Collections : [University of Michigan Bentley Historical Library]

Michigan Theater Foundation was formed in 1979 when it purchased the Michigan Theater in Ann Arbor, Mich., a historic landmark built in 1928 and restored by the fundraising efforts of the Foundation. The record group comprises administrative records, including files of the Executive Director, Board of Trustees and administrative committees; grant proposals, materials related to fundraising, theater restoration, renovation, and membership campaigns; descriptions of programs, series, and individual events taken place at the theater; publicity photographs, audio- and video (VHS) recordings, and outsize posters and calendars of events.

The records date to the period of the Michigan Theater Foundation's intensive fundraising campaign to preserve the Michigan Theater and the first 15 years of its life after the theater reopened its doors in 1986.

Author and political consultant from Charlotte, Michigan who wrote a book on the Milo Radulovich Case; records include interviews, correspondence, newspaper clippings, Radulovich military records, research notes, and documentation relating to the writing and publication of To Strike at a King: The Turning Point in the McCarthy Witch-Hunt.

The collection consists of six series: Milo Radulovich Research materials, Writing and Publicity, Later Milo Radulovich materials, Other articles, Video materials, Sound materials, and Posters. The collection's strength lies in Ranville's interviews with Milo, his sister, and other's involved in Radulovich's Air Force Security Hearing, as well as in the other accumulated research materials.

Research materials used by Laurie Palazzolo in writing of her book Horn Man: the Polish-American Musician in Twentieth-Century Detroit (Detroit, Mich.: American-Polish Music Society, 2003). The collection sheds light on the history of 20th century Polish-American musical landscape of greater Detroit.

The collection documents the history and repertoire of Polish folk music bands in the greater Detroit area as well as professional careers of musicians. The records date primarily from the 1940's until 1980s. Materials dated 1990s-2000s are primarily transcripts of interviews taken by Gomulka Palazzolo. Records include correspondence, business contracts, performance schedules and programs, sheet music, scanned copies of photographs, copies of Keynote magazine, biographical information and interviews of musicians, performance advertisements, and recordings. The records are arranged into five series as follows: Research files, Detroit Federation of Musicians, Sheet music, Sound recordings, and Visual materials.

John and Leni Sinclair were leaders of the counterculture movement in Michigan, organizers of radical social, political, and cultural endeavors primarily in the areas of music, poetry, graphic design, and community welfare projects. Papers and photographs (1957-1979) relating to all phases of their careers, including participation in the Artists' Workshop in Detroit, the Rainbow Multi-Media Corporation, the White Panther Party and its offshoot, the Rainbow Peoples Party; also materials concerning the legalization of marijuana, radical politics, and prison reform. Also material, 1979-2000, relating to John Sinclair's work as a writer, performer, radio show host and music promoter.

The John Sinclair papers came to the library in 1979. Jointly donated by John and Leni Sinclair, this initial accession, covering the period 1957-1979, included textual material, sound recordings, and photographs relating to all phases of their careers, including participation in the Artists' Workshop in Detroit, the Rainbow Multi-Media Corporation, the White Panther Party and its offshoot, the Rainbow Peoples Party; also materials concerning the legalization of marijuana, radical politics, prison reform, and rock and jazz music.

The Sinclair papers provide a rich and unique source for the study of America's radical movement in the nineteen sixties and seventies. Beginning with a remarkable series of correspondence that includes letters from Abbie Hoffman, Allen Ginsberg, Timothy Leary, and Jerry Rubin, and continuing on through extensive subject files, the collection details the cultural, political and business activities of a man whose energy and charisma made him a local and national leader of the counterculture. In addition, the collection documents the support and creativity of his wife and partner, who as writer, photographer and publicist helped to showcase the lifestyle which he symbolized.

Throughout the 1980s and 1990s, John Sinclair added to his papers with materials relating to his career as a writer and performer. In the winter of 2000, he donated a second large accession relating mainly to the period since leaving Detroit for New Orleans.

The Sinclair collection has been divided into four subgroups: Textual Files, Printed Material, Sound Recordings, and Visual Material.

