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Lydia Brown compiled this notebook of copied poems, principally religious and moral in nature, sometime in the early nineteenth century. She often drew calligraphic titles and other embellishments, including borders, flowers, and leaves. Several times throughout the volume, Lydia Brown includes included "A E 12" after her name, possibly an abbreviation for the Latin phrase "aetatis," indicating she may have been 12 at the time of writing and the volume could have served as an educational exercise for learning penmanship.

Lydia Brown compiled this notebook of copied poems, principally religious and moral in nature, sometime in the early nineteenth century. She often drew calligraphic titles and other embellishments, including borders, flowers, and leaves. Several times throughout the volume, Lydia Brown included "A E 12" after her name, possibly an abbreviation for the Latin phrase "aetatis," indicating she may have been 12 at the time of writing and the volume could have served as an educational exercise for learning penmanship. A test sheet at the end of the volume includes several practice penmanship elements, and pencil lines throughout indicate how Lydia Brown was keeping her writing straight.

• To Hope
• A Paraphrase of the Lord's Prayer
• Charity
• Safety in Christ
• Say Why!
• Childhood
• Life
• Content
• Faith
• Hope
• Charity
• Humility
• Friendship
• Fortitude
• Modesty
• Patience
• Inscription on a Clock
• Friendship
• Sunset and Sunrise
• Reputation
• A Request
• Hope
• The Rose
• Friendship
• Time
• Repentance
• Prayer
• Religion
• The Happy Cottage
• A Thought
• Evening Cloud
• Extract
• An Epitaph
• Time
• Modesty
• Extract
• Repentance
• Life
• Prayer
• The Tear
• Sympathy

This volume was produced by Peter McGivney as a gift for his sister, Julia A. McGivney. Its entries are largely copies of popular song lyrics and some poetry. Many focus on sentimental themes like remembrance, familial relationships, love, death, and religion. A few patriotic titles were included. Peter McGivney elaborately decorated and illustrated the volume with paintings, pencil drawings, pen-and-ink embellishments, printed scrapbook die-cuts, and calligraphic titles and borders. He drew numerous patriotic images, including American flags, shields, eagles, Union soldiers, and a portrait of George Washington. Flowers, leaves, birds, and landscapes feature prominently, along with depictions of women. He drew several illustrations of hands holding calling/visiting cards filled out with the names of friends and family members. One watercolor illustration of an African American man accompanies the lyrics of a minstrel song.

This volume was produced by Peter McGivney as a gift for his sister, Julia A. McGivney. Its entries are primarily copies of popular song lyrics and some poetry. Many focus on sentimental themes like remembrance, familial relationships, love, death, and religion. Some patriotic titles are also included. Titles like "Little Low Cabin" and "Half Way Doings" were likely minstrel songs, and include racist dialect. One is accompanied by a watercolor painting of an African American man in striped pants and a blue overcoat standing at a table with a Bible on it and a whitewash bucket on the floor.

Peter McGivney elaborately decorated and illustrated the volume with paintings, pencil drawings, pen-and-ink embellishments, printed scrapbook die-cuts, and calligraphic titles and borders. He drew numerous patriotic images, including American flags, shields, eagles, Union soldiers, and a portrait of George Washington. Flowers, leaves, birds, and landscapes feature prominently, along with depictions of women. He drew several illustrations of hands holding calling/visiting cards filled out with the names of friends and family members.

