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2 linear feet — 8 GB (online)

Presbyterian minister actively involved in bridging the Christian and Islamic faiths based in Dearborn, Michigan. The collection consists mainly of records documenting his interfaith initiatives, writings, and correspondence.

The collection consists of two series: Professional Papers and Visual Materials. These series document William Gepford's efforts to bridge the Muslim and Christian faiths, both within his own ministry as well as international efforts. These efforts include seminars, interfaith worship services, and international initiatives. The collection also documents his everyday activities with the Presbyterian Church and interaction with the Detroit community.

1 volume

The William Howe orderly book contains copies of orders for a brigade under British Commander-in-Chief Sir William Howe, from March 9, 1776, to May 1, 1778. Entries record the progress of Howe's army, from their embarkation at Portsmouth, England, through New York and New Jersey, to the end of their occupation Philadelphia.

The William Howe orderly book (554 pages) contains copies of orders for a brigade under British Commander-in-Chief Sir William Howe, from March 9, 1776, to May 1, 1778. Entries record the progress of the British Army under Howe from their embarkation at Portsmouth, England, through New York and New Jersey, to the end of their occupation of Philadelphia. Included are general orders from a moving headquarters, standing orders, brigade orders, regimental orders, morning orders, after orders, and memoranda. The orders contain reports on the following: troop movements and the activities of specific units; the planning and execution of attacks, including troop formations and details on command decisions; courts martial deserters and rebel prisoners; surgeons, hospitals, and accounting for the sick and wounded; instructions for working parties and recruiting troops; and promotions. Also present are detail lists with counts of troops and officers and information on food, water, liquor, arms, bedding, and other provisions. The memoranda are typically records of lost or stolen goods. Though the anonymous clerk recorded entries daily, no orders were kept from April 28 to August 2, 1776.

The volume has three sections of orders. The first section contains embarkation orders from the Earl of Loudoun and other commanders, given before the army left England. The battalion boarded the Royal George transport in April 1776, and arrived at Staten Island almost 4 months later in August 1776.

The second section consists of orders from various headquarters in Boston (January 27-February 12, 1776), Halifax (April 26, 1776), and finally, from on board the HMS Greyhound at Sandy Hook, New Jersey (June 29, 1776).

The third section, which comprises the bulk of the volume, documents the activities of Howe's army in America, including their landing on Staten Island, preparations at New Utrecht for the advance on New York, occupation of Manhattan, battles in New Jersey and Pennsylvania, and the taking of Philadelphia. Of note is a copy of a November 3, 1777, letter from Burgoyne to Howe relating his account of the Battle of Saratoga and his surrender to General Gates, with a detail of each article of the terms of surrender (dated October 20, 1777). The volume ends on May 1, 1778, when Howe was still headquartered at Philadelphia. See additional descriptive data for a list of headquarters throughout the volume.

The back of the volume contains returns of a detachment from the brigade of foot guards commanded by Brigadier General Edward Mathew (March 22-August 13, 1776), a list of casualties from the summer of 1776, and 44 memoranda of general orders issued while the British were in Philadelphia (December 31, 1777-April 6, 1778).

2 results in this collection

23.6 linear feet (in 25 boxes) — 4 oversize boxes — 306.94 MB (online)

Landscape architect, University of Michigan Professor Emeritus of Landscape Architecture, and Dean Emeritus of the School of Natural Resources. Includes correspondence, photographic material, project files, publications, reports, reference and research files, teaching materials, topical files, and notes.

The William J. Johnson papers document the professional and academic career of U-M faculty member and landscape architect William J. Johnson. Material is dated from 1953-2015 and includes clippings, correspondence, notes, photographic material, project files, publications, reports, reference and research files, teaching materials, and topical files.

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Folder

Professional Career, 1953-2014, undated

Online

The Professional Career series (22.1 linear feet, 4 oversize boxes, and 306.94 MB) consists of eight subseries that document various aspects of Johnson's professional career. Material is dated from 1953-2014 and includes correspondence, notes, papers, photographic material, publications, and project and topical files.

