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This collection is made up of Robert Preston's letters to his parents about his service in the United States Navy during World War II. Preston repaired aircraft and supervised metal shops at the Norfolk Air Station and on Chincoteague Island, Virginia.

This collection (87 items) contains 83 letters, 1 postcard, and 1 telegram that Robert Preston sent to his mother and stepfather, Eva and Frank Lakewitz of Baltimore, Maryland, from March 5, 1942-April 20, 1943, while serving in the United States Navy, as well as 1 letter from his wife Dotty (April 24, 1942). The final item is a photographic greeting card with an informal portrait of a man and woman (January 10, 1945).

Robert Preston wrote about his arrival at Norfolk, Virginia; his work repairing airplanes and supervising metal shops at Norfolk Air Station and Chincoteague Island, Virginia; and other aspects of his daily life. He sometimes mentioned his wife and their young daughter Mary Jane. In his letter of September 5, 1942, he noted that some money had been stolen out of his wallet, and, on September 19, 1942, he reported that the culprit had been dishonorably discharged and sentenced to 5 years in prison. Preston occasionally flew in military aircraft. He described fatal crashes in his letters of November 15, 1942; February 21, 1943; and April 4, 1943.

Preston wrote 2 early letters on stationery with printed paintings of navy vessels and aircraft and sent his mother an illustrated Mother's Day telegram from Western Union (undated). Some of his letters and envelopes have cartoonish drawings of sailors or other men (December 29, 1942, et al.). He drew a diagram of part of a car (October 22, 1942) and a picture of an airplane instrument he built (October 26, 1942).

The Renwick family correspondence is made up of the World War II-era letters of John and Violet Renwick of Durhamville, New York, and their sons George and John. The Renwick brothers, who both served in the United States Navy, discussed aspects of their service and their parents and friends shared news from home.

The Renwick family correspondence is made up 90 World War II-era letters of John and Violet Renwick of Durhamville, New York, and their sons George and John, both of whom served in the United States Navy. The collection has three main groups of letters, which overlap chronologically: letters from John E. Renwick to John and Violet Renwick; letters from John and Violet Renwick to George Renwick; and letters to George Renwick from friends in New York.

John Renwick's letters to his parents primarily regard his initial induction into the navy in Albany, New York, his time at the US Naval Training Station in Newport, Rhode Island, and his experiences working in a store at Naval Air Station Pensacola in 1942 and 1943. He wrote infrequently throughout the remainder of the war and into the postwar years, when he described his life in Brookhaven, Mississippi.

John and Violet Renwick's letters to their son George provide news of family and friends in New York. Violet Renwick often commented on her health problems, urged George to remain safe, and expressed her concerns during George's hospitalization for "stomach trouble" in the summer of 1944. George's other correspondents, who were primarily women, wrote about life in Oneida and Rome, New York, during the war. Both the Renwick family and George's friends mentioned news of other military personnel. A letter from "Eleanor" on January 4, 1944, includes a pencil sketch of a sailor, identified as "you," dreaming on a small tropical island, with a ship in the background.

This collection consists of over 300 letters that Private Albert Starke Drischell wrote to his family in Baldwin, New York, while serving in the United States Army during World War II. The collection also contains letters and postcards that Drischell received during his military service. Drischell wrote about his experiences while training in various camps, participating in an educational program, working with army theatrical groups in the United States and England, and serving in Germany during the last months of the war and the first months of the occupation.

The bulk of this collection (1 linear foot) consists of over 300 letters that Private Albert Starke Drischell wrote to his family in Baldwin, New York, about his experiences in the United States Army from January 21, 1943-December 6, 1945. The collection also contains letters and postcards that Drischell received during his military service and a few ephemera items.

