Collections

This collection is made up of over 170 letters that Staff Sergeant Lawson L. Lindberg wrote to his fiancé (and later wife), Elsa Kunze (referred to as "Dorothy" or "Dottie"), while serving in the United States Marine Corps during World War II. Lindberg described camp life and his training exercises in the United States, and also wrote about his service in the Pacific Theater during the final year of the war.

This collection is made up of over 170 letters that Staff Sergeant Lawson L. Lindberg ("Lucky") wrote to his wife, Elsa Kunze (referred to as "Dorothy" or "Dottie"), while serving in the United States Marine Corps during World War II. Lindberg described camp life and his training exercises in the United States, and also wrote about his service in the Pacific Theater during the final year of the war.

Lindberg wrote his first letter shortly after enlistment in December 1941; he commented on his experiences at the Marine Corps Base in San Diego, California, until April 1942, when he was transferred to Camp Elliot, California. At Camp Elliot, where he was a drill instructor, he discussed his unsuccessful attempt to transfer to the Air Corps. Lindberg spent the majority of the war in New River, North Carolina, and Camp Pendleton, California, where he trained with the 23rd Marine Regiment. He described aspects of camp life and military exercises, which included grenade training, rifle training, and large-scale maneuvers. He also reported his punishments after returning late from two furloughs.

Lindberg wrote about his love for Kunze, whom he married while on leave in August 1942; on one occasion, he shared his opinion that she should return to housekeeping after the war, despite having earned several promotions at her wartime job (March 11, 1943). Lindberg wrote less frequently after his deployment to the Pacific Theater in late January 1944, where he served in the Marshall Islands, Iwo Jima, and Saipan in multiple units, including the 5th 155mm Howitzer battalion. Lindberg's letters from overseas often pertain to strained relationships with his family members, including his mother and his older brother, Jack. In his final 2 letters, written from a transient center in October 1945, Lindberg anticipated his return to the United States.

Two of Lindberg's letters contain enclosures: a sexually explicit poem (November 22, 1943) and a photographic negative (July 8, 1945). Kunze also received several telegrams and V-mail letters, as well as a birthday card. Some of Lindberg's letters are written on United States Marine Corps stationery, depicting associated logos and a marine in dress uniform with a rifle.

Lydia Brown compiled this notebook of copied poems, principally religious and moral in nature, sometime in the early nineteenth century. She often drew calligraphic titles and other embellishments, including borders, flowers, and leaves. Several times throughout the volume, Lydia Brown includes included "A E 12" after her name, possibly an abbreviation for the Latin phrase "aetatis," indicating she may have been 12 at the time of writing and the volume could have served as an educational exercise for learning penmanship.

Lydia Brown compiled this notebook of copied poems, principally religious and moral in nature, sometime in the early nineteenth century. She often drew calligraphic titles and other embellishments, including borders, flowers, and leaves. Several times throughout the volume, Lydia Brown included "A E 12" after her name, possibly an abbreviation for the Latin phrase "aetatis," indicating she may have been 12 at the time of writing and the volume could have served as an educational exercise for learning penmanship. A test sheet at the end of the volume includes several practice penmanship elements, and pencil lines throughout indicate how Lydia Brown was keeping her writing straight.

• To Hope
• A Paraphrase of the Lord's Prayer
• Charity
• Safety in Christ
• Say Why!
• Childhood
• Life
• Content
• Faith
• Hope
• Charity
• Humility
• Friendship
• Fortitude
• Modesty
• Patience
• Inscription on a Clock
• Friendship
• Sunset and Sunrise
• Reputation
• A Request
• Hope
• The Rose
• Friendship
• Time
• Repentance
• Prayer
• Religion
• The Happy Cottage
• A Thought
• Evening Cloud
• Extract
• An Epitaph
• Time
• Modesty
• Extract
• Repentance
• Life
• Prayer
• The Tear
• Sympathy

The collection concerns Lydia Haskell's spiritual life and involvement with the Methodist Episcopal Church in Maine between 1820 and 1857. Her papers consist of 27 journals, 12 bound packets of letters, memoranda, additional correspondence, a hymnal, and loose documents. Her papers record her evolving sense of salvation, call to ministry, and conflicts with ministers over her work and her views on the Eucharist.

