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The Howard F. Barnum World War I photograph album contains 216 items relating to Barnum's service during the war. A majority of the collection are personal photo-postcards of his time overseas and postcards from his travels with the Army of Occupation in France, Germany, and Luxembourg. Also included are photographs, letters, a print, and ephemera.

The Howard F. Barnum World War I photograph album contains 216 items relating to Barnum's service in the American Expeditionary Forces. The majority of the collection is comprised of personal photo-postcards of his time overseas and postcards from his travels with the Army of Occupation in France, Germany, and Luxembourg. Also included are photographs, letters, a print, and ephemera.

The album begins with 92 personal photo-postcards, many of which have a short handwritten caption on the front. The majority were taken while Barnum was stationed near the Rhine River, in Mayen, Germany. They show daily life, the ammunition dump, M.O.R.S. details, studio portraits, monuments and castles along the Rhine, and a Rhine River boat tour. One image is of the men he served with, "Billet #6," and lists the name and hometown of each man. There are a few images included from his training at Camp Hancock in Augusta, Georgia.

Seemingly unrelated to Barnum’s service, are five photos likely taken in the United States of construction on a neighborhood street. Following, are an image of captured American soldiers, one of a simulated gas attack, and 15 smaller images similar in content to the photo-postcards. Most of these smaller images have handwritten captions on the back.

This album includes a total of 78 picture postcards include a complete collection of 20 black and white views from the painting Panthéon de la Guerre. Other locations depicted include Paris, Southampton, Koblenz, and Camp Dodge and Rock Island in the United States

The last portion of the album contains ephemera from Barnum's military service, with the exception of one letter from August 6, 1905 written by Barnum to his mother while on vacation with his father and brother. Other items include the board game Trench Checkers, a Third Army Carnival program, a Mother’s Day pamphlet, an honorable discharge chevron, a USS Santa Paula billet card, and a "Souvenir Roster of the New York Masonic Club of the Army of Occupation."

The Islamic Art Archives is composed of six collections, including those of Mehmet Ağa-Oğlu, Arthur Upham Pope, Donald Newton Wilber, Oleg Grabar, Marianna Shreve Simpson, and the Afghanistan Archaeological Remains Photographs Collection. The collection also includes photographic prints of the pages of the illustrated manuscripts Maqamat and Shah Nama, and additional photographs of Islamic architecture.

The Islamic Art Archives is composed of six collections, including those of Mehmet Ağa-Oğlu, Arthur Upham Pope, Donald Newton Wilber, Oleg Grabar, Marianna Shreve Simpson, and the Afghanistan Archaeological Remains Photograph. The Mehmet Ağa-Oğlu collection documents the Islamic and pre-Islamic art and architecture of the Middle East, Persia, the Caucasus, Western Asia, North Africa, and Southern Spain. Arthur Upham Pope focused primarily on Persian architecture and monuments, but his collection also includes photographs of Persian ceramics, textiles, and illustrated manuscripts. Wilber, Pope's colleague, also primarily studied Iranian monuments but he focused on those built during the Achaemenid and Sasanian empires. Oleg Grabar's work focused on the architecture of the seventh and eighth centuries of the Umayyad dynasty, the architecture of Jerusalem under Islamic rule, Arabic and Persian illustrated manuscripts and ornaments, and contemporary Islamic architecture. On the other hand, the Afghanistan Archaeological Remains Photograph collection depicts Afghanistan sculptures, statues, figural reliefs, pottery, and other archaeological remains, the majority of which are from the Kabul Museum in Afghanistan. Finally, Dr. Simpson's collection documents her work and her notes from her study of Islamic manuscripts around the world. The collection also includes photographic prints of the pages of the illustrated manuscripts Maqamat and Shah Nama.

Professor of English in the College of Engineering at University of Michigan, and student of songs and folklore of the Great Lakes. Correspondence, 1931-1956, bibliographic notecards on Great Lakes and Michigan folklore, unpublished manuscript entitled, "The Great Lakes", recordings of Great Lakes folk music, transcribed lyrics for the folksongs, notes, books and newspaper clippings on topics relating to folklore and history of the Great Lakes; and photographs.