Hugh "Jeep" Holland was the founder of the A-Square Record label in Ann Arbor in 1967, and consequently became an integral part of the southeast Michigan music scene in the late 1960s and early 1970s. The collection documents, in papers, photographs and sound recordings, Jeep's personal life, interests, and career.

The Jeep Holland papers date from his youth in the late 1940s up to his death in 1998, and document his personal life, his education, and his career, particularly the record label and production company he founded, A-Square Records. The collection is comprised of the following series: Administrative, Artist Files, Personal Files, Realia, Sound Recordings, and Visual.

Berkley, Michigan insurance executive, poet and composer, and active alumnus of the University of Michigan; contain papers relating to activities of the class of 1911, to his involvement in the University of Michigan Club of Detroit, and to his interest in Michigan football, especially the career of coach Fielding H. Yost; also scrapbooks, and manuscripts of poetry and song lyrics.

The papers of J. Fred Lawton contain material relating to activities of the class of 1911, to his involvement in the University of Michigan Club of Detroit, and to his interest in Michigan football, especially the career of coach Fielding H. Yost; also scrapbooks, and manuscripts of poetry and song lyrics. The collection has been arranged into the following series: Correspondence; Poetry, musical compositions, and other writings; University of Michigan Class of 1911; University of Michigan Club of Detroit; Topical files; Photographs; Scrapbooks; and Sound Recordings.

University of Michigan group established in 1946 devoted to production of Gilbert and Sullivan operettas. Records include production files with programs, photographs, reviews and newspaper clippings, and scattered production notes and memoranda; topical files relating to the Society, its friends organization, and its publication; slides of productions; Society newsletter, "Gasbag"; posters; phonorecords, tapes, and videos of productions.

The records of UMGASS have been divided into ten series: Slides, Topical Files, Production Files, Posters, Memorabilia Volumes, Magnetic Tape Recordings, Sound Recordings, Audiotapes, Videotapes, and Scrapbooks. Because materials on one production can include photographs, scrapbooks, recordings, or slides- all of which live within different boxes of the collection -- a directory has been compiled in the Production Files series. The directory lists the year and title of the UMGASS production for which the library has materials and a lettered key exists that denotes the physical existence and location of materials within the collection.

Michigan-born lawyer, judge, politician and diplomat, served as Detroit Recorder's Court Judge, Mayor of Detroit, Governor General of the Philippines, Governor of Michigan, U. S. Attorney General and U.S. Supreme Court Justice. Papers include extensive correspondence, subject files, Supreme court case files, scrapbooks, photographs, newsreels and audio recordings, and other material.

The Frank Murphy Collection documents in detail the life and career of one of Michigan's most distinguished public servants. Through correspondence, subject files, scrapbooks, visual materials, and other documentation, the collection traces Murphy's life from his years as Detroit judge, later Mayor, to his service in the Philippines, his tenure as governor, his stint as U.S. Attorney General, and culminating in his final years as U.S. Supreme Court Justice.

The Frank Murphy Collection consists of eight series: Correspondence, Other Papers, Supreme Court Case Files, Speech File, Speech Material, Miscellaneous, Visual Material, and Newsclippings/Scrapbooks.

Physician involved with peace organizations, notably Physicians for Social Responsibility, an organization opposed to nuclear weapons testing and the construction of nuclear power plants. Files relating to activities with the Physicians for Social Responsibility - Detroit, and with the Episcopal Peace Fellowship.

The Felix J. Rogers papers document Rogers' activities in local peace movements from the 1980s until 2005. The collection has been divided into four series of material which document aspects of Rogers' personal life and the three peace organizations with which Rogers was most closely associated: Physicians for Social Responsibility-Detroit, the Episcopal Peace Fellowship, and the Cranbrook Peace Foundation.

University of Michigan student organization founded to promote interest in jazz through concert and lecture series. Audio-tapes of lectures, photographs, posters, announcements of concerts, newsletters, grant files, and scattered correspondence.

The Eclipse Jazz records include photographs, sound records of the various lectures and concerts, posters and flyer notices of concerts, and miscellaneous administrative materials, such as grant applications, correspondence, and newsletters of their activities.