Drischell addressed the majority of his letters to his parents, and occasionally wrote to his younger siblings, Ralph and Ruth. He composed his first letters while at Camp Upton in Long Island, New York, soon after entering the service, and provided his impressions of the camp, his companions, military life, and training exercises. At Camp Swift, Texas, he wrote about his experiences at Texas A&M University, where he was among a group tested for entrance into a selective educational program. After being accepted, he moved to New Mexico and began taking college-level engineering courses at New Mexico College of Agricultural and Mechanical Arts. He and many others found the coursework difficult, and by November he had failed a course and was removed from the program. While in New Mexico, he shared his determination to succeed and gave his opinions of other men in the army, particularly his negative opinions of those who drank to excess (July 8, 1943). He also mentioned his moral objection to the war.

Drischell left New Mexico for Fort Custer, Michigan, where he attended courses in military government and occasionally guarded German prisoners. In one letter, he expressed his fear that soldiers would have difficulty readjusting to civilian life after being schooled in "mass murder" (January 23, 1944). In early 1945, Drischell moved to Camp Reynolds, Pennsylvania, where his unit awaited overseas deployment. He continued to describe his experiences, offered his opinions on the army, and mentioned trips taken to the surrounding towns while on temporary leave. In mid-May 1944, Drischell arrived in Scotland, though he was transferred to England soon after. As part of a replacement battalion, he occupied much of his free time by accompanying women to dances and befriending local families. He also acted in a play put on by the army, and briefly toured with an army theatrical group in the fall of 1944, an experience he enjoyed and hoped to continue in his post-army life. Many of his letters from this time focused on the economic and physical hardships of the war, and other letters mention a visit to London (February 15, 1945), his support for Thomas E. Dewey in the 1944 presidential election (August 6, 1944), George Bernard Shaw's views on capitalism, communism, and democracy (August 8, 1944), and his efforts to obtain conscientious objector status.

After being deployed on the Continent in March 1945, Drischell shared his impressions of the devastated French and German countryside, through which he advanced as part of the 318th Infantry Regiment. After the war, he described the small Austrian town where he was stationed, in which German children born out of wedlock were being "raised for use in foreign lands" (May 16, 1945). Drischell also accounted for the gap in his letters between April and May, when he advanced deep into Germany and Austria and participated in active combat (May 31, 1945, et al.). Freed from the constraints of censorship after V-E day, he reported on some of his combat experiences, and he believed that he never directly killed an enemy soldier. Throughout his European service, Drischell continually voiced his appreciation for the United States and compared it to Europe, occasionally calling his native country a relative "utopia."

Drischell sometimes enclosed souvenirs from his European travels in his letters, including a French 50-franc note (March 25, 1945), German stamps (June 20, 1945), and clippings from the Stars and Stripes and other papers. By late August 1945, he was in Paris as a member of a traveling dramatic troupe, and he wrote less frequently. His final letter, dated December 6, 1945, reveals that he went on tour in Germany.

Additional items include 2 printed church programs from 1944, a newspaper clipping featuring an English unit's canine mascot, and a list of men from St. Peter's Church who served in the war, including Albert S. Drischell. One undated letter fragment from "Iggie" discusses his experiences as a soldier in India, and another by an anonymous writer concerns Drischell's acting and a mutual acquaintance named "Fip."

This collection is made up of the incoming and outgoing World War II-era correspondence of John T. McHale, Jr., of Washington, D.C., and his wife, Betty Jane Henery of Zanesville, Ohio. John wrote to Betty while serving in the United States Army Air Forces, and the couple received letters from family members, servicemen, and Betty's female acquaintances.

This collection is made up of the incoming and outgoing World War II-era correspondence of John T. McHale, Jr., of Washington, D.C., and his wife, Betty Jane Henery of Zanesville, Ohio. John wrote around 220 letters to Betty while serving in the United States Army Air Forces, and Betty wrote about 50 letters to John about her experiences while he was away. The couple also received letters from family members, servicemen, and Betty's female acquaintances.

