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The Al Parker collection includes three envelopes of photographs, sheet music, and newspaper clippings as well as a scrapbook relating to the professional and personal life of Philadelphia-based photographer and photographic supplies salesman Alfred Parker.

The Al Parker collection includes three envelopes of photographs, sheet music, and newspaper clippings as well as a scrapbook relating to the professional and personal life of Philadelphia-based photographer and photographic supplies salesman Alfred Parker.

Envelope A (photographs): includes unmounted oval portraits of Parker’s children Eda and Ray from the early 1900s; studio portraits of Eda and his wife Alice from the 1910s, two of them from the Philadelphia studio of Gilbert and Bacon; an mounted school class photo (ca. 1890s?)

Envelope B (sheet music): includes three examples of World War I songs from the Eagle Publishing Company of Philadelphia with "music by Geo. L. Robertson and lyrics by Al. Parker."

Envelope C (letters, clippings, etc.): includes a letter appointing Dr. Ray Parker head of plastic surgery at a hospital in Johnstown, PA; a magazine article on “Flood Free Johnstown”; letters and clippings about Dr. Ray Parker; article on World War II factory workers; newspaper article on Theodore Roosevelt urging U.S. entry into World War I; and a note from Christmas 1926 from Parker’s grandson Donald addressed to “Ganco."

Scrapbook: The volume (37 x 28) is cloth-bound and has 66 pages total. Materials are not arranged in any chronological or thematic order and so unrelated items often appear together on the same page.

The album begins with photographs of Parker’s family members while the next few pages focus on scenes from his professional life, including a magazine cover from April 1900 and documentation of his break with Willis & Clements in 1910. Portraits of Parker at every stage of his life appear throughout the scrapbook, though not in any chronological order. The earliest is a tintype from the 1850s that shows him as a young boy with his brothers. Many portraits and casual snapshots of Parker's daughter Eda and son Ray from their early childhood into adulthood are included, while a collection of clippings reflects Parker’s pride in Ray's success as a doctor. His delight in playing the doting grandfather is clear from the drawings Parker made for Eda’s son Donald and in the notes that Donald wrote to Parker using the nickname “Ganco.”

A handful of portraits that were taken by Parker show that he was a capable studio photographer in addition to being a successful promoter of platinum photography products while working for Willis & Clements. Requests for his opinions from Eastman Kodak Company, Photo Era magazine, and the Photographers’ Association of New England testify to his recognized expertise. Numerous portraits of Parker in the company of other well-regarded photographers of the day confirm his acceptance in that professional circle.

Many ephemeral items also help illuminate the arc of Parker's career including programs from his minstrel show days; an advertisement for his Australian window blind company; the initial offer of employment from Willis and Clements; business cards from various stages of his career; and an ad for a new camera shutter he invented. Interspersed amongst these items are letters and photographs from various colleagues and employers along with miscellaneous poems, cartoons, programs, drawings, song lyrics, newspaper clippings, and so on.

Professor of Speech at the University of Michigan and active participant in local, national, and university theater. The collection includes correspondence, press, and programs and photos documenting various theatrical productions.

This collection documents Claribel Baird Halstead’s life as an educator, theatrical director, and actress. It provides insight into the development and history of theater at the University of Michigan and into Claribel’s specific contributions. The collection is divided into five series: Personal Papers, Professional Papers, Audiovisual Materials, Theater Programs, and Published plays.

Materials relating to the career of Dan Moses Schreier, a sound designer and composer a variey of New York theatre productions. Included are sound "bibles," scripts with sound cues, musical scores, miscellaneous ephemera related to productions, and CDs, Zip drives, and hard drives containing scores and sounds from Schreier's works.

The Papers Series consists of materials related to sound design, composition, and the production of plays and musicals Schreier worked on throughout his career. Many of these materials were originally in binders; those materials were rehoused, with all titles and labels transcribed and/or included in the folders. Materials are arranged in order of project and production date.

The Audiovisual Materials Series consists of CDs, floppy disks, and hard drives. These contain scores, sound palettes, and samples Schreier has used for productions, including some productions not represented in the paper materials. Materials are arranged in order of project and production date. Materials relating to personal projects, or else not affiliated with specific projects are located at the end of the series.

The Epherma Series contains a single playbill and guest pass, from 1994 and 2002, respectively.