The collection concerns Lydia Haskell's spiritual life and involvement with the Methodist Episcopal Church in Maine between 1820 and 1857. Her papers consist of 27 journals, 12 bound packets of letters, memoranda, additional correspondence, a hymnal, and loose documents. Her papers record her evolving sense of salvation, call to ministry, and conflicts with ministers over her work and her views on the Eucharist.

• The death of her daughter Sarah in October 1844
• Missionary efforts in China and the work of the Missionary Society (1846-1847)
• Ministers in the area who preach universalism (1847)
• Efforts to receive the Eucharist weekly during her chronic illness (1849-1857, especially 1855)
• Class meetings of the Methodist Episcopal Church

Series I: Correspondence, 1837-1856, n.d.

The bulk of this series is comprised of correspondence between Haskell and one of her most cherished pastors, Rev. Hezekiah C. Tilton, and his wife. In these letters, Haskell openly shared her afflictions and joys, communicated information about the local church and common acquaintances, discussed her views on church practices, particularly that of the Eucharist, and sent copies of her "exercises," with requests for correction. Tilton responded in kind, with a similar mix of family and church news and spiritual reflection. He shared his opinions about her son Willabe's educational prospects with particular detail.

The series also contains 12 pamphlets that Haskell made of her correspondence and bound together in the same format as her journals. Some of these pamphlets contain chronologically-arranged letters addressed to a series of recipients, while others contain a series of entries addressed to a single individual or a single, lengthy testimony directed to a local church congregation. In most of these pieces, Haskell provided an account of her personal spiritual condition and exhorted her correspondents to do the same.

Finally, Haskell's correspondence includes letters she exchanged with various members of the Methodist clergy and with her allies in local churches during the debate over her weekly practice of receiving Communion.

Series II: Memoranda, 1844-1853, n.d.

• 2 copies (one incomplete) of Hezekiah C. Tilton's memorial on the death of her daughter Sarah, dated December 1844
• 2 packets that record when, from whom, and with whom she received Communion between 1849 and 1853
• 3 relatively similar packets of scriptural passages, dated April 1837 to 1850 (and in one copy to 1852), upon which Haskell meditated as part of a daily spiritual exercise - she directed one of these booklets, with an explanation of her practice, to Hezekiah C. Tilton in June 1850
• 2 poems, one signed "N. A. Soule," and the other made up of extracts from several religious poems and hymns
• A packet on the care of pastors (see longer version in letter to members of the M. E. Church in Millbridge and Steuben, June 1849)
• A resolution by parents to pray for their children on Tuesdays and to meet together for support and prayer, signed by 12 individuals, including Lydia Haskell and acquaintances of hers from the Harrington area

Series III: Journals, 1820-1857

Lydia Haskell's 27 religious journals, spanning from 1820 to 1857, offer extensive personal reflection on her spiritual life from the time she was a late adolescent to her final years as an invalid. The entries tend to address her sense of spiritual well-being and trials, her concern over the welfare of unbelievers, her relationships with various ministers, or her religious practices of prayer, memorizing scripture, and attending church meetings. During the years of her public ministry, the entries also include details about her work.

She reflected at intervals on her unique position in the Methodist Church as a "poor unworthy female" working publicly for salvation and on her anxiety about being perceived as a nuisance to local ministers.

• A summary of a sermon in which different Protestant groups are characterized as the various companies of a divine army [6 October 1837]
• Her temptation in a dream to leave the Methodist Church for a community with a greater "willingness to recognize females as fellow laborers in the vineyard of the Lord," namely the Society of Friends [4 March 1845]
• Her anxiety over the presidential election of 1856 and whether "the oppressors will continue to hold the reins of government" [5 November 1856]

Haskell quoted scriptural passages or portions of hymns, usually without explicitly citing them. She also transcribed a long portion of Washington Irving's short story "Rural Funerals" on the subject of "sorrow for the dead," shortly after the death of her cousin Lucy [Journal, 1824].

