Search

The Dewey papers consist of more than 500 items that concern the Dewey family's business and family life. The collection tracks the movements of Dwight Dewey, physician and land owner, from Iowa, to Washington, and to New York.

The Dewey papers consist of 545 items relating to the Dewey family including 436 letters, 46 financial records, 9 accounts, 12 school exercises, 17 medical books, and 20 miscellaneous items. The bulk of the collection is comprised of letters written to Dwight by his brother Duane; his business partner, E.B. Holden; his uncle, Anson Hart, a banker and realtor in Iowa City; his Keokuk pastor, Reverend John H. Day; and many nieces and cousins. Only a few letters were written by Dwight Dewey. Though almost no mention is made of the Civil War, the letters help to provide insight into civilian life during the war. The letters concern business and family life and track his movements from Iowa to Washington, and to New York.

A substantial number of items relate to the Dewey family's business dealings. The Financial Records series contains receipts for property transactions, commissions and services, real estate taxes, and ledgers from the family store. The Accounts series holds R. Dwight Dewey's physician account books from 1806-1820, 1815-1842, and for 1838; and Dwight C. Dewey's account books for 1848-1851. These books document a doctor's business practices in the first half of the 19th century.

The School Exercises series consists of Dwight Dewey's student essays and penmanship exercises. The Medical Notes series contains detailed notes from some his coursework in medical school. The Medical Books and Journals are notebooks kept by Royal Dwight Dewey while practicing medicine in Turin, New York. He made notes on treatments for colds, syphilis, colic, epilepsy, burns, dysentery, and other ailments, and listed medicinal recipes such as "Pectoral Syrup," "Rheumatic Liniment," and others. There are no accounts of Dwight's medical practice.

Miscellaneous items include wedding invitations; printed materials for the Keokuk Female Seminary, the state University of Iowa, and the Iowa Medical Society; and two lists of medical instruments, one with drawings of scalpel types.

This collection is made up of letters written and received by Reverend Evarts Kent and members of his family throughout the late 19th and early 20th centuries. Kent and his family corresponded with friends and family members in several states, including Vermont, Illinois, Iowa, Indiana, Georgia, Massachusetts, and North Carolina. Most letters concern family news, education, religion, travel, family relationships, and similar personal subjects. The collection also includes printed invitations, programs, and 23 photographs.

This collection is made up of letters written and received by Reverend Evarts Kent and members of his family throughout the late 19th and early 20th centuries. Kent and his family corresponded with friends and family members in several states, including Vermont, Illinois, Iowa, Indiana, Georgia, Massachusetts, and North Carolina. Most letters concern family news, education, religion, travel, family relationships, and similar personal subjects. The collection also includes 2 documents and 23 photographs; printed invitations and programs are interspersed among the letters.

The Correspondence series comprises most of the collection, and contains approximately 4 linear feet of letters, which are primarily the incoming personal correspondence of Evarts Kent, his wife, and their children. The earliest items are Civil War-era letters between unidentified family members. The bulk of the collection begins around 1867, when Evarts Kent began to receive letters from his family and friends, who provided local news from Ripton, Vermont, and often commented on his recent marriage to Helen Beckwith. As Kent's father, Cephas, was a Congregational minister, the Kent family frequently discussed religious topics. In the early and mid-1880s, Michael E. Strieby and Joseph E. Roy of the American Missionary Association also corresponded with Kent.

After the mid-1870s, the correspondence is primarily between Evarts and Helen Kent and their children, Ernest, Grace, and Willys, who exchanged letters with their parents and each other from their childhood into their early adult lives. Ernest discussed his educational experiences, including his time at Iowa College,his experiences in preparatory school and as a young adult and at Iowa College, and occasionally composed letters to his father in Latin. The Kent siblings sometimes included sketches or more refined drawings within their letters. Their letters reveal details about their relationships with each other, their personal lives, and their religious beliefs. Later items from the World War I era often concern Willys's wife, who signed herself "Roxi," and the couple's experiences while spending their summers at Camp Arcadia in Belgrade, Maine. A relative named "Jupe" also wrote Evarts Kent an extensive series of letters throughout the late 19th and early 20th centuries, including a group of 20th-century letters about travel in the Black Mountains of North Carolina.

The Documents series is made up of a 2-page document containing several sets of church minutes compiled in Benson, Vermont, between March 1790 and September 1792, and a partially printed receipt for a payment made to the American Board of Commissioners for Foreign Missions (ABCFM) in 1870.

