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The African American and African Diaspora Collection is comprised largely of individual letters, documents, and other manuscript items relating to slavery, abolition movements, and aspects of African American life, largely dating between 1781 and 1865.

The African American and African Diaspora Collection is comprised largely of individual letters, documents, and other manuscript items relating to slavery, abolition movements, and aspects of African American life, largely dating between 1781 and 1865. Topics addressed in the letters and documents include the experiences and work of enslaved persons in the North and South; the buying and selling of enslaved men, women, and children; participation in the French and Indian War, American Revolution, and Civil War of African descended persons; abolitionists and abolition societies; the American Colonization Society; the lives of formerly enslaved persons; African American education; and many other subjects. For details on each document, see the inventory located under "Detailed Box and Folder Listing"

This collection is made up of correspondence related to Ira Blake of Chester, Vermont, and his descendants, and is divided into three main groups: letters between Ira Blake and Mary Seamans, his future wife; letters to Frances Blake, their daughter; and letters by Ormond and Oscar Colony, Frances's sons. The Blake letters relate to Ira and Mary's courtship and to news of their families in New England, and the Colony letters pertain to the brothers' experiences traveling to and living in Colorado during the Civil War.

This collection (131 items) is made up of correspondence related to Ira Blake of Chester, Vermont, and his descendants, and is divided into three main groups: letters between Ira Blake and Mary Seamans, his future wife (8 items); letters to Frances Blake, their daughter (30 items); and letters by Ormond and Oscar Colony, Frances's sons. The Blake letters primarily concern courtship and family news in New England, and the Colony letters pertain to the brothers' experiences traveling to and living in Colorado during the Civil War.

The Blake correspondence (38 items) relates to Ira Blake's immediate family. In 1807, during their courtship, Ira Blake and Mary Seamans exchanged 8 letters about their relationship and separation. The remaining 30 items are mostly letters to Frances Blake (later Colony) containing personal and family news, with the exception of one letter by [G.]S. Barstow to "Mr. Stutevant" relating to information about local deaths from 1859-1861 (December 30, 1864). The majority of the letters are from Mary Blake (later Mary Moore), Frances's mother, and Cyrus Blake, a friend who wrote of life in Roxbury and Boston, Massachusetts, and who provided a list of items he purchased for Frances, along with each item's cost (August 12, 1831).

The Colony correspondence (103 items) chiefly consists of letters that Ormond and Oscar Colony wrote to their family in Keene, New Hampshire, while living in Central City, Colorado, during the Civil War. Winslow J. Howard wrote the earliest letter to the twins' brother Lewis; he described the city of Santa Fe, New Mexico (May 16, 1859). Oscar and Ormond Colony wrote the remainder of the letters. Ormond departed from New Hampshire in the summer of 1862 and wrote several letters from Saint Joseph, Missouri, before embarking on an overland journey to Colorado. He traveled in covered wagons across the Great Plains, which he described in a lengthy composite letter composed after his arrival in Central City, Colorado (June 3, 1862). His first work in Colorado required occasional journeys in the mountains to survey potential routes for the Pacific Railroad. He wrote about his daily life in the town, mentioning its gold mines and describing the surrounding scenery.

Oscar joined Ormond in early December 1862, and the brothers continued to provide their family with updates on their everyday lives and local news, including at least one report of a trial (October 20, 1863). On December 25, 1862, Ormond drew a detailed picture of their home and shop, complete with sketches of their merchandise, which included stuffed mountain birds and fiddles. Oscar shared a related drawing of a covered wagon pulled by two mules, captioned "…our gilded chariot, and we are inside, but you can't see me" (October 16, 1863). The pair also took several trips throughout the surrounding area. On two occasions, they described the perils of cross-country railroad travel, which included fatal Indian attacks (December 6, 1864), causing Ormond to remark that he wanted the Indians "wiped out" (December 11, 1864). The twins also occasionally commented on the Civil War and contemporary politics. While in Missouri, Ormond mentioned a local military unit and the effects of martial law, and in Colorado they occasionally saw military recruiters and wrote about the public's view of the war. On January 8, 1864, Ormond shared his belief that future politics would be difficult because of problems posed by African Americans, Native Americans, and Mormons. In his final letters, written in or around 1865, he revealed his plans to return to New Hampshire following the closing of his business ventures in Colorado.