Over the years, Haskell apparently revisited some of her earlier entries, such as those from the early 1830s, which are followed by "Remarks," mostly dated July 1846, in which she reflected back on her earlier state of mind.

Series IV: Books

The collection includes an 1849 Methodist hymnbook: Hedding, Elijah. Hymns for the Use of the Methodist Episcopal Church. Rev. ed. New-York: Carlton & Porter, Array.

The Lyman Trumbull family papers contain personal correspondence of United States Senator Lyman Trumbull and of the family of his second wife, Mary Ingraham Trumbull. Letters primarily pertain to personal matters and family life during the 19th century, with a focus on Chicago, Illinois, during the Civil War, and Saybrook, Connecticut, home of the Ingraham family. The collection also contains a number of school notebooks, legal and financial documents, two watercolor paintings, photographs, and ephemera.

• Trumbull Family Letters
  • Lyman Trumbull Miscellaneous letters (1838-1895)
  • Lyman Trumbull to Julia Trumbull (1844-1855)
  • Julia Trumbull to Lyman Trumbull (1860-1866)
  • Lyman Trumbull to Mary Ingraham Trumbull (1869-1884)
  • Letters to Mary Ingraham Trumbull (1859-1914)
  • Miscellaneous Trumbull family letters (1850-1903)
• Ingraham-Rankin Family Letters
  • Julia Ingraham and George Rankin letters (1868-1899)
  • Miscellaneous Ingraham family letters (1824-1913)
• Letters to J. F. Uhlhorn (1860-1869)
• Mather Family Letters (1837-1893)
• Miscellaneous Letters (1834-1908)

The Trumbull Family Letters subseries contain the letters of Lyman Trumbull, Julia Trumbull, Mary Ingraham Trumbull, and various other family members.

The Lyman Trumbull Miscellaneous letters (1838-1895) contain personal correspondence, both written and received, by Lyman Trumbull. Among the items written by Trumbull are a letter describing a trip to the Minnesota wilderness, and a draft of a telegram congratulating president-elect Benjamin Harrison. Incoming correspondence includes letters from his siblings and cousins, as well as copies of letters from Abraham Lincoln and J. F. Buchanan. General Nelson Miles sent an invitation to Lyman and Robert Lincoln wrote a lengthy letter regarding the financial history of his late mother, Mary Todd Lincoln.

The Lyman Trumbull to Julia Trumbull letters (1844-1855) contains 12 letters written by Lyman to his first wife. The letters primarily discuss his health and occasionally refer to his social life.

The Julia Trumbull to Lyman Trumbull letters (1860-1866) consist of Civil War-era letters from Julia to her husband regarding her life in Chicago, where she remained while Lyman served in the United States Senate. Most of the letters focus on local social life and on the couple's children. Though some of these letters contain brief remarks on political matters, the focus on family is maintained throughout.

The Lyman Trumbull to Mary Ingraham Trumbull letters (1869-1884) are primarily personal, and include letters written both before and after Lyman's marriage to his cousin, Mary Jane Ingraham. Prior to their courtship and marriage, Lyman's letters show a certain degree of affection, and he often mentioned sending photographs and gave Mary updates about his life in Chicago. Lyman's letters following his wedding recount life in Chicago, while Mary was away visiting her family in Saybrook, Connecticut; he often asked when she planned to return to Illinois. Of particular interest is his letter of February 1, 1881, in which Lyman described the decline and death of "brother John" near Jackson, Michigan.

