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The Ağa-Oğlu collection is comprised of approximately 42 glass lantern slides and 648 slides, which depict Islamic and pre-Islamic art and architecture of the Middle East, Persia, the Caucasus, Western Asia, North Africa, and Southern Spain. The collection was compiled by Professor Mehmet Ağa-Oğlu and Professor Grabar during the 1930's.

The Mehmet Ağa-Oğlu Collection contains 42 4 x 5 glass lantern slides and 648 slides compiled by Professor Mehmet Ağa-Oğlu and Oleg Grabar. The glass lantern slides depict images of pre-Islamic and Islamic architecture and material culture. The buildings (mosques, tombs, fortresses, domestic spaces) and objects (illuminated manuscripts, metalware, glassware) represent a vast geographical range from the Middle East, Persia, the Caucasus, Western Asia, North Africa, and Southern Spain. The 648 slides contain original field photographs, official museum photographs, and photographs of printed reproductions published in scholarly texts. This collection offers insights into the early state of the field of Islamic art and therefore is of particular interest to specialists concerned with issues of historiography. Likewise, scholars interested in studying monuments over time will find these photographic images useful.

University of Michigan graduate (BFA '74, MA '76, and Ph.D. '88) and artist, art historian, and educator with an emphasis in Latino art. Materials include artwork as well as research, teaching, and professional topical files.

The George Vargas papers present a look at the interests, work, and activities of artist and historian George Vargas. The material is dated from approximately 1933-2016 and includes topical files, artwork, and correspondence.

The strength of the collection is found in the numerous lectures written by Vargas, which reveal the depth of his research, the original artwork, and the broader view of multi-cultural and, particularly, Latino art activities in Michigan. Also of note are his extensive files of artists that were of interest to him as well as his own papers and publications.

The researcher should note that many items in the collection overlap various series. As a result, researchers should—in addition to reviewing multiple series—be sure to look for the "see also" notes that help identify some of these overlaps.

Resident of Grand Rapids, Michigan, delegate to the Michigan Constitutional Convention (1961-1962), chairwoman of the Michigan State Advisory Committee to the U.S. Commission on Civil Rights, and member of the Michigan Civil Service Commission. Correspondence and topical files relating to her public activities; also materials concerning her interest in site planning for a Kent County airport; and photographs.

Except for some personal and genealogical studies, the Judd papers have been arranged into series accumulated as a result of specific interests and activities. These series include Michigan State Advisory Committee to the United States Commission on Civil Rights; Michigan Civil Service Commission; Michigan Constitutional Convention; Kent County Airport Site Planning; and Grand Rapids Politics and Reform.

Jerald terHorst was a political reporter for the Detroit News and served as President Ford's first press secretary, before resigning in protest of the pardon of Richard Nixon. He also wrote a biography Gerald Ford and a history of Air Force One. The collection includes correspondence, speeches, newspaper articles by terHorst and about him, audiotapes, and video documenting his role in the Gerald Ford administration and his later literary and public career.

The Jerald F. terHorst papers consist of clippings, correspondence, speeches, audiotapes, and video related to terHorst, Detroit News reporter and President Gerald Ford's press secretary. Topics in this collection include his early life (particularly as a member of the Marine Corps), his work as a member of the Detroit News and White House, and other efforts (such as producing documentaries) that occurred after officially resigning as President Ford's press secretary in 1974.

Detroit, Michigan, architect; 1934 graduate of the University of Michigan. Biographical material and descriptions of his architectural work, including photographs; also photographs taken during World War II and report of U.S. Strategic Bombing Survey on Wake Island, Marshall Islands, and Rabaul, New Britain.

A large part of this collection is made up of black and white slides taken during World War II in the South Pacific and color slides taken in 1945 and 1946 during the Strategic Bombing Survey of Wake Island, the Marshall Islands, and Rabaul, New Britain. The collection does not include any information as to whether Gabler was the actual photographer. The slides are identified by a topical code system, which is deciphered as much as possible in this finding aid. Some of the slides are mounted in cardboard mounts and are stored in folders, the rest in glass and metal mounts and stored in a metal box. The finding aid indicates the locations for each topical code.

The book The Allied Campaigns Against Wake Island, the Marshall Islands and Rabaul, New Britain: A Photographic Record, included with the collection, parallels the topics of the slides taken during the Strategic Bombing Survey, but does not duplicate any of the pictures in the slide files.

The Southeast Asian Art Archive is composed of seven collections, including the Southeast Asia Art Foundation Archive (SAAF), the Breezewood Collection, the Ajanta Caves Collection, the Walter Spink Indian Caves Collection, the Walter Spink Collection, the Borobudur Collection, and the American Council for Southeast Asian Art (ACSAA) Collection. The collection contains photographs and slides of Southeast Asian monuments, sculptures, Indian rock-cut architecture, and more.