The bulk of the collection is comprised of Correspondence, particularly the letters that John T. and Betty McHale exchanged during the war. Their letters document several aspects of their relationship, including the effects of lengthy periods of separation. In his early letters (April 1943-September 1943), John T. McHale commented on aspects of military life and training at various stations in the United States, and Betty initially wrote about her experiences in Albuquerque, New Mexico, where she was a member of an orchestra. From October 1944-October 1945, McHale wrote from Hawaii, New Guinea, and the Dutch East Indies (now Indonesia), where he was a pilot with the 7th Combat Cargo Squadron, Fifth Air Force. He mentioned the "Tokyo Rose" radio broadcasts and frequent bombing raids by Japanese planes. In March 1945, his squadron celebrated the birth of his son. By the summer of 1945, McHale was stationed in the Philippines, where he noticed the destructive effects of the war on Manila, and he was later based in Okinawa and at the Yokota Army Airfield near Tokyo. In October 1945, he anticipated his return to the United States.

John T. and Betty McHale received letters from many correspondents during the war, particularly from their parents and from Betty's female friends from her time in Albuquerque. Marvel Goodman and others commented on their lives after their orchestra dispersed in 1943. Infrequent postwar letters from acquaintances are dated as late as 1948, and Andrew H. Henery sent a birth announcement for his son in 1952.

Receipts and Ephemera include greeting cards, a church program, birth announcements for John T. McHale III, receipts, a financial voucher, and a list of postwar addresses for a group of military officers.

A Detroit, Mich. native and a University of Michigan graduate (Class of 1951). As a student, Bratman worked as a reporter and associate editor for the Michigan Daily student newspaper. After graduation, Bratman worked as an editor for various trade publications, including serving as a guest editor at Mademoiselle magazine. Collection includes two scrapbooks and a small collection of papers highlighting social activities and student life on campus, clippings of Michigan Daily articles authored by Bratman, graduation literature, and correspondence.

The collection includes two scrapbooks, one containing newspaper clippings from March of 1949 to November of 1950 (most if not all appear to be Michigan Daily articles authored by Bratman), and a second comprising of graduation literature, correspondence, materials highlighting social activities and her work at Mademoiselle, and several photographs. Also included in the collection papers written for different classes, postcards, and an August 1951 edition of Mademoiselle magazine.

The Penrod/Hiawatha Company collection is mainly comprised of postcards, although some supplemental photographic items directed toward tourists is also included. The postcards, numbering more than 5,000, primarily are of the Michigan landscape and its towns and cities, covering every region of the state. Typical postcard themes dominate, particularly natural scenery, outdoor recreation, and shopping districts. The postcards date from the 1950s through the opening decades of the twenty-first century, although very few display copyright dates. The collection is divided into the following series.

1. Non-Postcard Items (calendars, brochures, booklets): Box 1
2. Non-Penrod/Hiawatha Postcards: Box 2
3. Penrod/Hiawatha Postcards, 1970s-1990s: Boxes 2-5
4. Penrod/Hiawatha Postcards, mid- to late 1990s: Boxes 5-6
5. Penrod/Hiawatha Postcards, late 1990s-2000): Boxes 6-7
6. Penrod/Hiawatha Postcards, 2001-2004: Box 8
7. Penrod/Hiawatha Postcards, 2005-2014: Box 9
8. Oversize and miscellaneous: Box 10

As batches of postcards are received every years, it was decided to arrange the items in blocks of time according to the date of their accession. Thus for the researcher interested in a specific city, it will be necessary to examine the listing for each of the series.

The Afghanistan Archaeological Remains Photograph collection contains photographs, postcards, drawings, and pages of text for an exhibition about Dr. Richard Edward’s Bamiyan photographs of 1968. Most photographs depict archaeological remains from the Begram and Hadda regions of Afghanistan, along with photographs of artifacts from the Kabul Museum. The objects represented in these photographs include sculptures of animals, people, and religious or mythological figures, as well as architectural fragments, medallions, and pottery vessels, made from materials such as glass, stucco, ivory, bronze, schist, and limestone. The Afghanistan Archaeological Remains Photograph collection is part of the Islamic Art Archives collection.

