Collections : [University of Michigan William L. Clements Library]

This collection is made up of correspondence written and received by members of the Dall family of Boston, Massachusetts. Included are letters written and received by Caroline Healey Dall, an early feminist; letters between her daughter, Sarah Keene Dall, and Josiah Munro during the couple's courtship; letters from Charles Henry Appleton Dall to his children, Sarah and William, written while he worked as a missionary in India; and letters from Sarah Keene Dall to her brother William, concerning her life in Buffalo, New York, throughout the late-19th century.

This collection is made up of correspondence written and received by members of the Dall family of Boston, Massachusetts. Eighty-eight letters concern the friendship and courtship of Sarah Keene Dall and her future husband, Josiah Munro, between 1867 and 1870. Dall wrote approximately 680 letters to her brother William about her life in Buffalo, New York, 1874-1907. Reverend Charles Dall wrote 10 letters and postcards to Sarah Keene and William Dall when he worked as a missionary in India in the early 1880s. Caroline Healey Dall received approximately 65 letters from friends in the early 20th century. The papers also include 3 receipts, 1 cyanotype photograph, an original illustration, a newspaper clipping, and Caroline Healey Dall's 1898-1907 commonplace book.

The first 88 letters in the Correspondence series relate to the friendship and courtship between Sarah Keene Dall ("Sadie") and Josiah Munro, including 68 letters he received from Sarah and 18 he received from her mother, Caroline Healey Dall. Sarah wrote many of her letters from Baltimore, Maryland, and Boston, Massachusetts, and she regularly corresponded with Josiah about her social life and daily experiences. She spent much of her time traveling, and her letters include observations about steamboat travel in Ohio (May 23, 1868) and about travel around the South. Occasionally, particularly in her earlier letters, she commented on women's affairs and feminist subjects, including women's suffrage and the general difficulties faced by women who wanted to work outside the home. Three of her letters contain enclosures: a newspaper clipping about commemoration of Confederate Civil War casualties (October 16, 1867), a four-leaf clover (October 23, 1867), and two pieces of fabric (October 28, 1869).

Sarah's mother, Caroline Healey Dall, strongly opposed Sarah and Josiah's courtship and engagement. She wrote Munro 7 times between April 2 and April 26, 1870, requesting that he make his intentions clear and discuss the matter with her and with Sarah. Dall claimed that her daughter wished to wait to become engaged, though Sarah told Munro she preferred to marry before the winter (April 11, 1870). The letters surrounding the tense situation provide insight into aspects of late-19th century romantic customs. Munro also received a sympathetic letter of support from William Dall, his future brother-in-law (April 24, 1870), and a friendly letter from his sister Mary (July 31, 1870).

The bulk of the collection consists of approximately 680 letters William Dall received from his sister, Sarah Dall Munro, and mother, Caroline Healey Dall, between 1874 and 1907. Sarah wrote the majority of the letters while living in Buffalo, New York, and regularly shared news of her social life, travel, and daily experiences. Many of her letters concern housekeeping duties, charity work, and her sons, Willis and Charles. The letters also indirectly reflect William's life and travels around the United States and Europe, and occasionally provide insight into current events, such as the procession of President William McKinley's funeral train through Buffalo (September 11, 1901). William's mother wrote similar letters, though with less frequency. She commented on her life and provided family news. Josiah Munro, William's brother-in-law, sent him at least two letters.

Reverend Charles Dall wrote to Sarah and William while living in Calcutta, India, where he worked as a Unitarian missionary. His ten letters include a letter to Sarah dated November 22, 1872, and 9 postcards to William and his wife Nettie between January 2, 1882, and August 31, 1883. Dall's correspondence focuses on his travel between North America and India, and occasionally regards the local weather. He also often requested news of life in Boston and of his family.

Between 1911 and 1912, Caroline Healey Dall received approximately 65 personal letters from her daughter Sarah and from friends and acquaintances, largely pertaining to their social and personal lives. She also received letters of appreciation from libraries, acknowledging her donations of manuscripts or books.

Two later letters are a personal letter addressed to "Mattie" by a woman named Annie in Santa Barbara, California (September 12, 1922), and a letter from Charles Whitney Dall to Willis Dall (June 15, 1942). Charles W. Dall's letter pertains to a group of Dall family papers, including many letters written by his father and his aunt Sarah, that were moved away from Washington, D. C., to protect them in the event of a bombing raid against the capital. An undated, typed newsletter titled "Our Weekly Boston letter," pertains to anniversaries being celebrated throughout the city and to President Theodore Roosevelt.

