Search

The collection consists of correspondence, primarily between George T. Stevens and Harriet W. Stevens of Essex County, New York , as well as documents, writings, a scrapbook, printed materials, and realia reflecting the Civil War service of surgeon George T. Stevens of the 77th Regiment N.Y. Volunteers, Harriet W. Stevens' experiences on the home front, and George T. Stevens' post-Civil War medical career in Albany and New York City, New York.

The collection consists of correspondence, primarily between George T. Stevens and Harriet W. Stevens of Essex County, New York, as well as documents, writings, a scrapbook, printed materials, and realia reflecting the Civil War service of surgeon George T. Stevens of the 77th Regiment N.Y. Volunteers, Harriet W. Stevens' experiences on the home front, and George T. Stevens' post-Civil War medical career in Albany and New York City, New York.

The Correspondence Series is divided into two sub-series. The Chronological Correspondence Sub-Series spans from 1859 to 1866 with over 560 letters. While a few other correspondents are represented, the bulk of this series reflects both sides of the correspondence between George T. Stevens and Harriet ("Hattie") W. Stevens. Beginning with their courtship in 1859, the letters reflect George's early efforts to set up medical practice in Keeseville, New York, in 1861, his entry into the army, and their relationship and experiences throughout his service during the Civil War.

George's letters give a detailed glimpse into the practices of Civil War surgeons. Beginning with his efforts to secure an appointment as an Assistant Surgeon and the internal jockeying for position that caused infighting, George's letters to Hattie provide insight into the interpersonal conflicts and partnerships that undergirded his experience as an officer. Miscommunications about a medical furlough he took from May to October 1862 due to a case of typhoid fever led to his dismissal, and George's letters speak frankly about his efforts to reenlist as well as his frustrations with barriers to accomplishing this goal. Writing reports, securing transportation and goods, and tending to administrative details also pepper George's correspondence, shedding light on the clerical demands on his time.

George wrote frequently of daily life and tasks in camp, noting food, music and reading, camaraderie, mud, weather, camp health, and more. His detailed descriptions of camp life and activity also provide glimpses of others, including those who worked for him, like Dall Wadhams, who entered the army with him and stayed until March 1862, and James Mages, a young German-American, who worked for George from September 1863 to around June 1864 when he was taken prisoner of war.

George's commentary on camp life also at times reflects information about African Americans' experiences and white soldiers' opinions on race, slavery, and emancipation. Example references include:

• African American workers (March 12, 1863; September 6, 1863; November 23, 1863; December 20, 1863; June 25, 1864)
• "Contrabands" and refugees (March 25, 1862; June 20, 1863; August 2, 1863; October 17, 1863)
• African American residents in Virginia who George encountered during marches (April 9, 1862; April 13, 1862; April 25, 1862)
• Rumors of arson in Charleston (December 19, 1861)
• Emancipation Proclamation (January 3, 1863; January 7, 1863)
• African American soldiers (June 27, 1864)
• Violence perpetrated against African American soldiers at Plymouth and Fort Pillow (April 26, 1864; May 3, 1864)

George T. Stevens' letters also reflect on marching conditions, as well as details about setting up hospitals and tending to the sick and wounded. Letters describing battles reflect not only on military movements and engagements but also on the fieldwork undertaken by surgeons, amputations in particular, and the dangers to which they were exposed. He commented on medicine, transport of the wounded, illness, and death. For much of May 1864, he was stationed in Fredericksburg tending to soldiers wounded during the Overland Campaign, before returning to his regiment late in the month, and his letters reflect this work.

In addition to passing references to additional battles, the military engagements or their aftermath that George T. Stevens' letters reflect on include:

• Siege of Yorktown and Battle of Lee's Mill (April 1862)
• Battle of Williamsburg (May 1862)
• Chancellorsville Campaign and Second Battle of Fredericksburg (April and May 1863)
• Battle of Franklin's Crossing (June 1863)
• Battle of Gettysburg (July 1863)
• Bristoe Campaign (October 1863)
• Battle of Rappahannock Station (November 1863)
• Battle of Mine Run (December 1863)
• Battle of the Wilderness (May 1864)
• Battle of Spotsylvania Court House (May 1864)
• Battle of Cold Harbor (June 1864)
• Siege of Petersburg (June 1864)
• Shenandoah Valley Campaign (August 1864)
• Third Battle of Winchester (September 1864)
• Battle of Fisher's Hill (September 1864)

George and Harriet discussed their own health in good detail. George experienced a difficult bout of typhoid fever beginning in May 1862 and another illness in April 1864, which brought Harriet to tend to him during his recoveries. George and Harriet both commented on military and political events. Harriet was an avid reader of the news, tracking the 77th Regiment's movements and engagements. George commented several times that she was better informed than he was. "The rumors you have in regard to our moving are only the reports of the soldiers in camp who know as much of our future movements as they do of the next arctic expedition in search of Sir John Franklin," he wrote on January 24, 1862. Both were candid in their criticisms of military leaders.

As his regiment was periodically stationed near Washington, D.C., including for several months in late 1861 and early 1862, George's letters contain commentary about conditions in the city. Harriet's occasional trips to visit George in camp or to tend to him during bouts of illness also found her staying in D.C. She remained in the city hoping to visit George while the Battle of Gettysburg was being fought. Her letters during these times provide additional insight into how women and camp followers experienced D.C. and how residents responded to war news.

Harriet's letters written while she was staying with family at Wadham's Mills and Crown Point provide information about the home front. Discussions of finances, family news, anxiety for George's wellbeing, military events, health, music and reading, and more pepper her letters. As she and George wrote each other frequently, both sides of their conversation are often represented, showing the back-and-forth dialog that the couple sustained throughout the war. Notes written on envelopes by Harriet W. Stevens in later years identify letters that were of interest to her or provide clarifying information, hinting at George and Harriet's ongoing consultation of their wartime correspondence. George and Harriet's interest in botany is also well represented in the series. They discussed plants and sent each other pressed flowers and leaves.

Frances ("Frankie") Wadhams Davenport Ormsbee is also well reflected in the series. While she contributed only a small handful of letters, George T. and Harriet Stevens commented regularly on her and her husband George Davenport, beginning with a reference to their courtship in a letter from May 13, 1859. George T. Stevens discussed visits with George Davenport while they were both in active service, as well as with Frances while she was visiting him in camp. Letters referencing Frances, as well as George's own letters detailing his preparations for Harriet to visit him in camp, provide insight into officers' wives' experiences staying in the military encampments. Upon George Davenport's death at the Battle of the Wilderness, George T. Stevens wrote home with news he had about the nature of his death and burial, and corresponded with Harriet and Frances as they worked to recover his body and process their grief.