The Letters to Mary Ingraham Trumbull (1859-1914) comprises the largest unit of correspondence in the collection, containing approximately 290 items. It consists primarily of family letters written to Mary Ingraham (later Trumbull) throughout her life; frequent correspondents included her mother Almira, and sisters Annie and Julia. The center of the Ingraham family was Saybrook, Connecticut, where most of the letters originated. After the 1880s, friends and acquaintances wrote more letters than family members, including a letter of condolence sent on the death of Lyman Trumbull. A letter of May 8, 1910, from Emma Sickles of the Domestic Science Association includes a description and typed copy of a bill to fund educational programs for housewives, a bill the organization attempted to push through the United States Congress. The large volume of letters provides a rich family chronicle.

The Miscellaneous Trumbull family letters (1850-1903) contain correspondence of various Trumbull family members, particularly the children of Lyman Trumbull and Julia Jayne. Several letters are from the couple's sons Perry and Walter, who described various occurrences and interests. Of note are a letter from Julia to her father describing a dinner she had with Secretary of War Edwin Stanton, and a lengthy letter regarding economics from W. H. White, who had recently read Coin's Financial School.

The Ingraham-Rankin Family Letters subseries contains the letters of Julia Ingraham, George Rankin, and various other Ingraham family members.

The Julia Ingraham and George Rankin letters (1868-1899) are the correspondence of Lyman Trumbull's cousin and sister-in-law Julia Ingraham and her husband, George Rankin. The majority of letters date from the 1880s or later, and include a letter describing a family visit to the Trumbulls in Chicago in the summer of 1889. Though most of the letters are between Julia and George, the couple's children as well as George's mother and a cousin also corresponded.

The Miscellaneous Ingraham family letters (1824-1913) contains correspondence of the Ingraham family of Saybrook, Connecticut. Two of the Ingraham daughters, Mary (m. Lyman Trumbull) and Julia (m. George Rankin), are represented extensively elsewhere in the collection, and many of these letters relate to their father, John D. Ingraham, and brother, John D. Ingraham, Jr. John D. Ingraham wrote one letter, dated 1856, to Lyman Trumbull, and various nieces and nephews also sent letters. Much of the correspondence relates to family news and social life during the Civil War. Of particular interest is an envelope dated June 27, 1865, which contains "Folwers [sic] bought the day of Annie's funeral."

The Letters to J. F. Uhlhorn subseries (1860-1869) contains letters between James Uhlhorn; Lyman Trumbull's nephew, John Frederick Uhlhorn; and a woman, Maria, addressed as "sister." John's letters date from the early Civil War period and discuss business matters and his frequent related visits to Washington. Maria, writing from New York after 1862, discussed the declining health of their mother and other family-related news.

The Mather Family Letters subseries (1837-1893) consists primarily of letters written and received by Almira Mather Ingraham, wife of John D. Ingraham and mother-in-law of Lyman Trumbull. Her brother, Samuel Rogers Selden Mather, was one correspondent; he provided family and social news from New York. Almira wrote a letter to her brother and sister-in-law that contains a short description of proceedings surrounding a nearby execution (January 10, 1843). One item is a printed advertisement for an upcoming publication of the genealogy of the Mather family.

The Miscellaneous letters subseries (1834-1908) contains letters that are difficult to attribute, and include several unsigned items. The letters of identified authors are from John Bond to his uncle, from Charlie to a grandmother (one mentioning a death within the Ingraham family), and from M. J. Rankin to an "Aunt Mary." The collection also includes a short poem entitled "A Memory."

The Letter Book series consists of four small notebooks containing manuscript copies of official letters written by Lyman Trumbull, and copied by his second wife, Mary Ingraham Trumbull (1837-1903). Each book is only partially filled, and the volumes have additional writing that does not appear to originate with Trumbull. Several brief thoughts and sayings appear in one volume, as well as a small number of personal financial accounts. Childlike pencil drawings of houses with a few correspondence copies and a short poem are in another. The correspondence in these volumes is not duplicated elsewhere in the collection.