Undated material includes several letter fragments and drawings. Among the latter are a valentine and a poem; a surreal drawing depicting "A Dream;" a picture of a man driving a mule behind two men carrying long guns; and a drawing of the Pikes Peak Stage labeled "Mr. Aged Individual Candidate for Pikes Peak." Other items include a newspaper clipping regarding Howard & Colony's jewelry products and a printed advertisement for Winslow J. Howard's jewelry business in Santa Fe.

Correspondence and other papers of Alde L. T. Blake, including exchanges with Jane Addams, Ben Lindsey, Governor Woodbridge N. Ferris, and Anna Howard Shaw, and other materials documenting Alde Blake's suffragist activities. Scrapbooks of William F. Blake largely concerning family history and business interests, and his correspondence; a volume containing copies of private and unofficial letters written by William Blake to various persons during his tenure as U.S. Consular Agent. A volume with copies of letters sent by Robert Blake in his capacity as U.S. Consular Agent serving in Canada, including detailed commercial report about London, Ontario in 1873. Freeman N. Blake's Law School notebook. Also, included a genealogical tree of Kutsche family. Correspondence, notebooks, wills, certificates, and other materials relating to other Blake, Kutsche, and Tuck family members. Visual materials include two photo albums, as well as numerous photographs (some oversize), daguerreotypes, and one tintype. Photographs include photos of Anna Howard Shaw, Jeanette Rankin, and others following a lecture by Dr. Shaw; also group photos, possibly of woman suffrage groups.

The Samuel L. Mitchill papers consists of 522 letters or fragments dating between 1801 and 1829, but largely dating between 1801 and 1813. Most of the letters are from Samuel Latham Mitchill to his wife, Catharine Akerly Cock Mitchill, with the exception of four letters written by him to other recipients and 15 letters written by other senders. These letters touch on a wide variety of topics, including domestic national and state politics; relations with European powers; the Barbary Wars and other naval matters; the Aaron Burr conspiracy; Washington, D. C., society; Mitchill's scientific endeavors and sample collection; and his family life and travel plans. In addition to this finding aid, the Clements Library has created two other research aids: a Partial Subject Index and a Chronological Inventory.

The Samuel L. Mitchill papers consist of 522 letters or fragments dating between 1801 and 1829 (bulk 1801-1813). Most of the letters are from Samuel Latham Mitchill to his wife, Catharine Akerly Cock Mitchill, with the exception of four letters written by him to other recipients and 15 letters written by other senders. Mitchill's detailed letters cover a wide variety of topics, including domestic national and state politics; relations with European powers; the Barbary Wars and other naval matters; the Aaron Burr conspiracy; Washington, D. C., society; Mitchill's scientific endeavors and sample collection; and his family life and travel plans.

In addition to the letters from Samuel L. Mitchill to his wife, the collection includes:

• Four letters written by Samuel Mitchill: one each to Priscilla Akerly, his mother-in-law; T. H. Gallaudet, a pioneer in deaf education; La Cépède, a French naturalist; and Mary Latham Mitchill, his mother
• Four letters written by Catherine Mitchill to her sister Margaret Miller
• Nine letters written by Margaret Miller: four to her husband Silvanus Miller and five to Catherine Mitchill
• Two letters received by Samuel Mitchill: one from Hugh Williamson and one from a Miss Coates of Charleston, South Carolina

In addition to this finding aid, the Clements Library has created two other research aids: a Partial Subject Index and a Chronological Inventory.

Letters from relatives in New York, New Jersey and Iowa discussing in part plans to migrate westward; letter, 1852, recounting missionary life in India; Civil War letters from Townsend M. Luce (Co. F., Third Michigan Infantry), Rufus Cheney (Co. D, 2nd Michigan Cavalry), Charles O. Reed (probably Co. A, 4th Michigan Cavalry), Philip Segur (Co. A, 7th Michigan Cavalry), and one tentatively identified as Albert H. Freeman (Battery B, 1st Michigan Light Artillery); and miscellanea.

D. C. Allen was a Three Oaks, Michigan book dealer and collector of material on the House of David, an adventist cult founded in England. The leader of this cult was Benjamin Purnell who made Benton Harbor his home and the site of his follower's business activities. The Allen collection (formerly housed at the Wyoming American Heritage Center) consists of most of the publications by and about the Israelite House of David, scattered manuscript materials mainly documenting the colony's business operations and court cases involving Purnell and the colony, and photographs and postcards depicting activities of the colony.

