, where a man points a pistol out of an opening at them.
• Page 6: "Rescued from fire..." (the text is partially obscured by remnants of a newspaper clipping). The drawing depicts a firefighter descending a ladder from second story that is ablaze, holding a woman in his arm.
• Page 8: "...burly scout. A Sioux Chief captured" (the text is largely obscured by affixed clippings). The drawing shows a mustachioed man in military garb, a fur hat, and a cape who is holding a knife covered in blood. He is grabbing the arm of a Native American man who has dropped his knife and who is bleeding from a wound in his arm. Two ink drawings of insects (a beetle and a dragonfly) are pasted on the page.
• Page 10: "Perrilous adventure of Hezekiah the Scout, under cover of the darkness at the haunted schoolhouse." The image is a nighttime scene of a small building with a man climbing through a window. Another man runs behind him saying, "stop villain stop."
• Page 12: "The fate of Hezekiahs beaver is inevitable" and "Wonderful adventure of the Scout, Hezekiah cries out with a loud voice Ezekiel come here, help me bind these knaves." The drawing is of a bare-chested man in a green hat, holding two Native American men by the throat, one in each hand. A pencil marking indicates the year 1865.
• Page 16: "...The robber of the Rhine" (at least one additional word is partially obscured). The drawing depicts a balding man smoking a long pipe, wearing a musket on his back, and holding a bloody sword in front of him. A pencil marking indicates the year 1866.
• Page 18: "Death of Heavy [?]" and "Desperate adventure of Hezekiah, Slatt down in Kintuck..." The image is of a shirtless man (with a green hat) facing off with a Native American man, the former wielding his musket overhead and the latter his tomahawk each to strike the other. They stand over three dead or dying Native American men.
• Page 21: "Ezekial, & he knows who, on sunday eve, at the schoolhouse coming from meeting, by cats." The drawing depicts a man kneeling beside a seated woman who is holding a handkerchief or piece of cloth. One of his hands is on her shoulder, the other holds one of her hands. Another man lies face down in the corner.
• Page 24: "Weep stricken one your sorrows will have an end." Text at the bottom of the page is largely obscured by clippings, but "Ezekiel" and "Flora" are both visible. The drawing shows an upset man with mussed hair and arms akimbo, holding a handkerchief. One of the clippings over the man's head is "FIRST LOVE." A pencil marking indicates the year 1866.
• Page 26: "A streak of hope for Ezekial." The drawing shows a smiling man wearing a yellow hat that is releasing a stream of green gas, labelled "gas of hope."
• Page 27: "weep on str[i]cken one thy sorrows shall never end." The image depicts two men standing before a small grave with headstone reading "Dead Hope." Ezekiel, wearing a yellow hat from which "gas" spews, points down to the grave, saying, "What Have You Buried There Hezekiah." Hezekiah, barefoot, wearing a green hat and ragged pants, and holding a shovel, replies, "A. Dead Hope. I. Thought. She. Loved Me. But. She Did. Not Oh. Dear. What. Shall. I. Do Boo Hoo Boo Hoo." The illustration is marked in ink: "Drawn by Ezekiel himself in 1867."
• Page 30: "N.E. View of the royal oak of Shag Town, May 2d 1867." The drawing is a landscape featuring a large barren tree with a wooden plank/case/contraption and musket leaning against it. A sun smiles in the sky.
• Page 32: "View of Mud Pond, & Poccihog Hill, Sketched on the eastern rock, At half past three O'Clock." A landscape drawing shows a lake and a heavily wooded hillside. A smiling sun is in the sky and a person rows a boat on the lake.
• Page 36: Portrait of a bearded man in military uniform, with blue and gold epaulettes.
• Page 38: "A sorrowful meeting of the two scouts, Dialogue. Ezekial - 'Oh the letter, the letter, she loves me not.' Hezekiah - "Weep not Bro Scout, I pronounce it a forgery, by cats." The image is of two men wearing hats, muskets, and powder horns. One holds a slain animal in his hand, and the other cries while holding a letter and gas spews from his hat.
