Collections : [University of Michigan William L. Clements Library]

The Evans family photograph collection consists of a six-volume set of albums and approximately 60 loose photographs mainly depicting the immediate family of Lucretia Booth Evans of Riverdale, New York. Three of the albums contain baby pictures of Evans and her brothers Mason and Morgan Jr. while the other three albums focus on family life and vacations taken by the family.

The Evans family photograph collection consists of a six-volume set of albums and approximately 60 loose photographs mainly depicting the immediate family of Lucretia Booth Evans. Three of the albums contain baby pictures of Evans and her brothers Mason and Morgan Jr. while the other three albums focus on family life and vacations travel.

Volume One: The Morgan Evans, Jr. Baby Book album (19.75 x 16.5 cm) contains 12 photographs of Morgan Evans Jr. as a young child. There is one photograph with his maternal grandmother, Susan Edwards Booth Robinson. Evans Jr.’s obituary, World War I draft registration certificate and a lock of his hair from when he was 14 months old are also present.

Volume Two: The Mason Robinson Evans Baby Book album (19.75 x 16.5 cm) contains 34 photographs of Mason Evans as a child. A lock of his hair from when he was 18 months old is also present.

Volume Three: The Lucretia Booth Evans Baby Book album (23.5 x 18.5 cm) contains 9 photographs of Lucretia Evans as a baby. Most pages remain blank, and a lock her hair from when she was 16 months old is also present.

Volume Four: The Point o' Woods album (22.25 x 39.5 cm) contains approximately 175 photographs and several negatives stored behind snapshots. This album focuses on summer trips to Point o' Woods on Fire Island, Suffolk County in New York State during the 1930s. Many of the individuals depicted in this album are identified with captions. Images of note include the aftermath of the September 1938 New England Hurricane.

Volume Five: The Lucretia Evans early adulthood album (26.75 x 34.25 cm) contains approximately 170 photographs and several negatives stored behind snapshots. The images include landscapes from the late 1930s and images of Lucretia's final days at the Baldwin School in Bryn Mawr, Pennsylvania, and her time in school as an X-Ray technician.

Volume Six: The Lucretia Evans travel album (22.75 x 31.75 cm) contains approximately 200 photographs, 4 negatives and 35 pieces of printed ephemera representing trips to the Bahamas, Bermuda, and Canada in the 1950s. Inside the front cover is a 50th wedding anniversary clipping of Kitty and Morgan Evans Sr.

There are approximately 60 loose photographs that range from early 20th century cabinet cards of Kitty Evans' family to a large class picture of Lucretia Evans’ X-Ray Technician class.

The Tyler-Montgomery-Scott family album chronicles multiple generations of the Tyler, Montgomery, and Scott families of the Philadelphia area from the 1860s through the 1930s. It includes approximately 275 items including studio portrait photographs, informal snapshots, newspaper clippings, postcards, letters, and other ephemera.

The Tyler-Montgomery-Scott family album chronicles multiple generations of the Tyler, Montgomery, and Scott families of the Philadelphia area from the 1860s through the 1930s. It includes approximately 275 items including studio portrait photographs, informal snapshots, newspaper clippings, postcards, letters, and other ephemera.

The album (33 x 25.5 cm) is string-bound with grey cloth covers. Most photographs in the album have detailed handwritten captions identifying people, often with their middle or maiden names as well as the location and date. The presentation of the album is not strictly chronological, especially in the latter half. The early generations of Tylers are represented in photographic formats such as cartes-de-visite, tintypes and cabinet cards, while later generations are represented in snapshots and postcards. When the album reaches the mid-twentieth century, it begins to resemble the modern family album with various forms of ephemera (newspaper clippings, drawings, letters, Christmas cards, etc.) supplementing the photographs of family and friends.