• "The Lady’s Yes," by Elizabeth Barrett Browning
• "Write Me a Letter [from] Home," by Will S. Hays
• "[Darling] Minnie Lee," by Dexter Smith
• "Ella Ree," by Charles E. Stewart
• "God Bless My Boy at Sea," by T. Brigham Bishop
• "Little Robin, Tell Kitty," by Frank Howard
• "Killarney," by E. Falconer
• "Sunny Days," by Edwin Ransford
• "Remember Me," by M. W. Balfe
• "We Parted by the River Side," by Will S. Hays
• "The Last Rose of Summer," by Thomas Moore
• "Lottie Lee," by C. T. Lockwood
• "Kiss the Little Ones," by W. F. Wellman, Jr.
• "Kiss Me Mother E'er I Die," by W. Dexter Smith, Jr.
• "To a Beloved Woman," translated from Sappho
• "Driven from Home," by Will S. Hays
• "Bessy O'er the Lea" [e.g. "Darling Bessie of the Lea"], by George Cooper
• "Our Own," by Margaret Elizabeth Sangster
• "[When] The Corn is Waving, Annie Dear," by Charles Blamphin
• "A Woman's Question," by Adelaide Anne Proctor
• "Daisy O'Lynn," by M. H. McChesney
• "I'll Remember You Love in my Prayers," by Will S. Hayes
• "Don't be Angry With Me, Darling," by W. L. Gardner
• "The Good Bye at the Door," by J. E. Carpenter
• "Love On," by Eliza Cook
• "Sweet Genevieve," by George Cooper
• "When the [Autumn] Leaves are Falling," by J. E. Carpenter
• "Mother, Is the Old Home Lonely," by Arthur W. French
• "The Golden Side," by Mary Ann Kidder
• "Wait Till the Moonlight Falls on the Water," by Sam Bagnall
• "The Bells of Shadow" [e.g. "The Shandon Bells"], by Francis Mahony
• "Annie of the Vale," by G. P. Morris
• "My Pretty Jane," by Edward Fitzball
• "Silver Threads among the Gold," by Eben E. Rexford
• "When I Saw Sweet Nellie Home," by John Fletcher
• "Come Like a Beautiful Dream," by George Cooper
• "What Will I Do Without Thee," by Elmer Ruan Coates
• "Star of the Evening," by James M. Sayles
• "The Good Bye at the Door," by J. E. Carpenter
• "Memory Bells," by Henry Tucker
• "I Love the Merry Sunshine," by J. W. Lake
• "Every Home has Lost a Darling," by George Cooper
• "Wilt thou say Farewell Love," by Thomas Moore
• "A Sweet Face at the Window," by W. C. Baker
• "Faded Flowers," by I. H. Brown
• "The Blind Girl," by Joshua Swan
• "What Will I Do Without Thee," by Elmer Ruan Coates
• "Why Was I Looking Out," by Claribel
• "God Save the Flag," by Oliver Wendell Holmes

• "Fair Maid of Perth"
• "Arabella Dolora"
• "A little Puss"
• "Rebecca at the Well"
• "E Pluribus Unum"
• "Excelsior"
• "The French Iron Clad Solferino"
• "Volcano of Turrialba (Mexico)."
• "View of Paknam on the Memam. Farther - India"
• "The Rose of Orleans"
• "The Queen of Flowers"
• "Marriot's Aerial Steam Carriage. 'Avitor.'"
• "Love in Winter"
• "Dressing for the Masquerade"
• "William Penn first Settler of Pennsylvania 1675"
• "The Tambourine Player"
• "Love in Summer"

The Polly C. Bishop Mansfield Collection contains poetry and sewing produced by Mansfield while a young woman during the mid-nineteenth century. Four poems entitled "Remembrance," "Nevermore," "Friendship," and "Persevere" are written on both sides of a slim sheet of paper. Mansfield hand-sewed a stuffed fabric fish, drawing scales, gills, and eyes on it with ink. The fish is affixed with thread to a manuscript note that reads, "Sarah Heaton Stiles and Polly Bishop Mansfield had a bet on and Polly was to give Sarah a shad, in payment. And she (Polly) made this shad, perhaps about 1850-2. They were young women."

The Polly C. Bishop Mansfield Collection contains poetry and sewing produced by Mansfield while a young woman during the mid-nineteenth century. Four poems entitled "Remembrance," "Nevermore," "Friendship," and "Persevere" are written on both sides of a slim sheet of paper. Mansfield hand-sewed a stuffed fabric fish, drawing scales, gills, and eyes on it with ink. The fish is affixed with thread to a manuscript note that reads, "Sarah Heaton Stiles and Polly Bishop Mansfield had a bet on and Polly was to give Sarah a shad, in payment. And she (Polly) made this shad, perhaps about 1850-2. They were young women."

The Harriet Hodges commonplace book, created at an unknown location sometime in the 19th century, contains 25 pages of copied poetry, apparently from serial publications, including multiple entries titled "For an Album" and "From an Album." Other poems include "The Daughter's Dream," "Wee Willie," "The Legend of the Crossbill," "Address to Columbus dying," "Death of Napoleon," "The Bridal Day," and several fragments. Flipping the volume over, Harriet wrote eight pages of a story titled "Imogene Howard, or Self Conceit." The commonplace book is bound with a plaid cover.