• The Annie Ingraham school report book (1860-1864) of various reports from the author's time at school, with a number of personal inscriptions and reminiscences in the back.
• The John D. and Annie Ingraham journal (1853; 1859) is 2 pages of journal writing from John D. Ingraham and one page of journal writing by his daughter Annie.
• The Mrs. John D. Ingraham diary (1900) has entries for the first half of 1900, which focus primarily on family visits and daily life in Saybrook, Connecticut. The diary also includes a page of accounts, several loose pages of additional entries, and letters addressed to the author.
• The Julia Ingraham autograph book (1866-1892) contains autographs from various acquaintances around Saybrook Sound, Connecticut.
• The Julia Ingraham Rankin journal and commonplace book (1883-1890) primarily documents family life in Saybrook, Connecticut, and includes entries on poetry, copied excerpts, and inserted clippings.
• The Mary J. Trumbull diary (1887-1890) documents daily life and has approximately 17 items inserted, including several letters, newspaper clippings, and ephemera.
• The Julia Ingraham Rankin notes on Shakespeare (1892) consists of various personal notes and thoughts compiled from various works of Shakespeare, including some of his most famous plays, such as "Romeo and Juliet."
• The [Julia Rankin] notebook (1911-1914) contents primarily consist of academic essays on a variety of topics, readings, and lectures. Laid in the book were a large number of manuscript poems, many attributed to other authors, and four newspaper clippings. One clipping contains a poem dedicated to "La Grippe," written by John Howard, M. D.

The Documents series (1799-1897) is a selection of items related to the career of Lyman Trumbull, including list of candidate endorsements he made, as well as various certificates. Other documents are powers of attorney, a manuscript copy of "The Whole Finance Bill," and a school report for Julia Ingraham.

The Financial papers series (1838-1913) covers a variety of topics, some of which concern the Ingraham family's involvement in shipping. A handful of documents regard the sloop Connecticut, though the majority consists of various receipts and invoices, many addressed to Mary Ingraham Trumbull after the death of her husband Lyman. Other items of interest are an inventory of Lyman's estate (February 1, 1882) and a cure "For Ivy Poisoning," written on the back of a document dated May 24, 1902.

The collection's Photographs (8 items) include a tintype, a cabinet card, and 5 photographic prints, most of which are informal pictures and studio portraits of unidentified women and children. The cabinet card photograph shows a group of men posing outside of a hardware store.

• Several people in front of Vose & Co. Hardware Store
• A portrait of two girls
• Two small, individual photographs of babies
• Three children waving American flags
• A woman in a garden
• A woman accompanied by a dog
• William W. Patton photograph album

The final item, a carte-de-visite album belonging to William W. Patton, contains 159 captioned photographs and prints, including studio portraits, pictures of Renaissance statues, reproductions of religious paintings, and illustrated views of the Alps and Switzerland; captions are also present for items that are no longer extant. Groups of studio portraits show famous persons such as John Ruskin, Thomas Carlyle, and Charles Dickens; residents of Edinburgh, Constantinople, and Cairo in native dress; and members of Patton's traveling party during an 1866 visit to Palestine. Also present are 3 images of Venetians with vibrant artificial coloring and a picture of a "Chinese Convert, Ah Ting, San Francisco." Pictured works of art include statues and paintings from collections in Venice, Florence, Rome, and the Vatican, including items by Raphael and Michelangelo; one carte-de-visite shows an early version of Thomas Ball's Emancipation Memorial statue, differing slightly from the version erected in Washington, D.C. The remaining items consist of groups of photographs and artificial illustrations of Alpine mountains and Swiss scenery; some of the Swiss scenes are colored. Additional items include a carte-de-visite collage of several landmarks within the Giant's Causeway (Ireland), a photograph of Cairo, photographs of monuments in Alexandria, and a print labeled "Procession over human bodies in Egypt."

The Watercolors series (2 items) is comprised of two paintings of pastoral scenes.

The Ephemera, Cards, and Invitations series (13 items) contains four invitations and wedding announcements (1874, 1893, 1909, and undated), two greeting cards (1900 and undated), a 1912 postcard, five calling cards (1879 and undated), and a cooking pamphlet entitled "One Master Recipe for Ten Delicacies, with many serving suggestions," by "the Lady with an Apron."