The album begins with a portrait of Frederick Tyler, his daughter Sarah Sophia Cowen, granddaughter Kate “Gwen” Cowen Pratt, and great-granddaughter Kate Pratt. George F. and Louisa R. Tyler as well as their children (including Sidney F. and Helen Beach Tyler) are also featured in the initial section of the album, along with many extended family members, friends, nurses, and pets. Among the family friends pictured are painter Frederick Church, writer Bret Harte, Leonor Ruiz de Apodaca y Garcia-Tienza, Gen. William Buel Franklin, patent lawyer and historian Woodbury Lowery, and the Duke and Duchess of Arcos (Jose Ambrosio Brunetti and Virginia Woodbury Lowery Brunetti). Several interior views of rooms in George F. and Louisa R. Tyler’s home on 201 South 15th St. taken in 1896 are also present, including a photograph of the “Children’s play room” that features their granddaughter Hope Binney Tyler Montgomery holding a doll. Hope, her parents Mary W. and Sidney F. Tyler, her husband Robert “Bob” L. Montgomery, and their children Mary, Ives, and Alexander are well-represented in the album.

Of particular interest are a number of photographs in different sections of the album that depict Theodore Roosevelt and his family. Some of these images are formal studio portraits, while others are more candid snapshots of Roosevelt with other people. One snapshot shows the family at play on the grounds of Sagamore Hill in 1897. Two photos taken at the White House including Helen Beach Tyler, daughter of George F. and Louisa R. Tyler and second cousin to Edith Kermit Carow Roosevelt, are labelled “taken by Ted Roosevelt,” possibly referring to President Roosevelt’s son Theodore Roosevelt III. Helen Beach Tyler may be the “Nellie” who was the recipient of a partial letter included in the album which describes conditions at a wartime hospital (most likely in Italy) in 1915. Only the first two pages of this letter are included, and there is no indication of the identity of the writer. Helen Beach Tyler may also have been the principal compiler of this album. Supporting this possibility is the presence of an interior view of a bedroom at 201 South 15th St. (George F. and Louisa R. Tyler’s home) captioned as “Mother’s bedroom,” a signed portrait of Englishman Lytton Sothern captioned “Given to me by Mr. Sothern June 1872. Mr. Edward Sothern & his son Lytton Sothern sat at our table on ‘Oceanic’ my first trip to Europe,” and a portrait of Sara Schott von Schottenstein, Baronin von Prittwitz-Gaffron, bearing the inscription “to her friend Helen Tyler 1880.”

Other items of interest include portraits of Col. August Cleveland Tyler; several portraits of Brig. Gen. Robert Ogden Tyler; a portrait of French pianist Antoine Marmontel captioned “Mr. Marmontel Professor au Conservatoire gave us music lessons in Paris 1873-74”; a group portrait of Helen Beach Tyler, Mary L. Tyler, Alice Seward, Kitty Seward, and Ida Vinton posing with a silhouette of Sidney F. Tyler; photographs of painted portraits of George F. Tyler and Hope Binney Tyler Montgomery; a series of photos taken at the Spanish Embassy in Mexico City, some of which include the Duke and Duchess of Arcos, Woodbury Lowery, and Archibald Lowery; portraits of the Prittwitz-Gaffron family in Germany; photos taken around the world in various locations including Egypt, India, Germany, and Italy; images taken during an exhibition of sculpture by Stella Elkins Tyler (wife of George Frederick Tyler, Jr.), as well as a program from the event; and photos showing the family of Helen Hope and Edgar Scott.

The Florence Romaine collection is comprised of correspondence, documents, genealogies, photographs, scrapbooks, and newspaper clippings related to the Brossard, Draper, and Smith families throughout the 19th and 20th centuries and to the acting career of Florence Smith Romaine.

The Florence Romaine collection (1 linear foot) is comprised of correspondence, documents, genealogies, photographs, scrapbooks, and newspaper clippings related to the Brossard, Draper, and Smith families throughout the 19th and 20th centuries and to the acting career of Florence Smith Romaine.

The Correspondence series (59 items) contains personal letters between members of the Brossard, Draper, and Smith families; many are written in French. Most of the material is dated from 1843-1907; the collection also includes 3 early letters to members of the Brossard family, as well as postcards that Florence Smith Romaine wrote to Grace Maxwell from 1962-1963. The series includes letters to Claude Ferdinand de Brossard from various correspondents; to Ferdinand de Brossard and Jenny de Brossard Draper from their mother, Elizabeth de Brossard; to Elizabeth Brossard from her sister-in-law, Julie de Brossard; to Jenny de Brossard Draper from Seth Enos Smith; and to Florence Smith Romaine from her mother, Jenny Draper Smith, and grandmother, Jenny de Brossard Draper. Other items include 6 letters to C. C. Randall.

