Collections : [University of Michigan Bentley Historical Library]

Modernist architect based in New York City, 1929-1950, and professor of architecture at the University of Michigan, 1950-1972, where he also carried on an active private practice until shortly before his death in 1990. A graduate of MIT, Muschenheim studied further with Peter Behrens at the Vienna Academy of Fine Arts and was strongly influenced both by a visit to the Bauhaus in Weimar, Germany and by a period working in urban planning with Peter Korn in Berlin. Two major Muschenheim collections exist, one within the Avery Architectural and Fine Arts Library at Columbia University and another within the Bentley Historical Library at the University of Michigan. The Muschenheim collection at the Avery represents primarily his professional career from 1929 to 1957, and the Muschenheim collection at the Bentley concerns his later professional practice and teaching career at the University of Michigan, as of 1950. This finding aid describes both the Avery and Bentley collections.

Staffs of the Avery Architectural and Fine Arts Library and the Bentley Historical Library have prepared separate finding aids for their respective William Muschenheim collections. These have been merged to provide one integrated finding aid. This integrated finding aid lists all Muschenheim materials held by both repositories. All of the drawings, papers, photographs and other materials for each project are brought together in a single job-number/chronological sequence. The physical location of each item/folder is indicated by "A" for Avery and "B" for Bentley. The combined finding aid organizes the Muschenheim papers into four series:

1. Biographical and Professional Material [Bentley]
2. University of Michigan Teaching Career [Bentley]
3. Publications and research [Bentley]
4. Project Files [Avery and Bentley]

The project files of William Muschenheim are described according to Muschenheim's original filing system in which he interfiled the drawings, correspondence, specifications, and other papers for each job/client. Muschenheim typically assigned each client a single job number no matter how many projects he may have done for the client. There are a total of 130 numbered jobs in the Avery Collection (#1-130, with gaps between jobs 11-17, 25-26, 28-29) and 63 numbered jobs in the Bentley collection (#132-193, there are no materials for 22 of the jobs). There are also nine unnumbered projects (4 Avery and 5 Bentley) and several folders of miscellaneous material.

Each numbered job consists of one or more projects and each project is subdivided by format of material into Drawings, Papers, Photographs, and Presentation Boards as appropriate. There is some variance in the manner in which the two archives have arranged and described project material. The Avery has described its drawings at the item level while the Bentley provides only folder level descriptions for most projects. For this finding aid item level descriptions are provided for selected Bentley projects. Photographs are found in the "Papers" in some Avery project files but are listed separately in the Bentley finding aid.

At both the Avery and Bentley the oversize architectural drawings have been removed from their original folders and stored separately.

The William Muschenheim Architectural Drawings and Papers at the Avery Library span 1929-1957, with bulk dates 1931-1950. Muschenheim's papers document 130 separate jobs, and the visual material consists of 3081 sheets of drawings. The projects mainly represent Muschenheim's work in New York City, but also include work in Albany (NY), Amenia (NY),Bridgehampton (NY), Chappaqua (NY), Hampton Bays (NY), Malverne (NY), Massapequa (NY), Nassau Point (Long Island), Washington (CT), Washington DC, Westhampton Beach (NY), and Woodstock (NY), among other locations.

William Muschenheim had numerous clients which included the following family members: Carl Muschenheim, Elsa Muschenheim, and Frederick A. Muschenheim. In addition to the many clients for whom Muschenheim did alteration work, he also worked with a wide variety of companies. Some of the companies include Bigelow Carpet Company, C.G. Flygare Inc., Excel Metal Cabinet Co., Inc., F. Schumacher & Co., Famaes Development, Hans Knoll, Howard & Schaffer, Inc., Kurt Versen Lamps, Inc., Ledlin Light Designers, Portland Cement Association, and Thonet Brothers, among many others.

The papers and drawings in the William E. Muschenheim collection at the Bentley Library span the years 1923 to 2004, however the bulk of the collection covers the years 1951 to 1985. The papers are primarily comprised of material documenting Muschenheim's research and teaching career from 1950 to 1973 at the University of Michigan, and the private practice he continued in Ann Arbor after leaving New York City. There are limited papers and drawings related to his life and professional work prior to 1950, although the Photographs Series includes beautiful black and white images of many of his important New York projects, and the Publications and Research Series is valuable for articles published in the thirties and the forties showcasing his work. Papers and drawings spanning the years 1929-1957 (bulk dates 1931-1950) are held at the Avery Library, Columbia University.

