Collections : [University of Michigan Bentley Historical Library]

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0.4 linear feet (1 box) — 2 oversize volumes — 3 oversize folders

State geologist of Michigan. Field notes, 1837-1841, of his geological survey of the state, including some original drawings [original and typescript copies, and microfilm of pages 197-291]; letter book, 1841-1845; miscellaneous correspondence and field notes, including letter, May 31, 1841, to Abram Sager; notes and other papers collected by Mrs. John Ehlers for her book on Houghton, including copies of papers of Bela Hubbard; and photographs.

The Douglass Houghton manuscript collection at the Michigan Historical Collections includes one volume of field notes, 1837-1841; typed transcripts of the field notes; a one volume letterpress book, 1841-1845; miscellaneous correspondence, newspaper clippings and other papers (photostats and typescripts of materials in other repositories); and notes collected by Mrs. John Ehlers for a book on Houghton.

An appendix to this finding aid contains an inventory to the manuscript maps found in the collection, and other Houghton maps.

The reports of Houghton's work for the Michigan Geological Survey have been published in Geological Reports of Douglass Houghton: First State Geologist of Michigan, 1837-1845, Lansing, Mich.: Michigan Historical Commission 1928. [MHC call number EA/153/MG345/G345, available online through HathiTrust]

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11.5 linear feet (in 12 boxes) — 20 audiocassettes — 14 magnetic tape reels — 1 videocassette — 10 digital audio files

African American Detroit poet and librarian, and founder of Broadside Press in Detroit, Michigan which supported and published black and African American poets and authors. Poet laureate of Detroit, 1981. Materials consist of personal and business correspondence, topical files, photographs, drafts and publications, audio recordings, and film reels.

The papers document the personal and professional life of Dudley Randall as an independent African American poet and founder of the Broadside Press in Detroit, and span the years 1900-2002. Material includes drafts and publications of original works, correspondence, photographs, sound recordings on audiocassettes and audio reels, and films featuring Randall, his family, and poets connected to the Broadside Press. Series in the collection may have overlapping subjects, as original folder contents were maintained. Folders are arranged first by date, and then alphabetically by original title where applicable. The collection is divided into four series: Biographical (1900-2002), Broadside Press (1939-1999), Topical Files (1908-2002), and Writing (1933-1983).

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0.3 linear feet — 393.3 MB (online)

Dwight J. Brewer served in the Michigan Twentieth Infantry during the Civil War. Collection includes family correspondence and Brewer's military papers and diary.

Letters written to the family by Dwight Brewer during the Civil War. Some letters were written together with Edwin Stearns, who served with Brewer. Photocopies and originals of Brewer's military papers and a modern color photograph of an original 1898 family photo.

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2 linear feet — 23.62 MB

Professor of history at the University of Michigan, first distinguished visiting professor at Northern Michigan University. Correspondence and other papers concerning his research and writings on the anti-slavery movement in America. Also, analog and digitized recordings of 1965 interviews given to WNMR Northern Dimensions.

The Dumond collection contains professional correspondence, including letters received, ca. 1961-1970, reflecting prevailing attitudes towards race relations and the historiography of the American Civil War. There are also research materials, notebooks containing lecture notes and drafts of writings, reviews of his books, an audio-tape of a talk he gave, and a scattering of photographs.

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1 folder

Soldier from Sanilac County, Mich., member of Co. H, 339th U.S. Infantry who served in the Allied intervention in Russia, 1918-1920, the "Polar Bear Expedition." Collection includes typescript of his statement relating his experience as a prisoner of war and copies of his enlistment and discharge records.

The papers consist of photocopies of a typescript of his statement relating his experience as a prisoner of war and copies of his enlistment and discharge records.

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18 digital files (109 MB)

Papers of a soldier in the Allied intervention in Russia, 1918-1920, the "Polar Bear Expedition."

This collection contains digital records; the original papers and/or photographs are owned by the donor. The digital items in this collection were digitized from originals by the individual donors before being received by the Bentley Historical Library. Preservation copies of these files with their original file names and CD-ROM file structures intact have been submitted to Deep Blue. Access copies of these digital files can be viewed by clicking on the links next to the individual folders in the Content List below.