The Harriet Hodges commonplace book, created at an unknown location sometime in the 19th century, contains 25 pages of copied poetry, apparently from serial publications, including multiple entries titled "For an Album" and "From an Album." Other poems include "The Daughter's Dream," "Wee Willie," "The Legend of the Crossbill," "Address to Columbus dying," "Death of Napoleon," "The Bridal Day," and several fragments. Flipping the volume over, Harriet wrote eight pages of a story titled "Imogene Howard, or Self Conceit." The commonplace book is bound with a plaid cover.

Joe Sanford of Stockton, California, summarized his weekend activities for the year 1949 in this typed diary. He traveled to various places in northern California, took camping trips with friends, participated in outdoor activities, and attended dances and plays. Some entries reflect racial tensions in Stockton.

Joe Sanford of Stockton, California, summarized his weekend activities for the year 1949 in this typed diary (134 pages). The diary's frontispiece is a poem by Nick Kenny entitled "Youth."

Though he occasionally mentioned his schoolwork and grades, Sanford wrote most frequently about his social life and leisure activities, almost all of which involved his friend Glenn. They and other friends went camping, attended theatrical performances (often at the College of the Pacific) and dances, and participated in outdoor activities throughout the year. Sanford traveled around northern California, writing about trips with friends and family to Mount Diablo (April 1949), Yosemite National Park (June 1949), Santa Cruz (July 1949), and the "Old Hearst Ranch" (August 1949). He played saxophone in the school marching band and briefly participated in the Sea Scouts during the summer. Some entries refer directly or indirectly to Mexican and African-American residents of Stockton, including Sanford's attempts to communicate with persons who "spoke Mexican" and the presence of African Americans at a December school dance. Some clipped images of locations that Sanford visited and unidentified individuals participating in fishing and similar outdoor activities are pasted into the volume. Sanford's diary also contains pencil sketches of a man painting on a ladder, a birthday cake, and other subjects. A program from a school talent show is also pasted in.

This collection contains 7 letters that Helen Eastman received in 1943 from Lee Blanchard, Therald Eastman, and H. W. Woodward, as well as 1 undated letter, 1 printed poem, and 1 pencil sketch. The men discussed their service in the United States Army and Navy; Blanchard described his experiences in North Africa and Italy.

This collection contains 7 letters that Helen Eastman received in 1943 from Lee Blanchard, Therald Eastman, and H. W. Woodward, as well as 1 undated letter, 1 printed poem and 1 pencil sketch.

Private First Class Lee Blanchard wrote 5 letters to Helen Eastman between June 27, 1943, and November 25, 1943, while serving with the 10th Field Hospital in North Africa, Sicily, and Italy. He described the scenery from his travels and responded to news she sent from home. While in Sicily, he visited catacombs; he also remarked on ancient Greek and Roman ruins in Italy and in Constantinople.

On July 15, 1943, Seaman Second Class H. W. Woodward ("Willis") wrote to Helen Eastman from the United States Naval Training Station in Newport, Rhode Island, where he attended storekeeper's school. He related news of family and friends, and reported that he planned to graduate in August. Helen's cousin Therald Eastman wrote to the Eastman family on December 16, 1943, thanking them for a Christmas gift and reporting on his courses at the Field Artillery Replacement Training Center at Fort Bragg, North Carolina. The final letter to Helen Eastman, an undated item signed by "Maurice," pertains to the Christmas season and provides family news.

The collection also contains a printed fragment of a poem entitled "Two Opinions," which presents a boy's opinion on the opposite sex, and a pencil drawing of a person in a high-collared uniform.

This collection is made up of 4 items related to poet Joyce Kilmer and his poem "Trees," including its first printed appearance, a holograph manuscript of the poem, a partial musical setting by Oscar Rasbach, and a real photograph postcard portrait of Kilmer in uniform.

This collection is made up of 5 items related to Joyce Kilmer and his poem "Trees." Items include a holograph manuscript of the poem; an original copy of the magazine Poetry: A Magazine of Verse, in which the poem was first published; a partial manuscript musical setting of the poem signed by its composer, Oscar Rasbach, who set it to music in 1922; and a real photo postcard portrait of Kilmer. See the Detailed Box and Folder Listing for more information about each item.