Muschenheim's early and lasting commitment to the modern movement and to an international view of architecture and architectural education is reflected in the collection, which consists of biographical and professional materials, research and course materials, publications related to his work, project files and drawings, and photographs and slides. The Muschenheim collection will interest researchers drawn to study the work of a pioneering modernist, well known for originality in working with color as an integral part of contemporary design, and those interested in the generation of architects involved in the fifties and sixties with legitimizing the modern period in an academic environment. Additionally, Muschenheim's efforts to illuminate the art of architecture as an important element and expression of culture to a broader segment of society renders the collection important to a wide range of disciplines and interests.

The papers are largely organized according to Muschenheim's original filing scheme, in which he interfiled material related to projects (including drawings) with professional papers, correspondence, and other documents, numbering them sequentially. The Bentley Library collection consists of material numbered 132 to 192. Many large original drawings were removed from folders, flattened, and are stored in drawers. Five series make up the collection: Biographical and Professional Materials; University of Michigan Teaching Career, College of Architecture and Design; Publications and Research; Project Files; and Digitization Project. Users should note that material related to a single project is often scattered throughout the collection. A Supplemental Guide to work produced after 1950 in the additional descriptive data portion of this finding aid. Also appended is Muschenheim's list of projects (numbered 1-189).

Willis C. Patterson, the first African American professor at the University of Michigan's School of Music, was an active faculty member from 1968 to 1999. He was a professor of voice and associate dean for academic affairs. Patterson directed the Men's Glee Club from 1969 and 1975 and spent summers as a faculty member at the National Music Camp at Interlochen, Michigan. While maintaining an active concert career and fulfilling teaching duties, Patterson organized a Black American Music Symposium and compiled several works on African American composers. Patterson played an active role in securing funding and mentorship for students of color and disadvantaged students both at Michigan and in the Ann Arbor community. The collection includes some biographical material, but focuses mainly on his professional career, musical career, and collection of works by African American composers. It includes correspondence, research, photographs, clippings, publications, and topical files.

The Willis C. Patterson papers include some biographical material, but focuses mainly on his professional career, musical career, and collection of works by African American composers. The collection includes correspondence, publications and research material, photographic material, posters, student records, clippings, and topical files.

Local branch of organization established to foster closer ties between city and country women and to stimulate interest in gardening and horticultural pursuits. Membership rosters, organizational files, historical information, files relating to fundraising and civic events, notably the Greens Market sale and the Garden Walk tour of local gardens; also photographs.

The records of the Woman's National Farm and Garden Association, Ann Arbor Branch, document all of the group's various organizational and community service activities. They reflect the organization's dedication to community service through scholarships, charitable gifts, and service activities. The records have been divided into five series: History, Yearbooks, Organizational, Photographs, and Activities. A sixth series has been added to account for 2014-2015 Accessions.

Established in 1980 as part of the Center for Continuing Education of Women (now CEW+), the Women in Science and Engineering Program (WISE) has sought to increase the number of women who major in and seek advanced degrees in mathematics, science and technical fields. WISE has offered internships, resource guides, programming, and the Warner-Lambert lecture series towards this goal. In addition to supporting women at the collegiate level, WISE offers a variety of K-12 programs for students of any gender identity, although they are primarily aimed at women and girls. Records include correspondence and reports; physical and digital materials related to programming efforts, including the Warner-Lambert lecture series and Girls in Science and Engineering summer camp; funding proposals; research papers and talks by WISE staff members; and clippings and documents related to the establishment of WISE. Planning files for the Girls and Science and Technology (GASAT) IV Conference 1987, digital transcripts and recordings from an oral history project that sought to preserve the history of University of Michigan alumnae in the sciences and engineering, and material related to Smartgirl.com as well as the Women in Engineering Office are also included.

The WISE records (11.3 linear feet and digital files (online)) reflect the changing approaches that WISE took to encourage and support women in the sciences and engineering, as well as the changing organizational structure of the program. Specific formats include correspondence, digital photographs and videos, grant applications and program proposals, oral histories, research studies and talks, publications, reports, web archives, and background material on women and sciences at the University of Michigan. Prominently represented in the collection are WISE's various programming efforts, the Women's History in Michigan Science and Engineering Oral History Project, and the Women in Engineering Office (WIE).