The Receipts, Visual Materials, and Newspaper Clipping series holds 1 newspaper clipping concerning the commemoration of Sigourney Butler of Boston, Massachusetts; 3 receipts from E. Rollins Morse & Brother to Merchant's National Bank (June and July 1889); 1 cyanotype titled "Our tent. The Dunbars"; and a small drawing of a building in San Michael (San Miguel), New Mexico.

Caroline Healey Dall's Commonplace Book, dated 1898-1907, contains copied poetry, essays, and articles. Though a few early poems were written in the early 1800s, most date to the 1890s, and they concern a variety of subjects, such as memorials, nature, religion, and Theodore Roosevelt. She also recorded 8 pages of thoughts on criticism of William Shakespeare, biographical notes on prominent figures, and an essay on child marriages. Two poems and an article are clipped from printed sources and pasted into the book.

The David V. Tinder Collection of Michigan Photography consists of over 100,000 images in a variety of formats including daguerreotypes, ambrotypes, tintypes, cartes de visite, cabinet photographs, real photo postcards, stereographs, and mounted and unmounted paper prints. The collection is primarily made up of vernacular photographs of everyday life in Michigan taken by both professional and amateur photographers from the 1840s into the mid-twentieth century. In addition to supporting local history research, the collection has resources for the study of specific events and subjects. Included are images related to lumbering, mining, suburbanization; the industrialization of cities; travel and transportation; the impact of the automobile; the rise of middle-class leisure society; fashion and dress; ethnicity and race; the role of fraternal organizations in society; and the participation of photographers in business, domestic, and social life. The collection is only partially open for research.

The subject contents of different photographic format series within the Tinder collection vary, depending in part upon how each format was historically used, and the date range of that format's popularity. For example, cartes de visite and cased images are most often formal studio portraits, while stereographs are likely to be outdoor views. Cabinet photographs are frequently portraits, but often composed with less formality than the cartes de visite and cased images. The postcards and the mounted prints contain very diverse subjects. The photographers' file contains many important and rare images of photographers, their galleries, promotional images, and the activities of photographers in the field. See individual series descriptions in the Contents List below for more specific details.

Included throughout are images by both professional and amateur photographers, although those by professionals are extant in far greater numbers.

The Elisabeth Barnett Fisher Papers consist of the family letters of Elisabeth Fisher along with financial records, photographs, ephemeral items, and eight miscellaneous items. The most common themes of the letters are family news and finances, fashion, religion, courtship, marriages, deaths, and opinions about the Civil War.

The Elisabeth Barnett Fisher Papers consist of 63 letters to Elisabeth Fisher, 25 financial records, two photographs, 13 ephemeral items, and eight miscellaneous items.

The primary correspondents of the letters in the Correspondence Series are: Gabriel G. Barnett (brother), Hester Ann Barr (sister), Mary A. Hochstetler (sister), Caroline Barnett (sister), Cal M. Barnett (sister), Sarah Barnett (sister-in-law), David D. Barnett (brother), Susannah Fair (sister), E.H. Barnett (sister-in-law), Sarah Ann Senff (cousin), and Jacob Barnett (father). The majority of the 63 letters in the collection were written during the Civil War by family members (48) and friends (15). With the exception of 19 letters from her brother, Gabriel G. Barnett, and 7 letters from her sister, Hester Ann Barr, no other correspondent wrote more than 5 letters; consequently, the subject matter in the collection is very diverse. However, the most common themes throughout the correspondence are family news and finances, fashion, religion, courtship, marriages, deaths, and attitudes and opinions about the Civil War. The solders letters are typically brief and primarily consist of descriptions of camp life. Several of the letters from home include patriotic exhortations; one describes a patriotic rally and another reveals the anti-Lincoln sentiments of an 1860 Democrat. The letters also demonstrated the economic hardships the family suffered as a result of the war.

The Financial Papers Series includes tax bills, receipts, and records of Elisabeth's bills paid for by her son, Erwin G. Barnett, successor to his father’s harness business.

The Photographs, Documents, and Ephemera series contains: 3 'flirtation' cards; a funeral card for the death of a 13 year-old girl; a calling card; 2 cartes-de-visite of a young girl and young man; a Reichsbanknote; several newspaper clippings; Valentine Fisher's confirmation certificate; and George W. Rulow's post of the Grand Army of the Republic transfer card.

The Miscellaneous Series holds two notes on the Barnett/Fisher genealogy.