The Photographs series holds 23 photographs, primarily snapshots, of unidentified individuals. Though most are portraits, 2 depict a woman riding a bicycle and one is a self portrait of a woman, "taken by herself in front of a looking glass." The photographs include one cyanotype.

William Montague Ferry served as missionary to Indians at Michilimackinac, Michigan for the United Foreign Missionary Society, 1822-1834 and as clergyman in Grand Haven, Michigan. William Montague Ferry, Jr. served in the 14th Michigan Infantry in the Civil War, as University of Michigan Regent and later moved to Park City, Utah where he was active in Democratic Party politics. Thomas W. Ferry served as congressman, 1865 to 1871, and as U.S. Senator from 1871 to 1883. Papers include correspondence describing missionary work of William M. Ferry, Sr., civil war letters of William M. Ferry, Jr., some political correspondence of Thomas W. Ferry, and letters of Amanda White Ferry, wife of William Sr.

The Ferry family collection consists of letters and typescripts of letters from William Montague Ferry and his wife Amanda White Ferry describing their trip from Ashfield, Massachusetts, to Mackinac Island and their missionary work among the Indians; letters, 1862-1901, of Colonel William M. Ferry, University of Michigan regent, particularly to his wife and other relatives while serving in the Fourteenth Michigan Infantry during the Civil War; speeches and letters from contemporary politicians to Thomas White Ferry, lumberman and U.S. Senator; and two scrapbooks of newspaper clippings on the Ferry family. Correspondents in the collection include: Susan B. Anthony, Henry P. Baldwin, Zachariah Chandler, Schuyler Colfax, William M. Evarts, Hamilton Fish, Rutherford B. Haye, Whitelaw Reid, and Elizabeth Cady Stanton

The Fox Island Lighthouse Association is a non-profit organization founded to preserve the South Fox Island light station in northern Lake Michigan. The collection contains both paper and digital records, and consists of materials created or collected by the association as part of their efforts to preserve the light station.

The collection contains both paper and digital records and consists of materials created or collected by the Fox Island Lighthouse Association as part of their efforts to preserve the South Fox Island light station. Collected material includes copies of U.S. Lighthouse Service and Coast Guard records from the National Archives, including photographs. The collection also includes the association's newsletters, newspaper articles about the association or the light station, a historic structures report developed for the association by U.P. Engineers & Architects, and a series of oral history interviews of former lighthouse personnel, conducted by association members.

The Fox Island Lighthouse Association records are organized into four series: Organizational Records, Collected Research Materials, Oral Histories, and Visual Materials. All but the Visual Materials series contain both print and digital records, and some documents exist in both formats.

The Francis Edmonds papers document the art and business world of the early 19th century and the interrelationship between business and the arts. The correspondence reveals both the practical and aesthetic concerns of artists, and the interest of business men in art as a symbol of personal and national "culture."

The Francis Edmonds papers are about evenly divided between the banking and art scene. The collection is valuable in depicting the interrelationship between business and the arts in mid-nineteenth century New York, where a small group of men dominated art promotion and patronage. Edmonds, a man with one foot in both worlds, naturally occupied a prominent position, and his correspondence reveals both the practical and aesthetic concerns of artists, and the interest of business men in art as a symbol of personal and national "culture."

There are 70 different correspondents represented in this small collection, so its story must be pieced together from multiple fragments. Luckily, there are two published biographies of Edmonds which help to make sense of this scattered correspondence by placing it in context. Roughly, the letters can be divided into those from artists, those from business contacts, and those to or from family members. Their subject matter, however, is not so neatly separated -- and that is what makes the Edmonds Papers so interesting, for bankers talk of art in addition to business, artists of finances as well as aesthetics, and Edmonds may have been the only man to whom these combined interests were communicated.

The largest set of correspondence consists of letters from Francis Edmonds to elder brother John Worth Edmonds, who became prominent as a judge, politician, and writer on spiritualism. Letters written between 1823 and 1829 show the young man to have been much inclined toward personal improvement, and to have looked upon his elder brother as a worthy critic and role model. He self-consciously uses their correspondence as a means to improve his writing style and intellectual development, and mentions writing projects he is at work on. An 1829 letter refers to progress in art work: "About my neighborhood I am getting to be a little known as a painter however I am not at all intoxicated with success as yet."