• Page 40: "Tallow plenty, or courting by candle-light, Stebbins telling Flora about his farm, out west." The drawing is an interior scene of a room with wallpaper, curtains, chairs, and a table. A man and woman embrace while holding candles, and additional candles are located on the table, chair, and floor.
• Page 44: Text at the top of the page is partially obscured but reads in part, "Bachelor . . . the famous scout," while additional text at the bottom reads "The inocent subject of my contempt by day, and my dreams by night." The drawing is a portrait of a man in a rumpled green hat, shirt, and suspenders, likely representing Hezekiah. A printed, pasted-on caption reads "THE GHOST OF OAK GROVE."
• Page 46: The letters "P.L.L." appear at the top of the page, and the note "Signed in the first degree, P.L.L." appears beside a highly stereotyped pencil portrait of an African American man.
• Page 48: Portrait of a bearded man.
• Page 50: Portrait of a man with moustache and goatee, with the text, "Art. Miller, California" written beside him.
• Page 52: "Poor old maniac, but once powerful scout, now dwindled away with sorrow for the lost Flora." The image shows Ezekial holding a wooden cane and a large "grief bag" on his back that has a vent spewing gas. On the bag is a printed, pasted-on caption reading "THE HAND OF FATE". He is wearing ragged pants and his hat spews green gas. Hezekiah wears his green hat and proffers something to Ezekial, saying, "Poor old fellow you must be hungry. Can I do anything for you, you seem to be weary of life. I guess I take you to a place of safety at once." Ezekial: "Answers with great vigor. I'm not hungry it is grief that gnaws like hunger at my very vitals. No never. You are the man that ruined me, if I was a smart man as I [...] I would kill you."
• Page 54: "Ezekial goes home with -- gets near home when the old scout jumps through the gateway inclosed in a sheet, See the consequences, of his rush act." The image shows a man draped in a white sheet standing in the doorway of a round stone structure. A well-dressed man and woman run apart from each other, leaving their hats on the ground. On the opposite page, several notes are written: "The identical hat worn by Hezekiah at the siege of Tattletown"; "The hat worn by Hezekiah at the destruction of Troy"; and "The sad effects of first love."
• Page 56: A man wearing a feathered hat and cape brandishes a sword while standing with one foot on the back of a slain man who has dropped his sword. He continues to fight with a man in a robe with a cross on it. A woman sits on the ground with a hand to her head. A printed, pasted-on caption reads "WHO''S TO WIN." A pencil marking indicates the year 1869.
• Page 58: "The burly scout, the stabbed scout, & Frankrifle, outscouted, by the bank scout at the old barn . . . gets valuable information concerning the conspiracy, by cats." The image shows four men in a hayloft, one, likely Ezekial, wears a yellow hat that is expelling gas. A printed, pasted-on caption reads "HUNTED DOWN."
• Page 60: "In dishabille," and at the bottom of the page: "Stebbins - 'Get out of my bed, Oh get out of my bed!" The drawing is of a woman wearing a shift and draped with a blanket reclining in a bed. A man in a nightshirt is seated on floor gesticulating at her.
• Page 62: "Who's Been here?" The drawing shows a woman looking out the window, while a man in a nightshirt, carrying the rest of his clothes, flees from the open door. A nicely dressed man with cane approaches him. A printed, pasted-on caption reads "TAUGHT BY EXPERIENCE."
• Page 64: "My idea of domestic bliss. or High life in the Lowlands." Text at the bottom of the page reads, "Stebbins about played out. 20 years hence." The drawing shows a man holding a hatchet in one hand, while wearing ragged clothing and a green hat spewing gas. A woman hits him over the head with a broom, while many small children are strewn about the floor and pull on the adults. A pencil marking indicates the year 1864.
• Page 66: A flying lizard/dragon with a shouting sun.
• Page 90: A checkerboard.