Support group founded at the University of Michigan to aid minority women employed as office and professional staff members in combating racial and sexist stereotypes and in providing counsel on matters of career planning, job hunting, and development of communication skills. Records include subject files detailing activities of the Task Force, especially to those conferences it sponsored; also history, minutes, correspondence, photographs, publicity, publications, and videotapes.

The Women of Color Task Force (WCTF) records include subject files detailing activities of the Task Force, especially to those conferences it sponsored; also history, minutes, correspondence, photographs, publicity, publications, and videotapes. The Women of Color Task Force (WCTF) records are divided into three series: Administrative, Events and Audio-Visual

Singing group established in 1902 as the University of Michigan Girls' Club before changing the name to Women's Glee Club in the 1940s. The group performed on campus and throughout Michigan as well as touring nationally and internationally. The group disbanded in 1953 and was reactivated in 1976. This records include concert programs and posters, fundraising information, correspondence, photographs, audio/visual recordings of performances, newspaper clippings and scrapbooks. Also included are administrative papers including budget information, schedules, rosters and rules.

The Women's Glee Club collection dates from 1903 to 2017 and is comprised of multiple accessions. Because these accessions came with little discernible structure, and because their contents overlapped, they were combined into one collection made up of printed and manuscript materials, as well as posters, scrapbooks, sound and video recordings in a few different formats. The collection has been divided into four series: Audio/Visual Materials, Topical File, Scrapbooks and Concert Posters. The first two series of the collection have been arranged alphabetically by topic, and chronologically within the files. The Scrapbooks series is contained in Box 2, and each scrapbook has retained its original organization.

The Women's Research Club of the University of Michigan was founded in 1902 in response to the exclusion of women from the recently established all-male research clubs. Records include minutes, correspondence and reports of club officers and committees, papers concerning the club anniversaries, and photographs.

Records of the Women's Research Club include minutes, 1902-1999; correspondence, 1903-1939 and 1952-1994; membership lists 1904-1999; financial records 1903-1999; correspondence and reports of club officers and committees, including Loan Fund materials; papers concerning the 25th, 50th, 75th, 85th and 90th anniversaries; relationships with the men's research club; histories, memorials, photographs, and clippings.

Owner of Woody Pontiac Sales, Inc. in Hamtramck, MI and lifelong Republican and proponent of peace in the Middle East; correspondence, newspaper clippings, and photographs.

The Woodrow and Ann Woody papers are organized into two series: Correspondence and other papers and Photographs. The collection consists primarily of correspondence with public figures; newspaper clippings, photographs, and other materials from scrapbooks relating to the Hillcrest Wolverine Open golf tournament; photographs of Woody and his wife Ann with various public figures and attending different social occasions.

Branch of the YMCA; Annual reports, clippings, correspondence, financial records, minutes of meetings, photographs, press releases, published materials, rosters, and scrapbooks; also includes collected branch records for the Railroad branch, 1877-1890, and the Downtown branch, 1890-1909; and publication, Detroit Young Men, 1911-1922.

The records of the Metropolitan Offices of the YMCA of Metropolitan Detroit consist of annual reports, correspondence, financial materials, minutes (Secretary's records), photographs, published brochures and pamphlets, and scrapbooks. The materials document, somewhat unevenly, the efforts of the YMCA to tend to the spiritual, physical, and social needs of the young men in Detroit. The strengths of this record group are in its minutes (Secretary's records) and photographs, each of which provides detailed and telling insight into the development of Detroit and the YMCA from the nineteenth century to 2006. The scrapbooks created by the YMCA, 1936-1973, are also of interest in that they accurately reflect all newspaper coverage of YMCA events and activities for this decade.

The records have been arranged in four series: Administration, Secretary's Records, Visual Materials, and Scrapbooks.

Michigan freelance writer and disability rights advocate. Biographical information, research files, published articles, unpublished writings, and audiocassettes of interviews conducted by Duffy in her research.

The Yvonne Duffy papers span 2 linear feet and have been arranged into three series: Personal, 1952-2000; Writings, 1968-1999; and Mixed Media. The papers include biographical information, research files, published articles, unpublished writings, and audiocassettes of interviews conducted by Duffy in her research.