Edmonds' letters to his brother reveal little of marriage or home life, but are good barometers of his psychological state and his views on life. Clearly he had no illusions about the business and political world, commenting in a March 31, 1829 letter that the Edmonds family had been "to [sic] kind in this world, too much trusting to the good will of mankind and they have suffered for their generosity. It is time we changed their nature's [sic]. ... if two hands are offered you spit in the worst & shake the best." Perhaps this attitude sustained him later on when he lost his prominent banking position, for he comments to his brother in October 1856 that "the sensitive feeling which has so influenced my conduct in going into the world is rapidly wearing away," which he knew would happen with time. In August, 1859, he writes that he is unhappy with his new position at the American Bank Note Company, and has to take the "bile" of those who are jealous and competitive of one another. It appears that he may have had an opportunity to regain his old bank job, but writes to John in 1861 that he has no interest in it, as his old boss would feel threatened by him.

Letters to Edmonds from John Gourlie, Charles Leupp, Jonathan Sturges, and Fanning Tucker, primarily dating from the 1840's, depict the interest in art held by some in the business world. These men, all of whom knew Edmonds in a business setting, also associated with him in societies for the promotion of art, bought and commented upon his paintings and those of other artists, and looked to him for advice when acquiring art for themselves. Many of the letters discuss both banking and art. A particularly interesting one, from Gourlie on June 15, 1841, criticizes artists' refusal to be business-like. Commenting upon rivalry between the Apollo Association and the N.A.D., he remarks that artists "are a queer set. ... So sensitive and at the same time so blind to their own interests." He believes popularization of art, as the Apollo does with its subscriptions for pictures or engravings, is the key to supporting artists, for "[a]ssociations in this country are what the aristocracy is in Europe." Gourlie asserts that rivalry between the Academy and Apollo is a good thing, for "rivalry is the life of all business and pictures may be made business matters as well as cotton or cocoa.!"

Yet correspondence to Edmonds from fellow-artists show them to have been aware that their work was a commodity. An 1841 January 30 letter from Daniel Huntington to Edmonds in Paris comments on hard times in New York, remarking that the arts are now "stagnant," as "[t]he mass of painters are I believe lasily waiting with hands in empty pockets for the revival of Commerce & the increase of orders for portraits." Huntington has sold a sketch he began in Rome of "one of those ragged and flea-inhabited beggar boys" for $100, and sold two heads painted at Florence for $150 each. He must be concerned with what will sell well "in these starving times." Artists Joseph Adams, Thomas Cole, and John Kensett also write of both art and money. They seem to have used Edmonds as a combination personal banker and agent, asking him to sell paintings for them, choose and execute stock transactions, or make loans with paintings offered as collateral. Because of his contacts he was also able to secure artists commissions, contracting with Cole for a painting, employing Asher Durand to copy a picture for engraving, hiring engravers to work from paintings to prepare Apollo Association and Art-Union premium offerings.

The artists' letters are highly interesting for their gossip and commentary on the art scene, both in New York and abroad. They describe work in progress, discuss the merits of major exhibitions, comment on the activities of the N.A.D., and chronicle the life of the expatriate artist as he moves from place to place in season, sending work home for display and (hopefully) sale, scrambling for funds to finance work abroad. It seems to have been a small and convivial "old boys' network" who worked and traveled together and critiqued each other's painting. Edmonds enjoyed seven months of the artist's life in 1840-41, and perhaps this cemented his position as an insider with other artists.

In two important letters of 1840 November 7 and 1842 December 14 Thomas Cole agrees to do a painting of Mt. Etna on commission and describes the finished product. He explains the location and elements of the picture in detail, noting that he may be accused of having "scattered the flowers with too profuse a hand. This is not possible. Sicily is truly the land of flowers..." He hopes the picture "will come to the lot of some one whom we would choose," or that "some good New Yorker will purchase it. I myself will give a hundred dollars & the View of Lake Schroon in Mr. Ridner's room for it." In April 1843 John Kensett writes extensively of the Paris art scene, describing specific works he has seen and including a small pencil sketch of one by Jules Louis Coignet.