The Ivan Walton collection documents Professor Walton's persistent efforts over a period of several decades to gather and preserve the cultural heritage of the Great Lakes, and to make its existence and significance known to his colleagues and the general public.

The collection is organized into eleven major series: Correspondence; Michigan Folklore Society; Field notes and logs; Student class notes; Research materials; Research notes (paper slips); 3x5 card files; Walton manuscripts; Transcripts; Photographs; and Sound recordings. In addition, Box 1 contains the Introductory series that includes the 1979 finding aid to the collection, prepared by Wil Rollman and Cheryl Baker under the auspices of the Michigan Sea Grant Program. Researchers should be advised that the 1979 finding aid contains some inacuracies.

Papers of Dr. Jack Kevorkian (1928-2011), medical pathologist, social activist, advocate for the terminally ill patient's right to die and physician-assisted suicide (which Kevorkian called "Medicide"), author, artist, and musician. By his own estimation, Dr. Kevorkian assisted in the suicides of more than 100 terminally ill people between 1990 and 1998. Kevorkian was acquitted in three physician-assisted suicide trials, and a mistrial was declared in the fourth. In a fifth trial, he was convicted of second-degree murder after administering a lethal injection and served eight years in prison. The collection includes materials related to the Kevorkian family (personal and business records, correspondence, photographs, and audiovisual recordings); Jack Kevorkian's research files and files related to Medicide (files related to the physician-assisted suicides and recordings of Kevorkian's consultations with the terminally ill); and miscellaneous papers (his personal and professional correspondence, published works and manuscript drafts, records related to his court trials, photographs, recordings of news coverage and interviews, audio recordings of Kevorkian's music, and images of his art).

The Jack Kevorkian Papers are arranged into five series: Kevorkian Family, Research and Practice, Morganroth & Morganroth, Personal Interests, and Medicide Files.

The Kevorkian Family papers mostly include correspondence, recollections, photographs, and video and audio recordings of family gatherings. The Research and Practice series contains Kevorkian's correspondence on scientific subjects, his research files, and Kevorkian's articles on various medical, ethical, and bioethical topics. Also included are recorded interviews and media segments featuring Kevorkian as well as media reports about his activities and court trials. Materials in the Personal Interests series include sheet music of Kevorkian's musical compositions, recordings of Kevorkian playing music, reproductions of his paintings, publicity regarding exhibits of his art, and a sample of collected books. The Morganroth & Morganroth series includes materials used during the court trials, such as correspondence and Kevorkian's research as well as the script of the HBO film, You Don't Know Jack, annotated by Mayer Morganroth. The Medicide Files series contains the files of the terminally ill patients who had asked him assist in ending their lives and who he helped in doing so. Medicide files include correspondence between Kevorkian and his consulting "patients" and their families, photographs, and forms developed by Kevorkian as well as recordings of consultations.

John J. Loughray's collection of materials relating to the history of Northern Michigan, particularly Roscommon County and logging activity.

The John J. Loughray collection contains photographs, postcards, printed histories, plat maps, and reminiscences relating to the history of Roscommon County, Mich., particularly Houghton Lake, Prudenville, and Roscommon as well as the logging industry. Visual materials include photographs of logging activities and locations within Northern Michigan and Loughray and his family and maps of Roscommon County. The collection also includes a documentary video, "Sawdust and Shanty Boys: Logging the Saginaw Valley White Pine," copyright 2006. The materials are arranged alphabetically by area/subject name.

Kalamazoo, Michigan newspaperman; papers relating to his career in journalism and to his trip to the Far East in 1940.

The Walsh papers includes scattered materials relating to his career as a newspaperman. The bulk of the collection concerns the flight of American newspapermen aboard a clipper plane to the South Pacific prior to World War II. Other materials relate to the history and operation of the Kalamazoo Gazette. Items of interest include research material concerning Dr. William E. Upjohn and the history of the Upjohn family. There is also correspondence received, 1929-1930, supporting the newspaper's editorial position regarding enforcement of the 18th Amendment. Some of the correspondents in the collection include: Caroline Bartlett Crane, Fred W. Green, Frank Murphy, Chase S. Osborn, Franklin D. Roosevelt, Arthur H. Vandenberg, and Wendell L. Willkie.