The Writings series consists of 3 items by Florence Smith Romaine: a rumination on night written around 1905, a play entitled "The Silver Bell of Hat-Shep-Sut's Cat," and Whistling Bill, a children's book published in 1937.

Documents are divided into three subseries: Legal Documents (7 items), Business Documents (3 items), and Awards and Diplomas (2 items). Legal documents include birth certificates, marriage certificates, and passports related to Claude and Elisabeth Brossard and their descendants, as well as a copy of Florence Smith Romaine's will. Business documents are related to Brossard family accounts. The award and diploma concern Jenny Draper's academic achievements at the Chegaray Institute and a Brossard family member's receipt of the Fleur de Lys.

The Photographs series has two subseries: Photograph Album and Loose Photographs. The photograph album (26 pages) contains 104 cartes-de-visite and tintype studio portraits, including portraits of members of the Brossard, Draper, and Smith families. Two pages from a photograph album of the Romaine family are housed separately. Loose photographs (32 items), including 2 cased items (one housed in the Graphics Division), mostly show Florence Romaine in theatrical costumes; several photographs show members of the Smith and Draper families.

Two Scrapbooks contain newspaper clippings, programs, notes, and other items regarding Florence Romaine's acting career, as well as articles, children's stories, and puzzles that she wrote for The Christian Science Monitor in 1924 and 1925. The Newspaper Clippings (3 items) concern the career of Worthington L. Romaine and the deaths of Seth and Seth E. Smith.

Genealogies and Family Histories consist of a pamphlet about the descendants of Henry and Elizabeth Smith, including Seth Enos Smith and Florence Smith Romaine; manuscript and typed notes pertaining to the Draper and Stull families and to the life of Florence Romaine; and pages from Thomas Waln-Morgan Draper's 1892 genealogy The Drapers in America.

Miscellaneous Items and Fragments (17 items) include notes and poetry (in French), 2 invitations, a copy of a recommendation letter for Father Marie-Joseph de Geramb to the governor of Cairo, and a promotional pamphlet for "Florence May Smith."

This collection contains approximately 50 letters that Private First Class George W. Ingram wrote to his mother and siblings in Boyne City, Michigan, while he served with the United States Army between 1943 and 1945. Ingram corresponded with his family while in training in the United States and while stationed in North Africa, Italy, and southern France with a military police unit. The collection also includes a document, 2 postcards, photographs, a photograph album, and ephemeral items.

This collection contains approximately 50 letters that Private First Class George W. Ingram wrote to his mother and siblings in Boyne City, Michigan, while he served with the United States Army between 1943 and 1945. Ingram corresponded with his family while in training in the United States and while stationed in North Africa, Italy, and southern France with a military police unit. The collection also includes a document, 2 postcards, photographs, a photograph album, and ephemeral items.

The Correspondence series contains George Ingram's letters to his family, as well as 2 postcards and 1 document. He wrote regularly to his mother, Sadie Ingram, and less frequently to his siblings, Bob and Guy, between January 1943 and February 1945. In his earliest letters, he commented on his experiences at Camp Grant, Illinois, and Camp McCoy, Wisconsin, where he attended basic training. By March, he relocated to Camp River Rouge, Michigan, and anticipated being sent to military police training. In July 1943, he reported that he had been deployed overseas as a member of the "149th Prov. M.P. Det.," and that he would help guard prisoners of war.

Ingram wrote about his service in North Africa, Italy, and southern France, and he frequently responded to news of friends from home. He occasionally mentioned his religious habits. After his return to the United States in late 1944, Ingram discussed his wife Betty, expressing hopes that his family would approve of her and inquiring about their opinions of her. He shared some of his postwar plans and related his efforts to obtain a medical discharge from the army. Ingram spent much of early 1945 as a member of the Army Service Forces at Camp Peary, Virginia. Throughout his service, he occasionally wrote on illustrated stationery, and he sent his mother 1 postcard from Wisconsin, which includes an image of two Mongolian pheasants. The series holds a "War Savings Bond Pay Reservation Application," signed by George W. Ingram in January 1943.