Newspaper and magazine clippings are pasted throughout the volume. While content varies, many relate to themes of marriage, love, women, family, and memory. Poetry is heavily represented. A fair number of the clippings include jokes, humor, and wordplay. Several are directions for household maintenance or preventing pests, and a number of others relate to scientific topics.

In addition to articles and written text, the compiler also pasted in clipped illustrations from newspapers and magazines. Several feature Union Army officers, most of whom appear to have a connection to New York State. Landscapes of New York City and the Amazon River are also included, as well as several satirical illustrations and animals.

A number of the printed images relate to women, including Tennie C. Claflin, Victoria C. Woodhull, and Elizabeth R. Tilton. Rev. Henry Ward Beecher's image appears twice in the volume, including once where he is placed facing Elizabeth R. Tilton and a chain connecting the figures by the nose has been added in by pen (page 14). A short poem written in ink appears below it, reading:

Henry W. B., so buoyant with glee,

And Lizzie R. T., so innocent and free,

As happy as bees in the sweet apple trees

Raised a slight (?) breeze and made the whole world sneeze!

Several pages appear to have been used to copy a portion of an undated letter, which referenced a trip from Portland to Augusta, Maine, on the Maine Central Railroad, attitudes towards funerals, the teaching profession, arguments, and placebos (beginning page 57). Another passage appears to be an essay entitled, "to old Bachelors & maids" (pages 86-88) and a manuscript poem is written on the back inside cover that seems related to scouts and Native Americans.

The Irene Levis Roberts album, entitled "Flowers of Loveliness," contains poems by W. H. Green and A. H. Roberts of Smyrna, Delaware, and Edmund Brewster Green of New York, New York. A note about Roberts's baptism is also present.

The Irene Levis Roberts album, which has the title "Flowers of Loveliness" imprinted on the cover, includes 9 entries (17 total pages): 8 poems and 1 note. The poetry, mostly written by A. H. Roberts, concerns topics such as nature and the seasons, religion, travel, and death (see below for a full list of titles). The note by Thomas C. Murphy, pastor of the Methodist Episcopal church in Smyrna, Delaware, pertains to the baptism of Irene L. Roberts on performed on March 11, 1855. Colorful crayon scribbles appear over one of the poems and on several of the later pages.

The book contains a series of colored prints show women dressed and decorated as flowers, each representative of a virtue.

• "To My Niece," by W. L. Green, November 25, 1852 (1 page)
• "The Flight of Time," by Edmund Brewster Green, September 7, 1844 (2 pages)
• "To My Friends," by A. H. Roberts, undated (2 pages)
• "On the Death of Mrs. S. M. of This Place," by A. H. Roberts, undated (2 pages)
• "Lines Suggested on Witnessing the Burial of Mr. D. Carr, Respectfully Addressed to His Widow," by A. H. Roberts, undated (2 pages)
• "The Home of the Christian," by A. H. Roberts, undated (2 pages)
• "The Hindoo Mother," by A. H. Roberts, undated (3 pages)
• "Reflections on My Past Visits to Cantwells Bridge, Addressed to E. D. Clark," by A. H. Roberts, copied by I. Roberts, May 1863 (2 pages)

New York Harbor shipper John Wheelwright kept this receipt book, documenting money paid out in his deals with ships and cargoes between 1829 and 1834. Payments include purchases of ownership in vessels, ship chandlery, cleaning, molasses, pipes, nankeen, wages for sailors and captains, coal, beef, wood, pork, lifeboats, nails, wharfage, cod, whiting, mackerel, tobacco, flaxseed, blacksmiths, candles, joiners, provisions, a second hand fore-sail, main yard, sugar, blocks, cooperage, painting labor, house rent, newspaper subscriptions, and more. The receiving party signed each receipt. An anonymous, subsequent owner pasted 148 handwritten recipes and 129 printed recipes and formulas over sections of Wheelwright's receipts. Recipes cover or partially cover 110 of 212 pages of the receipt book.

