Collections : [University of Michigan William L. Clements Library]

This collection contains material related to Daniel Decatur Emmett and the song "Dixie," which he published in 1860. The collection has 4 autograph items by Emmett, an additional letter, a photograph, and a first edition music score.

This collection contains material related to Daniel Decatur Emmett and the song "Dixie," which he published in 1860. The collection has 4 autograph items by Emmett, as well as an additional letter, a signed photograph of Daniel Emmett, and a first edition music score of "Dixie" (1860). Two items concern the debate about the song's authorship. The collection also includes an undated holograph manuscript of Emmett's song "Old Dan Tucker." See the Detailed Box and Folder Listing for more information.

The Eleazer Everett orderly book contains 66 pages of Revolutionary War orders, kept by an American soldier stationed at West Point, and 42 pages of hand-copied vocal music. The military entries are comprised of general orders, garrison orders, and marching orders, from Generals Richard Howe and George Washington, and include a discussion of Benedict Arnold's treason and the trial and execution of John André.

The Eleazer Everett orderly book is comprised of 66 pages of Revolutionary War orders, kept by an American soldier stationed at West Point, and 42 pages of hand-copied vocal music. The military entries date from July 2-8, August 15-25, and September 26-October 10, 1780, and contain general orders, garrison orders, and marching orders. Benedict Arnold's treason and the trial and execution of John André are mentioned in the orderly book.

Orders include specific instructions for the troops (rations of food and liquor, bathing requirements, etc) as well as orders to the officers concerning conduct: "The Major Generals to wear a blue coat with Buff under Cloaths, two epilates with two Stars on Each, a black & white Feather in the Hat..." (July 3, 1780). The volume also contains garrison orders issued by Major General Robert Howe, and extracts of general orders issued from Washington's headquarters, with mentions of other generals such as Jedediah Huntington and British General Henry Clinton.

• Copies of headquarters accounts of Arnold's treason and the capture of André, and the order to execute André (September 26 and October 10).
• A brief description of Fort Arnold (soon to be renamed Fort Clinton) (July 3, 1780).
• Comments on the court martial trial of Major Thomas Frothingham, commissioner of military stores in the Continental army, for disobeying an order (July 5, 1780).
• Description of punishment for desertion (July 8, 1780).
• Numerous passages of strong patriotic language.

In addition to the military orders, the volume contains 14 songs (42 pages) for four voices. The majority of the songs are unattributed, though two are by French, one by Morgan, and one by Everett (song titles are listed in the additional descriptive data). Lyric content is primarily religious in nature.

This collection is made up of correspondence, soldiers' newsletters, and other items related to Emanuel Levy's service in the United States Army Signal Corps during World War II and his involvement in veterans' reunions. Levy corresponded with family members and friends in Brooklyn, New York, while serving in in the United States and the Pacific Theater from 1941-1943; he later received updates from fellow veterans. The collection also includes Levy's war reminiscences, and sheet music and manuscripts of Levy's musical comedy, Hey Mister Satan (1942).

This collection is made up of correspondence, soldiers' newsletters, and other items related to Emanuel Levy's service in the United States Army Signal Corps during World War II, and to his involvement in veterans' reunions.

The Correspondence series (244 items) contains Emanuel Levy's incoming and outgoing correspondence from January 1941 to June 1943, and a single letter written in September 1945. "Manny" received letters from family members and friends in Brooklyn, New York, who discussed the family news and, less frequently, politics and the war. His correspondents included women named Muriel, Evelyn, Alberta, and Frances. In his letters and postcards, Levy commented on his experiences at Camp Upton, New York; Camp Shelby, Mississippi; Camp Beale, California; Camp Butner, North Carolina; other bases; and in Hawaii and the Pacific Theater, where he was stationed for most of 1942. He described his life on base immediately prior to the Pearl Harbor attack, discussed finances and allotments, and responded to news from his family's letters to him. He occasionally used stationery from the Jewish Welfare Board, USO, and various military installations.

The Military Transmissions and Communications series (8 items) consists of official communications sent during World War II, primarily related to the signal corps and the Pacific Theater. The series includes Irving Strobing's transmission reporting the surrender of Corregidor (May 4, 1942) and a separate order to stop American vessels bound for Corregidor, a communication from Franklin D. Roosevelt to the United States Army forces in the Philippines (beginning "Personal from the President to Lt Gen Wainwright…"), and an undated notice of the German surrender.

The Reunions and Postwar Papers series (94 items) includes materials related to reunions of the 303rd Signal Operation Battalion, the history of the unit, and Emanuel Levy's involvement with veterans' organizations. The 303rd Signal Operation Battalion held reunions from 1947-1993. Items include Emanuel Levy's postwar correspondence with fellow veterans, invitations, address lists, newspaper clippings, and ephemeral materials. Several incoming letters to Levy inform him of fellow veterans' postwar lives and deaths.