This collection contains correspondence and other items related to Lieutenant Henry Fiore and his wife, Bonnie Irvine Fiore. Henry Fiore received letters, greeting cards, and other correspondence while serving in the United States Army during World War II, including Bonnie's letters about life in New York City while he was away.

This collection contains 25 letters, 2 greeting cards, 1 telegram, 1 poem, and 1 theater program related to Lieutenant Henry Fiore, who served in the United States Army during World War II, and to his wife Bonnie. Bonnie wrote Henry 17 letters between December [10], 1941, and July 7, 1944, about her life in New York, her loneliness during his absence, and her desire to hasten his return. She reported her attempts to convince army officials and Red Cross representatives of her financial dependence on her husband and expressed her fear that accepting government aid would give the impression that Henry was not needed at home. She consistently shared her love for Henry and often kissed her letters, leaving marks with her lipstick; her letter of December 12, 1941, has a drawing of a pair of lips. Bonnie's 3 later letters, written in June and July 1944, pertain to her job and female coworkers. In her letter of February 25, 1942, she enclosed a short poem clipped from a newspaper, and her letter of June 11, 1944, contains 3 photographs. Henry sent Bonnie 1 letter during their courtship (August 12, 1937) and 1 letter and 1 card during his military service. In his letter of December 6, 1946, he justified his decision to reenlist. An undated card refers to a present that he purchased for her.

Henry Fiore received 2 letters from his sisters Helen and Viola, who discussed their social lives and provided family news, and a formal letter from attorney E. B. Reiter, regarding money Henry owed on a recently purchased car (June 23, 1942). Six additional items are 2 holiday greeting cards, a telegram, a letter of recommendation for Bonnie Fiore, a printed program from a "Tropical Revue" at the Martin Beck Theatre, and a partial manuscript poem addressed to L. L. Lewis of Hoboken, New Jersey.

The H. Merriman European travel photograph album contains 42 commercially produced views of landmarks in England, France, Germany, and Switzerland as well as six theater tickets, 18 theater programs, 39 tourist attraction or transportation tickets, 26 receipts, and two newspaper clippings.

The H. Merriman European travel photograph album contains 42 views of landmarks in England, France, Germany, and Switzerland as well as six theater tickets, 18 theater programs, 39 tourist attraction or transportation tickets, 26 receipts, and two newspaper clippings.

The album (32 x 24 cm) has marbled paper covers. The majority of photographs in the album consist of commercially produced images of European tourist destinations. In order of appearance the cities represented include London, Brussels, Cologne, Mainz, Frankfort, Hamburg, Heidelberg, Baden-Baden, Zurich, Lucerne, Interlochen, Berne, St. Gotthard, Chamonix, Geneva, Lausanne, Paris, Amiens, Canterbury, and Liverpool. Also present throughout the album are theater programs and tickets for a range of performances from the Royal Lyceum's King Henry the Eighth to vaudeville at the Empire Theatre of Varieties. Of additional note are tops of hotel bills and tickets from means of transportation such as the London Underground and Berner Tramway.

Holly Fine was a dancer and performer with the traveling vaudeville production, the Marcus Show, in the 1930s. The collection documents Fine’s relationship with entertainer Danny Kaye, as well as the Marcus Show itself. Includes correspondence, vaudeville programs and promotional material, photographs, scrapbooks, printed material and drawings. The correspondence includes approximately 0.5 linear feet of letters written from Kaye to Fine.

The Holly Fine and Danny Kaye Papers document the relationship between Fine and Kaye, as well as the 1930s traveling vaudeville production, The Marcus Show. The papers have been divided into six series: Correspondence, Vaudeville, Printed Material, Photographs, Scrapbooks, and Drawings and Artwork.

Martin Pakledinaz was a two time Tony award winning costume designer for stage and film. The collection includes costume, figural, and set design sketches, correspondence, photographs, posters, programs, and publications reflecting his work as a student at Wayne State University and the University of Michigan. The collection also includes a small portion of materials from the early stages of his professional career.

The records within this collection highlight Tony award winning costume designer Martin Pakledinaz' academic career as a student within Wayne State University's Department of Theatre and the University of Michigan's School of Music, Theatre, and Dance during the early to mid-1970's. The collection subsequently incorporates a small portion of his sketches as a burgeoning costume designer in New York from 1977 to 1978.