Collections : [University of Michigan William L. Clements Library]

The African American and African Diaspora Collection is comprised largely of individual letters, documents, and other manuscript items relating to slavery, abolition movements, and aspects of African American life, largely dating between 1781 and 1865.

The African American and African Diaspora Collection is comprised largely of individual letters, documents, and other manuscript items relating to slavery, abolition movements, and aspects of African American life, largely dating between 1781 and 1865. Topics addressed in the letters and documents include the experiences and work of enslaved persons in the North and South; the buying and selling of enslaved men, women, and children; participation in the French and Indian War, American Revolution, and Civil War of African descended persons; abolitionists and abolition societies; the American Colonization Society; the lives of formerly enslaved persons; African American education; and many other subjects. For details on each document, see the inventory located under "Detailed Box and Folder Listing"

The Alexander family papers document the family, life, and early career of pianist Margaret June Alexander (also known as Vonya Alexandre) throughout the early 1900s. The collection is made up of two journals kept by her mother, Myrilla M. Anderson, plus letters, writings, artwork, family photographs, printed programs, sheet music, and other materials related to this Decatur County and Indianapolis, Indiana, family.

The Alexander family papers document the family, life, and early career of pianist Margaret June Alexander (also known as Vonya Alexandre) throughout the early 1900s. The collection consists of two journals kept by her mother, Myrilla M. Anderson, plus approximately 1 linear foot of letters, writings, artwork, family photographs, printed programs, sheet music, books, newspaper clippings, and other materials related to this Decatur County and Indianapolis, Indiana, family.

Margaret's mother, Myrilla Anderson Alexander, wrote two journals during Margaret's early life and stages of her musical career. The first, kept between 1894 and 1896, documents Myrilla's experiences during Margaret's infancy and a list of musical lessons, associated fees, and required books. The second journal covers 1907 to 1917, and focuses primarily on Margaret's musical performances, complemented by enclosed newspaper clippings, correspondence, and programs.

The Alexander family papers include Myrilla M. Anderson Alexander's sketchbook of ink, watercolor, and charcoal illustrations. A hand bound book appears in the collection, written for Myrilla Alexander by R. E. Sylvester, which contains poetry and sketches.

The collection includes 4 letters by Myrilla Alexander, picture postcards, calling cards, 2 blank living wills from the state of Florida, and a 1945 marriage certificate for Carl F. Grouleff and Vonya Kurzhene. A typed document titled "Remembrances of Anna Stover and Edith Surbey" recounts the friends' lives from their early education through their ongoing religious charity work. Other items include a handwritten description of Margaret June Alexander's 1913 performance at Carnegie Hall, a list of quotations, and a certificate regarding the eligibility of Mary Alexander Tarkington and Caroline Anderson Haugh to join the Daughters of the American Revolution.

Approximately 110 photographs depict Margaret June Alexander, her performance partner Mischel Kurzene, and members of the Alexander, Anderson, and Tarkington families. An address book kept by Myrilla Alexander includes addresses and birthdays of family and friends.

The collection's printed items include programs for musical events, sheet music, newspaper clippings, and two books. Approximately 50 programs reflect Margaret June Alexander's musical career between 1907 and 1927. Obituaries for members of the Alexander and Tarkington families appear within the collection's newspaper clippings. Multiple copies of an undated, printed advertisement for "Dr. Alexander's Effervescing Headache Powders" are also present. The collection's 2 books are G. W. H. Kemper's A Medical History of the State of Indiana (Chicago: American Medical Association Press, 1911) and Joseph Tarkington's Autobiography of Rev. Joseph Tarkington (Cincinnati: Curts & Jennings, 1899).

The Bird family papers are made up of correspondence, documents, ephemera, and other materials related to members of the Bird family of East Smithfield, Pennsylvania.

The Bird family papers are made up of correspondence, documents, ephemera, and other materials related to members of the Bird family of East Smithfield, Pennsylvania. A number of letters written between George Niles Bird and Frances Rowe depict their lengthy, occasionally difficult, courtship in the late 19th century. Letters from other friends and family members are interspersed, including a letter from Hope Rowe recounting the funeral of President James A. Garfield (October 9, 1881).

Nancy N. Bird's correspondence consists primarily of incoming personal letters. Nancy's cousins wrote many of the letters, with the family's religiosity influencing much of their writing. The Bird family papers include many of Nancy N. Bird's speeches, including a series of talks delivered to fellow members of the Women's Christian Temperance Union (WCTU) between 1886 and 1912. She discussed temperance, religion, and topics of local interest, including the history of Smithfield, Pennsylvania. Nancy N. Bird's printed materials consist primarily of ephemera, programs, and newspaper clippings, largely related to her work with the WCTU and to the Bradford Baptist Association. Also present are three items written by Nancy: a short book entitled A History of the Sunday Schools in East Smithfield, PA. Since 1822, and two copies of The History of the Baptist Church of East Smithfield, PA. Other materials related to Nancy include journal pages, a photograph, and Sunday School papers.