The Photographs series includes 4 individual photographs, a photographic negative, and 1 photo album. The photo album (52 pages) contains snapshots and portraits taken primarily in and around Ypsilanti and Ann Arbor, Michigan, between 1941 and 1943. Most pictures depict soldiers, young women, and a baby. Other scenes include St. Petersburg, Florida; Niagara Falls; and the United States Capitol.

The Printed items and ephemera series contains newspaper clippings of a poem and an image of a bride, a certificate for Bob Ingram's service in the United States Crop Corps Victory Farm Volunteers program in 1945, and a booklet illustrating methods for creating shadow illustrations with one's hands.

The Realia series consists of a pair of iron ice tongs.

The Mary Schluchter postcard album contains 60 postcards in a souvenir album. A majority of the postcards were sent to Mary Schluchter of Pigeon, Michigan from both friends and family between 1906 to 1914.

The Mary Schluchter postcard album contains 60 postcards in a souvenir album. A majority of the postcards were sent to Mary Schluchter of Pigeon, Michigan from both friends and family between 1906 to 1914. Much of the content consists of statements of arrivals, wellbeing, and letters to come. A few postcards consist of gossip among friends. The three most frequent senders are Harvey Schluchter (Mary Schluchter's eldest brother), Anna (referred to as a cousin), and Lillian (relation to Mary Schluchter unknown). The postcards were primarily sent from cities throughout Michigan, including Detroit, Saginaw, and Ann Arbor. Other postcards originate from New York, Ontario, Ohio, Illinois, and Minnesota. The postcard images show monuments, nature, and cityscapes from these locations.

The album is 21 x 14 cm with black cloth covers. "Souvenir Cards" is stamped on the front cover in gold.

The Pennsylvania National Guard album contains approximately 250 images pertaining to an unidentified man’s service with the Pennsylvania National Guard Cavalry and his civilian life from circa 1916 to 1918. The vast majority of the photographs are snapshots primarily taken in Pennsylvania, Texas, and New Mexico.

The Pennsylvania National Guard album contains approximately 250 images pertaining to an unidentified man’s service with the Pennsylvania National Guard Cavalry and his civilian life from circa 1916 to 1918. The vast majority of the photographs are snapshots primarily taken in Pennsylvania, Texas, and New Mexico.

A carte de visite and postcard are loose in the front of the album. The carte de visite of an unidentified man photographed in Pottstown, Pennsylvania. The postcard depicts the Basilica of Sainte-Anne-de-Beaupré, Quebec.

The first few pages of photographs depict Mount Gretna, Pennsylvania and show the Pennsylvania National Guard’s encampment, a river (possibly the Susquehanna River), and three men identified as Captain Arthur C. Colahan, Lieutenant Edward Hoopes, and Lieutenant William P. Wattles. Only the first two pages include captions.

The next series of photos likely show the Pennsylvania National Guard's encampment near El Paso, Texas, which they occupied until early 1917. These photos show border patrol, artillery training, drills, supply wagon trains, a polo team, game of baseball, a dust devil, reconnaissance aircraft, cavalry maneuvers, and a cavalry charge.

Interspersed throughout are photographs of civilian and family life. These images include a woman and newborn child, likely the unidentified compiler's wife and child. Some of these photos show picnics, a bullfight, racehorse track, a ranch, and scenic landscapes. Many show small towns and vernacular architecture, specifically mission style which was common to the area. Of particular note is a parade with a large sign, "We're from El Paso Tex/ Berlin or Bust."

The remaining portion of the album contains images of Texas, showing scenes at a park, the Capitol Building, and more family photos. Other identifiable locations include the Alamo, Kern Place, Hotel Sheldon (El Paso, Texas), and Elephant Butte Dam and Reservoir.

The Raymond family travel and portrait photograph album contains approximately 315 items (including photographic prints and illustrated postcards) related to the family, acquaintances, and travels of Francis J. Raymond, Jr., of St. Louis, Missouri.