The collection gathered together by D. C. Allen includes published materials, manuscripts and other paper documentation, and photographs, postcards, and other visual materials. The published material consists mainly of books and pamphlets written by House of David founder "King Benjamin" Purnell and his wife Mary and others associated with the House of David. This collection was formerly stored at the University of Wyoming American Heritage Center.

This collection is made up of letters written and received by Reverend Evarts Kent and members of his family throughout the late 19th and early 20th centuries. Kent and his family corresponded with friends and family members in several states, including Vermont, Illinois, Iowa, Indiana, Georgia, Massachusetts, and North Carolina. Most letters concern family news, education, religion, travel, family relationships, and similar personal subjects. The collection also includes printed invitations, programs, and 23 photographs.

This collection is made up of letters written and received by Reverend Evarts Kent and members of his family throughout the late 19th and early 20th centuries. Kent and his family corresponded with friends and family members in several states, including Vermont, Illinois, Iowa, Indiana, Georgia, Massachusetts, and North Carolina. Most letters concern family news, education, religion, travel, family relationships, and similar personal subjects. The collection also includes 2 documents and 23 photographs; printed invitations and programs are interspersed among the letters.

The Correspondence series comprises most of the collection, and contains approximately 4 linear feet of letters, which are primarily the incoming personal correspondence of Evarts Kent, his wife, and their children. The earliest items are Civil War-era letters between unidentified family members. The bulk of the collection begins around 1867, when Evarts Kent began to receive letters from his family and friends, who provided local news from Ripton, Vermont, and often commented on his recent marriage to Helen Beckwith. As Kent's father, Cephas, was a Congregational minister, the Kent family frequently discussed religious topics. In the early and mid-1880s, Michael E. Strieby and Joseph E. Roy of the American Missionary Association also corresponded with Kent.

After the mid-1870s, the correspondence is primarily between Evarts and Helen Kent and their children, Ernest, Grace, and Willys, who exchanged letters with their parents and each other from their childhood into their early adult lives. Ernest discussed his educational experiences, including his time at Iowa College,his experiences in preparatory school and as a young adult and at Iowa College, and occasionally composed letters to his father in Latin. The Kent siblings sometimes included sketches or more refined drawings within their letters. Their letters reveal details about their relationships with each other, their personal lives, and their religious beliefs. Later items from the World War I era often concern Willys's wife, who signed herself "Roxi," and the couple's experiences while spending their summers at Camp Arcadia in Belgrade, Maine. A relative named "Jupe" also wrote Evarts Kent an extensive series of letters throughout the late 19th and early 20th centuries, including a group of 20th-century letters about travel in the Black Mountains of North Carolina.

The Documents series is made up of a 2-page document containing several sets of church minutes compiled in Benson, Vermont, between March 1790 and September 1792, and a partially printed receipt for a payment made to the American Board of Commissioners for Foreign Missions (ABCFM) in 1870.

The Photographs series holds 23 photographs, primarily snapshots, of unidentified individuals. Though most are portraits, 2 depict a woman riding a bicycle and one is a self portrait of a woman, "taken by herself in front of a looking glass." The photographs include one cyanotype.

The Fort Wayne Indian Agency collection consists of a letterbook kept by Indian agents John Johnston and Benjamin Franklin Stickney; an English-to-Ottawa dictionary, likely written by Stickney; and a memorandum book kept by Johnston during his time at Fort Wayne.

The Fort Wayne Indian Agency collection consists of a letterbook kept by Indian agents John Johnston and Benjamin Franklin Stickney; an English to Ottawa dictionary, likely written by Stickney; and a memorandum book kept by Johnston during his time at Fort Wayne.

The Fort Wayne Indian Agency Letter book (189 pages) was compiled by agents John Johnston (April 15, 1809-November 30, 1811) and Benjamin F. Stickney (April 18, 1812-October 1, 1815), who documented all accounts, disputes, complaints, and other occurrences that transpired between the soldiers at the fort and the Native Americans. The letterbook records the agency business during the critical years before and during the War of 1812, when Fort Wayne was a vital part of American frontier defenses. The volume is comprised of copies of letters, speeches, circulars, and documents, to and from the agents and various departments of the United States government. The correspondents include Presidents Jefferson and Madison; Secretary of State James Monroe, Secretaries of War Henry Dearborn, John Armstrong, and William H. Crawford; the governor of Indiana Territory, William Henry Harrison; and Michigan governors William Hull and Lewis Cass; as well as several Indian chiefs (listed in Additional Descriptive Data). The entries contain lists of supplies received at Fort Wayne, lists of supplies and gifts extended to the Indians, receipts for work done at the garrison, reports on Indian activities, speeches addressed to the Indians, accounts of the war on the frontier, and reports about other conflicts in the area. The volume concludes with a 13-page "statements and observations relating to the Indian department" which summarizes Stickney's efforts during the War of 1812. For a complete transcription of the letterbook, along with a thorough index, see:

Thornbrough, Gayle. Letter Book of the Indian Agency At Fort Wayne, 1809-1815. Indianapolis: Indiana Historical Society, 1961.