Of particular note are four subseries—Johnson, Johnson, & Roy, Inc. (3.3 linear feet and oversize material), William J. Johnson Associates, Inc. (5.3 linear feet and digital material), Peter Walker, William Johnson, & Partners, Inc. (2.1 linear feet and oversize material), and NBBJ (1.1 linear feet and digital material)—that document Johnson's professional life. The bulk of the files in these subseries are project files that consist of one or more folders related to a specific project. Each subseries concludes with a "Correspondence/General Matters" file group consisting of files on various topics.

Because there is overlap between these subseries, researchers are encouraged to consult multiple subseries.

34 linear feet — 1 oversize folder — 25.2 GB (online) — 7 digital audiovisual files

Wayne County sheriff, 1969-1982, Wayne County Executive, 1983-1986, and Republican candidate for governor of Michigan, 1986. Correspondence, subject files, clippings, videotapes, and photographs primarily concerning his work as sheriff and county executive, and his gubernatorial campaign.

The William Lucas Papers consist of manuscript and audiovisual materials which primarily document economic and social affairs in Wayne County, when Lucas served as county executive, and Lucas's campaign for governor in 1986. There are few materials on Lucas's career prior to his service as Wayne County executive. His gubernatorial campaign is documented in a somewhat piecemeal fashion, and study of it would be enhanced by the use of oral interviews. Media coverage of the campaign, however, has been preserved quite thoroughly. The Lucas Papers (34 linear feet) are comprised of six series: Personal, Wayne County Offices, Political, Clippings, Videotapes, and Photographs.

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13.5 linear feet (in 15 boxes) — 7 folders

Modernist architect based in New York City, 1929-1950, and professor of architecture at the University of Michigan, 1950-1972, where he also carried on an active private practice until shortly before his death in 1990. A graduate of MIT, Muschenheim studied further with Peter Behrens at the Vienna Academy of Fine Arts and was strongly influenced both by a visit to the Bauhaus in Weimar, Germany and by a period working in urban planning with Peter Korn in Berlin. Two major Muschenheim collections exist, one within the Avery Architectural and Fine Arts Library at Columbia University and another within the Bentley Historical Library at the University of Michigan. The Muschenheim collection at the Avery represents primarily his professional career from 1929 to 1957, and the Muschenheim collection at the Bentley concerns his later professional practice and teaching career at the University of Michigan, as of 1950. This finding aid describes both the Avery and Bentley collections.

Staffs of the Avery Architectural and Fine Arts Library and the Bentley Historical Library have prepared separate finding aids for their respective William Muschenheim collections. These have been merged to provide one integrated finding aid. This integrated finding aid lists all Muschenheim materials held by both repositories. All of the drawings, papers, photographs and other materials for each project are brought together in a single job-number/chronological sequence. The physical location of each item/folder is indicated by "A" for Avery and "B" for Bentley. The combined finding aid organizes the Muschenheim papers into four series:

  1. Biographical and Professional Material [Bentley]
  2. University of Michigan Teaching Career [Bentley]
  3. Publications and research [Bentley]
  4. Project Files [Avery and Bentley]

The project files of William Muschenheim are described according to Muschenheim's original filing system in which he interfiled the drawings, correspondence, specifications, and other papers for each job/client. Muschenheim typically assigned each client a single job number no matter how many projects he may have done for the client. There are a total of 130 numbered jobs in the Avery Collection (#1-130, with gaps between jobs 11-17, 25-26, 28-29) and 63 numbered jobs in the Bentley collection (#132-193, there are no materials for 22 of the jobs). There are also nine unnumbered projects (4 Avery and 5 Bentley) and several folders of miscellaneous material.

Each numbered job consists of one or more projects and each project is subdivided by format of material into Drawings, Papers, Photographs, and Presentation Boards as appropriate. There is some variance in the manner in which the two archives have arranged and described project material. The Avery has described its drawings at the item level while the Bentley provides only folder level descriptions for most projects. For this finding aid item level descriptions are provided for selected Bentley projects. Photographs are found in the "Papers" in some Avery project files but are listed separately in the Bentley finding aid.

At both the Avery and Bentley the oversize architectural drawings have been removed from their original folders and stored separately.

