Collections

This collection is made up of letters written and received by Reverend Evarts Kent and members of his family throughout the late 19th and early 20th centuries. Kent and his family corresponded with friends and family members in several states, including Vermont, Illinois, Iowa, Indiana, Georgia, Massachusetts, and North Carolina. Most letters concern family news, education, religion, travel, family relationships, and similar personal subjects. The collection also includes printed invitations, programs, and 23 photographs.

This collection is made up of letters written and received by Reverend Evarts Kent and members of his family throughout the late 19th and early 20th centuries. Kent and his family corresponded with friends and family members in several states, including Vermont, Illinois, Iowa, Indiana, Georgia, Massachusetts, and North Carolina. Most letters concern family news, education, religion, travel, family relationships, and similar personal subjects. The collection also includes 2 documents and 23 photographs; printed invitations and programs are interspersed among the letters.

The Correspondence series comprises most of the collection, and contains approximately 4 linear feet of letters, which are primarily the incoming personal correspondence of Evarts Kent, his wife, and their children. The earliest items are Civil War-era letters between unidentified family members. The bulk of the collection begins around 1867, when Evarts Kent began to receive letters from his family and friends, who provided local news from Ripton, Vermont, and often commented on his recent marriage to Helen Beckwith. As Kent's father, Cephas, was a Congregational minister, the Kent family frequently discussed religious topics. In the early and mid-1880s, Michael E. Strieby and Joseph E. Roy of the American Missionary Association also corresponded with Kent.

After the mid-1870s, the correspondence is primarily between Evarts and Helen Kent and their children, Ernest, Grace, and Willys, who exchanged letters with their parents and each other from their childhood into their early adult lives. Ernest discussed his educational experiences, including his time at Iowa College,his experiences in preparatory school and as a young adult and at Iowa College, and occasionally composed letters to his father in Latin. The Kent siblings sometimes included sketches or more refined drawings within their letters. Their letters reveal details about their relationships with each other, their personal lives, and their religious beliefs. Later items from the World War I era often concern Willys's wife, who signed herself "Roxi," and the couple's experiences while spending their summers at Camp Arcadia in Belgrade, Maine. A relative named "Jupe" also wrote Evarts Kent an extensive series of letters throughout the late 19th and early 20th centuries, including a group of 20th-century letters about travel in the Black Mountains of North Carolina.

The Documents series is made up of a 2-page document containing several sets of church minutes compiled in Benson, Vermont, between March 1790 and September 1792, and a partially printed receipt for a payment made to the American Board of Commissioners for Foreign Missions (ABCFM) in 1870.

The Photographs series holds 23 photographs, primarily snapshots, of unidentified individuals. Though most are portraits, 2 depict a woman riding a bicycle and one is a self portrait of a woman, "taken by herself in front of a looking glass." The photographs include one cyanotype.

Jay Cassidy was a student photographer for The Michigan Daily from 1967 to 1970. The collection contains an inventory, background notes, negatives, a printed catalogue containing an image thumbnail and metadata for each image in the collection, and 4,882 digitized images of Cassidy's photography while at the University of Michigan. Subjects include student protests and anti-war demonstrations in Ann Arbor, Poor Peoples March/Resurrection City in Washington, D.C., Democratic primary campaigns of Robert Kennedy, Eugene McCarthy and George Wallace, 1968 Democratic Party National Convention, 1969 Ann Arbor Blues Festival and a wide variety of campus activities. Cassidy digitized the images and created the printed catalogue in 2010.

The Jay Cassidy photograph collection covers Cassidy's student days at the University of Michigan (1967-1970). The collection consists of approximately 5000 original 35mm negatives and 4,882 digitized copies of the negatives. The images in the collection were taken while Cassidy was a photographer for the student publications The Michigan Daily and Michiganensian.

Cassidy took the original images on Kodak 35mm black and white film. The scanned images are black and white 5904 by 4000 resolution uncompressed tiff files. Cassidy catalogued each roll of film by subject and gave each frame a unique identifier, which is a combination of the category, date, roll number, and the scan number. The category abbreviations are as follows:

MD -- Assignments for the The Michigan Daily, 1968-1970

RFK -- Robert Kennedy Campaign, 1968

DNC --Democratic National Convention in Chicago, 1968

DC -- Inauguration and March on Washington, 1969

MNCN -- Photographs taken for Michiganensian, 1967-1968

Initially, the Bentley Historical Library asked Cassidy to consider donating a selection of the images he took from 1967 to 1970. Instead of selecting only a portion of images, however, Cassidy donated all of his negatives from 1967 to 1970. He digitally scanned the majority of the negatives. The bulk of these images have never been printed, and, according to Cassidy, were "barely examined by myself or another photo editor as we raced to get the daily paper out."[1] Only one or two of each sequence of photographs was used in The Michigan Daily. This collection, therefore, contains a series of images previously unavailable to researchers.