The John P. Cook photograph collection contains 9 photographs associated with U.S. Army officer John Pope Cook, including 7 images given to Cook by Dakota Territory-based Indian trader Charles Philander Jordan.

The John P. Cook photograph collection contains 9 photographs associated with U.S. Army officer John Pope Cook, including 7 images given to Cook by Dakota Territory-based Indian trader Charles Philander Jordan.

Among the photographs that were given to Cook by Jordan are a heavily retouched cabinet card studio portrait of Sitting Bull and a stereograph view on a cabinet card-sized mount captioned "No. 45 Spotted Tail's Tepee," both taken by photographer W. R. Cross; a studio group portrait of Red Cloud and Charles P. Jordan on a mount of Washington, D.C.-based photographer John Nephew bearing the verso inscription "To my most esteemed friend Gen. John Cook. C. P. Jordan July 9/89"; and five studio portrait photographs taken by John Alvin Anderson of six of Jordan's children born to his Lakota wife Julia Walks First Jordan (1859-1913; a niece of Red Cloud's, also known as Winyan Hoaka, True Woman, Weah-Wash-Tay, The Beautiful One), identified through verso inscriptions as "Mary J. Jordan," "Everard Cady Jordan," "Collins Custer Jordan," "Edwin E. & Wm Ward Jordan," and "Ella Adaline Jordan." The date and location of the portrait of Red Cloud and Jordan may point to the possibility of that image having been produced while the subjects were in Washington, D.C., during the 1889 Sioux Land Commission negotiations.

Also present are two photomechanically-illustrated postcards that date to the early 20th-century. One postcard bearing an advertisement for the Northern Pacific Railway was postmarked June 11, 1915 and addressed to John P. Cook's daughter Nina Cook in Frontier, Michigan, with the message "Dear Nina: I am on my way wish you were with me love Fred." The second postcard bears a profile view of the U.S.S. Nebraska and appears to have been postmarked August 1, 1910 and was addressed to Cook at his residence in Ransom, Michigan, with the message "Dear cousin sorry to make you all wait so long for ans (sic) to your kind letters but can't be helped this is a photo of one of the ships with the Atlantic fleet."

This collection is made up of the incoming and outgoing World War II-era correspondence of John T. McHale, Jr., of Washington, D.C., and his wife, Betty Jane Henery of Zanesville, Ohio. John wrote to Betty while serving in the United States Army Air Forces, and the couple received letters from family members, servicemen, and Betty's female acquaintances.

This collection is made up of the incoming and outgoing World War II-era correspondence of John T. McHale, Jr., of Washington, D.C., and his wife, Betty Jane Henery of Zanesville, Ohio. John wrote around 220 letters to Betty while serving in the United States Army Air Forces, and Betty wrote about 50 letters to John about her experiences while he was away. The couple also received letters from family members, servicemen, and Betty's female acquaintances.

The bulk of the collection is comprised of Correspondence, particularly the letters that John T. and Betty McHale exchanged during the war. Their letters document several aspects of their relationship, including the effects of lengthy periods of separation. In his early letters (April 1943-September 1943), John T. McHale commented on aspects of military life and training at various stations in the United States, and Betty initially wrote about her experiences in Albuquerque, New Mexico, where she was a member of an orchestra. From October 1944-October 1945, McHale wrote from Hawaii, New Guinea, and the Dutch East Indies (now Indonesia), where he was a pilot with the 7th Combat Cargo Squadron, Fifth Air Force. He mentioned the "Tokyo Rose" radio broadcasts and frequent bombing raids by Japanese planes. In March 1945, his squadron celebrated the birth of his son. By the summer of 1945, McHale was stationed in the Philippines, where he noticed the destructive effects of the war on Manila, and he was later based in Okinawa and at the Yokota Army Airfield near Tokyo. In October 1945, he anticipated his return to the United States.