The William Muschenheim Architectural Drawings and Papers at the Avery Library span 1929-1957, with bulk dates 1931-1950. Muschenheim's papers document 130 separate jobs, and the visual material consists of 3081 sheets of drawings. The projects mainly represent Muschenheim's work in New York City, but also include work in Albany (NY), Amenia (NY),Bridgehampton (NY), Chappaqua (NY), Hampton Bays (NY), Malverne (NY), Massapequa (NY), Nassau Point (Long Island), Washington (CT), Washington DC, Westhampton Beach (NY), and Woodstock (NY), among other locations.

William Muschenheim had numerous clients which included the following family members: Carl Muschenheim, Elsa Muschenheim, and Frederick A. Muschenheim. In addition to the many clients for whom Muschenheim did alteration work, he also worked with a wide variety of companies. Some of the companies include Bigelow Carpet Company, C.G. Flygare Inc., Excel Metal Cabinet Co., Inc., F. Schumacher & Co., Famaes Development, Hans Knoll, Howard & Schaffer, Inc., Kurt Versen Lamps, Inc., Ledlin Light Designers, Portland Cement Association, and Thonet Brothers, among many others.

The papers and drawings in the William E. Muschenheim collection at the Bentley Library span the years 1923 to 2004, however the bulk of the collection covers the years 1951 to 1985. The papers are primarily comprised of material documenting Muschenheim's research and teaching career from 1950 to 1973 at the University of Michigan, and the private practice he continued in Ann Arbor after leaving New York City. There are limited papers and drawings related to his life and professional work prior to 1950, although the Photographs Series includes beautiful black and white images of many of his important New York projects, and the Publications and Research Series is valuable for articles published in the thirties and the forties showcasing his work. Papers and drawings spanning the years 1929-1957 (bulk dates 1931-1950) are held at the Avery Library, Columbia University.

Muschenheim's early and lasting commitment to the modern movement and to an international view of architecture and architectural education is reflected in the collection, which consists of biographical and professional materials, research and course materials, publications related to his work, project files and drawings, and photographs and slides. The Muschenheim collection will interest researchers drawn to study the work of a pioneering modernist, well known for originality in working with color as an integral part of contemporary design, and those interested in the generation of architects involved in the fifties and sixties with legitimizing the modern period in an academic environment. Additionally, Muschenheim's efforts to illuminate the art of architecture as an important element and expression of culture to a broader segment of society renders the collection important to a wide range of disciplines and interests.

The papers are largely organized according to Muschenheim's original filing scheme, in which he interfiled material related to projects (including drawings) with professional papers, correspondence, and other documents, numbering them sequentially. The Bentley Library collection consists of material numbered 132 to 192. Many large original drawings were removed from folders, flattened, and are stored in drawers. Five series make up the collection: Biographical and Professional Materials; University of Michigan Teaching Career, College of Architecture and Design; Publications and Research; Project Files; and Digitization Project. Users should note that material related to a single project is often scattered throughout the collection. A Supplemental Guide to work produced after 1950 in the additional descriptive data portion of this finding aid. Also appended is Muschenheim's list of projects (numbered 1-189).

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Folder

Project Files

Online

The Project files series document Mushcenheim's architectural work from his student days at MIT and the Vienna Academy of Fine Arts through over 130 projects while based in New York City and 63 projects undertaken while on the faculty of the University of Michigan. The project files are organized by chronologically assigned job number and include architectural drawings, papers related to the projects, photographs and presentation boards.

Muschenheim assigned each client a job number from 1 to 193. Each client received a single job number no matter how many projects Muschenheim may have done for the client. Many job numbers contain more than one project because many of Muschenheim's clients hired him to work on more than one residence, building, etc. With minor exceptions, the job numbers reflect the chronological progression of Muschenheim's career.

In this finding aid, the Job title consists of the Muschenheim assigned job number and the client name as listed in the Avery or Bentley finding aid or, in a few cases, inferred from the context of the finding aid. Each job number consists of one or more projects. For Avery job numbers, the project titles are taken from the Avery's MARC catalog records, which in turn were derived from Mushcenheim's original folder titles.