Several letters from other members of the Stevens and Wadhams families are also present. Additionally, as Wadham's Mills was located near the Canadian and Vermont borders, the series at times reflects on affairs in those regions. For example, Harriet W. Stevens' letter from December 19, 1861, states, "...the most prominent business men in Canada were drilling men three times a week. Frankie & I think that if we go to war with England, we shall just put on pants & go to." She also wrote of news regarding St. Albans Raid (October 20, 1864; October 23, 1864; October 30, 1864; November 2, 1864).

Correspondence from after George's service is far less frequent. It includes a letter from a former patient whose arm he saved during the war (February 19, 1865), a few letters from other members of the 77th Regiment, and material relating to the Stevens's move to Albany. One item written by James McKean on May 3-June 8, 1865, outlines reactions to news of the Civil War in Honduras, including references to an African American man and young indigenous Honduran boy.

George T. Stevens included sketches and drawings in some of his letters to Harriet. Letters that include pen-and-ink illustrations are listed below:

• February 20, 1861: wedding ring designs
• December 17, 1861: George T. Stevens' furnishings at the Regimental Head Quarters
• December 29, 1861: decorated encampment of the Vermont 4th
• January 8, 1862: sketch of Fredericksburg and vicinity
• January 12, 1862: map of cross-roads where he got lost in D.C.
• January 21, 1862: portrait of Dall Wadhams to illustrate weight loss
• January 29, 1862: sketch of his quarters
• February 2, 1862: possum
• February 5, 1862: sketch map of Washington and Georgetown area
• February 9, 1862: hospital wards
• December 19, 1862: principal building of the Soldiers' Home in Virginia; chain bridge that slowed their march
• March 11, 1862: makeshift tent while on march near Fairfax Courthouse
• March 18, 1862: camp scene with makeshift tent near Alexandria
• March 29, 1862: agricultural tools used by African Americans; wooden gun with hog's head placed in the muzzle
• April 3, 1862: sketch map of march route in Virginia
• April 9, 1862: musical notations and sketch of buildings
• April 25, 1862: birds-eye-view of three farms and sketch of a farmhouse's steps and door
• April 25, 1862: sketch of three farms
• November 18, 1862: pattern for chevrons and illustration of where they will be attached to sleeves
• November 27, 1862: steaming plum pudding served at Thanksgiving
• December 25, 1862: camp for the 77th Regiment decorated for Christmas
• February 24, 1863: snowball fight in camp
• April 9, 1863: sketch of military insignia on the hat worn by a young girl who accompanied Abraham Lincoln on a review of the army
• October 17, 1863: sketch map of troop positions
• September 8, 1864: traced floral patterns

The Bundled Correspondence Sub-Series reflects the original bundling of these sub-sets of letters, with each then arranged chronologically. One bundle consists of nine letters and documents from ca. 1859-1860, as well as undated items, relating to Miss Slater's School for Young Ladies in Lansingburgh, New York. The other bundle includes six letters from 1868 relating to resolving an incident when George T. Stevens received double payment while in the service in 1864.

The Documents Series is divided into four sub-series. The Chronological Documents Sub-Series consists of eleven items ranging in date from 1856 to 1864, including Castleton Medical College admission tickets; a subscription receipt toFlag of Our Union ; a partially printed notebook listing voters in the town of Keene in 1858; a small leather wallet containing notes documenting George and Harriet's travels in 1861, money received, and letters; an 1864 document from the Office of the Chief Medical Officer relieving Stevens of duty; General Orders 222 from 1864; a partial copy of the regiment's participation in military campaigns from May to July 1864; undated GAR Roster; and an undated list of three people, "not paid."

The bundled documents sub-series represent the original bundling of the documents as they arrived at the Clements, but each grouping was then arranged chronologically. The Bundled Military Documents Sub-Series consists of:

• Five Civil War Passes, 1861-1862
• Six Reports of Sick and Wounded, compiled by George T. Stevens, December 1861- May 1862
• Approximately 66 documents relating to "Monthly Reports of Hospital Supplies &c," February 1863- March 1865
• Seven lists of casualties and enlisted men, primarily for the 77th Regiment, 1864-1865

The Bundled G.A.R. Documents Sub-Series consists of the following bundles:

• "Papers relating to Soldiers & Sailors Union," with three petitions, 1866-1867, to charter subordinate unions in Eastchester, Utica, and Newburgh, New York, respectively, and one letter stating why the Yonkers Soldiers' and Sailors' Union would not be represented in a convention. A note written by Harriet W. Stevens in 1920 states that the Soldiers' and Sailors' Union merged into the Society of the G.A.R. in George T. Stevens' Albany office in 1867.
• "Papers relating to the formation of the society of the Grand Army of the Republic of the state of New York," with approximately 23 documents dating between December 1866 and December 1867. These include general orders and circulars from the Headquarters Department of New York as well as undated petitions to apply for a charter for a post of the G.A.R. All of the petitions are blank, except one with a single signature.
• "Special Orders [GAR], 1867," with 11 documents, written by Frank J. Bramhall or George T. Stevens regarding G.A.R. procedures
• "1867," with approximately 25 documents dating between September 1866 and November 1867, many relating to G.A.R. charters, membership applications, reports and rosters, and other business.

The Miscellaneous Bundled Documents Sub-Series consists of two rolled bundles:

• 8 appointments, certificates, and diplomas for George T. Stevens, 1864-1881, including his Army appointments to Assistant Surgeon and Surgeon, Army discharge, diploma from Castleton Medical College, certificate for his honorary degree from Union College, as well as several certificates for medical societies and the military organizations
• 3 genealogical documents, including a blank genealogical form, "Ancestral Chart, 1879;" a copy of the chart filled out for Charles Wadhams Stevens' ancestry; and a small version of the Charles Wadhams Stevens genealogy.

The Writings Series includes:

• George T. Stevens manuscript drafts of autobiographical writings. Dated notes range from 1910 to 1914. Sections include: Childhood; The School at Chazy; Elizabethtown; Personal Reminiscences: My First Wage Earning; My First Engagement as Schoolmaster; School at Keeseville; My First Field of Practice; [Leaving Keeseville and Entering the Army]; My Time as a Soldier; Notes of the Life in the Army; Williamsburgh; Albany Beginnings of Botanical Experiences; The Nature Club; [A Trip to Europe].
• George T. Stevens biography, a brief two-page manuscript outlining his Civil War service and professional and academic achievements, particularly in relation to ophthalmology.
• George T. Stevens typed reply to a G.A.R. questionnaire with manuscript additions, providing information about his military service and post-war career. Includes additional text, "Beginnings of the Grand Army of the Republic in the State of New York."
• Harriet W. Stevens, "Some War Time Recollections by the Wife of an Army Surgeon," a 42-page typed draft with manuscript corrections of a paper she read before the National Society of New England Women. Particular attention is paid to the Peninsular Campaign of 1861, her visits with George T. Stevens in camp in 1863, stays in Washington, D.C., and tending to George during his bouts of illness. A shorter, 13-page copy is also present.
• Frances Davenport Ormsbee, "A War Reminiscence," a 12-page typescript that relates George Davenport's service, her visits with him during the war, his death, and efforts to locate his grave and recover his body. Also includes a photocopy of a transcribed letter from June 10, 1865, from Frances describing the retrieval of George Davenport and Captain Ormsbee's bodies.
• "Army Papers Written by Members of the Sixth Corps," with three different unattributed and undated items: "June 20th Fight at Mechanicsville," 2 pages, and two partial military recollections, 4 pages and 16 pages respectively.