The Writings series (8 items) pertains to Emanuel Levy's service in the United States Army Signal Corps during World War II. Three personal reminiscences, written sometime after the war, recount his work for the 101st Signal Operation Battalion and 303rd Signal Operation Battalion in the United States, the Pacific, and Europe during and just after the war, with details about military communications operations, his movements, and specific incidents. One item is a list of the posts where Levy served between April 1941 and September 1945. The series contains an article that Levy submitted to Harper's Magazine in 1957 ("Two Ugly Beasties") and typescripts and manuscript sheet music for Levy's musical, "Hey Mister Satan," written with George H. Johnston and C. W. Erdenbrecher.

The Printed Items series (20 unique items) contains multiple copies of soldiers' newsletters. The Burpee, by the 303rd Signal Operation Battalion, related news of the battalion's activities while at Camp Crowder, Missouri, and in Sunnyvale, California (August 5, 1943-November 18, 1943). The Taylor Maid chronicled events onboard the General Harry Taylor at the close of the war in the Pacific; the series holds a marquee "War Ends" issue (August 15, 1945) and a signed souvenir issue (August 18, 1945). Other items are a copy of The Message, a professional newspaper produced in Camp Crowder, Missouri (September 9, 1943), and a published volume, 303rd Signal Operation Battalion: An Informal Unofficial History, April 17, 1943-February 25, 1946. The publication is a unit history comprised of photographs and essays by several of its members and a unit roster.

Three World War II-era newspaper clippings pertain to Emanuel Levy's promotion to master sergeant, a Women's Army Corps member's visit to her dying soldier son, and the 303rd Signal Operation Battalion's service in Europe, including participation in the Battle of the Bulge.

Franz Liszt's Canzone Napolitana is a signed, 4-page manuscript musical score. The manuscript includes notations and measures that were removed before publication.

Franz Liszt's Canzone Napolitana is a signed, 4-page musical score. The manuscript includes notations and measures that were removed before publication.

This collection is made up of 4 items related to poet Joyce Kilmer and his poem "Trees," including its first printed appearance, a holograph manuscript of the poem, a partial musical setting by Oscar Rasbach, and a real photograph postcard portrait of Kilmer in uniform.

This collection is made up of 5 items related to Joyce Kilmer and his poem "Trees." Items include a holograph manuscript of the poem; an original copy of the magazine Poetry: A Magazine of Verse, in which the poem was first published; a partial manuscript musical setting of the poem signed by its composer, Oscar Rasbach, who set it to music in 1922; and a real photo postcard portrait of Kilmer. See the Detailed Box and Folder Listing for more information about each item.

The Manuscript Sheet Music collection is made up of manuscript music scores, correspondence, and composers' autographs.

The Manuscript Sheet Music collection (approximately 140 items) contains manuscript music scores and composers' autographs, as well as correspondence and other items.

The bulk of the collection is comprised of around 80 music scores, which range in length from one line to several pages; some are complete works, and some are fragments. Most of the brief melodies are accompanied by the composers' signatures and may have been intended as autograph gifts. The longer works are mainly piano and/or vocal scores, and some include lines for violin with piano accompaniment. Lyrics, when present, are written in English and German. Some of the scores are dated and signed, and a few were written in German cities. The cover of the score for "Barcarola" includes an engraving of "The Great Western crossing the Atlantic," and Harry Keyser's "Two Etudes for Pianoforte" is accompanied by a letter by the composer. A manuscript music book belonging to "Th. Hämb, Junior" contains several short pieces with lyrics in a Nordic language.

Additional autographed items include 25 autograph cards, 8 autograph musical quotations, 10 sheets of paper (some with inscriptions), and a photograph of violinist A. Rivarde. Many of the autographed cards, which are the size of business cards or visiting cards, are dated at Chicago in the mid- to late 1880s. The collection's 8 letters (in English, German, and Italian) include one man's opinion of a performance of "Wanda" and a letter illustrated with lines of music. Additional items are a program for a Manchester, New Hampshire, performance of the comic opera Jonah, an ink drawing of a decaying stone building, and lines of poetry or musical lyrics.

This collection is made up of correspondence, diaries, financial records, legal documents, photographs, speeches, and ephemera related to Ziba Roberts of Shelby, New York, and his family. Much of the material concerns his service in the 28th New York Infantry Regiment during the Civil War, veterans' pensions, reunions, genealogy, and estate administration.

This collection is made up of correspondence, diaries, financial papers, legal documents, photographs, speeches, printed items, and ephemera related to Ziba Roberts of Shelby, New York, and his family. Much of the material concerns his service in the 28th New York Infantry Regiment during the Civil War, veterans' pensions, reunions, genealogy, and estate administration.

The Correspondence series (approximately 110 items) includes a group of 17 items (1826-1852) related to the family of James Harland, an ancestor of Cynthia Dewey Roberts. Harland, who lived in Manchester, New York, received letters from his son William, who moved to Clarksfield, Ohio, around 1839. Shortly after his arrival, William described local marshes and discussed his land and the prices of various crops. His later letters concern his financial difficulties and his Christian faith. A letter of September 3, 1841, includes a small manuscript map of property lines.