John T. and Betty McHale received letters from many correspondents during the war, particularly from their parents and from Betty's female friends from her time in Albuquerque. Marvel Goodman and others commented on their lives after their orchestra dispersed in 1943. Infrequent postwar letters from acquaintances are dated as late as 1948, and Andrew H. Henery sent a birth announcement for his son in 1952.

Receipts and Ephemera include greeting cards, a church program, birth announcements for John T. McHale III, receipts, a financial voucher, and a list of postwar addresses for a group of military officers.

This collection primarily consists of letters written by Captain Joseph Carson during his service with the United States Army's Ordnance Department in France from 1918 to 1919. Additional material includes letters written to Carson by his father, Hampton L. Carson, and by several of his friends. Carson wrote about army life in France during the last stages of the war and in the months immediately following the Armistice.

This collection primarily consists of letters written by Captain Joseph Carson during his service with the United States Army's Ordnance Department in France from 1918 to 1919. The first item in the collection is "Excerpts from Dr. Willard's Letter" (three typed pages) dated June 3, 1917, in which the doctor described a visit to London that included tours of several military hospitals. Carson's letters, written between his arrival in France in September 1918 and his departure for the United States in February 1919, are addressed to his mother, father, wife, and daughter, Sarah Whelen Carson (a single letter, dated November 6, 1918). He described the scenery and wrote of his work in the army, far behind the front lines. On November 6, 1918, he drew a small map of his location at a military post, and in a separate letter of the same date enclosed a photograph. In mid-November, he reflected on the armistice and on local celebrations, and looked forward to returning home early the following year. His post-armistice letters are dated from Tours, France, and include discussions of courts martial held in mid-January 1919. In addition to his outgoing correspondence, the collection holds a handful of incoming letters Carson received from his father, Hampton Lawrence Carson, and from other acquaintances, as well as a typed poem entitled "Richard C. Nevil" (November 30, 1918). Also included is a postcard to Carson's wife from Edward P. Hamilton of the 306th Field Artillery Regiment, which depicts the Palace of Fontainebleau (January 3, 1918).

This collection contains 29 incoming letters, written on postal cards, to the superintendent of the Kansas Insane Asylum at Osawatomie, Kansas, between 1873 and 1876. Sixteen of these cards pertain to general administration of the asylum, employment matters, personal subjects, and other topics, while 13 cards regard patients. The correspondence respecting patients are requests for health and update information about relatives and friends; two are requests for the admission of patients.

This collection contains of 29 incoming letters, written on postal cards, to the Kansas Insane Asylum at Osawatomie, Kansas, between 1873 and 1876. Sixteen of these cards pertain to general administration of the asylum, employment matters, personal subjects, and other topics, while 13 cards regard patients. The correspondence respecting patients are requests for health and update information about relatives and friends; two are requests for the admission of patients.

Custom printed United States postal cards include one from the "Kansas State Agricultural College, PRESIDENTS OFFICE", Manhattan, Kansas; a "Paola, Kansas", "The MIAMI COUNTRY MEDICAL SOCIETY" invitation; and one invitation to the "Young Men's O.A.M. Dancing Club" [Paola, Kansas?].

• Blacker, Mrs. (husband W. T. Blacker of Williamstown, Kansas, February 6, 1876)
• Chase, Cyrenus F. (wife Jane E. Chase of Parsons, Kansas, June 23, 1874)
• Chatham, John A. (wife Sophia Chatham of Topeka, Kansas, [post November 5, 1874], May 25, 1875, and [post July 13, 1875])
• Coleman, Elizabeth (guardians W. H. Cox and F. M. Coalman of Elk City, Kansas, November 3, 1874)
• Gifferd, William (brother Joseph Gifferd of Olathe, Kansas, September 27, 1875)
• Williams, George (son Thomas Williams of Parsons, Kansas, March 4, 1874, and May 24, 1874)
• Wood, Mr. (wife Martha A. Wood of Barry, Illinois, September 27, 1875)