The Miscellaneous series consists of printed materials, writings, and billfolds. The printed materials (1858-1924) are newspaper clippings, a printed copy of a petition, four speeches made by Lyman Trumbull, advertisements for the Mediterranean Express Line and "The Ormond," an astrological booklet called "Were You Born in September?" (1909), reports and a constitution of the Washington Union Brotherhood, a recipe book, and a 1924 recipe card with various recipes for gelatin desserts. Several of the writings are related to Lyman Trumbull, the Ingraham family, and housekeeping. Of note are an account of the brief life of Alma Ingraham Trumbull, daughter of Lyman Trumbull and Mary Ingraham; a set of knitting instructions; several poems, including a child's work entitled "The Cake Shop Romance;" and an astrological chart. Also present is a leather Billfold with metal adornments that contains a small newspaper clipping and a calling card for Mrs. Lyman Trumbull.

Lyman Wheeler of western New York wrote two diaries from February 1852 to June 1855, recording his experiences as a house painter, teacher, and adherent of medical practices like phrenology, hydrotherapy, and vegetarianism. He wrote of his social, intellectual, and professional activities in the region, and described trips he took to cities and towns in western New York and New York City. The second volume includes much content related to his involvement in the "water cure," including time as both a patient and worker at the Forestville Water Cure, and a visit to the Orange Mountain Water Cure in New Jersey.

Lyman Wheeler of western New York wrote two diaries from February 1852 to June 1855, recording his experiences as a house painter, teacher, and adherent of medical practices like phrenology, hydrotherapy, and vegetarianism. He wrote of his social, intellectual, and professional activities in the region, and described trips he took to cities and towns in western New York and New York City. The second volume includes much content related to his involvement in the "water cure," including time as both a patient and worker at the Forestville Water Cure and a visit to the Orange Mountain Water Cure in New Jersey.

Volume 1 opens in February 1852 with Lyman Wheeler working as a house painter in Buffalo, New York. In addition to describing his work and its negative impact on his health, Wheeler also commented on the social scene in Buffalo, including religious services, lectures, concerts, and steamer arrivals. He occasionally described buildings in detail and mentioned notable events, like the visit of Lajos Kossuth (1802-1894) in May 1852, viewing "Mr. Craven's Panorama of a voyage to California..." (June 6, 1852), a funeral procession for Henry Clay (July 6, 1852), and events like fires, trials, and cholera (June 29, 1852).

In July 1852, Wheeler took up residence in Villenova, New York, where he helped family with farming, painted houses and buggies, and in November 1852 secured a teaching position, which he held through March 1853. While in Villenova, he wrote about his daily activities; religious activities; visits to nearby towns like Dayton, Fredonia, and Forestville; his dissatisfaction with the town's morals, education, and intemperance; lawsuits; and musings about women and marriage. In January 1853, Wheeler appears to have been participating in a debate group, which discussed issues like capital punishment, immigration, the relative merits of Christopher Columbus and George Washington, the abolition of slavery, and others. In mid-July 1854, Wheeler travelled to New York City, and he described his journey there and back. While in the city he saw a procession with President Franklin Pierce (1804-1869); visited P. T. Barnum's Museum, describing the "Whiskered woman" in detail; went to the Crystal Palace; attended Fowlers & Wells Phrenological Cabinet and had L. N. Fowler perform a phrenological exam of his head; and visited other tourist attractions.

Throughout the volume, Wheeler commented about temperance efforts and his displeasure at alcohol usage, and occasionally referenced other reform movements like the Graham diet (April 12, 1852) and abolitionism. He wrote frequently about his health, describing himself as an "invalid" (June 14, 1852), and wrote of his efforts to manage his wellbeing, including purchasing medicines. On May 4, 1853, Wheeler commented about his interest in phrenology, calling it "one of the sciences that is to aid much in the great work of reform that must be carried on to ameliorate the condition of mankind." His investment in the field appeared to be growing, as he noted arguing with "opposers" (May 27, 1853; June 1, 1853), attending the "Phrenological Cabinet" in New York City, and having an exam performed (July 18, 1853 and July 21, 1853).

