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Collection

John H. Griffith collection, 1942-1972 (majority within 1942-1945, 1951-1952)

1.5 linear feet

The John H. Griffith collection contains letters and documents pertaining to Griffith's time as a surgical technician in the United States Army during World War II and to his life in Bologna, Italy, as a Rotary Fellow from 1951-1952. Much of the collection consists of Griffith's wartime correspondence with his parents.

The John H. Griffith collection contains letters and documents pertaining to Griffith's time as a surgical technician in the United States Army during World War II and to his life in Bologna, Italy, as a Rotary Fellow from 1951-1952. Much of the collection consists of Griffith's wartime correspondence with his parents.

The Correspondence series (344 items) relates to Griffith's life in Ann Arbor before the war, his service in the United States Army Medical Department, and his experiences in Europe as a research fellow in Bologna, Italy. Griffith addressed the majority of his correspondence to his parents, Leon and Amelia Griffith of Vicksburg, Michigan; Griffith also wrote to his younger siblings, Richard ("Dick") and Helen. His earliest letters document his life as a freshman at the University of Michigan. One letter contains newspaper clippings pertaining to a convoy trip taken by a University of Michigan student (December 6, 1942); several letters to Griffith's father from the university offer congratulations on Griffith's academic record.

After he was drafted in 1944, Griffith wrote to his parents about army life, documenting his service at Camp Bowie in Texas; Lawson General Hospital in Atlanta, Georgia; and Moore General Hospital in Swannanoa, North Carolina. Enclosures include newsletters from Camp Bowie (April 29, 1944; May 6, 1944) and an "Organization Day" flyer from Lawson General Hospital (July 2, 1944); one letter contains a diagram of a battlefield (June 8, 1944).

Griffith remained in the United States with the 86th Evacuation Hospital and the 134th Evacuation Hospital until the latter was deployed overseas in January 1945. His later letters, some of which have been censored, pertain to army life during the closing stages of combat in the European Theater. Griffith described postwar Germany and "the constant dribble of slave laborers leaving the Reich" (April 20, 1945). He wrote 1 letter to his grandfather in German, remarking on the beauty of the German countryside (April 28, 1945).

After the war, Griffith returned to the United States; he resumed his correspondence in August 1951, when he related his experiences traveling throughout Europe and living in Bologna, Italy. The collection also contains 2 letters in German to Leon and Amelia Griffith from a relative, "Uncle Chris," in Genkingen, Germany, whom Griffith visited during his travels abroad (December 27, 1951; January 14, 1952).

The Documents series (18 items) contains items related to Griffith's education and World War II service, including a notebook and a certificate for successful course completion at the United States Army Surgical Technician School, Griffith's curriculum vitae, report cards from his elementary and high school studies, and a war ration booklet.

The Photographs series (100 items) contains portraits and landscapes shot in Europe during the war and during the early 1950s. Most items are labeled, and include scenes from postwar Germany.

The Printed Materials series (24 items) contains clippings of Ernie Pyle columns from a Michigan newspaper as well as clippings mentioning Griffith's university scholarship; a copy of The Daily American (November 27, 1951); 2 books for American soldiers, including an "overseas edition" of James Thurber's My World--And Welcome To It; and a program from graduation exercises for the Army's School for Medical Department Technicians.

The Artifacts series contains 2 World War II Army patches, 1 WWII blue star service flag, and a flashlight.

Collection

Olney Family Photograph Albums, ca. 1895-1910

approximately 222 photographs in 4 albums

The Olney family photograph albums consist of a four-volume set containing approximately 222 photographs depicting family, friends, and neighbors of Clyde Charles Olney, a photographer and bookkeeper based in Columbiaville, Michigan, and Chicago, Illinois.

The Olney family photograph albums consist of a four-volume set containing approximately 222 photographs depicting family, friends, and neighbors of Clyde Charles Olney, a photographer and bookkeeper based in Columbiaville, Michigan, and Chicago, Illinois.

Volume one (14.5 x 20 cm) has black cloth covers and contains 30 snapshots. Images of note include views of the Tug River Coal & Coke Co. in West Virginia, the Columbiaville Band in uniform, the interior of a men’s winter camp, and two women dressed as men.

Volume two (15 x 21 cm) has black cloth covers and contains 94 snapshots. Images of note include views of a parade in Neenah, Wisconsin, a farm and hotel in Columbiaville, the interior of a house in Chicago, and a humorous staged scene of two men waking up in a brass bed together. Several family members on both the Raymond and the Olney sides are identified in a number of photographs, including one of Clyde Olney’s mother Belle. Also present are pictures of "High Steppin' Hallie" dancing in a plaid dress, Clyde Olney playing what appears to be a banjo, and "Dad" Charles Olney.

Volume three (14.5 x 19 cm) has black cloth covers and contains 45 snapshots. Images mainly show Olney’s wife Augustha (aka “Muddy”) and their daughter Mary as an infant in Chicago. Several pictures of Clyde, Muddy, and Mary together are included as well as some that show "Grandma" and Daisy Olney. The album ends with photographs of "Grandpa, Grandma Olney, Mary and Muddy" as well as Hallie Olney in Ann Arbor, Michigan.

Volume four (14.5 x 19.5 cm) has black cloth covers and contains 53 snapshots. Images of interest include pictures of Daisy and Hallie Olney in front of a piano around 1895, an older looking Daisy in front of a different piano, a Columbiaville-based photographer named William J. Leisaw eating watermelon, and another photograph of the Columbiaville Band in which each person is identified and labeled (including Charles Vermilya, younger brother of Clyde’s mentor photographer Albert L. Vermilya.)