• Rough pen illustration of two swans, January 15, 1860.
• Pen illustration of a feather, May 28, 1860.
• Rough pen illustration (of a chicken or a saddle), December 31, 1860.
• Pen sketch of a plant, June 6, 1861.
• Pen illustration of a bearded man with hat, January 13, 1864.
• Pen illustration of feathers, undated.
• Two miscellaneous cards have printed illustrations of flowers on them.
• Printed image of an ark, plus additional religious imagery on confirmation document of Valentine Fisher.

The collection also includes several patriotic letterheads and envelopes.

This collection contains the personal correspondence of Levi Henry Elwell and his family. Elwell was a professor in Amherst, Massachusetts, and many of the letters relate to his children's studies at Vassar College and Amherst College, as well as their everyday lives in Massachusetts and New York.

This collection contains 226 personal letters, 8 Greek-language examinations, and 5 loose newspaper clippings regarding Levi Henry Elwell and his family.

The Correspondence series contains letters between and to members of the Elwell family. During his early days as a student at Amherst College and as a teacher in Poughkeepsie, New York, Elwell wrote to his mother, Harriet Adaline Elwell, and fiancée, Abbie Miner Nickerson, about his scholarly life and experiences. In these letters, Levi and Abbie often discussed their engagement and wedding plans. Though later correspondence includes some letters that the couple sent to Levi's parents, most originated from their children, Marion, Florence, and James. The sisters frequently wrote each other to discuss Marion's experiences at Vassar College. They also received mail from various friends, several of whom enclosed sketches. Levi Elwell wrote many of the later letters to his daughter Florence during her studies at Vassar College, including a postcard entirely in Latin (June 1906) and a report on the family's reaction to witnessing Halley's Comet (May 10, 1910). Though the letters primarily concern personal news, correspondents occasionally discussed contemporary politics; in a letter to Marion dated October 30, 1904, Levi described the American political landscape and discussed his own political views. Around 11 newspaper clippings are enclosed in various letters.

The Newspaper Clippings and Exams series has 8 examinations (December 20, 1897-January 20, 1908) for students of Amherst College, who were required to translate and interpret classical Greek texts, printed in their original language. The 5 loose newspaper clippings concern women's colleges (May 14, 1910), faculty promotions at Amherst College (undated), dirigible balloons (undated), and Halley's Comet (2 items, ca. April 1910).

This collection is made up of letters written and received by Reverend Evarts Kent and members of his family throughout the late 19th and early 20th centuries. Kent and his family corresponded with friends and family members in several states, including Vermont, Illinois, Iowa, Indiana, Georgia, Massachusetts, and North Carolina. Most letters concern family news, education, religion, travel, family relationships, and similar personal subjects. The collection also includes printed invitations, programs, and 23 photographs.

This collection is made up of letters written and received by Reverend Evarts Kent and members of his family throughout the late 19th and early 20th centuries. Kent and his family corresponded with friends and family members in several states, including Vermont, Illinois, Iowa, Indiana, Georgia, Massachusetts, and North Carolina. Most letters concern family news, education, religion, travel, family relationships, and similar personal subjects. The collection also includes 2 documents and 23 photographs; printed invitations and programs are interspersed among the letters.

The Correspondence series comprises most of the collection, and contains approximately 4 linear feet of letters, which are primarily the incoming personal correspondence of Evarts Kent, his wife, and their children. The earliest items are Civil War-era letters between unidentified family members. The bulk of the collection begins around 1867, when Evarts Kent began to receive letters from his family and friends, who provided local news from Ripton, Vermont, and often commented on his recent marriage to Helen Beckwith. As Kent's father, Cephas, was a Congregational minister, the Kent family frequently discussed religious topics. In the early and mid-1880s, Michael E. Strieby and Joseph E. Roy of the American Missionary Association also corresponded with Kent.

After the mid-1870s, the correspondence is primarily between Evarts and Helen Kent and their children, Ernest, Grace, and Willys, who exchanged letters with their parents and each other from their childhood into their early adult lives. Ernest discussed his educational experiences, including his time at Iowa College,his experiences in preparatory school and as a young adult and at Iowa College, and occasionally composed letters to his father in Latin. The Kent siblings sometimes included sketches or more refined drawings within their letters. Their letters reveal details about their relationships with each other, their personal lives, and their religious beliefs. Later items from the World War I era often concern Willys's wife, who signed herself "Roxi," and the couple's experiences while spending their summers at Camp Arcadia in Belgrade, Maine. A relative named "Jupe" also wrote Evarts Kent an extensive series of letters throughout the late 19th and early 20th centuries, including a group of 20th-century letters about travel in the Black Mountains of North Carolina.