Cassidy's photographs for the campus yearbook, the Michiganensian, cover 1967 and 1968 and include images of homecoming parades, football, rugby, intramural sports, and campus groups such as Wyvern and Scabbard and Blade. He also photographed Engineering Council meetings discussing Vietnam War research and protests at a Dow Chemical Company stock holders meeting. Note: Most of the Michiganensian photos were not scanned and exist only as negatives.

His work for The Michigan Daily included diverse subjects. Among the most prominent were photographs of musical performances and visiting celebrities, politics, and campus unrest. Musical acts include concerts by Joan Baez, the Doors, MC5, Ramsey Lewis, Buffy Sainte Marie, and the 1969 Ann Arbor Blues Festival. A 1967 Johnny Carson Show at Hill Auditorium (negatives only) is covered as is an appearance by author Kurt Vonnegut at Canterbury House and film director Sam Fuller.

Off campus events photographed by Cassidy for The Michigan Daily include the 1968 Democratic National Convention in Chicago (including police intervention in street protests), Richard Nixon's inauguration, March on Washington, Resurrection City and the Poor People's Campaign in Washington, D. C., and 1968 political campaign stops in Indianapolis and Detroit by Robert F. Kennedy, George Wallace campaigning in Lansing, Eugene McCarthy in South Bend, Indiana, and a protest at Eastern Michigan University.

Other campus subjects include SDS meetings, the White Panther Party, Ann Arbor's police chief, a campus murder at University Towers, Welfare Mothers demonstration, the South University riot, the Ann Arbor Moratorium (Vietnam War protest), Army ROTC protests and a bombing of the campus ROTC building, a student rent strike, and Black Action Movement demonstrations.

The collection is organized as it was received. It consists of five series: Background Information, Digital Images, Original 35mm Camera Negatives, 1967-1970, Printed Catalogue of Digital Scans, 1967-1970, and Original 35mm Contact Sheets, 1967-1970. The strength of the collection lies in its documentation of student life and American politics in the late 1960s, an era of unrest on college campuses.

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Notes:

1. Jay Cassidy, Letter to Nancy Bartlett and Brian Williams, July 31, 2010, Jay Cassidy Photograph Collection, Box 1, Bentley Historical Library, University of Michigan.

The Paulding collection contains eleven heavily illustrated letters written from Chicago, Illinois by the teenaged artist-in-training, John Paulding, to his mother.

The Paulding collection contains eleven heavily illustrated letters written by the teenaged artist-in-training, John Paulding, to his mother between 1897 and 1899. The content of these brief letters is limited, but Paulding's light-hearted style and good nature make reading them enjoyable, and there are a few small barbs about his status as a bachelor in the city, and about the possibility that the art work he sends home might scandalize the small town in which his mother lives (Carthage, Mo.). "I can hang the pictures in my room," he wrote, "because I am a young bachelor and live in a city where such matters are not given criticism. You are situated differently" (1898 March 13).

The main interest in Paulding's letters, however, are the excellent pen and ink sketches that he uses to illustrate his experiences in the city. Each letter contains as many as half a dozen small sketches, ranging from humorous self portraits to views of the street outside his window, country roads, and humorous characters. As an illustrator, Paulding's style is strongly influenced by the popular magazine illustrators of the day, featuring strong, clean lines, and outstanding attention to detail and character.

The Pearce Atkinson papers contain correspondence between Atkinson and his parents, written primarily in the 1890s. The majority of the letters date from his time at Lehigh University and early engineering career with the Union Pacific Railway. These letters include descriptions of his college life and later railroad work in the mountains of Utah, Wyoming, and Colorado.

The Pearce Atkinson papers consist of 295 letters, primarily between Atkinson and his parents, written mostly in the 1890s. In several letters written to their father in 1879, a young Pearce and his brother Clarence told of their daily lives, and frequently mentioned their newborn brother Arthur. Most of the correspondence, however, dates from the time that Pearce entered Lehigh University in Bethlehem, Pennsylvania, and covers his collegiate years as well as his early career as a railroad engineer for the Union Pacific Railroad Company. While in Pennsylvania, he frequently wrote his parents about his coursework, financial situation, and social life, which often included visits to Philadelphia. His father sometimes sent him money, and occasionally offered advice on education and other topics; in one letter, he suggested five possible thesis topics, all related to railroads (March 18, [1888]). Additionally, several academic progress reports are interspersed among the letters (June 22, 1888, January 1889, et al.). After graduation, Atkinson wrote his parents from various locations in the western United States, and described his career and life while based in Salt Lake City, Utah; Cheyenne, Wyoming; Denver, Colorado; and several locations throughout California. Along with discussing his engineering work, he also wrote vivid descriptions of the local scenery and occasionally commented on politics. On May 30, 1894, he mentioned a group of Coxey's army members encamped near Denver, and he continued to report about strikers and additional unrest throughout June. Atkinson's final letters were written in early 1895, though his parents received a handful of later correspondence, including condolences for his death (July 19, 1898) and a letter from Charles Pollak, a family friend, regarding the death of Pollak's father (November 14, 1903). The ephemera item is a bloodstained handkerchief, labeled "Pearce Atkinson."