This collection consists of four volumes of the "News Gitter" manuscript magazine or newsletter created by students from Wisconsin Creek, Montana, in 1913, as a part of a student literary society called the O.A.O., "Our Afternoon Off." Several additional pages of notes, poetry, and a partial address by Willis Funk, president of the O.A.O. commenting on its founding, are also present. Entries for the periodical include jokes and mock wanted advertisements, comments about school affairs and students, poetry, local news and weather, among other topics.

This collection consists of four volumes of the News Gitter manuscript magazine or newsletter created by students from Wisconsin Creek, Montana, in 1913, as a part of a student literary society called the O.A.O., "Our Afternoon Off." Several additional pages of notes, poetry, and a partial address by Willis Funk, president of the O.A.O. commenting on its founding, are also present. Entries for the periodical include jokes and mock wanted advertisements, comments about school affairs and students, poetry, local news and weather, among other topics.

Content relating to the students' educational experiences include discussions of examinations, jokes about teachers and lessons, commentary about school government, notices for upcoming performances, among other topics. Several entries specifically relate to a female teacher, Miss Le Tourneau. The manuscript magazines also feature material reflecting the students' social experiences. They document student absences and disputes, classroom antics, facilities issues, humor, and the formation of the literary society O.A.O., "Our Afternoon Off." Some of the entries reference romantic interests between students, while others reflect signs of puberty, like the entry in the first volume that noted "Willis Funk is developing a fine crop of whiskers." Some content relates to race and ethnicity, such as articles in volume three titled "Miniature Mexican Insurrection," one about "Two Irish lads… quar[rel]ing on the school house steps," and one that references African Americans and uses racial epithets.

This collection consists of two variations of a 1912 yearbook for members of the 1915 co-ed class of Rochester High School in Rochester, Pennsylvania.

This collection consists of two variations of a 1912 yearbook for members of the 1915 co-ed class of Rochester High school in Rochester, Pennsylvania. These yearbooks include pencil and pen-and-ink portraits of students, faculty, and sports teams, as well as caricatures, cartoons, and humorous drawings. Several poems are also included. Their content touches on humor, social affairs, class members' personalities, curriculum, athletics, and gender. The content is very similar between the two volumes, with some variations of student descriptions and introductory matter.

The first volume, titled "The Nightmare," includes an introduction stating that "the only excuse for publishing this book is because the rest of the bunch have one apiece . . . [and] merely aids one in passing some idle hours in school . . . this book is strictly 'Entre Nous,' so don't tell anybody outside of America." One page, headed "Familiar Quotations" quotes Bunny Amos Rex as having said, "Aw fellows let's git together and do some devilment." On the opposite page of the "Quotations" section is a drawing of the Rochester High School with the label "Agony Building." Accompanying the student portraits are humorous descriptions of said students: Armin Barner is described as an elegant musician, politician, electrician and magician of the lowest rank.

The second volume, titled "Freshmen Class Book 1911," includes a preface claiming the book "touches on such topics as Elementary Science, Natural Science, Natural Phylosophy, Orthography, Uranography, Geodasy and Wireless Telegraphy" to emulate "when all writters chiseled out dedications for a book thereby showing their originality." It further states that the class has attempted the same "because of our first class solid ivory domes." Many pages feature illustrations or descriptions of the school's sports teams. It also contains croquet scores for the women's team, who apparently gave the class "the thing we need to brag over," as they "mopped the valley clean" in their season.

This manuscript rhyming poem written by "Hazel" is about a young girl who hung an extra Christmas stocking for an impoverished child, and Santa Claus' enlistment of elves to help provide gifts.

This manuscript rhyming poem written by "Hazel" is about a young girl who hung an extra Christmas stocking for an impoverished child, and Santa Claus' enlistment of elves to help provide gifts.

The poem is written in a blank book bound with red, white, and green braid, and pages featuring printed decorative borders of holly. The volume also features six watercolor illustrations depicting Santa, the elves, and the gifts in the stockings. The cover bears the title and painted holly and leaves.

An inscription on inside front cover reads "A merry Christmas from Hazel."