The Afghanistan Archaeological Remains Photograph collection is composed of approximately 1250 photographs, depicting Afghanistan sculptures, statues, figural reliefs, pottery, and other archaeological remains, the majority of which are from the Kabul Museum in Afghanistan. The photographs were largely taken by Dr. Suresh Vasant while other photographers included Dr. Richard Edrwards, Dr. Walter Spink, Dr. John M. Rosenfield, and Horst P. Schastok. Dr. Richard Edwards took his photographs of Bamiyan in 1968, while the others were likely taken by Dr. Suresh Vasant in 1971. There are approximately 64 photographs and 23 postcards from other institutions. Archaeological remains from the Hadda and Begram regions of Afghanistan comprise the majority of the collection, although there are many photographs of the Bamiyan (approx. 119 photographs) and Fauladi (25 photographs) regions, and of objects from the regions Mundigak (approx. 34 photographs), Fondukistan (approx. 23 photographs) and Surkh Kotal (approx. 38 photographs). The photographs highlight objects made of stucco, terracotta, glass, ivory, stone, and schist, and include sculptures of animals, people, and religious or mythological figures, as well as architectural fragments, medallions, and pottery vessels. General views of archaeological sites such as Bamiyan and Fauladi are also depicted in the photographs.The Afghanistan Archaeological Remains Photograph collection is part of the Islamic Art Archives collection.

This is a collection of printed materials and photographs collected by Mary Hunt in preparation for writing Hunts' Guides, a series of Michigan travel books.

This collection contains printed materials and photographs collected by Mary Hunt in preparation for writing the Hunts' Guides series of Michigan travel books. The collection is divided into two series:Printed Materials and Photographs.

The Gerald T. and Charlotte B. Maxson printed ephemera collection contains over 5,000 pieces of assorted ephemera, the majority of which were commercially printed in the United States during the mid to late 19th-century.

The Gerald T. and Charlotte B. Maxson printed ephemera collection contains over 5,000 pieces of assorted ephemera, the majority of which were commercially printed in the United States during the mid to late 19th-century.

The Maxson collection provides a valuable resource for the study of 19th-century visual culture, commercial advertising, and humor in addition to the role of gender, ethnicity, and race in advertising. American businesses are the predominant focus of the collection, though many international businesses are also represented. While trade cards are by far the most prevalent type of ephemera found in this collection, an extensive array of genres are present including die cut scrapbook pieces, photographs, engravings, maps, serials, and manuscript materials.

The 23 binders that house the Maxson collection were arranged by the collectors themselves. Items are organized somewhat randomly in terms of topical arrangement. While pockets of related materials can be found here and there (for instance, the entirety of Volume 16 contains circus-related items while Volume 11 contains an extensive number of Shaker-related materials), for the most part any given subject may appear in any given volume. In some cases, items are clustered as a result of having been acquired together or due to a documented common provenance. Occasional typed annotations written by the Maxsons help provide additional context for certain items.

The Maxson Collection Subject Index serves as a volume-level subject index for materials found throughout the binders. The subjects indexed here are generally representative of both visual and commercial content. In addition to more general subjects, many names of specific people, places, buildings, events, and organizations that appear in the materials have also been listed. Researchers engaging with this collection should be aware that they will encounter numerous examples of racist caricatures, especially ones depicting African American, Native American, Irish, and Chinese people.

The Tyler-Montgomery-Scott family album chronicles multiple generations of the Tyler, Montgomery, and Scott families of the Philadelphia area from the 1860s through the 1930s. It includes approximately 275 items including studio portrait photographs, informal snapshots, newspaper clippings, postcards, letters, and other ephemera.

The Tyler-Montgomery-Scott family album chronicles multiple generations of the Tyler, Montgomery, and Scott families of the Philadelphia area from the 1860s through the 1930s. It includes approximately 275 items including studio portrait photographs, informal snapshots, newspaper clippings, postcards, letters, and other ephemera.