In this finding aid, the files have been arranged into two series, Papers and Visual Materials. Within each series, files are listed numerically according to the number they were given by the donor. A short description of the digitized object follows the file number. The files in this collection are in TIF format.

Digitized papers include the 310th Engineers Christmas Greetings, Archangel Russia, the Midnight Sun, a diary of his service, which he called his Army record, two newspaper clippings and an untitled document dated June 30, 1919. Digitized photographs include: Amos by himself in uniform, Amos with three other soldiers, Firchow Mull and Drew in winter uniform, an unidentified photograph and a digital photograph of a uniform button.

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3 linear feet (in 5 boxes) — 1 oversize folder

The Earl V. Moore collection consists of the personal and professional papers of a noted musician, composer and director. Moore taught music at the University of Michigan from 1916 and served as director of the School of Music from1923 until his retirement in 1960.

The papers of Earl V. Moore document his career as professor and dean of the School of Music of the University of Michigan, as well as his career as a composer and performer. Though some of the papers and visual images date from the 1870s, the bulk of the collection dates from the 1920s through the 1960s. Consisting of three linear feet of papers and visual materials, the collection reflects Moore's many accomplishments as conductor, composer, lecturer, organist, and participant in professional societies.

The Moore papers have been divided into seven series: Biographical/Personal Materials, Correspondence, Topical Files, Newspaper Clippings, Musical Scores, Sound Recordings, and Visual Materials.

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0.1 linear feet — 5.72 GB

A community history project intended to record memories and information about East Quad, the traditional home of Residential College, before the structure underwent significant renovations in the summer of 2012. The collection includes video footage and email correspondence of current and former residents, administrators, faculty, and staff sharing stories about life in East Quad as well as a documentary video, images of murals, and a cookbook from the Halfway Inn café.

The East Quad Memory Project records preserves the memories of East Quad as shared by current and former Residential College students, staff and administrators. The collection provides documents the impact of the College's unique environment on students and will furthermore be of use to those interested in the social life and customs of University of Michigan students. The record group consists of two series: East Quadapalooza and Historical Records.

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2.5 linear feet — 31 GB (online)

University of Michigan student organization founded to promote interest in jazz through concert and lecture series. Audio-tapes of lectures, photographs, posters, announcements of concerts, newsletters, grant files, and scattered correspondence.

The Eclipse Jazz records include photographs, sound records of the various lectures and concerts, posters and flyer notices of concerts, and miscellaneous administrative materials, such as grant applications, correspondence, and newsletters of their activities.

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83.1 GB (online)

The Ecology Center of Ann Arbor and Teach-In on the Environment oral histories is a collection of recordings conducted by the University of Michigan students and faculty. The interviews primarily focus on Environmental Action (ENACT) and the Teach- In on the Environment in 1970, and the history of the first Earth Day that same year. In addition, past and present staff and collaborators of the Ecology Center of Ann Arbor discuss environmental activism in Michigan, with topics ranging from toxics disposal, recycling, waste disposal, and affordable energy. The oral history interviews were featured in-part and in-whole in digital exhibits hosted by the University of Michigan College of Literature, Science, and the Arts. Faculty member Matthew Lassiter was the advisor for these projects and was responsible for collecting all the related oral histories into a single collection for archival preservation.

This collection is comprised of interviews with members of Environmental Action for Survival (ENACT), the Ecology Center of Ann Arbor, and other environmental justice activists. Broadly, the interviews cover environmental justice in Michigan. In 2017, student interviewers spoke to members of ENACT who organized the 1970 Teach-In on the Environment, as well as activists who organized the first Earth Day. In the 2019-2021 partnership with the Ecology Center that followed, the Environmental Justice HistoryLab conducted interviews with current and former members and collaborators of the Ecology Center on all aspects of local environmental activism, including waste management, toxics disposal, energy programs, and environmental policy in the state.

The collection is organized into three series: Environmental Activism in Michigan, the Ecology Center, and Digital Exhibitions. These series are based on the project that the recorded interviews and clips were associated with, as well as which groups sponsored the interviews. Digital Exhibitions contains links to the final digital exhibits associated with each project, where available. While the interviews do not currently have transcripts, most of the recordings have an associated timestamped index.

1 result in this collection