This volume also includes a description of the Crystal Palace on the first page, and several original poems composed by Wheeler are interspersed.

Volume 2 begins with Lyman Wheeler in Hanover, New York, on December 3, 1853. Wheeler was engaged with teachers' institutes, which gave lectures and debates on instructional issues, and he was teaching his own school. Throughout the volume, he continued to visit school districts and attend lectures and meetings relating to education, including a lecture by Horace Greeley (December 9, 1854). He actively attended religious services, critiquing the social scene, and engaging with temperance affairs.

Lyman Wheeler continued to experience poor health and was often frustrated at being unable to pursue steady work. He attempted to find medical remedies. On January 7, 1854, Wheeler made the acquaintance of Dr. Charles Parker of Forestville, who presided over a water cure program, and by April 9, 1854, Wheeler had begun treatment. Wheeler described the treatments he received, their impact on his health, other patients, and his general thoughts on the water cure and the connection between the mind and body. At several times throughout the year, he made agreements with the doctors and administrators to allow him to stay on the premises, possibly in exchange for labor. He commented on the sense of community he experienced at "the cure." He also explored other medical avenues, including vegetarianism (May 10, 1854; February 1, 1855) and phrenology. He subscribed to phrenological journals and critiqued people's diets regularly.

When not undergoing treatment, Wheeler continued to work as a painter and at shingling. In June 1854, he travelled to Bolton, Connecticut, where he helped with farm labor and visited nearby locales. He described stops along the way, including in Buffalo where he and his travelling companion made make-shift baths using a washtub. While in New York City, he visited Fowlers & Wells Cabinet and Bookshop, and in Connecticut, he visited several cities, including Hartford and New Haven, where he attended events like 4th of July celebrations, a balloon ascension, and religious services. On his return journey, he again stopped in New York City, where he contracted as a book agent for Fowlers and Wells (see July 13-15, 1854) and proceeded to attempt to sell books in New Jersey, unsuccessfully. He went on to stay at the South Orange Water Cure, also called the Orange Mountain Water Cure. He described the facilities, the labor he performed there, and other patients (July 17-31, 1854), before returning to New York where he investigated other publishers he could contract with as a book agent and visited the Crystal Palace. On his travels back to western New York, Wheeler noted a circus at Bridgewater, New York (August 8, 1854).

Wheeler again took up residence at the Forestville Water Cure in late September 1854, working as “Bath Man & Servant of the Sick & the Afflicted” (September 26, 1854), and he wrote commentary on the patients. On December 8, 1854, Wheeler described the accidental burning of the Forestville Water Cure due to a stove fire. Wheeler stayed in the area, maintaining his interest in baths, vegetable diet, and temperate living. He commented on social visits and occurrences, including the trial of Elam Hoag for assault and battery on Rosaltha House, and the books he was reading (February 3, 1855). After a tour around several sites in western New York, Wheeler briefly stayed in Jamestown, New York, in March 1855, working at the new water cure Dr. Parker had established, before returning to Villenova.

Additional content in volume two includes a recipe for medicinal treatments for warts and corns (on the inside front cover), an entry for a "Great Rail Road Route To the Pacific," and an original poem penned by Wheeler (July 9, 1854). Near the end of the volume, Wheeler copied three articles from the "Universalist Code of Faith" and listed out details of his students in Hanover from November 23, 1853, to February 8, 1854.

The Manuscript Sheet Music collection is made up of manuscript music scores, correspondence, and composers' autographs.

The Manuscript Sheet Music collection (approximately 140 items) contains manuscript music scores and composers' autographs, as well as correspondence and other items.