The English to Ottawa dictionary (40 pages) contains phonetic spellings for English words in the language of the Ottawa Indians (the Ottawa speak a dialect of Ojibwe). The book, likely composed by Stickney, contains words for mammals, fowl, birds, fish, reptiles, elements (earth, water, wood, stone, clay, etc.) plants, trees, body parts and facial features, food, maladies, medicine, feelings (love, malice, envy etc.), celestial features, weather, clothes and other goods, numbers, colors, and useful phrases. In addition to providing information on the Ottawan language, the dictionary relates concepts and terms that were important to the Americans. This volume was likely never published.

John Johnston kept the Fort Wayne memorandum book (145 pages) during his tenure as Indian agent at Fort Wayne, from 1802-1811. The volume contains both personal and official material. The first entry was March 20, 1801, when Johnson was appointed by General Henry Dearborn to be a clerk in the War Department. He arrived at Fort Wayne on September 20, 1802. The volume contains several lists of supplies for Fort Wayne and for gifts to the Indians, and records bills and accounts from the Indian agency and the War Department. Many of the accounts concern Indian agent William Wells (1802-1803). Johnston also made notes on his daily responsibilities, of enquiries into food and supplies, and on people traveling to and from Fort Wayne and Washington D.C.; Dayton, Ohio; and Detroit, Michigan. Several entries relate to Native Americans, and discuss Little Turtle's adopted son and the husband of Little Turtle's daughter. Among Johnston's personal notes are financial records for planting his farm and orchard in 1808. The memorandum book provides information about life in the Indiana Territory in the early 19th century.

The Francis Edmonds papers document the art and business world of the early 19th century and the interrelationship between business and the arts. The correspondence reveals both the practical and aesthetic concerns of artists, and the interest of business men in art as a symbol of personal and national "culture."

The Francis Edmonds papers are about evenly divided between the banking and art scene. The collection is valuable in depicting the interrelationship between business and the arts in mid-nineteenth century New York, where a small group of men dominated art promotion and patronage. Edmonds, a man with one foot in both worlds, naturally occupied a prominent position, and his correspondence reveals both the practical and aesthetic concerns of artists, and the interest of business men in art as a symbol of personal and national "culture."

There are 70 different correspondents represented in this small collection, so its story must be pieced together from multiple fragments. Luckily, there are two published biographies of Edmonds which help to make sense of this scattered correspondence by placing it in context. Roughly, the letters can be divided into those from artists, those from business contacts, and those to or from family members. Their subject matter, however, is not so neatly separated -- and that is what makes the Edmonds Papers so interesting, for bankers talk of art in addition to business, artists of finances as well as aesthetics, and Edmonds may have been the only man to whom these combined interests were communicated.

The largest set of correspondence consists of letters from Francis Edmonds to elder brother John Worth Edmonds, who became prominent as a judge, politician, and writer on spiritualism. Letters written between 1823 and 1829 show the young man to have been much inclined toward personal improvement, and to have looked upon his elder brother as a worthy critic and role model. He self-consciously uses their correspondence as a means to improve his writing style and intellectual development, and mentions writing projects he is at work on. An 1829 letter refers to progress in art work: "About my neighborhood I am getting to be a little known as a painter however I am not at all intoxicated with success as yet."

Edmonds' letters to his brother reveal little of marriage or home life, but are good barometers of his psychological state and his views on life. Clearly he had no illusions about the business and political world, commenting in a March 31, 1829 letter that the Edmonds family had been "to [sic] kind in this world, too much trusting to the good will of mankind and they have suffered for their generosity. It is time we changed their nature's [sic]. ... if two hands are offered you spit in the worst & shake the best." Perhaps this attitude sustained him later on when he lost his prominent banking position, for he comments to his brother in October 1856 that "the sensitive feeling which has so influenced my conduct in going into the world is rapidly wearing away," which he knew would happen with time. In August, 1859, he writes that he is unhappy with his new position at the American Bank Note Company, and has to take the "bile" of those who are jealous and competitive of one another. It appears that he may have had an opportunity to regain his old bank job, but writes to John in 1861 that he has no interest in it, as his old boss would feel threatened by him.