Also of particular interest are three 1844 London letters from publisher and bookseller George Putnam, who worked to raise awareness of American art abroad. One solicits articles on American art from Edmonds, assuring him that despite prejudice there are many in England who would be interested in "a little information about American doings in some other arts than the art of raising the wind." In December, reporting on the disappointing reaction of a major critic to three American paintings Edmonds sent for display, he ruefully remarks that the criticism typified English ignorance of America. Putnam was advised to "'tell them to paint some American subject (!) Something of the Indian life.' He was rather incredulous when I suggested that Indians were as great a novelty, nearly, in New York as in London." Still, he wrote, hundreds had viewed and appreciated the paintings, so they had served a good purpose.

One letter in the collection involves neither art nor banking, but Civil War service in Virginia. It is from an old friend of Edmonds, William Fenton, who went to war along with his two sons and served as a colonel in the 8th Michigan regiment. Fenton describes a massive camp along the Rappahannock in detail and indignantly decries the "slaughter" at Fredericksburg as "almost unjustifiable," and due to "old fogeyism" in military strategy. "What was good strategy in the time of Napoleon may not be now." He criticizes political meddling in war and the advancement of "pets." Fenton encourages Edmonds to visit camp, for "[s]uch sights will never again be seen on this continent."

Besides correspondence, news clippings, some later genealogical material, and a draft excerpt from Edmonds' autobiography (ca.1860), the collection includes several pencil sketches by the artist. Eight rough but skillful sketches on small scraps of paper feature indoor and outdoor scenes of people and animals. One is water-colored. There is also a large preliminary study of Edmonds painting "The Bashful Cousin". It is not identified as such, and background scene and details differ from the finished version, but the two main characters are clearly recognizable.

This collection is made up of approximately 160 items related to the Hillard family and Low family of New York and Boston, including correspondence, documents, photographs, poetry, ephemera, and pamphlets. Family members wrote around one-third of the approximately 110 letters and typescripts, as well as 35 pages from a letter book, while living and working in China in the mid-1800s. Other letters and additional materials concern the families' social and business lives in New York and Massachusetts throughout the 19th century. The families were related by marriage.

This collection contains approximately 155 items related to the Hillard family and Low family of New York and Boston, including correspondence, documents, photographs, poetry, ephemera, and pamphlets. Family members wrote around one-third of the approximately 110 letters and typescripts, as well as 35 pages from a letter book, while living and working in China in the mid-1800s. Other letters and additional material concern the families' social and business lives in New York and Massachusetts throughout the 19th century. The families were related by marriage.

The Correspondence series contains the following subseries: Manuscript Correspondence, Edward Low Letter Book, and Low Family Typescripts.

The Manuscript Correspondence subseries contains around 100 items related to the Hillard and Low families. "Caroline," a friend of Harriet Low, wrote letters to Harriet in New York City from Macau, China, in 1834 and 1835. Caroline commented on aspects of her life abroad, such as William Napier's arrival from Great Britain and the difficulty of having goods shipped from the United States. Other early correspondence includes personal letters between members of the Low family, who often wrote from Boston about family news and their social lives.

Francis (Frank) A. Hillard wrote 25 letters to his parents and siblings between June 1844 and July 1846, including 2 while traveling onboard the ship Honqua and 23 while living in Canton (now Guangzhou) and Macau, China. He described many aspects of his everyday life and of his career as a merchant, and provided detailed accounts of scenery, people, customs, and local news. He also commented on his experiences as a foreigner living abroad. After returning to the United States and settling in Brooklyn, New York, he corresponded with his brother Oliver, to whom he wrote approximately 30 letters between 1847 and 1853. Frank discussed his mercantile career and social life, which included interactions with members of the Delano family. The bulk of the correspondence ends in 1853.

Abiel Abbot Low wrote 4 letters to his wife Ellen on June 12, 1841, and from June 28, 1845-August 21, 1845. In his first letter, he described his travels in northern New York along the Erie Canal. Low's letter of June 28, 1845, pertains to his transatlantic voyage to Manchester, England, on the Great Western: he discussed his fellow passengers, his leisure activities on the ship, and his reunion with his sister Harriet and her children. The final 2 items (August 16, 1845, and August 21, 1845) concern Low's life in New York City after his return from England; he provided news of acquaintances and briefly mentioned the possibility of war with Mexico.

The subseries contains a letter Frank received from his brother Oliver, who provided news of United States politics (June 9, 1846), a letter from a girl named Hattie to her mother that mentions a sermon by a "Mr. Longfellow" [1864?], and a letter and membership card from the New York State Woman Suffrage Association sent to Mary Loines (September 21, 1895).