The Scrapbook Series consists of one volume with material primarily relating to George T. Stevens' post-Civil War life and career tipped or pasted in. Dated items range from 1861 to 1918. Material relates to his work with the Albany Medical College, Nature Club of Albany, the Albany Institute and its Field Meetings, the Grand Army of the Republic, military reunions, the Troy Scientific Association, the Soldiers and Sailors Union, and some references to his publications. Some material relates to his medical career, primarily ephemera from medical associations, lectures, and notices of his awards and achievements. Two Civil War-era items include an 1861 newspaper clipping from Keeseville announcing George T. Stevens' appointment in the Army and an 1861 printed circular calling to organize a Bemis Heights Battalion. Only a handful of items relate to Harriet W. Stevens and their social life. Formats include newspaper clippings, postcards, disbound pages, fliers, programs, advertisements, business or calling cards, and circulars, among others.

The Photographs Series features the following:

• 10 cartes-de-visite of "Officers of the 77th Regt. NYS Vols." Named individuals include Winsor B. French, Henry J. Adams (of the 118th Infantry), David J. Caw, [Isaac D.] Clapp, Martin Lennon, and "Robert."
• Approximately 12 photographs of George T. Stevens appear in a variety of formats, including cartes-de-visite, cabinet cards, studio portraits, a framed photo, among others. The tintypes, ambrotypes, and daguerreotypes are detailed separately below.
• 10 photographs of Harriet W. Stevens dating from 1861 into her older age.
• 15 photographs of Frances Virginia Stevens Ladd, ranging from when she was a baby through her older age. Dated items range from 1866 to 1922, and several show her wearing theatrical garb.
• 5 photographs of Charles Wadhams Stevens, ranging from when he was a baby into his middle age. Dated items range from 1868 to 1880.
• 2 photographs of Georgina Wadhams Stevens, one a tinted reproduction of a photo on a cabinet card, and another a cyanotype of an interior scene displaying a framed painted portrait of her, likely anteceding her death.
• 3 photographs of George Trumbull Ladd.

In addition to the above, the Photographs Series also includes two tinted ambrotypes of George T. Stevens; one tinted tintype of George T. and Harriet W. Stevens with George and Frances Davenport; one tinted daguerreotype of Frances and George Davenport; and a ca. 1864 tintype of George T. Stevens in the field in Virginia, wearing his uniform while mounted on a horse, with his groom, Austin, standing with his mule.

The Printed Materials Series primarily consists of pamphlets dating from 1850 to 1915 and includes material relating to the Sons of Temperance, Castleton Medical College, the Independent Order of Good Templars, Masons, and an Ex-Soldiers' Handbook. One pamphlet includes George T. Stevens' address to the Survivors' Association of the 77th Regiment, "The First Fighting Campaign of the Seventy-Seventh N.Y.V." There are also 165 copies of the print, "The Chimneys - April 5, 1862. Drawing by George T. Stevens." Six books are located in the Clements Library's Book Division. Please see the list in the Additional Descriptive Data below for a complete list.

The Realia Series includes the following items:

• Pair of white leather gloves, with note by Harriet W. Stevens: "These white kid gloves were G. T. Stevens worn when we were married."
• George T. Stevens Civil War uniform items, including dark green silk surgeon's sash, white cotton gloves, blue shoulder strap, and golden hat ornament.
• Pair of white cotton gloves, with note by Harriet W. Stevens, "worn by Chas. W. Stevens when he was a drummer boy at Albany Academy."
• Pair of children's leather gloves and shoes. Note by Harriet W. Stevens suggests they belonged to Frances V. Stevens Ladd.
• Pair of knitted white and blue socks with ribbon, in envelope labeled "These were Little Georgies socks," likely referring to Georgina Wadhams (1871-1882).
• 1910 G.A.R. badge.

The Mark A. Anderson collection of post-mortem photography contains approximately 1068 items including photographs, ephemeral items, documents, manuscripts, printed items, and realia pertaining to the visual history of death and bereavement between the 1840s and the 1970s. Photographs make up the bulk of the collection.

The Mark A. Anderson collection of post-mortem photography contains approximately 1068 photographs, ephemeral items, documents, manuscripts, printed items, and realia pertaining to the visual history of death and bereavement between the 1840s and the 1970s. Photographs make up the bulk of the collection. Mr. Anderson assembled this collection from dealers, antique shops, and individuals. His motivation stemmed from a desire to document and to provide historical perspective on various end-of-life practices which, in the 20th century, fell into taboo and disfavor.

The majority portion of the photographic items in the collection are neither dated, nor attributed, although approximate dates can often be determined by when particular photographic formats were in use (see timeline at www.graphicatlas.org.). Consequently, the materials have been organized first to accommodate their sizes, formats, and preservation needs, and second to reflect major subject themes present, though scattered, throughout the entire collection. These non-mutually exclusive subjects are as follows:

• Post-mortem portraits
• Post-mortem scenes
• Funeral tableaux
• Funerals and funeral processions
• Floral arrangements and displays
• Memorial cards and sentimental imagery
• Cemeteries and monuments
• Funeral industry
• Mourning attire
• Unnatural death

The first three subjects - post-mortem portraits, scenes, and funeral tableaux - all depict the recently deceased, and so fall into the narrowest definition of a post-mortem photograph. Their distinction into three separate subjects is a partly arbitrary decision, made to break up what would otherwise be a large and unwieldy grouping of photos, but also to roughly shape the order of the collection (post-mortem portraits without décor tended to date earlier chronologically than broader, beautifying scenes).

Post-mortem portraits:

The post-mortem portrait photographs, comprising 251 items in the collection, depict the bodies of dead family members and friends. These images show the deceased, sometimes posed with living family members, and for the most part do not include elements of a larger scene, such as floral arrangements, banners, or other décor.

These portraits include the earliest photographic images in the collection, including 28 cased daguerreotypes, ambrotypes, and tintypes. 78 cabinet card photographs date from the late 1860s to around the turn of the century. Among many notable cabinet cards are two images of Frances Radke, taken and retouched by R. C. Houser, showing her image before and after Houser's post-capture work (3.1 and 3.2). Also of note is a framed crayon enlargement of infant Adelaide Banks by photographer/artist Edward Stuart Tray (26) and a post-mortem carte de visite of an unidentified African American infant taken by photographer S. P. Davis of Danielsonville, Connecticut (4.282u).

