Collections : [University of Michigan Bentley Historical Library]

University of Michigan professor of English (1964-1991), director of the Hopwood Program (1975-1988), USIA Special Ambassador to Germany (1972-1973), and esteemed literary critic. Papers (1943-2004) include extensive personal and professional correspondence, published and unpublished manuscripts and writings, notes and lecture materials for courses taught, USIA program materials and correspondence, topical files, photographs, and audio-visual recordings.

The John W. Aldridge Papers document the professional and personal life of one of the twentieth century's most distinguished literary critics, and a longtime University of Michigan professor of English. The records in this collection measure 14.4 linear feet, and date from 1943 to 2006, with the majority of the records from the period 1950 to 2000. They are primarily comprised of correspondence, lectures and addresses, teaching materials, writings and publications, research notes, clippings, program and topical files, and are arranged into nine series: Biographical Materials, Correspondence, Hopwood Awards Program, Lectures and Addresses, Scrapbooks, Teaching, USIA/Special Ambassador, Writings, and Audio-Visual Materials.

Professor of sociology, University of Michigan; correspondence and other papers concerning Angell's work with UNESCO, American Sociological Society, and International Sociological Association; papers concerning published books and articles; unpublished manuscripts of writings.

The Angell papers document the life and professional activities of a renowned sociologist and university teacher. The collection dates from 1923 to 1984 though the bulk of the papers fall within the period of the 1940s through the 1960s. The collection has been arranged into five series: Biographical information/autobiographical essays; Correspondence; Books, articles, and other writings; Organizational Affiliations; and Topical Files.

Professor of geology at the University of Michigan; Correspondence, journal, photographs, film and other materials relating to the University's 1926-1933 scientific expeditions to Greenland.

The Belknap collection consists primarily of material documenting the 1932 expedition to Greenland and the efforts to establish a memorial to Arctic explorer Admiral Richard E. Peary at Cape York, Greenland. The papers include correspondence, journal, photographs, other materials. Also included is a film of the 1926 voyage to Greenland. activities of the first expedition in Greenland.

Russell Bidlack was the first Dean of the School of Library Science at the University of Michigan, serving in that post from 1969 to 1984, as well as an author and historian. His papers reflect his interests in library science, local history, and genealogy.

The Bidlack papers consist of seven series: Correspondence, Personal Material, Class Notes, Miscellaneous Files, Writings, the John and Ann Allen Research files, and the Elisha and Mary Ann Rumsey Research Files.

William Bolcom (born 1938) is a composer and pianist. Joan Morris (born 1943) is a mezzo-soprano. They were both members of the University of Michigan School of Music faculty. Bolcom and Morris have given numerous performances since 1973. They have also recorded albums of classical and popular songs. Performance files include programs, itineraries, newspaper articles and reviews of each performance, and contracts. There are also files relating to the University of Michigan student production of Mina & Colossus as well as Barnum's Nightingale; original scores to Bolcom's compositions, including McTeague, Casino Paradise, and A View from the Bridge; topical files relating to awards, competitions, and other activities and interests; and physical and digital audiovisual materials.

The papers of William Bolcom and Joan Morris document Bolcom's work as a composer and performer as well as Bolcom's and Morris's collaboration in performing and recording American popular songs and classical music. There is also some material relating to their academic work at the University of Michigan, notably a 1988 production of a student opera, Mina & Colossus. The papers include programs, itineraries, and correspondence relating to performances, manuscript and published scores, topical files, audio and visual material (including sound recordings), and photographs.

Professor of Fine Arts at the University of Michigan and widely exhibited painter with studios in Pinckney, Michigan and Gloucester, Massachusetts. Collection includes digital still images, video files, and promotional materials related to Castagnacci's classroom instruction, his artwork, and his personal influences.

The Vincent Castagnacci collection documents Castagnacci's dual careers as an Professor of Fine Arts and a widely exhibited painter. Teaching materials (lecture notes, handouts, and readings) provide access to his four decades as an educator and are complemented by video footage of his classroom instruction. Digital reproductions of artwork and video of Castagnacci in his studio suggest the range and extent of his creative pursuits. Additional video footage of interviews and conversations with colleagues along with depictions of the natural environs of Gloucester, Massachusetts further contextualize Castagnacci's approach to education and art.

Chairman of the Center for Automotive Research (CAR) and previously Director of the University of Michigan’s Office of Automotive Transportation (OSAT). Collection documents Cole’s activities as the Director of OSAT and his consulting work.

The papers of David E. Cole document his activities as the Director of the Office for the Study of Transportation (OSAT) and his consulting work. This collection contains nine series: University of Michigan; Associations and Government; Company Files; Correspondence; Research; Speaking Engagements; Publications, Papers and Clippings; Topical Files; and Audio-Visual Material.

Gerontologist at the Institute of Gerontology of the University of Michigan, specializing in Alzheimer's Disease and the training and education of people working with the elderly. Professional papers, including correspondence, subject files, papers and reports, and files relating to workshops and symposia attended; Alzheimer's Disease research files; photographs; and other audio-visual materials.

The Dorothy H. Coons Papers comprise five series: Professional Papers (1936-1987); Alzheimer's Disease Research Project (1982-1986); Photographs (1966-1972);Audio-visual Materials (1976-1986); and Personal Papers (1999). The records cover the years 1936 to 1999, but the bulk of the material falls between 1970 and 1983. Within each series, files are arranged alphabetically by topic.

The Elizabeth C. Crosby collection consists of the personal and professional papers of a woman pioneer in the field of neuroanatomy. Crosby taught anatomy at the University of Michigan from 1920 to 1958 and authored many respected publications in the field of biology.

The Crosby collection consists of two separate acquisitions; Crosby's personal donation of correspondence, biographical and research materials in 1982 and Richard C. Schneider's donation of Crosby's manuscripts, photographs and audiovisual materials in 1994. Dr. Richard C. Schneider, a close friend and colleague of Crosby's, accumulated additional Crosby materials during his unsuccessful attempt to write a complete biography of Crosby; his unfinished manuscript is contained within the collection. The collection has been arranged into the following series: Biographical Materials, Correspondence, Biographical material (collected or researched), Awards and Honors, Manuscripts and Articles, Publishers, Research, Conferences, Lectures, Organizations, Photographs and Audiovisual Materials.

Performer and professor of modern dance at the University of Michigan. Collection contains subject files relating to Delanghe's activities as a choreographer, dancer, teacher and department chair. Collection also contains photographs and audiovisual material documenting productions with which Delanghe was involved.

The Gay Delanghe papers document a range of Delanghe's professional activities, with particular focus on choreography, teaching, and performing. The bulk of the records originate from the time of her graduation from the University of Michigan in 1965 through the first twenty years of her tenure in the University of Michigan Dance Department. There are few records from her childhood and college years, or from her late career. The records serve to illuminate her engagements as a dancer, and as a teacher, as well as the processes that went into her choreography and the staging of her work. In addition to this finding aid, a performance list exists which attempts to compile information on all of Delanghe's performances for which documentation exists in the collection. This list is available in Performance and Publicity series and upon request.

The collection is divided into ten series of materials relating to various aspects of the professional and artistic activities of Gay Delanghe. These series are: Biographical Materials, Choreography, Correspondence, Funding and Awards, Notebooks, Photographs, Programs and Publicity, Teaching, University of Michigan Department of Dance, and Audiovisual Materials.