Projects are subdivided by format of material into Drawings, Papers, Photographs, and Presentation Boards as appropriate for each project. Photographs and presentation boards for some Avery job numbers are part of the Bentley collection.

The architectural drawings constitute the bulk of the Project Files. For any given project there may be a single drawing or as many as 100. For Avery job numbers, the drawings are described at an item level. The item description, taken from the Avery's MARC record, typically consists of an accession number, drawing title, date and possibly a note. Each sheet of paper containing architectural drawings within a given project is assigned a single accession number. The accession numbers for this collection are used to record the order of drawings within a specific project. The accession numbers begin with the number 1986.004.00001, with the last five digits being numbered sequentially. Bracketed information in the item level description of drawings is taken from the archival file for the project. Bracketed titles may either be taken from the archival file or supplied by the cataloger.

Drawings for Bentley projects are described at the folder level. The folders may be organized by type of drawing, date or some other criteria. The folder description typically includes a folder title, date and note on the type or medium of drawings included.

A selection of drawings from both the Avery and Bentley collections have been digitized and the images linked from this finding aid. For Avery drawings, the [view image] link points to a single drawing. Links from the Bentley folder level description point to one or more images from the folder.

The Papers for a project may include correspondence with clients and contractors, specifications, notes, reports, legal documents and accounting material, as well as some original drawings and prints. The Papers in the Avery project files sometimes include photographs. For many projects the papers consist of a single folder of material. The folder may be listed simply as "Papers" or "Archives," but will often include a brief descriptive note. Folders for "Papers" in Avery collections are numbered according to Muschenheim's original scheme. The folder number listed in the finding aid includes the job number and a sequential number. However, because the original sequence included numbers for folders of drawings that have now been stored separately, the sequence for the papers may have gaps or be out of order.

Photographs include images of drawings and models, under-construction and completed projects and studies of various interior and exterior designs. The photographs include both prints and slides. As noted above, some jobs in the Avery collection have photos in the "Papers" folders. The Bentley collection has many photographs for Avery jobs. These are listed with the appropriate job number. Selected photographs from the Bentley collection have been digitized and the images are linked from this finding aid.

The Presentation Boards are mounted photographs of some of Muschenheim's major projects. The Bentley collection contains presentation boards for a number of Aver job numbers.

Both the Avery and Bentley have retained the dividers Muschenheim used in organizing his files. He frequently wrote on the dividers and this information may prove useful to researchers. The dividers constitute boxes 21-29 of the Avery collection. A sample of the dividers is included in box A30, filed under Job #79. Dividers from the Bentley collection are located in box B14. Bentley dividers with substantial information written on them were photocopied onto acid-free paper and placed with related drawings or related folders.

19.4 linear feet (in 24 boxes) — 2 oversize boxes (online) — 1 digital audio file

Willis C. Patterson, the first African American professor at the University of Michigan's School of Music, was an active faculty member from 1968 to 1999. He was a professor of voice and associate dean for academic affairs. Patterson directed the Men's Glee Club from 1969 and 1975 and spent summers as a faculty member at the National Music Camp at Interlochen, Michigan. While maintaining an active concert career and fulfilling teaching duties, Patterson organized a Black American Music Symposium and compiled several works on African American composers. Patterson played an active role in securing funding and mentorship for students of color and disadvantaged students both at Michigan and in the Ann Arbor community. The collection includes some biographical material, but focuses mainly on his professional career, musical career, and collection of works by African American composers. It includes correspondence, research, photographs, clippings, publications, and topical files.

The Willis C. Patterson papers include some biographical material, but focuses mainly on his professional career, musical career, and collection of works by African American composers. The collection includes correspondence, publications and research material, photographic material, posters, student records, clippings, and topical files.

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Folder

Collected Works of African American Composers, 1896-2019, undated

Online

The Collected Works of African American Composers series (11.8 linear feet, 2 oversize boxes, and 1 digital audio file (online)) consists of topical files dated from 1896-2019. The bulk of the material in the files are art song, opera, orchestral and chamber music, and spiritual scores by African American composers. Other material in the files include correspondence, clippings, publications, and notes. Researchers interested in particular composers should consult materials in the Art Songs, Operas and Libretti, Orchestral and Chamber Music, and Spirituals subseries.