Helen Bird's letters, written to her mother, chronicle her year at the West Chester Normal School, 1912-1913, and include frequent complaints about the atmosphere, the people, and the food.

Materials relating to George Bird consist primarily of incoming correspondence from friends and from his cousin Geraldine ("Jerry"). Jerry, who financially supported George during his time at Pennsylvania State University, also offered advice and updates on her academic life at Cornell University, while George's friend Eugene Edgar Doll discussed his experiences at the University of Chicago and his patronage of the arts. The collection also includes reports from George Bird's early studies and from his time at Pennsylvania State.

Personal letters from other members of the Niles and Bird families include early letters from Hannah Niles to her husband Samuel, and letters addressed to George N. Bird, his wife Frances, and their daughter-in-law Carrie. Two printed letters from "Robert and Bernie" in Impur, India, describe the country and their educational and missionary work; on January 7, 1921, they mentioned Gandhi's non-cooperation movement.

The collection contains diaries and journals, account books, and albums. The diaries include an 1844 unsigned journal, Hannah Minor Niles' 1866 diary, Nancy Niles Bird's 1851 diary, and Carrie M. Bird's 1921 diary. An account books tracks John Bird's expenses between 1846 and 1858, and a record book kept by Nancy Niles Bird includes the meeting minutes from the Soldiers Aid Society during the Civil War and household accounts. George Bird's autograph album covers the years 1879-1881 and Nancy Niles Bird's scrapbook, kept between 1850 and 1925, contains newspaper articles about her mother Hannah, members of the Bird family, and acquaintances from Pennsylvania and Kansas.

Other miscellaneous items include a printed map, a document related to the military chapel at Ellington Field, Texas, genealogical items, and manuscript poems.

The David V. Tinder Collection of Michigan Photography consists of over 100,000 images in a variety of formats including daguerreotypes, ambrotypes, tintypes, cartes de visite, cabinet photographs, real photo postcards, stereographs, and mounted and unmounted paper prints. The collection is primarily made up of vernacular photographs of everyday life in Michigan taken by both professional and amateur photographers from the 1840s into the mid-twentieth century. In addition to supporting local history research, the collection has resources for the study of specific events and subjects. Included are images related to lumbering, mining, suburbanization; the industrialization of cities; travel and transportation; the impact of the automobile; the rise of middle-class leisure society; fashion and dress; ethnicity and race; the role of fraternal organizations in society; and the participation of photographers in business, domestic, and social life. The collection is only partially open for research.

The subject contents of different photographic format series within the Tinder collection vary, depending in part upon how each format was historically used, and the date range of that format's popularity. For example, cartes de visite and cased images are most often formal studio portraits, while stereographs are likely to be outdoor views. Cabinet photographs are frequently portraits, but often composed with less formality than the cartes de visite and cased images. The postcards and the mounted prints contain very diverse subjects. The photographers' file contains many important and rare images of photographers, their galleries, promotional images, and the activities of photographers in the field. See individual series descriptions in the Contents List below for more specific details.

Included throughout are images by both professional and amateur photographers, although those by professionals are extant in far greater numbers.

The Puffer papers consist of items relating to the family history and tea room operated by the Puffer sisters in Nobleboro, Maine; much of the material is undated.

The most significant item in this collection is a typescript manuscript in two parts, "Recollections and Recipes," written by Mary Sophia Puffer, and "Nobleboro Community Kitchen", written by her sister, Alice. In addition, there are seven unique copies of Community Kitchen menus and several seemingly unrelated land deeds.

The first part of the typescript is aptly described by the author: "Around the seasons and through the years with a suburban Boston family, from Massachusetts to Maine and New Jersey, with happy memories and good eating made possible by old Yankee recipes handed down from generation to generation, culminating in the successful operation of a popular tea-room." This account of family travels and customs is interspersed with over sixty recipes. A tremendous appreciation for food fuels this reminiscence, which seems to have been written much later in life.

Alice Puffer goes on to describe the "birth and death of a tea room in the pre-war days of plenty" and provides some more recipes, including ones for lemon meringue pie, "the best seller and reputation maker... no ordinary haphazard confection," and the original recipe for Parker House rolls. The roll recipe was obtained by the Puffer's father directly from the chef at the Parker House, but the sisters found ways to improve it.

Two Community Kitchen menus are for afternoon tea and have watercolor paintings on the front. There are also five black menu cards painted by a "gifted art student" and four handwritten menus to accompany them. Lobsters are naturally featured ("We boil our own lobsters and Maine deep-sea lobsters have a flavor all their own"), as well as berry pies, "lemon pie, with a wonderful meringue", "rich creamy milk from a herd of registered cows" and "community pickles."

The six deeds are all for properties in the Nobleboro area and date from 1830 to 1912. They seem to be unrelated to the Community Kitchen materials, even though one deed, dated 1911, is from Robert W. and wife Blanche Puffer to O. C. Nutting. There is also a sketch of property lines done by Frank Bulfinch for Charles M. Hall in 1907.