The Edward Low Letter Book is comprised of 35-pages of retained copies of letters that Low wrote to various family members, including William Henry and Abiel Abbot, while living in Macau, China, from May to September 1842. He discussed his life and work in China, as well as the Chinese economy and current events.

A group of Low Family Typescripts contains 12 letters exchanged by members of the Low family between 1829 and 1841, accompanied by a table of contents and a letter about the original material, dated 1935. The location of the original letters is unknown. Harriett Low wrote the first 9 letters between 1829 and 1834, while traveling in the Pacific and living in Macau, China. She told her mother and sister of her life onboard steamships and about her loneliness, caused by separation from her family in the United States. The remaining 11 letters include items by Frank and William Henry Low concerning their travels to China and around the Pacific region. They also commented on financial affairs.

The Documents series has 2 subseries: Legal and Financial Documents (5 items) and Passports (2 items). Included are an indenture between John Hillard, Harriet Low, and Seth Low (November 1, 1836); 4 receipts (August 1894-March 9, 1896, and undated); and passports for John Hillard (1842) and George Stillman Hillard (1859). Each passport is housed in a leather wallet.

The Photographs series contains 3 cartes-de-visite of Samuel Stillman and Rebecca Allen Stillman, as well as 3 card photographs of George Stillman Hillard.

Poetry and Other Writings (10 items) are comprised of 3 small poems, including one Francis A. Hillard wrote for his brother Oliver; 1 long poem entitled "The Tale" (27 pages); a preface and notes concerning the preparation of a work on the Low family papers; 3 loose pages and 1 packet of notes; and a 2-page prose draft.

The Genealogy series holds a 25-page document with genealogical information about the Hillard family and associated families.

Printed Items are divided into 3 subseries. Printed Ephemera (4 items) includes an illustrated envelope for the company Fritz and Dean, a business card for John B. Hillard, an image of George S. Hillard, and a bookplate for items bequeathed to the Massachusetts Historical Society by James Savage. The Currency (13 items) was all issued in North America between 1770 and 1780. Three of the four published Pamphlets were written by George Stillman Hillard between 1843 and 1852. The final pamphlet is a copy of "A Clipper Ship and Her Commander" (1924).

The Humphry and Moses Marshall papers primarily document the careers of botanist Humphry Marshall and his nephew and business associate, Moses Marshall.

The Humphry and Moses Marshall papers consist of 233 items: 181 letters (including drafts), 15 legal documents, 11 manuscripts, 10 poems, 4 account books, and several each of books, letter books, arithmetic notebooks, and broadsides. The materials span from 1721-1863.

The first series contains correspondence and a few legal documents and writings, arranged chronologically. The correspondence dates from 1733 to 1863 and is predominantly incoming. Humphry Marshall is the recipient of the bulk of the material (approximately 40%), followed by Moses Marshall (approx. 30%). The majority of the outgoing correspondence comes from the two "letterbooks" kept by Moses Marshall in 1791 and 1793. These books contain correspondence from a couple of days each, but provide a record of Marshall's response to inquiries from clients.

The bulk of correspondence prior to 1800 relates to Marshall's horticultural and botanical operations. Substantial numbers of orders are for plants and seeds from clients in other parts of the United States, England, Ireland, France, and Germany, and communications with middle men in the operation detail methods of packaging and shipping. Also of botanical interest is the correspondence with Marshall's "agents" in the field, including Moses Mendenhall, John and James Watson, Matthias King, Samuel Kramsh, and James Kenny. These men were admirers and friends of Humphry Marshall, and provided him with specimens collected from various regions of the country. The unsuccessful search for wild Franklinia alatamaha is mentioned in several letters (April 8, 1788: "There is not a plant of the Franklinia to be found"), and other letters include discussions of scientific expeditions either actualized or planned, mostly involving the participation of Moses Marshall. On November 14, 1786, Humphry described the logistics of tracking down ginseng, providing insight into the duties of plant collectors: "both of you being obliged to…encamp in the mountains strike up a fire & lie by it all night in the morning…climb up the sides of the mountains and dig towards evening…about 20 days in Going and Coming home again & digging the roots packing up &c." The content of the letters does not indicate the Marshalls' scientific interests or abilities, but this correspondence provides documentation for the complex network used by the Marshalls to collect, sell and distribute plants.