The Documents series is made up of a 2-page document containing several sets of church minutes compiled in Benson, Vermont, between March 1790 and September 1792, and a partially printed receipt for a payment made to the American Board of Commissioners for Foreign Missions (ABCFM) in 1870.

The Photographs series holds 23 photographs, primarily snapshots, of unidentified individuals. Though most are portraits, 2 depict a woman riding a bicycle and one is a self portrait of a woman, "taken by herself in front of a looking glass." The photographs include one cyanotype.

The Francis Edmonds papers document the art and business world of the early 19th century and the interrelationship between business and the arts. The correspondence reveals both the practical and aesthetic concerns of artists, and the interest of business men in art as a symbol of personal and national "culture."

The Francis Edmonds papers are about evenly divided between the banking and art scene. The collection is valuable in depicting the interrelationship between business and the arts in mid-nineteenth century New York, where a small group of men dominated art promotion and patronage. Edmonds, a man with one foot in both worlds, naturally occupied a prominent position, and his correspondence reveals both the practical and aesthetic concerns of artists, and the interest of business men in art as a symbol of personal and national "culture."

There are 70 different correspondents represented in this small collection, so its story must be pieced together from multiple fragments. Luckily, there are two published biographies of Edmonds which help to make sense of this scattered correspondence by placing it in context. Roughly, the letters can be divided into those from artists, those from business contacts, and those to or from family members. Their subject matter, however, is not so neatly separated -- and that is what makes the Edmonds Papers so interesting, for bankers talk of art in addition to business, artists of finances as well as aesthetics, and Edmonds may have been the only man to whom these combined interests were communicated.

The largest set of correspondence consists of letters from Francis Edmonds to elder brother John Worth Edmonds, who became prominent as a judge, politician, and writer on spiritualism. Letters written between 1823 and 1829 show the young man to have been much inclined toward personal improvement, and to have looked upon his elder brother as a worthy critic and role model. He self-consciously uses their correspondence as a means to improve his writing style and intellectual development, and mentions writing projects he is at work on. An 1829 letter refers to progress in art work: "About my neighborhood I am getting to be a little known as a painter however I am not at all intoxicated with success as yet."

Edmonds' letters to his brother reveal little of marriage or home life, but are good barometers of his psychological state and his views on life. Clearly he had no illusions about the business and political world, commenting in a March 31, 1829 letter that the Edmonds family had been "to [sic] kind in this world, too much trusting to the good will of mankind and they have suffered for their generosity. It is time we changed their nature's [sic]. ... if two hands are offered you spit in the worst & shake the best." Perhaps this attitude sustained him later on when he lost his prominent banking position, for he comments to his brother in October 1856 that "the sensitive feeling which has so influenced my conduct in going into the world is rapidly wearing away," which he knew would happen with time. In August, 1859, he writes that he is unhappy with his new position at the American Bank Note Company, and has to take the "bile" of those who are jealous and competitive of one another. It appears that he may have had an opportunity to regain his old bank job, but writes to John in 1861 that he has no interest in it, as his old boss would feel threatened by him.

Letters to Edmonds from John Gourlie, Charles Leupp, Jonathan Sturges, and Fanning Tucker, primarily dating from the 1840's, depict the interest in art held by some in the business world. These men, all of whom knew Edmonds in a business setting, also associated with him in societies for the promotion of art, bought and commented upon his paintings and those of other artists, and looked to him for advice when acquiring art for themselves. Many of the letters discuss both banking and art. A particularly interesting one, from Gourlie on June 15, 1841, criticizes artists' refusal to be business-like. Commenting upon rivalry between the Apollo Association and the N.A.D., he remarks that artists "are a queer set. ... So sensitive and at the same time so blind to their own interests." He believes popularization of art, as the Apollo does with its subscriptions for pictures or engravings, is the key to supporting artists, for "[a]ssociations in this country are what the aristocracy is in Europe." Gourlie asserts that rivalry between the Academy and Apollo is a good thing, for "rivalry is the life of all business and pictures may be made business matters as well as cotton or cocoa.!"

