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The American Council for Southern Asian Art (ACSAA) Slide Distribution Collection produced color slides of Southern Asian art and architecture for teaching art history. The ACSAA Color Slide Distribution Project created and distributed 166 sets of original and duplicate 35 mm slides between 1974 and 2006. The VRC holds copies of approximately 148 of these sets.

The American Council for Southern Asian Art (ACSAA) Slide Distribution Collection produced color slides of Southern Asian art and architecture for teaching art history. The ACSAA Color Distribution Project created and distributed 166 sets of original and duplicate 35 mm slides between 1974 and 2006. The VRC holds copies of approximately 148 of these complete sets. The sets contain about 100 slides each, with a total of more than 14,800 slides. The sets highlight various types of art, including Buddhist, Hindu, Jain, Mughal, Himalayan, Baroque, Sri Lankan, and Southeast Asian. ACSAA and the University of Michigan partnered with ArtStor and approximately 12,000 images are now available online. Additional images are available through the VRC, as well.

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The Ağa-Oğlu collection is comprised of approximately 42 glass lantern slides and 648 slides, which depict Islamic and pre-Islamic art and architecture of the Middle East, Persia, the Caucasus, Western Asia, North Africa, and Southern Spain. The collection was compiled by Professor Mehmet Ağa-Oğlu and Professor Grabar during the 1930's.

The Mehmet Ağa-Oğlu Collection contains 42 4 x 5 glass lantern slides and 648 slides compiled by Professor Mehmet Ağa-Oğlu and Oleg Grabar. The glass lantern slides depict images of pre-Islamic and Islamic architecture and material culture. The buildings (mosques, tombs, fortresses, domestic spaces) and objects (illuminated manuscripts, metalware, glassware) represent a vast geographical range from the Middle East, Persia, the Caucasus, Western Asia, North Africa, and Southern Spain. The 648 slides contain original field photographs, official museum photographs, and photographs of printed reproductions published in scholarly texts. This collection offers insights into the early state of the field of Islamic art and therefore is of particular interest to specialists concerned with issues of historiography. Likewise, scholars interested in studying monuments over time will find these photographic images useful.