Letters to Edmonds from John Gourlie, Charles Leupp, Jonathan Sturges, and Fanning Tucker, primarily dating from the 1840's, depict the interest in art held by some in the business world. These men, all of whom knew Edmonds in a business setting, also associated with him in societies for the promotion of art, bought and commented upon his paintings and those of other artists, and looked to him for advice when acquiring art for themselves. Many of the letters discuss both banking and art. A particularly interesting one, from Gourlie on June 15, 1841, criticizes artists' refusal to be business-like. Commenting upon rivalry between the Apollo Association and the N.A.D., he remarks that artists "are a queer set. ... So sensitive and at the same time so blind to their own interests." He believes popularization of art, as the Apollo does with its subscriptions for pictures or engravings, is the key to supporting artists, for "[a]ssociations in this country are what the aristocracy is in Europe." Gourlie asserts that rivalry between the Academy and Apollo is a good thing, for "rivalry is the life of all business and pictures may be made business matters as well as cotton or cocoa.!"

Yet correspondence to Edmonds from fellow-artists show them to have been aware that their work was a commodity. An 1841 January 30 letter from Daniel Huntington to Edmonds in Paris comments on hard times in New York, remarking that the arts are now "stagnant," as "[t]he mass of painters are I believe lasily waiting with hands in empty pockets for the revival of Commerce & the increase of orders for portraits." Huntington has sold a sketch he began in Rome of "one of those ragged and flea-inhabited beggar boys" for $100, and sold two heads painted at Florence for $150 each. He must be concerned with what will sell well "in these starving times." Artists Joseph Adams, Thomas Cole, and John Kensett also write of both art and money. They seem to have used Edmonds as a combination personal banker and agent, asking him to sell paintings for them, choose and execute stock transactions, or make loans with paintings offered as collateral. Because of his contacts he was also able to secure artists commissions, contracting with Cole for a painting, employing Asher Durand to copy a picture for engraving, hiring engravers to work from paintings to prepare Apollo Association and Art-Union premium offerings.

The artists' letters are highly interesting for their gossip and commentary on the art scene, both in New York and abroad. They describe work in progress, discuss the merits of major exhibitions, comment on the activities of the N.A.D., and chronicle the life of the expatriate artist as he moves from place to place in season, sending work home for display and (hopefully) sale, scrambling for funds to finance work abroad. It seems to have been a small and convivial "old boys' network" who worked and traveled together and critiqued each other's painting. Edmonds enjoyed seven months of the artist's life in 1840-41, and perhaps this cemented his position as an insider with other artists.

In two important letters of 1840 November 7 and 1842 December 14 Thomas Cole agrees to do a painting of Mt. Etna on commission and describes the finished product. He explains the location and elements of the picture in detail, noting that he may be accused of having "scattered the flowers with too profuse a hand. This is not possible. Sicily is truly the land of flowers..." He hopes the picture "will come to the lot of some one whom we would choose," or that "some good New Yorker will purchase it. I myself will give a hundred dollars & the View of Lake Schroon in Mr. Ridner's room for it." In April 1843 John Kensett writes extensively of the Paris art scene, describing specific works he has seen and including a small pencil sketch of one by Jules Louis Coignet.

Also of particular interest are three 1844 London letters from publisher and bookseller George Putnam, who worked to raise awareness of American art abroad. One solicits articles on American art from Edmonds, assuring him that despite prejudice there are many in England who would be interested in "a little information about American doings in some other arts than the art of raising the wind." In December, reporting on the disappointing reaction of a major critic to three American paintings Edmonds sent for display, he ruefully remarks that the criticism typified English ignorance of America. Putnam was advised to "'tell them to paint some American subject (!) Something of the Indian life.' He was rather incredulous when I suggested that Indians were as great a novelty, nearly, in New York as in London." Still, he wrote, hundreds had viewed and appreciated the paintings, so they had served a good purpose.

One letter in the collection involves neither art nor banking, but Civil War service in Virginia. It is from an old friend of Edmonds, William Fenton, who went to war along with his two sons and served as a colonel in the 8th Michigan regiment. Fenton describes a massive camp along the Rappahannock in detail and indignantly decries the "slaughter" at Fredericksburg as "almost unjustifiable," and due to "old fogeyism" in military strategy. "What was good strategy in the time of Napoleon may not be now." He criticizes political meddling in war and the advancement of "pets." Fenton encourages Edmonds to visit camp, for "[s]uch sights will never again be seen on this continent."