Yet correspondence to Edmonds from fellow-artists show them to have been aware that their work was a commodity. An 1841 January 30 letter from Daniel Huntington to Edmonds in Paris comments on hard times in New York, remarking that the arts are now "stagnant," as "[t]he mass of painters are I believe lasily waiting with hands in empty pockets for the revival of Commerce & the increase of orders for portraits." Huntington has sold a sketch he began in Rome of "one of those ragged and flea-inhabited beggar boys" for $100, and sold two heads painted at Florence for $150 each. He must be concerned with what will sell well "in these starving times." Artists Joseph Adams, Thomas Cole, and John Kensett also write of both art and money. They seem to have used Edmonds as a combination personal banker and agent, asking him to sell paintings for them, choose and execute stock transactions, or make loans with paintings offered as collateral. Because of his contacts he was also able to secure artists commissions, contracting with Cole for a painting, employing Asher Durand to copy a picture for engraving, hiring engravers to work from paintings to prepare Apollo Association and Art-Union premium offerings.

The artists' letters are highly interesting for their gossip and commentary on the art scene, both in New York and abroad. They describe work in progress, discuss the merits of major exhibitions, comment on the activities of the N.A.D., and chronicle the life of the expatriate artist as he moves from place to place in season, sending work home for display and (hopefully) sale, scrambling for funds to finance work abroad. It seems to have been a small and convivial "old boys' network" who worked and traveled together and critiqued each other's painting. Edmonds enjoyed seven months of the artist's life in 1840-41, and perhaps this cemented his position as an insider with other artists.

In two important letters of 1840 November 7 and 1842 December 14 Thomas Cole agrees to do a painting of Mt. Etna on commission and describes the finished product. He explains the location and elements of the picture in detail, noting that he may be accused of having "scattered the flowers with too profuse a hand. This is not possible. Sicily is truly the land of flowers..." He hopes the picture "will come to the lot of some one whom we would choose," or that "some good New Yorker will purchase it. I myself will give a hundred dollars & the View of Lake Schroon in Mr. Ridner's room for it." In April 1843 John Kensett writes extensively of the Paris art scene, describing specific works he has seen and including a small pencil sketch of one by Jules Louis Coignet.

Also of particular interest are three 1844 London letters from publisher and bookseller George Putnam, who worked to raise awareness of American art abroad. One solicits articles on American art from Edmonds, assuring him that despite prejudice there are many in England who would be interested in "a little information about American doings in some other arts than the art of raising the wind." In December, reporting on the disappointing reaction of a major critic to three American paintings Edmonds sent for display, he ruefully remarks that the criticism typified English ignorance of America. Putnam was advised to "'tell them to paint some American subject (!) Something of the Indian life.' He was rather incredulous when I suggested that Indians were as great a novelty, nearly, in New York as in London." Still, he wrote, hundreds had viewed and appreciated the paintings, so they had served a good purpose.

One letter in the collection involves neither art nor banking, but Civil War service in Virginia. It is from an old friend of Edmonds, William Fenton, who went to war along with his two sons and served as a colonel in the 8th Michigan regiment. Fenton describes a massive camp along the Rappahannock in detail and indignantly decries the "slaughter" at Fredericksburg as "almost unjustifiable," and due to "old fogeyism" in military strategy. "What was good strategy in the time of Napoleon may not be now." He criticizes political meddling in war and the advancement of "pets." Fenton encourages Edmonds to visit camp, for "[s]uch sights will never again be seen on this continent."

Besides correspondence, news clippings, some later genealogical material, and a draft excerpt from Edmonds' autobiography (ca.1860), the collection includes several pencil sketches by the artist. Eight rough but skillful sketches on small scraps of paper feature indoor and outdoor scenes of people and animals. One is water-colored. There is also a large preliminary study of Edmonds painting "The Bashful Cousin". It is not identified as such, and background scene and details differ from the finished version, but the two main characters are clearly recognizable.

This collection is made up of approximately 160 items related to the Hillard family and Low family of New York and Boston, including correspondence, documents, photographs, poetry, ephemera, and pamphlets. Family members wrote around one-third of the approximately 110 letters and typescripts, as well as 35 pages from a letter book, while living and working in China in the mid-1800s. Other letters and additional materials concern the families' social and business lives in New York and Massachusetts throughout the 19th century. The families were related by marriage.

This collection contains approximately 155 items related to the Hillard family and Low family of New York and Boston, including correspondence, documents, photographs, poetry, ephemera, and pamphlets. Family members wrote around one-third of the approximately 110 letters and typescripts, as well as 35 pages from a letter book, while living and working in China in the mid-1800s. Other letters and additional material concern the families' social and business lives in New York and Massachusetts throughout the 19th century. The families were related by marriage.