New York Harbor shipper John Wheelwright kept this receipt book, documenting money paid out in his deals with ships and cargoes between 1829 and 1834. Ships mentioned include schooners Washington, 4th of July, Shamrock, Cambridge, Tribune, Gov. Clinton, Delta (Honduras), Active, John Ruggles, Mayflower, Caroline, Hero (Boston), Rufus, Harriet, Transport, and New York; and brigs Betsy, Albert, Henry, Calais Packet, Samaritan (Pictou, Nova Scotia), Levant (Cape Cod), Martha Ann, Only Son, Amazon, Montano (New Orleans), Trumbull, Napoleon, Brilliant, and Asoph. Payments include purchases of ownership in vessels, ship chandlery, cleaning, molasses, pipes, nankeen, wages for sailors and captains, coal, beef, wood, pork, lifeboats, nails, wharfage, cod, whiting, mackerel, tobacco, flaxseed, blacksmiths, candles, joiners, provisions, a second hand fore-sail, main yard, sugar, blocks, cooperage, painting labor, house rent, newspaper subscriptions, and more. The receiving party signed each receipt.

An anonymous, subsequent owner pasted 148 handwritten recipes and 129 printed recipes and formulas over sections of Wheelwright's receipts between the 1830s and 1860s. Recipes cover or partially cover 110 of 212 pages of the receipt book.

This volume contains medical essays composed at the Pennsylvania Hospital in Philadelphia in 1849 and 1850, as well as drafts of letters composed in 1878 and 1879. Essay topics include examinations of specific cases, information on various ailments, notes on surgical operations, and descriptions of medicines.

This volume (162 pages) contains medical essays composed at the Pennsylvania Hospital in Philadelphia in 1849 and 1850, as well as drafts of letters composed in 1878 and 1879. The first 99 pages consist of medical notes and essays written during Carson's final year studying medicine at the University of Pennsylvania, including reports on medical cases, information on ailments and medicines, and notes concerning surgical operations. Essays on ailments and medicines (pages 100-159) focus on symptoms and relief, and include several based on particular types of medicines, such as diuretics and expectorants. Other essays examine the effects of the medicines on the body. The volume also contains medicinal recipes (pp. 160-161). Several doctors are mentioned, including H. S. Patterson, Joseph Carson, G[eorge] B. Wood, and Henry H. Smith. The medical content dates from March 15, 1849, to January 1850, and covers most of the volume's odd-numbered pages, with additional content appearing on some even-numbered pages, including several rough sketches of generic human figures that appear on the inside of both covers and throughout the book, and a series of indexes of miscellaneous words. Some additional items are signatures for residents of several towns in New York, a poem entitled "Buccaneer Bride" (p. 42), recipes for breakfast rolls and doughnuts (pp. 46, 48), household accounts for decorative items, and drafts of letters. Of the letters, one is signed by Grace Burton of Millport, New York. Addie A. McCurdy, also of Millport, New York, occasionally signed her name on some of the even-numbered pages.

The Manuscript Sheet Music collection is made up of manuscript music scores, correspondence, and composers' autographs.

The Manuscript Sheet Music collection (approximately 140 items) contains manuscript music scores and composers' autographs, as well as correspondence and other items.

The bulk of the collection is comprised of around 80 music scores, which range in length from one line to several pages; some are complete works, and some are fragments. Most of the brief melodies are accompanied by the composers' signatures and may have been intended as autograph gifts. The longer works are mainly piano and/or vocal scores, and some include lines for violin with piano accompaniment. Lyrics, when present, are written in English and German. Some of the scores are dated and signed, and a few were written in German cities. The cover of the score for "Barcarola" includes an engraving of "The Great Western crossing the Atlantic," and Harry Keyser's "Two Etudes for Pianoforte" is accompanied by a letter by the composer. A manuscript music book belonging to "Th. Hämb, Junior" contains several short pieces with lyrics in a Nordic language.

Additional autographed items include 25 autograph cards, 8 autograph musical quotations, 10 sheets of paper (some with inscriptions), and a photograph of violinist A. Rivarde. Many of the autographed cards, which are the size of business cards or visiting cards, are dated at Chicago in the mid- to late 1880s. The collection's 8 letters (in English, German, and Italian) include one man's opinion of a performance of "Wanda" and a letter illustrated with lines of music. Additional items are a program for a Manchester, New Hampshire, performance of the comic opera Jonah, an ink drawing of a decaying stone building, and lines of poetry or musical lyrics.