Post-mortem scenes:

The post-mortem scene photographs, numbering 155 items in total, are similar to the portraits described above, except that they show the deceased as part of a larger environment, whether in a private home, a funeral home, or out-of-doors. Most of these views are mounted photographic prints from the 1880s to the early decades of the 20th century, frequently centering on the corpse, lying in a casket or coffin, amidst an abundance of floral arrangements, banners or flags, family members or friends, and/or personal belongings. Their caskets are often lined with white cloth.

Many of these images have unique qualities; several examples illustrate the variety of postmortem scenes in the collection. Six photographs by W. Jakubowski and Co. and Jos. Ziawinski, of Detroit, Michigan, include five wedding photographs (of the bride and groom, bridesmaids, and family members) and one post-mortem scene of the wife. She appears to have died within a short time following the marriage; the funeral home scene image contains one of the wedding photographs and a banner marked "Dearest Wife" (18.5-18.10). One mounted photograph depicts a dog, laid on linen, in a homemade casket (14:17). The collection also contains examples of different persons on display in the same funeral home/parlor (e.g. 18.1-18.4). A set of two cabinet card photos of a child in a buggy is accompanied by one of the buggy's metal lanterns (23.1-23.3). Also of note is a photogravure of the 1888 painting "Requiescat" by British artist Briton Rivière showing a dog seated next to its deceased owner (25.2).

Funeral tableaux:

The collection's 35 funeral tableaux photographs show the deceased in an open casket or coffin, typically in front of a church or homestead, with a posed assembly of funeral attendees or mourners. They often show a large group of family and friends, and so are frequently large format prints. Group portraits of this sort were occasionally framed and displayed in the home. Most of the examples in this collection are large prints (many of them mounted), with smaller examples, including a real photo postcard, two snapshots, and one cabinet card. Particular items of note include a framed tableau on the steps of the Church of The Descent of The Holy Ghost in Detroit by Thomas Hoffman (27), a photomontage image of a nun's funeral (28), two tableaux scenes by F. A. Drukteinis taken outside of the same church in Detroit during different seasons and involving the same family (20.12 and 20.15), and three related tableaux scenes (two mounted and one unmounted) involving a presumably Hungarian family that were taken outside of what appears to be a Catholic church in Cleveland, Ohio, during three different funerals (20.16a-20.16c).

Funerals and funeral processions:

The 70 items depicting or pertaining to funeral gatherings show various aspects of the movement of the deceased from the home or funeral home to the cemetery and funeral and burial ceremonies. This group is comprised of real photo postcards (22 items), snapshots (13 items), and a variety of other formats. Examples include an albumen print depicting the Plymouth Church decorated for Henry Ward Beecher's funeral in 1887, and snapshot and postcard photographs of a burial at sea.

Floral arrangements and displays:

Additional documentation of funeral decoration may be found in the collection's 176 still life portraits of floral arrangements and other decorations. A portion of the floral display photographs include pre- or post-mortem photos of the deceased either incorporated into the display or added to the image after printing. One particularly fine example is a large format photograph of a floral arrangement for the funeral of Joshua Turner Mulls; the display included a cabinet card photo of Mr. Mulls and a modified enlargement of the cabinet card. Accompanying the floral arrangement photograph is the cabinet card depicted in the display, with artist's instructions for coloring the enlargement (22.1-22.2).

Memorial cards and sentimental imagery:

The collection includes 105 memorial cards and ephemeral items bearing sentimental imagery. Memorial cards were created as tributes, often displaying birth dates, death dates, and other information about the deceased. Many of these cards include border designs and some bear photographs of the departed. Black-fronted memorial cards gained popularity from 1880 to 1905. Of many interesting examples, the collection includes two examples of memorial cards which haven't yet been personalized (4.306-4.307) and two reflecting World War I-related deaths (4.316 and 4.317). Materials with sentimental imagery include items such as a photograph of an illustration entitled "Momma is in Heaven," a memorial book dedicated to Olive C. Partridge in 1897, and other items.

Note: an advertisement for the Memorial Card Company of Philadelphia is located in the 'Funeral Industry' section of the collection (14.35).

Cemeteries and monuments:

61 photographs, printed items, and realia explicitly pertain to cemeteries, burial markers, or monuments. Some of the cemeteries and monuments are identified, such as the Garfield Memorial at Lakeview Cemetery in Cleveland, Ohio (4.1-4.3). The collection includes examples of cemetery-related realia, including an ovular, porcelain headstone photograph (pre-mortem) of the deceased.

Note: cemeteries may be seen as background for many photographs throughout the collection.

The funeral industry:

The Mark A. Anderson collection of post-mortem photography holds a diverse selection of photographs, ephemera, and printed materials related to the business aspects of death, dying, and bereavement. This group contains around 153 items overall, including receipts (1896-1956); various types of advertising materials (including an undertaker's advertising card, a cabinet photograph of the Arbenz & Co. storefront advertising undertaking as a service, fans from a church and the A. C. Cheney funeral home, a thermometer, and other items); and 118 coffin sales photographs (illustrating a massive selection of different casket models offered by the Boyertown Burial Casket Company of Pennsylvania).

Two photograph albums, that of Clarence E. Mapes' furniture store and funeral home and that of the Algoe-Gundry Company funeral home, provide visual documentation of a rural and an urban funeral home (respectively) in Michigan in the first half of the 20th century:

The photo album and scrapbook of Clarence E. Mapes' furniture store and funeral home in Durand, Michigan, dating from ca. 1903-1930, contains interior and exterior photographs of the furniture and undertaker portions of the shop. The album includes photographs of casket showroom display mechanisms; an example of a "burglar proof" metallic vault; a posed photo of the embalmer standing over a man on the embalming table; images of carriage and motorized hearses; business-related newspaper clippings; and various family and vacation photographs. Several prints, dated August 1903, appear to depict the aftermath of the Wallace Brothers Circus train wreck on the Grand Trunk railroad at Durand. Among these photographs are carriage hearses, a horse-drawn cart carrying ten or more oblong boxes (for transportation and perhaps burial of victims of the wreck), a man standing in an alleyway near three stacked boxes, and a large group of persons standing in a largely unearthed section of a cemetery. The Mapes album is accompanied by a C. E. Mapes Furniture advertising fly-swatter.

The Algoe-Gundry Company album dates from ca. 1924 to 1960 and contains (almost exclusively) 8"x10" photographs of this Flint, Michigan, funeral business. The album includes images of the exterior and interior of Algoe-Gundry buildings, hearses, ambulances, and billboard advertisements.