The Correspondence series contains the following subseries: Manuscript Correspondence, Edward Low Letter Book, and Low Family Typescripts.

The Manuscript Correspondence subseries contains around 100 items related to the Hillard and Low families. "Caroline," a friend of Harriet Low, wrote letters to Harriet in New York City from Macau, China, in 1834 and 1835. Caroline commented on aspects of her life abroad, such as William Napier's arrival from Great Britain and the difficulty of having goods shipped from the United States. Other early correspondence includes personal letters between members of the Low family, who often wrote from Boston about family news and their social lives.

Francis (Frank) A. Hillard wrote 25 letters to his parents and siblings between June 1844 and July 1846, including 2 while traveling onboard the ship Honqua and 23 while living in Canton (now Guangzhou) and Macau, China. He described many aspects of his everyday life and of his career as a merchant, and provided detailed accounts of scenery, people, customs, and local news. He also commented on his experiences as a foreigner living abroad. After returning to the United States and settling in Brooklyn, New York, he corresponded with his brother Oliver, to whom he wrote approximately 30 letters between 1847 and 1853. Frank discussed his mercantile career and social life, which included interactions with members of the Delano family. The bulk of the correspondence ends in 1853.

Abiel Abbot Low wrote 4 letters to his wife Ellen on June 12, 1841, and from June 28, 1845-August 21, 1845. In his first letter, he described his travels in northern New York along the Erie Canal. Low's letter of June 28, 1845, pertains to his transatlantic voyage to Manchester, England, on the Great Western: he discussed his fellow passengers, his leisure activities on the ship, and his reunion with his sister Harriet and her children. The final 2 items (August 16, 1845, and August 21, 1845) concern Low's life in New York City after his return from England; he provided news of acquaintances and briefly mentioned the possibility of war with Mexico.

The subseries contains a letter Frank received from his brother Oliver, who provided news of United States politics (June 9, 1846), a letter from a girl named Hattie to her mother that mentions a sermon by a "Mr. Longfellow" [1864?], and a letter and membership card from the New York State Woman Suffrage Association sent to Mary Loines (September 21, 1895).

The Edward Low Letter Book is comprised of 35-pages of retained copies of letters that Low wrote to various family members, including William Henry and Abiel Abbot, while living in Macau, China, from May to September 1842. He discussed his life and work in China, as well as the Chinese economy and current events.

A group of Low Family Typescripts contains 12 letters exchanged by members of the Low family between 1829 and 1841, accompanied by a table of contents and a letter about the original material, dated 1935. The location of the original letters is unknown. Harriett Low wrote the first 9 letters between 1829 and 1834, while traveling in the Pacific and living in Macau, China. She told her mother and sister of her life onboard steamships and about her loneliness, caused by separation from her family in the United States. The remaining 11 letters include items by Frank and William Henry Low concerning their travels to China and around the Pacific region. They also commented on financial affairs.

The Documents series has 2 subseries: Legal and Financial Documents (5 items) and Passports (2 items). Included are an indenture between John Hillard, Harriet Low, and Seth Low (November 1, 1836); 4 receipts (August 1894-March 9, 1896, and undated); and passports for John Hillard (1842) and George Stillman Hillard (1859). Each passport is housed in a leather wallet.

The Photographs series contains 3 cartes-de-visite of Samuel Stillman and Rebecca Allen Stillman, as well as 3 card photographs of George Stillman Hillard.

Poetry and Other Writings (10 items) are comprised of 3 small poems, including one Francis A. Hillard wrote for his brother Oliver; 1 long poem entitled "The Tale" (27 pages); a preface and notes concerning the preparation of a work on the Low family papers; 3 loose pages and 1 packet of notes; and a 2-page prose draft.

The Genealogy series holds a 25-page document with genealogical information about the Hillard family and associated families.

Printed Items are divided into 3 subseries. Printed Ephemera (4 items) includes an illustrated envelope for the company Fritz and Dean, a business card for John B. Hillard, an image of George S. Hillard, and a bookplate for items bequeathed to the Massachusetts Historical Society by James Savage. The Currency (13 items) was all issued in North America between 1770 and 1780. Three of the four published Pamphlets were written by George Stillman Hillard between 1843 and 1852. The final pamphlet is a copy of "A Clipper Ship and Her Commander" (1924).

