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An anonymous author dedicated this 44cm x 29cm volume, "A Missionary's Fate. A Prophecy," to Miss Minnie Jenks, in or after 1868. It includes seven pages of neatly written, rhyming, narrative poetry accompanied by five ink and watercolor illustrations. This xenophobic cautionary poem and illustrations trace a young woman's fatal transatlantic Christian missionary expedition. She departs the United States intending to convert and teach Assamese people, but she is instead transported to Africa where her solitary missionary efforts result in her murder and cannibalization. The illustrations include her seaside departure, the missionary standing on a stump and singing to (racist caricatures of) African men, cannibalism, African men trying on the woman's clothing, and a scene of grief back in the United States.

An anonymous author dedicated this 44cm x 29cm volume, "A Missionary's Fate. A Prophecy," to Miss Minnie Jenks, in or after 1868. It includes seven pages of neatly written, rhyming, narrative poetry accompanied by five ink and watercolor illustrations. This xenophobic cautionary poem and illustrations trace a young woman's fatal transatlantic Christian missionary expedition. She departs the United States intending to convert and teach Assamese people, but she is instead transported to Africa where her solitary missionary efforts result in her murder and cannibalization. The poem ends with her grief-stricken family members weeping and fainting back home, and a concluding moral.

The illustrations include a dock scene, with passengers boarding a ship, persons on the dock waving farewell, and sailors at work on deck. Another shows the missionary woman standing on a stump with a hymn book (sheet music for "In the Sweet Bye and Bye" visible) and singing to a group of African men. The artist portrayed them as racist caricatures, and the men are holding knives, testing their edges, and sharpening teeth with an iron file. The following image depicts the woman on the ground with the men eating or carrying off her bones and severed parts of her body. Next, the men are trying on the woman's clothing; a chief is wearing her bonnet and carrying her parasol and purse/bag, another man is putting on her shoes, and another wears her skirt. The concluding artwork is a parlor scene back in the United States, wherein family and friends received a postal parcel containing a piece of the missionary's dress, her hymn book, a lock of her hair, and a shoestring. The people are shown weeping into handkerchiefs, one of them fainted and one holding the lock of hair.

A transcription of the seventh, final page of the poem--and the moral of the tale--is: "Oh gentle maid, on good intent, / Who would in 'Missions' lead the van, / Take warning from this maid, who went / Afar to free from Ignorance' ban. / Do all the good that here you can / Where you may have a little ease; / 'Home Missions' try on some one man - / Or two or more, if so you please, - / But do not try the Asamese."

The HM Sloop Penguin collection contains watercolor illustrations, photographs, a crew member's letter, and a journal, all related to the British cruiser that was sunk by the American Navy, just after the end of the War of 1812.

The HM Sloop Penguin collection consists of 4 watercolor illustrations, 2 photographs, 1 letter, and one journal.

The Watercolor illustrations series contains four scenic views, presumably of St. Helena or Tristan da Acunha, tall ships in a small harbor, two distinct land masses, and a small settlement with fortifications.

The letter, dated February 18, 1815, is from a HM Sloop Penguin crew-member, writing to his sister, Mrs. Samuel Trigge, in Chelsea, England. The letter recounts many of the Penguin's movements as they search for an American privateer that had recently captured an English ship. The letter describes the Penguin's upcoming trip, which they did not complete, from the Cape of Good Hope to St. Helena, then on to the Island of Ascension and Tristan da Cunha, and finally back to the Cape of Good Hope. The letter describes the author's employment prospects and the possibility of returning to England, as well as his observations of life at the Cape of Good Hope.

The photographs are reproductions of a silhouette of a military man, presumably James Dickinson, and of a fine pen and ink drawing of a ship in a storm.

The journal has a monogram on the spine reading "S B." The volume's 81 pages (148 blank pages) document the Penguin's voyages from August 17, 1814-March 22, 1815. The author dutifully noted wind and weather conditions and often included important events on the ship and ashore. The journal's daily entries vary from a few lines to an entire page, and ends on March 22, just one day before the Penguin's capture.

In 1899 an unidentified artist created 21 pages of watercolor paintings of different North American birds accompanied by manuscript descriptions detailing the birds' habitat, size, coloration, distinctions between males and females, and the scale used to render the image. An additional two pages consist of a numbered diagram of a bird identifying various physiological components, with a close-up view of the beak.

In 1899 an unidentified artist created 21 pages of watercolor paintings of different North American birds accompanied by manuscript descriptions detailing the birds' habitat, size, coloration, distinctions between males and females, and the scale used to render the image. An additional two pages consist of a numbered diagram of a bird identifying various physiological components, with a close-up view of the beak.

• Horned Grebe
• Partridges
• Screech Owls
• Bee or King Birds
• Red Bird or Bobolink
• Red-Winged Blackbird
• Baltimore Oriole or Hang-Nest
• Crimson or Purple Finch
• Goldfinch or Salad Bird
• Chipping Sparrow
• Song Sparrow
• Vesper Sparrow
• Yellow Winged Sparrow
• English Sparrow
• Snow Bird
• Cardinal Bird
• Rose Breasted Grosbeak
• Indigo Bunting
• Scarlet Tanager
• Cedar Bird
• American Redstart
• Common Blue Bird
• Maryland Yellow Warbler
• Blue Jay

The pages were previously bound into a volume and most contain page numbers in the top left corner, revealing the loss of a number of pages.