Approximately 18 letters relate to the Revolutionary War (see "Subject Index" under "Additional Descriptive Data"). These include letters that indicate Marshall's support for the nonimportation agreements (January 6, 1775), second hand reports of the Battles of Lexington and Concord (April 25, 1775) and of Yorktown (August 24, 1781), and an important series of correspondence from Samuel Preston Moore relating to the resignation of the trustees of the General Loan Office when American revolutionaries seized control (June 17 and 21, 1777). Also significant are two letters from Quaker conscientious objectors on the morality of paying taxes to support military activities (undated c. 1780 letter; July 14, 1781), a letter relating to the North Carolina Regulator insurrection (March 3, 1771), and one concerning the arrest by American forces of Quakers suspected of Loyalist sympathies (September 6, 1777). Finally, in the pre-Revolutionary period, the letters of James Kenny provide excellent descriptions of plant collecting and the area around Fort Pitt in 1759-60.

The items from 1840-1863 mainly relate to Moses Marshall, Jr. Most notable in among them are several letters from William Darlington written as he was preparing his Memorial to Humphry and Moses Marshall in 1848 and 1849. Moses, Jr's pro-Confederacy political views are clearly expressed in the series of three speeches written during the Civil War, also included in the series.

The Poetry series includes 10 undated poems. The Bound Materials series comprises the arithmetic notebooks of Jacob Martin, whose relationship to the Marshalls is unclear; Darlington’s manuscript, Historical Introduction to Bartram & Marshall, Marshall's copy of Dover's Useful Miscellanies; and nine uncut and unfolded sets of signatures from Arbustrum Americanum.

The Jared and Susannah Arnold papers are a collection of letters, written primarily by family members, pertaining to business and family matters. Legal documents regarding shipping, deeds for ships, etc. are also included in the collection.

The Jared and Susannah Arnold papers consist primarily of correspondence written between the couple and their children in the early 19th century. The earliest items in the Correspondence series, which makes up the bulk of the collection, are personal letters written and received by Jared Arnold and Susannah Brainerd before their marriage; these include material from Jared to his brothers, Simon and Joseph, as well as several addressed to Susannah by female friends. Many of the early letters detail the couple'scourtship; following their marriage, they corresponded with friends and family about their travels to New York, Baltimore, and other cities on the East Coast. Later material in the collection reflects the lives of the Arnolds' three sons, who frequently wrote their parents and, less often, each other; their son Owen, for example, shared his experiences at Yale College in the mid-1830s, and on one occasion detailed his expenses (February 6, 1835). Later, Owen wrote from his teaching post in Milledgeville, Georgia, while Jared drew a map of land along the Chemung River near Elmira, New York; Owen's letter of April 27, 1843 contains several pencil sketches, including a hawk and rough patterns. Two of the letters are written on printed reports: the Commercial Reporter and Shipping List from Mobile, Alabama (December 6, 1837) and a report of "The Trustees of the Planters and Merchants Bank of Mobile" (April 3, 1847).

Documents in the collection include two shipping receipts; a document related to the ownership of the Exchange, of which Jared Arnold was captain, by Jozeb and Horace Stocking; and a power of attorney appointing Jared Arnold legal representative for Jozeb Stocking.

Papers include original correspondence to Whittier, typed transcripts of the same, poems, writings, biographical materials, memorials, and correspondence by Whittier, and miscellaneous.

The collection includes approximately .75 cubic feet of original correspondence, mostly to Whittier 1829-1890, undated, approximately .5 cubic ft. of typed transcripts of the same, about 20 folders of Whittier’s poems, writings, biographical material, memorials, correspondence by JGW, 1835-1889, and miscellaneous, 1840-1892, undated. Of particular note are correspondence with Charles A. Dana, Ralph W. Emerson, Oliver W. Holmes, Lydia Maria Child, Dorothea Dix, Henry W. Longfellow, Henry B. Stanton, and Frances E. Willard regarding poems and abolition. There are also 10 letters to Whittier from his brother, Matthew F. Whittier and several letters from Elizabeth Whittier (?) and other relatives. Signatures are listed as signed. There is also an incomplete item-level index in Box 3.

The collection is also available on one reel of positive microfilm Acc#443 and the index is available on positive microfilm Acc#359 (section 2). The Clarke also houses books and poems by or about Whittier.