One album was produced ca. 1939 by the Central Metallic Casket Co. of Chicago, Illinois. Titled "Caskets of Character," the album contains images of patented (or soon to be patented) casket designs as well as a printed cross-sectional view detailing the company's "Leak-Proof" Separate Inner Sealer.

Also of interest is funeral director's license granted by the Michigan State Board of Embalmers and Funeral Directors to Vincent J. George of Fowler, Michigan, in 1938. (25.1)

Mourning attire:

In America, mourning attire tended to follow trends set in Europe. The bereaved wore mourning clothing according to current fashion trends and societal expectations. Mourning clothing styles, often dark-colored and somber, depended on how close the mourner was to the deceased and local societal expectations. Seventeen portrait photographs show men and women wearing mourning attire without the deceased present. This group includes cabinet cards, a 1/9 plate ambrotype of an adult woman, two tintypes, and one carte-de-visite.

Note: persons wearing mourning attire may also be found scattered throughout the other sections of the Mark A. Anderson collection. While most are concentrated in the funeral photographs, mourners are also present in postmortem portraits, postmortem scenes, and cemetery photos.

Unnatural death:

43 photographs (mostly snapshots) depict "unnatural deaths," deaths not caused by age or naturally occurring disease, such as suicides, accidents, murders, and war. The larger portions of the snapshots are mid-20th century police photographs of crime or accident scenes.

Nine Indiana State Police photographs show a train-automobile accident; a group of eight unmarked photos depict the body of woman, apparently violently murdered, at the location of her death and in a morgue; 14 are of a man struck down, beneath a train; two are of a rifle suicide; and the others are of varying accidents. One World War I-era real photo postcard appears to show a man who was shot dead in a foxhole. A stereoscopic card by photographer B. W. Kilburn shows the burial of Filipino soldiers after the Battle of Malolos, Philippine Islands [ca. 1899].

Note: The photograph album/scrapbook of the Clarence E. Mapes furniture and undertakers shop contains several photographs of what appear to be the aftermath of the Wallace Brothers Circus train wreck, Durand, Michigan 1903 (see above description in the 'Funeral Industry' section of this scope and content note).

The Weld-Grimké family papers consist of correspondence, diaries, notebooks, autobiographical documents, printed materials, photographs, realia, and newspaper clippings. The collection addresses such subjects as abolition, women's rights, temperance, religion, education, and the lives of members of the Weld-Grimké family, including Sarah and Angelina Grimké and Theodore Weld. In addition to this finding aid, the Clements Library has created a comprehensive writer index, which identifies letters acquired by the Clements Library in 2012 and letters published in Barnes and Dumond: Weld-Grimké Family Papers Writer Index.

The Weld-Grimké family papers contain approximately 3,200 items spanning 1740 to 1930, with the bulk concentrated between 1825 and 1899 (14 linear feet total). They form a record of the lives of abolitionists Sarah Moore Grimké, Angelina Emily Grimké Weld, and Theodore Dwight Weld, and they offer insight into the lives of the Welds' children: Charles Stuart Faucheraud Weld, Theodore Grimké Weld, and Sarah Grimké Weld. The collection includes 2,889 letters, nearly 200 newspaper clippings, 16 diaries, 39 notebooks and other writings, a manuscript biography of Theodore Weld, 37 loose photographs, 2 photograph albums, 17 valentines, and 13 objects and ephemeral items. The papers are a valuable source of information on the major reform and political issues of the 19th century, and they provide extensive documentation on the personal lives and activities of the Weld and Grimké families. Although anti-slavery movements and abolitionism are central themes in the papers, the collection includes material on women's rights, the American Colonization Society, temperance, political philosophy, religious introspection and commentary, education, literature, health and dietary reform efforts, spiritualism, and a wide array of other subjects.

In June 2012, descendants of the Weld family donated 961 hitherto unresearched letters to the Library, which focus on Sarah M. Grimké, Angelina and Theodore Weld, and the Weld children and grandchildren between 1853 and 1900 (these letters are included in the quantities of items listed above). The 2012 acquisition has an emphasis on the legacy of the anti-slavery activists, women's rights activism, temperance, family dynamics and activities, physical and mental health, and education.

The Correspondence series spans 1740-1930 (bulk 1819-1900) and contains 2,985 items (seven linear feet). The correspondence is physically arranged in one chronological sequence, although the following summary is divided into two components: Letters acquired by the Clements Library before 2012 (1) and letters acquired as part of the 2012 addition (2).

1. Weld-Grimké family correspondence acquired by the Clements Library before 2012

Prior to 2012, the Weld-Grimké family papers included 2,024 letters, dating mostly between 1819 and 1900, and relating predominantly to the lives and activities of Theodore Dwight Weld, Angelina E. Grimké, Sarah M. Grimké, and their network of correspondents.

Theodore Weld received letters from an array of prominent anti-slavery activists, including the Grimké sisters, Lewis Tappan, Gerrit Smith, Elizur Wright, Jr., Beriah Green, James Armstrong Thome, Sarah Mapps Douglass, Lydia Maria Child, Elizabeth Cady Stanton, Lucy Stone, Charles G. Finney, James Birney, Wendell Phillips, William Lloyd Garrison, Henry B. Stanton, Sereno Wright Streeter, Theodore Erastus Clarke, Dioclesian Lewis, and Samuel Dorrance. Many letters document Weld's friendship and working relationship with Charles Stuart. Letters of Theodore's parents, siblings, and other family members are also present.

From approximately 1821 to 1836, letters pertaining to Weld refer to his early pursuit of a career in the ministry, his association with temperance, and his early anti-slavery activities. Weld and his correspondents discussed the Colonization Society, Weld's near drowning accident in the Alum River in 1832, and his attendance at the Oneida Institute, Lane Theological Seminary, and Oberlin College. In addition to his work as an itinerant speaker on behalf of the American Anti-Slavery Society (AASS), incoming letters show that he received numerous requests to lecture at anti-slavery and temperance societies. His correspondence refers to threats of violence against abolitionists and sheds light on the activities of the AASS.

Weld's correspondence with the Grimké sisters began in 1837. His letters to and from the sisters, especially Angelina, primarily concern women's rights and abolition. Weld's attitude was frequently didactic, and his letters convey much advice to the sisters on becoming political activists. On February 8, 1838, Weld wrote a letter to Angelina declaring his love for her; most of the correspondence between this time and May 1838 revolves around their courtship and wedding. Their wedding certificate, dated May 14, 1838, is present in the collection's series of documents.

Correspondence from 1839 to 1844 is mainly concerned with Weld's publications, American Slavery As It Is andThe Anti-Slavery Almanack , as well as the Amistad court case in 1841. Correspondence with Angelina and Sarah during Weld's brief tenure in Washington, D.C, highlights his work with John Quincy Adams, Joshua Reed Giddings, and others in keeping the slavery question a subject of debate in Congress. The Welds' adoption of the "Graham diet" is discussed in letters of this period.