This collection consists primarily of incoming personal and professional correspondence received by John Barbour, an Episcopal minister and professor at Berkeley Divinity School, concerning religious life in Connecticut in the late 1800s.

This collection consists primarily of approximately 1,150 incoming personal and professional letters received by John Barbour, an Episcopal minister and professor at Berkeley Divinity School, concerning religious life in Connecticut in the late 1800s. The papers also include 5 photographs, 4 printed portraits, and a small group of additional printed items.

The Correspondence series spans most of Barbour's career. The bulk is comprised primarily of letters John Barbour received between 1883 and 1899, reflecting the everyday lives of clergy in Connecticut and New England, as well as Barbour's work with the Episcopal Church and at Berkeley Divinity School. Many of the letters contain professional inquiries and reports of the writers' daily lives and work with local churches. Several relate to Barbour's role as the librarian of the Berkeley Divinity School, including factual questions and inquiries about specific volumes. Other letters request his services as a minister, including several from the Connecticut Hospital for the Insane in Middletown, Connecticut, and from other clergy requesting substitutes. Additionally, many of the letters concern religious education and mention prominent bishops and others in the Episcopal Church.

Two early items relate to John Barbour's father, Henry S. Barbour, and to administrative affairs of the town of Torrington, Connecticut, in 1852 and 1857. The series also includes a timetable for trains between Hartford, Connecticut, and New York City, and a manuscript complaint from attorney John R. Wittig to the Rt. Rev. Bishop Williams, issued against John Barbour, claiming that Barbour colluded with Wittig's wife in a conspiracy to "get rid" of him and seize his property (March 17, 1885).

The Photographs and portraits series holds 5 carte-de-visite photographs of members of the Barbour family, including Henry S., Sylvester, Herman H., Julia, and Joseph L. Barbour, as well as 4 printed portraits of Episcopal clergy.

The Printed items series contains biographical sketches of bishops, Episcopal clergy, and other figures, removed from published books and newspapers. Among those represented are Bishop John Williams and librarian Melvil Dewey. The series also includes approximately 20 invitations, programs, circular letters, and advertisements. One advertising card for the Fannie C. Paddock Memorial Hospital of Tacoma, Washington Territory, bears an engraved image of the facility.

The Lydia Maria Child papers consist of ninety mostly personal letters by Lydia Child; the bulk of them were written to her wealthy abolitionist and philanthropic friends in Boston, the Lorings.

The collection consists of ninety mostly personal and often playfully provocative letters dating from approximately 1835 to 1877. Most of them are from Lydia Maria Child to her wealthy Boston abolitionist and philanthropic friends, the Lorings, and date from 1839 to 1859. They thus concentrate on the period of Maria Child's distress with the institutional politics of antislavery, her editorship of the Standard, her growing attachment to New York Bohemia, and the publication of Letters From New York. Many of the letters deal simply with her day to day finances, friends, and family.

These letters chart Maria Child's loss of "pleasure" in "anti Slavery" until the martyrdom of John Brown renewed her "youth and strength." They witness her antagonism to the aggressive tactics of elements of the American Anti-Slavery Society and her defense of the "Old Organization." It is in terms of intra-organizational criticism that she justifies her job at the Standard despite reservations. Later, however, the letters witness her declining commitment to pacifism. They describe a remarkable fearlessness to the danger of the mobs in New York, and they note the challenges that the Standard faced. They speak of Maria Child's withdrawal from cliques of reformers and antislavery organizations, though clearly her hermitage was constantly broken by meetings with the likes of Catherine Beecher and Margaret Fuller. Throughout, she declares a radical social egalitarianism while demonstrating a contemporary racial paternalism and liberalism. Of particular interest concerning antislavery and race are:

• (1) To George Kimball, Jan 1835, on Texas and the freemen plantation in Mexico
• (3) To Louisa L., April 1839, concerning the discord within the movement
• (6) To "Nonny", Dec 1840, of a story about "our colored man... our retainers"
• (8) To Ellis L., May 1841, about guilt for accepting money for editing the Standard
• (9) To Ellis L., June 1841, where she insinuates the A.A.S.S. with proslavery form
• (13) To Ellis L., May 1842, about the Boston and Philadelphia cliques and N.Y. mobs
• (17) To Louisa L., May 1843, about the New York Letters and Angelina Grimké
• (48) To Ellis L., December 1852, with reference to Charles Sumner and Catherine Beecher
• (57) To Louisa L., October 1856, about Kansas and Frémont
• (69) To Oliver Johnson (A.A.S.), Dec. 1859, on John Brown's execution
• (70) To William Cutler, July 1862, on the questions of wage slavery and social equality
• (72) To Anna L., Oct (1871?), on a "mulatto girl" asking for handouts.

