Collections

University of Michigan group established in 1946 devoted to production of Gilbert and Sullivan operettas. Records include production files with programs, photographs, reviews and newspaper clippings, and scattered production notes and memoranda; topical files relating to the Society, its friends organization, and its publication; slides of productions; Society newsletter, "Gasbag"; posters; phonorecords, tapes, and videos of productions.

The records of UMGASS have been divided into ten series: Slides, Topical Files, Production Files, Posters, Memorabilia Volumes, Magnetic Tape Recordings, Sound Recordings, Audiotapes, Videotapes, and Scrapbooks. Because materials on one production can include photographs, scrapbooks, recordings, or slides- all of which live within different boxes of the collection -- a directory has been compiled in the Production Files series. The directory lists the year and title of the UMGASS production for which the library has materials and a lettered key exists that denotes the physical existence and location of materials within the collection.

Hugh "Jeep" Holland was the founder of the A-Square Record label in Ann Arbor in 1967, and consequently became an integral part of the southeast Michigan music scene in the late 1960s and early 1970s. The collection documents, in papers, photographs and sound recordings, Jeep's personal life, interests, and career.

The Jeep Holland papers date from his youth in the late 1940s up to his death in 1998, and document his personal life, his education, and his career, particularly the record label and production company he founded, A-Square Records. The collection is comprised of the following series: Administrative, Artist Files, Personal Files, Realia, Sound Recordings, and Visual.

William Albright--organist, composer, and University of Michigan faculty member--was born in Indiana in 1944 and died in 1998. Albright earned three music composition degrees from the University of Michigan before becoming a member of the composition faculty at the U. of M. School of Music. Albright is probably best known for his piano and organ performance. He helped to bring about a revival of ragtime, and sought inclusion of ragtime and other types of popular music in many of his compositions. He composed for many single instruments--especially the organ--and ensembles, and for orchestra. He also composed hymns, and was the music director for the First Unitarian Universalist Church of Ann Arbor, Michigan. He studied composition with Ross Lee Finney, George Rochberg, and Olivier Messiaen, among others, at Michigan and at summer workshops, and organ with Marilyn Mason. The collection includes biographical materials, correspondence, programs, professional files, University of Michigan School of Music files, and scores and recordings of William Albright works (including notes, sketches, and manuscripts) and works by his friends, students, and teachers.

The William Hugh Albright Papers consist of 77 boxes of musical scores, recordings, and textual documents such as correspondence and lecture notes. Albright's extensive collection of scores and recordings by his friends, students, and mentors is also included. His own works are represented by recordings, original handwritten scores and published versions, and by penciled notes and sketches. The William Hugh Albright Papers are divided into ten series: Photographs, Biographical Materials, Correspondence, Programs, Professional Files, School of Music, The Magic City, Scores, Recordings, and Videocassettes.