The album (33 x 25.5 cm) is string-bound with grey cloth covers. Most photographs in the album have detailed handwritten captions identifying people, often with their middle or maiden names as well as the location and date. The presentation of the album is not strictly chronological, especially in the latter half. The early generations of Tylers are represented in photographic formats such as cartes-de-visite, tintypes and cabinet cards, while later generations are represented in snapshots and postcards. When the album reaches the mid-twentieth century, it begins to resemble the modern family album with various forms of ephemera (newspaper clippings, drawings, letters, Christmas cards, etc.) supplementing the photographs of family and friends.

The album begins with a portrait of Frederick Tyler, his daughter Sarah Sophia Cowen, granddaughter Kate “Gwen” Cowen Pratt, and great-granddaughter Kate Pratt. George F. and Louisa R. Tyler as well as their children (including Sidney F. and Helen Beach Tyler) are also featured in the initial section of the album, along with many extended family members, friends, nurses, and pets. Among the family friends pictured are painter Frederick Church, writer Bret Harte, Leonor Ruiz de Apodaca y Garcia-Tienza, Gen. William Buel Franklin, patent lawyer and historian Woodbury Lowery, and the Duke and Duchess of Arcos (Jose Ambrosio Brunetti and Virginia Woodbury Lowery Brunetti). Several interior views of rooms in George F. and Louisa R. Tyler’s home on 201 South 15th St. taken in 1896 are also present, including a photograph of the “Children’s play room” that features their granddaughter Hope Binney Tyler Montgomery holding a doll. Hope, her parents Mary W. and Sidney F. Tyler, her husband Robert “Bob” L. Montgomery, and their children Mary, Ives, and Alexander are well-represented in the album.

Of particular interest are a number of photographs in different sections of the album that depict Theodore Roosevelt and his family. Some of these images are formal studio portraits, while others are more candid snapshots of Roosevelt with other people. One snapshot shows the family at play on the grounds of Sagamore Hill in 1897. Two photos taken at the White House including Helen Beach Tyler, daughter of George F. and Louisa R. Tyler and second cousin to Edith Kermit Carow Roosevelt, are labelled “taken by Ted Roosevelt,” possibly referring to President Roosevelt’s son Theodore Roosevelt III. Helen Beach Tyler may be the “Nellie” who was the recipient of a partial letter included in the album which describes conditions at a wartime hospital (most likely in Italy) in 1915. Only the first two pages of this letter are included, and there is no indication of the identity of the writer. Helen Beach Tyler may also have been the principal compiler of this album. Supporting this possibility is the presence of an interior view of a bedroom at 201 South 15th St. (George F. and Louisa R. Tyler’s home) captioned as “Mother’s bedroom,” a signed portrait of Englishman Lytton Sothern captioned “Given to me by Mr. Sothern June 1872. Mr. Edward Sothern & his son Lytton Sothern sat at our table on ‘Oceanic’ my first trip to Europe,” and a portrait of Sara Schott von Schottenstein, Baronin von Prittwitz-Gaffron, bearing the inscription “to her friend Helen Tyler 1880.”

Other items of interest include portraits of Col. August Cleveland Tyler; several portraits of Brig. Gen. Robert Ogden Tyler; a portrait of French pianist Antoine Marmontel captioned “Mr. Marmontel Professor au Conservatoire gave us music lessons in Paris 1873-74”; a group portrait of Helen Beach Tyler, Mary L. Tyler, Alice Seward, Kitty Seward, and Ida Vinton posing with a silhouette of Sidney F. Tyler; photographs of painted portraits of George F. Tyler and Hope Binney Tyler Montgomery; a series of photos taken at the Spanish Embassy in Mexico City, some of which include the Duke and Duchess of Arcos, Woodbury Lowery, and Archibald Lowery; portraits of the Prittwitz-Gaffron family in Germany; photos taken around the world in various locations including Egypt, India, Germany, and Italy; images taken during an exhibition of sculpture by Stella Elkins Tyler (wife of George Frederick Tyler, Jr.), as well as a program from the event; and photos showing the family of Helen Hope and Edgar Scott.