Besides correspondence, news clippings, some later genealogical material, and a draft excerpt from Edmonds' autobiography (ca.1860), the collection includes several pencil sketches by the artist. Eight rough but skillful sketches on small scraps of paper feature indoor and outdoor scenes of people and animals. One is water-colored. There is also a large preliminary study of Edmonds painting "The Bashful Cousin". It is not identified as such, and background scene and details differ from the finished version, but the two main characters are clearly recognizable.

The Humphry and Moses Marshall papers primarily document the careers of botanist Humphry Marshall and his nephew and business associate, Moses Marshall.

The Humphry and Moses Marshall papers consist of 233 items: 181 letters (including drafts), 15 legal documents, 11 manuscripts, 10 poems, 4 account books, and several each of books, letter books, arithmetic notebooks, and broadsides. The materials span from 1721-1863.

The first series contains correspondence and a few legal documents and writings, arranged chronologically. The correspondence dates from 1733 to 1863 and is predominantly incoming. Humphry Marshall is the recipient of the bulk of the material (approximately 40%), followed by Moses Marshall (approx. 30%). The majority of the outgoing correspondence comes from the two "letterbooks" kept by Moses Marshall in 1791 and 1793. These books contain correspondence from a couple of days each, but provide a record of Marshall's response to inquiries from clients.

The bulk of correspondence prior to 1800 relates to Marshall's horticultural and botanical operations. Substantial numbers of orders are for plants and seeds from clients in other parts of the United States, England, Ireland, France, and Germany, and communications with middle men in the operation detail methods of packaging and shipping. Also of botanical interest is the correspondence with Marshall's "agents" in the field, including Moses Mendenhall, John and James Watson, Matthias King, Samuel Kramsh, and James Kenny. These men were admirers and friends of Humphry Marshall, and provided him with specimens collected from various regions of the country. The unsuccessful search for wild Franklinia alatamaha is mentioned in several letters (April 8, 1788: "There is not a plant of the Franklinia to be found"), and other letters include discussions of scientific expeditions either actualized or planned, mostly involving the participation of Moses Marshall. On November 14, 1786, Humphry described the logistics of tracking down ginseng, providing insight into the duties of plant collectors: "both of you being obliged to…encamp in the mountains strike up a fire & lie by it all night in the morning…climb up the sides of the mountains and dig towards evening…about 20 days in Going and Coming home again & digging the roots packing up &c." The content of the letters does not indicate the Marshalls' scientific interests or abilities, but this correspondence provides documentation for the complex network used by the Marshalls to collect, sell and distribute plants.

Approximately 18 letters relate to the Revolutionary War (see "Subject Index" under "Additional Descriptive Data"). These include letters that indicate Marshall's support for the nonimportation agreements (January 6, 1775), second hand reports of the Battles of Lexington and Concord (April 25, 1775) and of Yorktown (August 24, 1781), and an important series of correspondence from Samuel Preston Moore relating to the resignation of the trustees of the General Loan Office when American revolutionaries seized control (June 17 and 21, 1777). Also significant are two letters from Quaker conscientious objectors on the morality of paying taxes to support military activities (undated c. 1780 letter; July 14, 1781), a letter relating to the North Carolina Regulator insurrection (March 3, 1771), and one concerning the arrest by American forces of Quakers suspected of Loyalist sympathies (September 6, 1777). Finally, in the pre-Revolutionary period, the letters of James Kenny provide excellent descriptions of plant collecting and the area around Fort Pitt in 1759-60.

The items from 1840-1863 mainly relate to Moses Marshall, Jr. Most notable in among them are several letters from William Darlington written as he was preparing his Memorial to Humphry and Moses Marshall in 1848 and 1849. Moses, Jr's pro-Confederacy political views are clearly expressed in the series of three speeches written during the Civil War, also included in the series.

The Poetry series includes 10 undated poems. The Bound Materials series comprises the arithmetic notebooks of Jacob Martin, whose relationship to the Marshalls is unclear; Darlington’s manuscript, Historical Introduction to Bartram & Marshall, Marshall's copy of Dover's Useful Miscellanies; and nine uncut and unfolded sets of signatures from Arbustrum Americanum.