Patterson also maintained various guides that provide additional information about his own collection as well as other composers. Material in the Guides subseries consists of different kinds of lists.

20 items

The Wilson S. Beckley papers consist of 19 letters written by Beckley to his mother, Sarah Beckley, and other family members during the Civil War, along with one carte de visite. Beckley was originally from Cascade, Michigan, and fought in the 21st Michigan Volunteer Infantry. His letters mainly describe military life within the infantry.

The Wilson S. Beckley papers include dated material from April 12, 1862, through November 16, 1864. Consisting of 19 letters and one carte de visite, the collection provides a great deal of information on camp life in the 21st Michigan Volunteer Infantry as well as views towards the “rebels.” With the exception of one letter from a cousin named Julia and a discarded letter of a Confederate soldier that he found at a rebel camp describing the battle of Shiloh, all letters were written by Beckley to his mother and other family members.

In his correspondence Beckley describes the march from Camp Siegel in Ionia, Michigan, to various sites in Kentucky, Tennessee, and Alabama. He keeps his mother apprised of not only his activities, but also of the movements of the brigade and other news pertaining to the Union army. He also includes some descriptions of weaponry and of the foods available to the soldiers.

The Confederate letter which Beckley also sent to his mother vividly describes the battle of Shiloh, and briefly mentions Generals Wood, Beauregard, Hardee, Bragg, and others. The unknown soldier wrote of the tragic battle, “…we rested until morning of the 6th it was holy Sabbath & the sun rose fair & beautiful over the field that was about to be drenched in blood…” (April 12, 1862). In his letter from November 20, 1862 Beckley includes passing references to African Americans servants, a description of a suicide, and several pen and ink illustrations of soldiers. Beckley's letter of December 19, 1862, describes frustrations about officers providing African American servants with rations for the regiment. The letter is illustrated with several vignettes relating to his irritation that African Americans were better treated than white soldiers. Fragments "of our tattered flag under which one of the bearers was mortally wounded and another lost an arm at Chickamauga" are enclosed in the letter of July 16, 1864.

Despite some of the hardships he endured, Beckley’s tone is highly optimistic. He incorporates many drawings into his letters, including a hand-drawn map of Bridgeport, Alabama. Beckley also had the role of being a “bugler” in the Infantry, and frequently wrote sheet music, which he claimed to have published and sold. His last letter dated November 16, 1864, was written from Cumberland Hospital in Tennessee, where he was hospitalized for what appears to be dysentery.

The carte de visite was produced in Louisville, Kentucky, and depicts a seated man with a beard in a Union Army uniform, possibly Wilson S. Beckley.

2 results in this collection

42 linear feet — 65 oversize volumes — 71 microfilms — 1.8 GB (online)

Corporate records of C.J.L. Meyer of Fond du Lac, Wisconsin and Hermansville, Michigan, manufacturer of doors, lumber for sashes, hardwood flooring, and related products; records of the William Mueller Company of Escanaba and LaBranche, Michigan, a firm taken over by Wisconsin Land and Lumber in 1909. Financial journals, ledgers, inventories, payroll ledgers; letterbooks of C.J.L. Meyer, Edwin P. Radford, company superintendent, and of other company officials; office correspondence files; and photographs.

This record group which came from the Wisconsin Land and Lumber Company in Hermansville, Michigan is in fact an accumulation of records from three distinct business enterprises. First, there are records of C.J.L. Meyer business enterprises in Chicago and Fond du Lac, Wisconsin. Next are records maintained in Hermansville with the establishment of the Wisconsin Land and Lumber Company in the 1870s. A third, smaller portion of the records are from the William Mueller Company, which WLL purchased in 1909.