The years between 1845 and 1853 marked a time of transition for Weld as he began his career as a schoolmaster. Charles Stuart's letters to Weld indicate an increasingly strained friendship, and although Weld still corresponded with other abolitionists, fewer letters address the issue of slavery during the late 1840s and early 1850s. From 1854 to 1867, Weld corresponded mostly with his children. He also received many letters from former pupils, many of whom referenced their educations at Eagleswood. Letters from 1868 to 1895 revolve around the legacy of the abolition movement and family life. Weld began to receive letters from fellow aging abolitionists and their children, especially to offer condolences after the deaths of Sarah and Angelina.

Prior to the Clements Library's 2012 addition, the papers included over 500 letters by and over 250 letters to Sarah and Angelina Grimké. The sisters were introspective writers and typically sent detailed and lengthy letters to their friends and family members. This correspondence provides insight into major events in their lives, such as their struggles with religious identity, their speaking tour throughout Massachusetts in 1837, and the births of Angelina's children. They often discussed books they had read, such as Woman and Her Era by Eliza Wood Farnham, or public talks they had attended. Among their correspondents were Sarah M. Douglass, Jane Smith, Julia A. Tappan, Rachel and Mira Orum, Elizabeth Pease, Elizabeth Cady Stanton, Elizabeth Smith Miller, Susan Wattles, Sarah Wattles, Augustus Wattles, Harriot Kezia Hunt, their brother Frederick Grimké, and others.

From 1825 to 1830, the sisters discussed and reflected extensively on religion. Letters during this period are especially pertinent to Angelina's religious conversions, first to the Presbyterian faith and later to Quakerism. Correspondence between 1831 and 1835 includes content on Society of Friends meetings and Angelina's encounters with Catherine Beecher. Thomas Smith Grimké and Hester Snowdon, a slave whom Angelina had known in Charleston, also wrote letters in the later 1820s.

Between 1835 and 1837, the Grimké correspondence documents the beginnings of the sisters' involvement in the anti-slavery movement. Several items refer to Angelina's published letter to William Lloyd Garrison and others pertain to her bookAppeal to the Christian Women of the South . The majority of letters written in 1837 and 1838 concern abolitionism and women's rights issues, highlighting the difficulties Angelina and Sarah encountered as female abolitionists and public figures. Some of the correspondents with whom the sisters discussed these issues include Sarah L. Forten, Sarah M. Douglass, Henrietta Sargent, Theodore Weld, Jane Smith, and Elizabeth Pease. One letter dated March 30, 1838, was written by Nancy Adams, a formerly enslaved woman living in Uxbridge, Massachusetts, recounting her life story and escape from slavery.

Angelina and Sarah received 16 letters from their mother, Mary Smith Grimké, in 1838 and up to her death in 1839. The letters reveal the sisters' continued involvement in abolition, especially the time they spent conducting research forAmerican Slavery As It Is . Motherhood, domesticity, and Angelina's children were frequent topics of discussion, especially from 1839 to 1847. Between 1848 and 1863, Sarah exchanged two dozen letters with physician and women's rights advocate Harriot Kezia Hunt; Frederick Grimké; and Augustus, Susan, and Sarah Wattles. In addition to discussing abolition and women's rights issues, they also wrote about spiritualism, religion, politics, and other intellectual topics.

2. 2012 Addition to the Weld-Grimké Family Papers correspondence

The 961 letters from the Clements Library's 2012 acquisition span 1853 to 1899, with the bulk dating between 1862 and 1899. The addition is comprised primarily of the incoming correspondence of Angelina and Theodore Weld's daughter Sarah Grimké Hamilton (neé Weld) and her daughter, Angelina Grimké Hamilton, in whose wooden trunk the papers were preserved. At least 75 different writers contributed to the newly discovered body of letters; the most prolific correspondents include Theodore Dwight Weld, Angelina Grimké Weld, Sarah Moore Grimké, William Hamilton, Charles Stuart Weld, and Anna Harvell Weld. The Weld children also corresponded with their parents' associates, including Lucy Stone, James Armstrong Thome, and Henry B. Blackwell. This correspondence is largely family-focused, with content on race relations, women's rights, temperance, and the legacy of the anti-slavery activists and movements. Please note that the following numbers of letters attributed to individuals in this section only include those from the collection's 2012 acquisition.

Theodore Dwight Weld wrote approximately 180 letters between 1857 and 1893. He wrote to his daughter Sarah and granddaughter Angelina Hamilton extensively, offering advice on education, reassurance about Sarah's intellectual development, news about his activities and current events, family and financial matters, and recollections of his younger days. He referenced major sociopolitical issues of the time, such as women's suffrage and temperance (with content on the Woman's Christian Temperance Union). Weld wrote about and provided updates on many family members and friends, including the Shepards, the Birneys, Archibald Grimké, Francis Grimké, Charles Stuart Weld, Anna Harvell Weld, William Hamilton, Angelina Hamilton, and Angelina Grimké Weld.

Notable letters include:

• Series of five letters related to his 1862-1863 lecture tour, including a November 23 letter respecting his speech at Boston's Music Hall. Following the lecture, Senator Charles Sumner thanked Weld profusely for his The Power of Congress Over the District of Columbia (1838) and remarked on recent interviews with President Lincoln over the subject of emancipation. His letter to Sarah Weld dated [November] 24, 1862, contains remarks on a visit with John Greenleaf Whittier.
• May 20, 1863: Mentions a combat injury sustained by James G. Birney's son David Bell Birney ("All the Birneys were in the thick of the fight at Chancellorsville").
• His letters addressed the ill-will that developed between Sarah and her sister-in-law, Anna Harvell Weld. Theodore Weld's remarks on the relationship and his efforts to understand the tension may be found especially in his letters of April 30, 1877; February 23, 1883; and July 12, 1890.
• January 26, 1880: Discusses his lectures on women's suffrage.
• January 6, 1883: Reflects on the death of Mary Anna, with remarks on the emancipation of "Aunty Betsey Dawson" in the 1820s and on Mary Anna's moral courage and self-sacrifice.
• July 25, 1885: Reassures his pregnant daughter, who had expressed fears about dying in childbirth.

Angelina E. Grimké Weld's approximately 260 letters date from 1857 to 1878 (over 170 of them undated). She sent the majority of them to her daughter Sarah or granddaughter Angelina ("Nina"). The primary topics of conversation included food, housekeeping and home renovations, visiting lecturers, financial matters, health concerns, and politics. She also supplied news about Samuel Chace, Archibald Grimké, William Hamilton, Angelina Hamilton, Anna Harvell, the Haskells, the Mosleys, Gerrit Smith's family, the Philbricks, Charles Stuart Weld, Theodore Dwight Weld, and Theodore Grimké Weld.