More peripherally the letters are witness to the homosocial support networks of Victorian America despite their author's exceptional ability to transcend the limitations imposed on her sex. Of the latter she was painfully aware, complaining here of the impropriety of a "young lady" staying at the Globe Hotel, determining to "always avoid belonging to any association of men" because of her "experience," noting how her critics preferred to attack her as a woman rather than deal with the facts, how some were shocked to meet a woman like her, and complaining about her gendered financial liabilities despite her disfranchisement. Indeed, she detaches gender stereotypes from biological sex as she writes repeatedly of the "small female minds of both sexes." Writing domestic guides for women and attending Emerson's lectures on domestic life never reconciled Maria Child to domestic work, of which she often complains here. On the other hand, she seemed to relish romance and also writes of her caring for a "wild Irish girl," and her poor niece Maria, and her taking in of Dolores, a poor Spanish woman, as her companion. Particularly relevant are her letters: (67) To Louisa L., December 1857, a story of two babies engaged in the struggle of the sexes; (71) To Anna L., July 1871, on suffrage for societal efficiency and female education.

Lydia Maria Child's letters also chart her critical attitude to religious and social injustice in general. This is born out in accounts of specific incidents of charity to orphans abandoned in the Tombs. Calling Angelina Grimké a "flaming Millerite," Maria Child also makes fun of her patron Isaac T. Hopper's Quakerism, claims to prefer the "Lord Pope" to the "Lord Presbyters," and "shocked... Christian piety by saying if Mendelssohn were a Jew, I hoped I should get into the Jew's Quarter in heaven." Her "dislike to respectable Puritanical character" crops up repeatedly in these letters. In one letter she jokingly claims her "right to be damned." She praises Plato as a forefather of "modern socialists" and writes of the world of the spirits and of her "bigotted Swedenborgian[ism]." In terms of her pacifism she recounts an argument she had with Samuel Colt over "his battery." Her letters moreover present a consistent picture of her preference for the soul-inspired music of the underdog against anything machine-like, or tainted by the "diseased ambition of wealth and show... and respectability." She criticizes the "ruffianly Forrest" and the Astor Place Riots for demagoguery and violence while repeatedly noting the blindness of aristocracy and arguing for a world in which "all ranks, and sexes, and sects, and barriers of all sorts," would be ignored. In an elusive search for freedom she claims pleasure in acting "contrary to statutes made and provided."

The Puffer papers consist of items relating to the family history and tea room operated by the Puffer sisters in Nobleboro, Maine; much of the material is undated.

The most significant item in this collection is a typescript manuscript in two parts, "Recollections and Recipes," written by Mary Sophia Puffer, and "Nobleboro Community Kitchen", written by her sister, Alice. In addition, there are seven unique copies of Community Kitchen menus and several seemingly unrelated land deeds.

The first part of the typescript is aptly described by the author: "Around the seasons and through the years with a suburban Boston family, from Massachusetts to Maine and New Jersey, with happy memories and good eating made possible by old Yankee recipes handed down from generation to generation, culminating in the successful operation of a popular tea-room." This account of family travels and customs is interspersed with over sixty recipes. A tremendous appreciation for food fuels this reminiscence, which seems to have been written much later in life.

Alice Puffer goes on to describe the "birth and death of a tea room in the pre-war days of plenty" and provides some more recipes, including ones for lemon meringue pie, "the best seller and reputation maker... no ordinary haphazard confection," and the original recipe for Parker House rolls. The roll recipe was obtained by the Puffer's father directly from the chef at the Parker House, but the sisters found ways to improve it.

Two Community Kitchen menus are for afternoon tea and have watercolor paintings on the front. There are also five black menu cards painted by a "gifted art student" and four handwritten menus to accompany them. Lobsters are naturally featured ("We boil our own lobsters and Maine deep-sea lobsters have a flavor all their own"), as well as berry pies, "lemon pie, with a wonderful meringue", "rich creamy milk from a herd of registered cows" and "community pickles."

The six deeds are all for properties in the Nobleboro area and date from 1830 to 1912. They seem to be unrelated to the Community Kitchen materials, even though one deed, dated 1911, is from Robert W. and wife Blanche Puffer to O. C. Nutting. There is also a sketch of property lines done by Frank Bulfinch for Charles M. Hall in 1907.