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The Edward R. Mullin, USS Albany in Asia photograph albums consist of three volumes containing images and ephemera that document an American sailor’s experiences aboard a US Navy ship in the Asiatic Fleet from 1919 to 1920.

The Edward R. Mullin, USS Albany in Asia photograph albums consist of three volumes containing images and ephemera that document an American sailor’s experiences aboard a US Navy ship in the Asiatic Fleet from 1919 to 1920.

Volume A: This album (14.5 x 21 cm) contains photographs of scenes in Panama, Hawaii, Japan, Russia, China, California, and the Philippines that mostly depict the USS Albany, American soldiers and sailors, local citizens, and tourist scenes. Numerous ephemeral items compiled by Edward R. Mullin (the album’s creator) from various foreign places are also present, including tickets, stamps, bank notes, and an Asahi beer label. Of note is a “familiar phrases” card for translating English to Japanese. On the inside back cover of the album a handwritten log lists arrivals and departures of the USS Albany, while a typescript description of a military takeover of Vladivostok, Russia, is also included.

Volume B: This album (18 x 26 cm) contains photographs of scenes in Russia and China. Images show American soldiers and sailors exploring sites and interacting with local citizens as well as natural scenery and architecture. Of note are photographs of the Great Wall and the Forbidden City in China. Some photos have handwritten captions that identify locations and/or persons pictured

Volume C: This album (20.5 x 29 cm) contains photographs of scenes in Russia, the Philippines, Panama, Japan, China, Hawaii, and California. Of note are photographs of the Panama Canal and some images showing the compiler of the album, Edward R. Mullin. Many photos have handwritten captions. Also present are various types of ephemera including a beer label, tickets, and a fabric poppy flower, as well as a photocopy of Mullin’s service record, a large portrait of the USS Albany in Shanghai, China, and a loose photo of the USS Albany in Vladivostok.

Seaman James R. Sturn kept this diary while serving onboard the destroyer Moale in the Pacific Theater during World War II. Sturn commented on sea life, reported the ship's movements, and described his experiences in multiple naval engagements.

Seaman James R. Sturn kept this diary (172 pages) while serving onboard the Moale in the Pacific Theater during World War II. Sturn commented on sea life, reported the ship's movements, and described his experiences in multiple naval engagements.

Before commencing regular diary entries, Sturn recapitulated his experiences in the United States Navy between March 1943 and November 1944. From around November 3, 1944-August 4, 1945, he wrote about daily life on the Moale, which was stationed in the Philippines, near various Japanese islands, and in Hawaii. Sturn noted the ship's movements, listed other ships in the Moale's task force, and reported news of sunken ships and battles. He witnessed kamikaze attacks and described the ship's engagements, which included action in Leyte Harbor, the Battle of Ormoc Bay, the invasion of Mindoro Island, the invasion of Luzon, and bombardment operations. Other entries pertain to Sturn's leisure activities and drinking habits at Ulithi Atoll and Pearl Harbor, where the Moale went for repairs in early 1945. After returning to the Pacific, the destroyer assisted with minesweeping and antiaircraft efforts around Okinawa and other Japanese islands.

Newspaper clippings and parts of the Moale's newsletter are pasted into the diary. Most reflect the Pacific Fleet's progress; one is an article by Ernie Pyle, and one has a drawing of male and female mermaids. Sturn pasted the Moale's daily orders from April 13, 1945, and May 13, 1945 into the volume's endpaper and first pages. Five unlabeled snapshots of a United States sailor and a note about Sturn's genealogy are laid into the volume.