The Southeast Asian Art Archive is composed of seven smaller collections, including the Southeast Asia Art Foundation Archive, the Breezewood Collection, the Ajanta Caves Collection, the Walter Spink Indian Caves Collection, the Walter Spink Collection, the Borobudur Collection, and the American Council for Southeast Asian Art Collection (ACSAA). The Southeast Asia Art Foundation Archive contains photographs, collected by John Adams Thierry, that document sculptures, monuments, and archaeological sites in Cambodia, Java, and Thailand. Many of these sculptures and monuments were vandalized, damaged, insensitively restored, or destroyed. The Breezewood Collection focuses on the art and architecture of Thailand, but also includes examples of sculptures, decorative arts, ceramics, and paintings from Burma, Cambodia, India, and Indonesia. The Ajanta Caves Collection contains the research work of Walter Spink and photographically documents 29 of the 31 rock-cut caves. The photographs range from panoramic views of the Ajanta complex to detailed photographs of the façades, porches, courts, shrines, and interiors. The Walter Spink Indian Caves Collection further documents the research of Walter Spink by looking at rock-cut architecture of other caves throughout India, including Aurangabad, Badami, Bagh, Bedse, Bhaja, Elephanta, Ellora, Kanheri, and others. The Walter Spink Collection contains additional research of the rock-cut architecture of temples, shrines, and monuments throughout India. The Borobudur Collection documents the Buddhist monument of Borobudur, found in Central Java, in detail. The last collection is the American Council for Southern Asian Art (ACSAA) Slide Distribution Collection. This collection contains a wide array of materials depicting Southern Asian art and architecture.

The Michigan Council Hostelling International records (1941-2005) consist of materials related to the Michigan Council and Metro Detroit Councils of Hostelling International-American Youth Hostels (HI-USA), formed in 1943. Records include administrative files, national and statewide boards and committee minutes, publications, topical files, photographs, slides, and scrapbooks documenting hostel trends, events, and programming for the latter half of the 20th century.

The Michigan Council Hostelling International records (1941-2005) consist of administrative files, national and statewide boards and committee minutes, publications, topical files, photographs, slides, and scrapbooks documenting hostel trends, events, and programming for the latter half of the 20th century. The records have been organized into seven series of materials related to the Michigan Councils of HI-USA: Administration Files, Boards and Committees, Publications, Topical Files, Photographs, Slides, and Scrapbooks.

Founder of the University of Michigan Gilbert and Sullivan Society. Sound recordings (tape and disc) of productions, videocassettes, scrapbooks, slides, and posters.

The Gloria Bennish collection consists of materials collected relating to the Gilbert and Sullivan Society. This includes photographic slides of productions, posters, sound tapes and sound discs of productions, and scrapbooks containing programs and photographs.

The Southeast Asia Art Foundation (SAAF) Archive is composed of approximately 200,000 photographs of Southeast Asia artwork compiled by John Adams Thierry during the latter half of the 20th century. The photos are drawn from approximately 30 different sources, sculptures, or monuments throughout Southeastern Asia that have since been vandalized, damaged, insensitively stored, or destroyed.

Southeast Asia Art Foundation (SAAF) Archive is composed of about 200,000 photographs drawn from at least 30 different sources, including 10,000 photos from sites in Cambodia, Java, and Thailand, 1,100 aerial photos of unexplored archaeological sites, and approximately 3,000 photos from leading art dealers. The collection is housed in a series of black binders and is broken down into 1149 binders of images of objects from various regions and object types, 114 binders with museums' holdings and dealers’ photographs, 24 binders of aerial photographs, 2 binders that contain microfiche, and 3 boxes of photographs. Many of the photos depict sculptures or monuments that have since been vandalized, damaged, insensitively stored, or destroyed. Some of the sculptures have also been sold into private collections and are no longer accessible to the public. The photographs of Yves Coffin, a former French diplomat to Cambodia, are now considered one of the best collections of Cham and Khmer architecture and sculpture. Most of the aerial photographs of Thailand in the mid-1950's came from William-Hunt. Some of the microfiche in the collection came from the National Research Centre of Archaeology on Indonesia from 1901 to 1956, while more microfiche was contributed by the Kern Institute, University of Leiden. In addition to the approximately 100,000 photographs and slides, materials also came from an expedition to Java, which sent Patrick Young to photograph the Buddhist monument of Borobudur. The Department of the History of Art at the University of Michigan organized the expedition, which was partially funded by Southeast Asia Art Foundation and its trustee, John A. Thierry.

The collection also contains vast documentation about the legacy of the artwork and the archive itself, including work from leading scholars such as Carol Stratton, Sarah M. Bekker, A.B. Griswold, and Miriam McNair Scott. John Adams Thierry's research and additional articles are incorporated in the collection.

The photo archive is part of the Southeast Asia Art Foundation Archive, which is now housed in three locations within the University of Michigan. The University of Michigan-Museum of Art houses Thierry's collection of 19 sculptures, while the University of Michigan Library houses Thierry's personal library of books on Southeast Asian Art, many of which are rare or difficult to find.

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The Borobudur collection is composed of approximately 4,000 color and black-and-white slides depicting the Borobudur temple. The collection contains slides from the Southeast Asia Art Foundation (SAAF) Archive and from Patrick Young's expedition to the Buddhist temple in 1983.

The Borobudur collection is composed of approximately 4,000 color and black-and-white slides depicting the Borobudur temple. The collection contains slides from the Southeast Asia Art Foundation (SAAF) Archive and from Patrick Young's expedition to the Buddhist temple in 1983. The slides depict general views of the temple and the complex from different directions. The collection also contains individual views of the reliefs on the balustrades and walls, as well as the stupas and the Buddhas.

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