The remaining correspondence pertains to Ziba Roberts and, to a lesser extent, his wife and children. The first item is a letter from his sister Henrietta dated March 14, 1858. Roberts regularly corresponded with family members and friends while serving in the 28th New York Infantry Regiment between January 1862 and April 1863. In his letters home (around 20 items), he described aspects of military and camp life, including food, hygiene, illness, long marches, and general boredom; several items concern his experiences in occupied Winchester, Virginia, in the spring of 1862 and his treatment after his release from Confederate prison. He sometimes commented on news of the war, expressing confidence in a Union victory. During this period, Roberts occasionally received letters from family members at home, who discussed farming, religion, and family news (5 items).

The Roberts correspondence resumes in 1886 and continues as late as 1937; most date between 1889 and 1912. Roberts received a series of letters from William W. Eastman in South Dakota, who wrote at length about his financial difficulties. Most of his late correspondence concerns Civil War veterans' affairs, particularly related to pensions and reunions. Some writers complained about the difficulty of receiving a pension, the health issues that affected former soldiers, and Roberts's own disability claim. One printed circular contains reminiscences by members of the 28th New York Infantry Regiment (printed and distributed in May 1892). In 1912, Ziba Roberts received letters from fellow veterans regarding the 28th Regiment's annual reunion; most expressed or implied a lasting sense of comradeship with their fellow veterans, though many declined the invitation on account of poor health or other circumstances (with some reflecting on whether deaths would put future reunions in jeopardy).

The latest correspondence, written in the 1920s and 1930s, concerns the Grand Army of the Republic, insurance policies, and Roberts and Sanborn family genealogy. One correspondent returned an essay written by Ziba Roberts in December 1916: "A Brief History of the Methodist Episcopal Church at East Shelby" (enclosed with letter dated February 27, 1924). Minutes of the 28th Regiment's 68th reunion, held in May 1929, note the death of Ziba Roberts and other soldiers.

Ziba Roberts wrote two Diaries between November 14, 1861, and December 31, 1862. His daily entries concern aspects of his service with the 28th New York Infantry Regiment in Maryland and Virginia, including his imprisonment in 1862. He wrote about marches, guard duty, drills, health, and rations.

The Documents and Financial Papers series (74 items) includes legal documents and financial papers dated 1864 to 1940. Correspondence, indentures, and mortgages pertain to land ownership, management of decedents' estates, and a legal dispute between William W. Dewey and Seneca Sprout in the 1890s. Four items are Grand Army of the Republic commissions for Ziba Roberts, dated between 1918 and 1922. One group of tax receipts pertains to payments made by Ziba and Cynthia Roberts as late as 1940.

The collection's account book originally belonged to Ziba Roberts in the late 19th century. Roberts recorded around 35 pages of accounts between around 1884 and 1919, including records related to everyday purchases of food and other goods, a female domestic worker's wages, road construction, and estates. A later owner recorded tax payments for the years 1922-1944.

The Photographs series consists of 2 photograph albums and 8 loose items. Together, the photograph albums contain around 120 cartes-de-visite, tintypes, and cabinet cards. These items consist of studio portraits of members of the Roberts, Dewey, Wolcott, and Sanborn families, as well as additional friends and family members. Most of the pictures, which feature men, women, children, and infants, were taken in New York.

The loose items are made up of photographs of Ziba Roberts, including a heavily retouched portrait and a corresponding print of the original image; portraits of soldiers in the 28th New York Infantry Regiment; pictures of Colonel Dudley Donnelly's tomb; and a group of soldiers posing by the High Water Mark of the Rebellion Monument at Gettysburg. Additional items show a group posing for a souvenir photograph after a "balloon route trolley trip" in Los Angeles, California, and members of the Sprout family standing in front of their home.

The Speeches, Printed Items, and Ephemera series (30 items) includes Civil War materials, such as scores for the songs "We're Marching on to Richmond," "The Passing of the Veteran," "We Old Boys," and "Have You Got the Countersign"; and a printed booklet of war songs issued by the Grand Army of the Republic and related veterans' societies. Other items pertain to veterans' reunions and reminiscences. The series also includes two typed carbon copies of postwar speeches given by Ziba Roberts, "Seeing Lincoln" and "Lecture on Army Prison Life."

Additional pamphlets and ephemeral items concern New York political reforms, cholera, and a meeting of the descendants of Henry Wolcott. One newspaper clipping describes the career of William Ziba Roberts. The series includes a biography of George Dewey and history of the Dewey family (Adelbert M. Dewey, 1898). The final items are World War II-era ration books, with many stamps still attached.

The Genealogy series (21 items) is comprised of records related to the Roberts and Dewey families, and to the ancestors and descendants of Ziba and Cynthia Dewey Roberts. A manuscript volume contains approximately 35 pages of family trees; registers of births, marriages, and deaths; and the military service of Daniel Roberts (Revolutionary War) and Ziba Roberts (Civil War). Other items include additional registers, death notices, and notes.