Angelina Weld provided her daughter with motherly support, shown, for example, by an undated letter (January 20). In it, she addressed Sarah Weld Hamilton's concerns that "little Nina" showed preference to her father William Hamilton, by describing the jealousy she [Angelina] sometimes felt toward her sister Sarah M. Grimké, whom she recognized as having a closer relationship with Angelina Weld's children than they had with their mother. Angelina assured her daughter that she understood her feelings--and that Angelina felt relief when Sarah Moore Grimké moved out of their household.

Angelina Weld wrote multiple letters about the presidential election of 1876, including a compelling discussion of President Hayes' Cabinet and the appointment of Frederick Douglass as Marshall of the District of Columbia. On the latter, she remarked that it must have been hard "for the Democrats to swallow this, and yet I suppose as politicians the hope of the Colored vote to help them into office in future" was a factor in Douglass' confirmation. She believed that the strife of party politics would ultimately work to resolve "the most difficult problem of our day," the reconciliation of the black and white races (March 18, [1877]).

Sarah Moore Grimké's letters to her niece Sarah Weld (later Hamilton), number roughly 100 and span 1853 to 1869 (bulk 1862-1869). Her letters to Sarah offer a glimpse into their relationship, in which Aunt Sarah demonstrated a deep interest in her niece's life, offering educational advice (see for example her undated letter in which she encouraged her niece to pursue courses that would lead to a diploma), expressing concern for Sarah's physical and mental well-being, and discussing her niece's financial concerns/school expenses. Sarah M. Grimké also kept her niece abreast of family news, including details about the mental health struggles of "Sodie"/"Sody" (Theodore Grimké Weld) and the family's efforts to "cure" him (see especially June 10, 1863, and August 22, 1875). She also discussed literature (including Les Miserables in three letters in 1862 and 1863) and politics. Sarah M. Grimké provided updates on and news about Theodore Grimké Weld, the Birneys, Gerritt Smith, Lucy McKim Garrison, Charles Stuart Weld, and Julia Tappan.

Sarah Moore Grimké sent two letters to her niece and nephews while in Washington, D.C., 1853-1854:

• [December 26, 1853 or January 2, 1854?], to Sarah, Charles, and Theodore G. Weld: Offers vivid descriptions of the Capitol building, the Senate and House chambers, and the U.S. Supreme Court. She informed her niece and nephews that she sat in the Chief Justice's chair and proclaimed that perhaps a woman would someday occupy the seat--an act that "amused" her companions. She described the John Trumbull paintings in the Capitol rotunda and noted that the empty alcove would be suitable for another once the slaves were emancipated.
• [March 3, 1854?], to Sarah Weld: Comments that she will be leaving the city soon, but has not yet visited Mount Vernon. She reconciles herself by noting that "although [George] Washington may have done right in his day, yet his achievements in the cause of liberty are connected with cruelty & slaughter, and fail to inspire the mind with that sacred feeling of reverence, which we experience in contemplating the characters of Howard & Fry, of Oberlin and Chisolm." She then describes an incident in which a tall, stalwart, and fiercely angry white man dragged a young African American boy onto the Capitol yard in order to beat him for an alleged verbal slight. Following Sarah Grimké's intervention, which prevented the battery, she followed the aggressor long enough to witness him greeting a young child with great tenderness and affection. The lesson of the experience, she informed her niece and nephews, was that "we are two beings just as the evil or the good spirit has possession of us...let us try to be always under the influence of the good."

Sarah Weld Hamilton's letters, about 120 in total, address women's rights and writing submissions to serials including the Independent (1869-early 1870s), her relationship with William Hamilton and her parents' disapproval of him (see especially October 28, 1869, and June 13, 1871), religion, and temperance. She later wrote about child rearing, family matters, visits to Cambridge and Boston (see especially October 21, 1891, in which she reminisces at length about her youth). Sarah included updates on and anecdotes about the Badger family, William Hamilton, Mary Livermore, the Blackwell family, her parents, Julia Ward Howe and her daughter Laura, "Lizzie" [Elizabeth A. L. Cram], Lucy Shepard, Thomas Hill, and Lucy Stone. Selected examples include:

• November 29, 1869, to William Hamilton: Explanation of her views on women's roles, firmly stating her belief that women should be able to support themselves and not be dependent upon their husbands.
• January 16, 1870, to William Hamilton: Description of Sarah Weld's responsibilities and fellow workers at the Woman's Journal office.
• March 6, 1870, to William Hamilton: Mention of an "octogenarian Grimké" at a women's meeting and a reevaluation of her initial impressions of Julia Ward Howe.
• March 13, 1870, to William Hamilton: Description of voting at Hyde Park with a group of women and the reactions of the men present. In her subsequent letters to William Hamilton, she remarks that he probably views the act as "play-voting," and offers her perspectives on the women's rights movement.
• October 6-31, 1891, to Angelina Hamilton: Eight letters to her daughter while visiting Cambridge, Boston, and Hyde Park, with her father Theodore D. Weld. She offered lengthy recollections of her youth and discussed meetings with children and grandchildren of her parents' friends (Smiths, Wrights, Badgers, Garrisons, et al.), and provided explanations to help her daughter contextualize the information.

William Hamilton wrote about 40 letters between 1870 and 1899, primarily about his health, his wife Sarah's health and death, his daughter Angelina, and his work in various educational and occupational endeavors (ministry, law, trade, and lumbering). Of particular note are his letters to Sarah written while conducting business both in and around Washington D.C. A few examples include:

• July 14, 1870 to Sarah Hamilton: discusses his recurring/continual health problems, which the doctor diagnosed as a disease "of a nervous character."
• August 10, 1872-September 13, 1872, to Sarah Weld Hamilton: Twelve letters to his wife respecting travel and a visit to Washington, D.C., and his return trip to Boston. He described the city in detail, discussing government buildings, the city layout, and General Lee's house. He provided commentary on the presidential contest between Horace Greeley and incumbent president Ulysses S. Grant. On August 29, he noted: "the little I am able to gather about politics here, is that the Negroes are very nearly a unit for Grant--that the old Virginians are all nearly for Greeley and that more recent inhabitants are variously disposed."
• November 6, 1898, to Angelina Hamilton: Discusses Angelina's ethical and spiritual concerns as they relate to practicing as a physician. Offers advice about the dangers of professional rivals, citing Dr. Luella Day as an example.
• January 28, 1899-February 3, 1899, to Angelina Hamilton: Four letters respecting the final sickness ("brain hemorrhage" followed by a coma), death, and funeral of her mother.