This diary was kept by a farmer, likely in Saratoga County, New York, from 1852 to 1855, detailing his agricultural work, accounts with laborers, and local news. The diarist recorded weather as well as his work planting, harvesting, and tending to various crops, orchards, and livestock. The writer noted the local hired laborers who worked for him, and several times he used disparaging remarks about their Irish heritage. The writer also wrote about local events, including church affairs, social events like marriages and deaths, correspondence with family and friends, and notable occurrences like fires, fairs, and attending a séance. The writer identified as a Whig and recorded political events like election days, the death of Daniel Webster, the inauguration of Franklin Pierce, a lecture by Horace Greeley, and the Crimean War. The writer also took a trip to New York and the State Fair at Saratoga Springs, and included ongoing comments about the travels and jobs undertaken by his son, Augustus.

This diary was kept by a farmer, likely in Saratoga County, New York, from 1852 to 1855, detailing his agricultural work, accounts with laborers, and local news. The diarist recorded weather as well as his work planting, harvesting, and tending to various crops, orchards, and livestock. The writer noted the local hired laborers who worked for him, and several times he used disparaging remarks about their Irish heritage. The writer also wrote about local events, including church affairs, social events like marriages and deaths, correspondence with family and friends, and notable occurrences like fires, fairs, and attending a séance (December 14, 1853). The writer identified as a Whig and recorded political events like election days, the death of Daniel Webster, the inauguration of Franklin Pierce, a lecture by Horace Greeley (December 27, 1852), and the Crimean War (December 31, 1853). The writer also took a trip to New York and the State Fair at Saratoga Springs, and included ongoing comments about the travels and jobs undertaken by his son, Augustus.

Marginal notes for expenses like items purchased and wages owed to hired laborers appear throughout the volume. The last several pages were used for recording accounts with individuals, including male and female workers and transactions relating to agricultural products and livestock.

Several newspaper clippings are pasted into the volume, including "Advice to Parents," marriage notices, recipes, and instructions for whitewashing and fencing.

This collection is made up of 10 inventories of the personal and real property of one person or family in and around Norton, Massachusetts, over the course of 26 years. The entries include objects and land ownership, along with valuations. The property owner began with four heifers/steers/bulls, around 10 acres of woodland, carpenter's tools, and a selection of clothing items. The following inventories reflect the expansion of a carpentry business, accumulation of more and higher quality clothing, aging of livestock, acquisition of horses, lambs, and oxen, improved tack, neck stocks, wagons, plows, shovels, chains, and more. In the late 1850s and 1860s, they gained a "detach Lever silver watch," picture frames, a checkerboard, a sword cane, pocketknives, firearms, lanterns, and other household goods. After the Civil War, they started saving money in a bank account, purchased bonds, and held cash and currency. By 1876, the real property expanded to over 43 acres in Norton, Easton, and Mansfield. The concluding inventory is a list of real estate, a selection of objects, and an entry for "Houshold Stuf to numerous to mention." In 1850, the total assets were $760.50. By 1876, they were $17,076.25.

This collection is made up of 10 inventories of the personal and real property of one person or family in and around Norton, Massachusetts, over the course of 26 years. The entries include objects and land ownership, along with valuations. The property owner began with four heifers/steers/bulls, around 10 acres of woodland, carpenter's tools, and a selection of clothing items. The following inventories reflect the expansion of a carpentry business, accumulation of more and higher quality clothing, aging of livestock, acquisition of horses, lambs, and oxen, improved tack, neck stocks, wagons, plows, shovels, chains, and more. In the late 1850s and 1860s, they gained a "detach Lever silver watch," picture frames, a checkerboard, a sword cane, pocketknives, firearms, lanterns, and other household goods. After the Civil War, they started saving money in a bank account, purchased bonds, and held cash and currency. By 1876, the real property expanded to over 43 acres in Norton, Easton, and Mansfield. The concluding inventory is a list of real estate, a selection of objects, and an entry for "Houshold Stuf to numerous to mention." In 1850, the total assets were $760.50. By 1876, they were $17,076.25.