The Raymond family travel and portrait photograph album contains approximately 315 items (including photographic prints and illustrated postcards) related to the family, acquaintances, and travels of Francis J. Raymond, Jr., of St. Louis, Missouri. The album (25 x 34 cm) has black cloth pages and is largely disbound. The majority of photographs have printed or typewritten captions. Many images are posed individual and group portraits of men, women, and children wearing fashionable clothing in a variety of settings, including on porches, patios, indoors, and beside trains. Several photographs appear to have been taken at the Antler Hotel in Colorado Springs, Colorado, over a number of years, including images taken of a children's party on the hotel lawn replete with a group of Native American performers wearing war bonnets and carrying drums. Francis Raymond, Jr., is also shown visiting Charles L. Raymond and family in Detroit, as well as the Keelyn family and other friends in Los Angeles and Riverside, California. Other images show a golf outing; numerous cats and other animals; attractions in Colorado Springs, including the Cheyenne Mountain Lodge; scenes from Hawaii, including colored commercial prints of Mt. Muana Loa and a portrait of "Phillip Abdul" playing a ukelele on a Honolulu beach; several photographic silhouettes; a beach scene at Northport Point, Michigan; and a cottage at Topinbee, Michigan. Laid in images include two photographs of children's parties in 1917 and 1919, and two family groups from the same period.

This photograph album contains pictures taken during trips to Arizona, California, Colorado, Minnesota, and Michigan around the turn of the 20th century. Subjects include Native American homes, dress, and customs; western scenery; and Midwestern waterfronts and steamships.

The Tourist photograph album (15 x 21 cm) contains approximately 245 pictures from around the Southwest and Midwest United States taken by an unknown photographer around the turn of the 20th century. Southwest photographs include mission churches in California and New Mexico, rock formations, cliff dwellings at Canyon de Chelly and Mesa Verde, Balanced Rock in the Garden of the Gods, and a pueblo. Several photographs feature Native Americans, including: women with traditional squash blossom hair styles; a man carrying a small child in a sling on his back; a woman in a shop with baskets, wool and dry goods; a woman seated in front of a loom with partially finished cloth; a man sitting in a white-washed interior with skeins of wool, holding a spindle with a hand carder at his feet. One photograph shows mummified human remains posed next to a bottle of whiskey and skull, indicating likely tomb desecration. Also included are unidentified Southwestern streets, beach scenes, and the storefront of J.M. Archuleta in Colorado. Midwest photos include images of the Palace of Fine Arts (Museum of Science and Industry) in Chicago, Mackinac Island, the Marquette Monument in St. Ignace, Soo Locks, and the Great Lakes steamer North Land, and a lake and cottage. The Grand Hotel on Mackinac Island and the SS Chief Wawatam are also pictured. Many photographs are significantly faded. Some manuscript captions are included.

The album includes two cyanotypes and a postcard with a cartoon satirizing the Brigham Young's polygamy.

The album has a half bound pebbled leather cover and is stored in a three-part wrap with brown cloth spine.

This collection is made up of correspondence, military documents, photographs, printed items, and ephemera related to Dr. William Jason Mixter, who served in the United States Army during World War I, and his wife Dorothy.

This collection is made up of correspondence, military documents, photographs, printed items, and ephemera related to Dr. William Jason Mixter, who served in the United States Army during World War I, and his wife Dorothy.

The Correspondence series (1.75 linear feet) comprises the bulk of the collection. The first group of correspondence is made up of 48 letters and postcards that William Jason Mixter sent to his wife Dorothy from March 9, 1915-May 21, 1915. He described his voyage to Europe, his brief stay in England, and his experiences working in French hospitals near the war front. His letters include details about his work with specific patients, comments about the sinking of the Lusitania, and other war news.

William Jason and Dorothy Mixter wrote most of the remaining correspondence to each other between May 1917 and April 1918, while William served with Base Hospital No. 6 in France and Base Hospital No. 204 in Hursley, England. He shared anecdotes about his experiences and reported on his medical work. Dorothy provided news of their children and life in Woods Hole, Massachusetts. Their correspondence includes letters, telegrams, and postcards. Other writers include Samuel J. Mixter, Jason's father, who wrote from Boston, Massachusetts, about his daily life and about his work as a medical inspector. Other soldiers, former patients, and acquaintances also wrote to members of the Mixter family.

The collection includes 25 picture postcards depicting French scenes during and after the war; 3 are integrated into the Correspondence series, and the remaining 22 are housed with the Printed Items and Ephemera series.