When originally received in 1948, the records consisted of nearly 500 volumes of business journals and ledgers, time books, and letterpress books. During 1979-1981, the library began a program of microfilming to reduce the size of the record group. With the permission of the company, records that had been microfilmed were discarded. Also discarded were records duplicative in content of the records on microfilm. Other records were retained in the original without filming. The record group then consisted of 53 reels of microfilm representing approximately 112 volumes of business records, 65 oversized volumes, and 42 linear feet of boxed records (volumes, letterpress books, and correspondence files). In 2006, the library received additional microfilm (18 rolls) and digital materials containing scanned images of the photographs in the possession of the IXL Museum, which is the repository for the records of the company not received with the first accession. These records, which were retained, include personal correspondence of C.J.L. Meyer, some records of Meyer prior to the establishment of WLL, and records then considered current or of continuing value to the operation of the company.

The record group has been arranged as much as possible into series, but the researcher should note that identification of individuals volumes or files was not as certain as one would like. Thus, for example, there are various ledgers and journals, some with overlapping dates, but it was not always clear where these records were created or what function or division within the firm they documented. The fact that the company retained some of the earlier records accounts in part for what appear to be broken series. Further complicating the structure of the following finding aid is the interspersing of microfilmed materials and oversize volumes. Similar kinds of records (such as time books), for example, are thus found both in original and on microfilm.

As much as possible, like kinds of records have been kept to together (letterpress books, etc.). These are followed by records known to be created by a specific organization or maintained in a specific locale (e.g. Fond du Lac). The series in the record group are: Letterpress books (mainly business correspondence); Letterpress books (mainly business correspondence); Inventories, order books, etc.; C. J. L. Meyer Business Records; Wisconsin Land and Lumber Company; William Mueller Company; Photographs; and IXL Museum additions.

In 2007, the IXL Museum of Hermansville, Michigan, successor to the company and custodian of additional records of the Wisconsin Land and Lumber Company, entered into agreement with the Bentley Library to exchange microfilm of selected portions of the records housed in the other's repository. In addition, the two repositories agreed that the Bentley Library would place on indefinite loan to the IXL Museum the originals of WLL photographs in its possession, and that the IXL Museum would donated to the Bentley Library digital copies of all of the many hundreds of photographs in its collection.

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4.85 linear feet — 2 oversize volumes — 182 KB (Online) — 1 oversize folder

Local branch of organization established to foster closer ties between city and country women and to stimulate interest in gardening and horticultural pursuits. Membership rosters, organizational files, historical information, files relating to fundraising and civic events, notably the Greens Market sale and the Garden Walk tour of local gardens; also photographs.

The records of the Woman's National Farm and Garden Association, Ann Arbor Branch, document all of the group's various organizational and community service activities. They reflect the organization's dedication to community service through scholarships, charitable gifts, and service activities. The records have been divided into five series: History, Yearbooks, Organizational, Photographs, and Activities. A sixth series has been added to account for 2014-2015 Accessions.

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Folder

Organizational, 1946-2011

Online

The Organizational series (1946-2011; 1.5 linear feet and 182 KB) documents all of the routine activities required to maintain the organization. Included are meeting minutes, financial reports, awards, committee reports, promotional materials, correspondence, newsletters, and receipts. The activities of each segment of the branch are documented in detail, giving a comprehensive look at the branch as a whole. Digital materials include meeting minutes from 2004-2006.

6 archived websites (online; multiple captures)

Web collection of websites created by various women and women's organizations in the State of Michigan, archived by the Bentley Historical Library using the California Digital Library Web Archiving Service crawler from 2010-2015 and the Archive-It web archiving service beginning in 2015.

The Web Archive of Women in Michigan collection contains archived websites created by various women's groups and individual women of the State of Michigan. The websites have been archived by the Bentley Historical Library, using the California Digital Library Web Archiving Service crawler from 2010-2015 and the Archive-It web archiving service beginning in 2015. Access to all websites archived by the Bentley Historical Library is available at: https://archive-it.org/organizations/934.

Web Archives include websites of women's civil and religious organizations created by and for women and Michigan women public leaders, and home. The collection documents the accomplishments, activities, and initiatives of women in the State of Michigan.

The year that appears next to the website title in the contents list indicates the date that the website was first archived. Archived versions of the site from later dates may also be available.

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