Charles Stuart Faucheraud Weld's 10 letters date from 1868 to 1895 and primarily revolve around his duties/role as a son and brother. He wrote about US-European finance, Unitarianism and Dwight L. Moody, his aging parents' health, his efforts to help his brother Theodore engage with others, the death of Theodore D. Weld, and current writing. Charles Weld's wife Anna Harvell Weld sent approximately 50 letters between 1877 and 1895, and was a main source of news for Sarah Hamilton regarding the well-being of Sarah's father, Theodore Dwight Weld, and brother, Theodore G. Weld. Her correspondence also reflects the growing tension that existed between Sarah and herself. A later source of conflict was Sarah Weld Hamilton's desire to write a book about her father's life and her accompanying quest for supporting materials. Anna Harvell Weld also discussed Francis Grimké, Archibald Grimké, Theodore Dwight Weld, Theodore Grimké Weld, and Charles Stuart Weld. Examples of Anna Weld's letters include:

• July 27, 1889, to William Hamilton: Asking for his assistance in stopping Sarah from writing a book about Theodore D. Weld.
• February 12, 1890, to Sarah Hamilton: Anna tells Sarah that Theodore Dwight Weld does not want a book written about him.
• February 16, 1892, to Sarah Hamilton: If someone is going to write about Theodore D. Weld, it should be his nephew, Archibald.
• [postmarked February 3, 1894] to William Hamilton: Discussing Sody's living arrangements. Anna remarks that since Angelina Weld's death, no one has had control over Sody. She doesn't fully agree with sending him to an asylum and had hoped that William and Sarah Hamilton would take him. She refers to Sarah's claim that Sody had made an inappropriate advance towards Sarah, which Anna believes is either a misinterpretation or a faulty memory.

Angelina Grimké Hamilton wrote approximately 30 letters between 1878 and 1899, offering insight into her education and work towards becoming a physician. Her letters pertain to childhood activities, food, family, medical duties/work, and school. Of particular note are the letters she sent between December 9, 1892, and December 16, 1896, to Sarah, William, and Nettie Hamilton. In them, Angelina wrote about her time at Hahnemann Medical College and subsequent internship. She discussed her classes and clinical work, which included dressing a scalded arm, giving children vaccinations, and tending to a sprained ankle. She briefly mentioned visits to the Art Institute (March 5, 1893) and the Columbian Exhibition (February 19, 1893).

In 1868, the Grimké sisters discovered that they had nephews living in Washington, D.C. Although the Weld-Grimké Family Papers do not contain any letters by Archibald, and only two by Francis Grimké (October 31, 1879; November 6, [1879]), the correspondence does include many references to their education, activities, careers, and families. A few examples include:

• July 31, 1868, Sarah Moore Grimké to Sarah Weld: Reference to her "newly found" nephews.
• January 12, 1876, Theodore D. Weld to William and Sarah Hamilton: Brief remarks on Archibald Grimké's admission to the bar: "Mr. B. prophesies that A. will soon attain a position that few lawyers secure when so young. When he was admitted to the bar of the Supreme Court on motion of Mr. Sewall, he was warmly welcomed. One of the prominent lawyers, Mr. Shattuck took him by the hand and said 'Mr. Grimke welcome to our fraternity. From what I hear of you, I doubt not that you will be an honor to the Boston bar.'"
• March 28, 1880, and May 1, 1880, Theodore D. Weld to Sarah Weld Hamilton: Remarks on the birth of Angelina Weld Grimké (NB: who would become a prominent writer, poet, and activist for African American rights in the 20th century).
• February 23, 1883, Theodore D. Weld to Sarah Hamilton: Lengthy description of Francis Grimke's recent week-long visit, his sermon at the Orthodox Church, his Presbyterian congregation in Washington, D.C., and other subjects.
• April 26, 1885, Theodore D. Weld to Sarah Hamilton: Theodore is the only person that has complete information about the departure of Archibald Grimké's wife Sarah Stanley and their daughter Angelina, outside the parties directly involved. While not at liberty to reveal much detail, Theodore provides Sarah with his perspectives on the separation.

The Diaries series contains 16 diaries: Nine by Sarah Grimké, seven by Angelina Grimké, and one by Louis Weld. Sarah's diaries date from 1819 to 1836 and they contain poetry, copies of Bible passages, and her thoughts on religion and marriage. She also reflected on women's issues, on her experiences as a Quaker, and about her daily experiences. Angelina's diaries date from 1828 to approximately 1835 and record her struggles with her transition between the Presbyterian and Quaker faiths, her relationship with Sarah, and her reasons for opposing slavery. The "Angelina Grimké Manuscript, 1832-1833" (beginning, "I think I have sincerely desired to receive a right qualification...") relates to her courtship with Edward Bettle, who died of cholera in 1832.

The Notebooks and Writings series consists of essays, lecture notes, and 39 notebooks kept by various members of the Weld-Grimké family. Theodore Weld's essays cover a diversity of subjects, including the oppression of women, Shakespeare's works, William Lloyd Garrison, abolition, and subjects related to political philosophy. Approximately eight notebooks belonging to Sarah are also in the collection; these include essays on women's political rights, the education of women, and the status of women in society. Her essays, "Sisters of Charity" and "The Condition of Woman" are some of the notebooks with titles. The series also includes Angelina's lecture notes and several undated autobiographical essays by Weld and his children. Of particular note is a biography of Weld written on 22 notepads by his daughter Sarah Grimké Weld Hamilton.

The Photographs series contains loose images in multiple photographic formats, including 18 cartes de visite, 17 cabinet cards, 5 developing out prints, 1 card mounted photograph, and 1 quarter-plate daguerreotype of the Weld-Grimké family by Greenleaf Weld. Also present are a Weld family album of cartes de visite and a photo album related to Eagleswood Academy, containing cartes de visite and tintypes.

The Printed Items series is made up of nearly 200 newspaper clippings, pamphlets, broadsides, and cards. The clippings mainly pertain to the topics of slavery and the abolition movement, although some also concern women's rights and the legacies of Theodore Weld and the Grimké sisters. Also included are family members' obituaries, including those of Sarah Moore Grimké. Nine family Bibles and Books of Common Prayer are also included, dating from 1740 to ca. 1921.

The Realia and Ephemera series contains several linear feet of three-dimensional objects associated with the Weld-Grimké family, including hair, Chinese ivory sewing box (gift of Benjamin Grimké), a cameo brooch, Angelina's eyeglasses and case, a silver Addison watch, a quilt presented by Eagleswood students, and a pocketknife belonging to Theodore Weld, a Chinese fan, a silhouette of Angelina G. Weld, and 17 elegant hand-cut valentines. Most of the items date to the mid-19th century.

In addition to this finding aid, the Clements Library has created a comprehensive writer index, which identifies letters acquired by the Clements Library in 2012 and letters published in Barnes and Dumond: Weld-Grimké Family Papers Writer Index.