The Military Papers series is divided into three subseries. Chronological Military Papers (51 items) include memorandums, orders, letters, telegrams, and other items pertaining to William Jason Mixter's military service during World War I, particularly related to his discharge in 1919. The subseries contains a list of personnel who served at Base Hospital No. 6. The Account Book, Diagnosis Book, and Notebooks subseries (4 items) consists of William Jason Mixter's account book from the London City & Midland Bank (June 30, 1918-January 15, 1919), a diagnosis book regarding soldiers' complaints onboard the SS Northland from February 11, 1919-February 17, 1919, and a notebook with brief personal memoranda. William Jason Mixter kept a medical notebook during his time at Hursley Camp Hospital near Winchester, England. He recorded biographical and medical information about his patients, and information about medical treatments. The Hursley Camp Hospital volume enclosed numerous clinical record slips and other manuscript notes.

The American Women's War Hospital Documents (3 items), pertaining to an institution in Paignton, England, are comprised of a photograph of nurses and patients outside of the hospital (December 1914) and two bundles of letter typescripts that a nurse named Mary Dexter wrote to her mother about her work at the hospital (November 22, 1914-January 9, 1915, and January 15, 1915-July 16, [1915]).

The Writings series (10 items) contains 9 typed and manuscript poems, mostly related to American soldiers' experiences during World War I, on topics such as volunteering for the army, traveling overseas, and encountering death. The poems "The Americans" and "Only a Volunteer" are present in manuscript and typescript form, and "The Young Dead" and "The Woman's Burden" are attributed to female authors (Lilian Palmer Powers and Laura E. Richards, respectively). The final item is a typescript of a resolution presented at a social club encouraging its members to proclaim loyalty during the war.

The Photographs series (114 items) is comprised of 113 photographic prints and a 32-page photograph album; some images are repeated. Items include studio portraits of William Jason Mixter in uniform; group portraits of nurses, doctors, and other medical personnel; pictures of wounded and convalescent soldiers during and after operations; interior views of medical facilities; and views of buildings and destruction in France. The photograph album and 80 loose items are housed in the Graphics Division (see Alternate Locations for more information).

The Printed Items and Ephemera series (59 items) consists of 3 unique pamphlets; 18 unique newspapers, newsletters, and newspaper clippings; 28 unique ephemeral items; and 4 books.

The pamphlets include 5 copies of an article by William Jason Mixter entitled "Surgical Experiences in France," originally published in the Boston Medical and Surgical Journal 173.12 (September 16, 1915), pp. 413-418. The other pamphlets are an advertisement for an "Exhibition and Sale of the War Cartoons by Louis Raemaekers" (October 1916), including an introduction and small reproductions of the drawings, and "Welcome Home," a book commemorating the return of the 26th Division in April 1919. Newspaper articles and other publications (including 6 items housed in Oversize Manuscripts) pertain to aspects of the war, particularly concerning medical personnel, civilian relief organizations, and the medical career of Samuel J. Mixter. A copy of The Boston Herald dated November 11, 1918, announces the Armistice.

The 28 ephemeral items include programs and advertising cards pertaining to church services held in honor of Base Hospital No. 6; the collection includes several copies each of 2 programs. Other printed items include a small map of Cambridge and Boston, a circular related to the Boston Society of Psychiatry and Neurology, and a book of stationery with engravings of Belgian scenes. A few personal items relate to the Mixter family, such as visiting cards on which William Jason Mixter wrote personal messages, cards from Mixter's children with sewn pictures, a certificate regarding Dorothy Mixter's service with the American Red Cross canteen, and a small French-language almanac affixed to a card with colored illustrations of the Allied Nations' flags. Three additional items pertain directly to the American Red Cross: the cover of the December 1918 issue of The Red Cross Magazine, a Red Cross service flag for display in a home window, and an American Red Cross canteen worker patch. Other insignia items are a button and ribbon commemorating the 26th Division's return to the United States and two small pins that belonged to William Jason Mixter. Also present is William Jason Mixter's passport, issued on February 6, 1915.

The 4 books include: The History of U.S. Army Base Hospital No. 6 (Boston, Mass.: 1924), given to William Jason Mixter, Jr., by his father; Independence Day in London, 1918 (London: Hodder and Stoughton, 1918); The Old Humanities and the New Science... (London: J. Murray, 1919); and Dere Mable: Love Letters of a Rookie (New York: Frederick A. Stokes Co., 1918).