The bulk of the collection is comprised of around 80 music scores, which range in length from one line to several pages; some are complete works, and some are fragments. Most of the brief melodies are accompanied by the composers' signatures and may have been intended as autograph gifts. The longer works are mainly piano and/or vocal scores, and some include lines for violin with piano accompaniment. Lyrics, when present, are written in English and German. Some of the scores are dated and signed, and a few were written in German cities. The cover of the score for "Barcarola" includes an engraving of "The Great Western crossing the Atlantic," and Harry Keyser's "Two Etudes for Pianoforte" is accompanied by a letter by the composer. A manuscript music book belonging to "Th. Hämb, Junior" contains several short pieces with lyrics in a Nordic language.

Additional autographed items include 25 autograph cards, 8 autograph musical quotations, 10 sheets of paper (some with inscriptions), and a photograph of violinist A. Rivarde. Many of the autographed cards, which are the size of business cards or visiting cards, are dated at Chicago in the mid- to late 1880s. The collection's 8 letters (in English, German, and Italian) include one man's opinion of a performance of "Wanda" and a letter illustrated with lines of music. Additional items are a program for a Manchester, New Hampshire, performance of the comic opera Jonah, an ink drawing of a decaying stone building, and lines of poetry or musical lyrics.

Marge Piercy is an internationally recognized feminist poet and writer. A University of Michigan alumna, Piercy is the author of over thirty published works and a contributor to numerous journals and anthologies. The collection documents Piercy’s work as a writer, through manuscripts, literary correspondence, printed ephemera, videotapes, and audio material, as well as a small number of photographs and personal artifacts. Also present are works of others based on or relating to Piercy’s writings. The bulk of the collection is comprised of thirty-four feet of manuscripts and nine feet of correspondence.

The Marge Piercy Papers were deposited with the Special Collections Library by the author in 1987. Since then, she has continued to make frequent additions to the collection. The collection offers insight into Piercy’s literary career from the late 1950s through the present, primarily by way of manuscripts of nearly all of her works, present in early drafts through to production stages. Audiovisual material, photographs, artifacts, and artworks supplement the picture.

Besides documenting the professional life of one of America’s leading feminist writers and activists, the collection offers a glimpse at the literary magazine publishing scene of the 1960s and following, particularly the feminist presses and magazines (such as CALYX and 13th Moon) which Piercy wrote for and championed. Correspondence with other poets and writers, as well as to fans, reveals Piercy’s development as a writer, her views on important issues, and her influence on others. The collection also steps beyond the literary world (mainly through correspondence) to show Piercy’s collaborations with and support of artists, musicians, and activists (especially women in these fields)--thus reinforcing the fundamental connection for Piercy between her writing and all other aspects of her life.

With roughly fifty-four linear feet of materials, the Marge Piercy papers are divided into eight series: Writings; Correspondence; Other Activities; Personal; Ephemera; Works by Others; Photographs and Negatives; and Audiovisual. Researchers should note that books and serial publications by or from Piercy have been separated from the collection and cataloged individually.

Between 1850 and 1853 Maria Marsh collected over one hundred hair samples from friends and family. She affixed them to the pages of this handmade album with pieces of fabric or paper, including decorative papers with metallic finishes, some cut into the shapes of hearts. The hair samples are predominantly identified with a number, the name of the individual, and the place of their residence. While the bulk of the entries are from people living in various places in New York state, several from Pennsylvania, Massachusetts, New Jersey, and Michigan are also present. Most of the hair samples are arranged in simple loops, but some are shaped in ornamental hairwork styles. Various shades of hair color are represented, include blonde, brunette, and one red. One entry is for an unnamed infant who died at four months old, and whose hair was too short to be able to loop or work. Some entries include brief lines of verse relating to remembrance.

Between 1850 and 1853 Maria Marsh collected over one hundred hair samples from friends and family. She affixed them to the pages of this handmade album with pieces of fabric or paper, including decorative papers with metallic finishes, some cut into the shapes of hearts. The hair samples are predominantly identified with a number, the name of the individual, and the place of their residence. Pages sometimes include multiple members of the same family. While the bulk of the entries are from people living in various places in New York state, several from Pennsylvania, Massachusetts, New Jersey, and Michigan are also present. Most frequently named places include Otisco, Beakman, and Williamsburg. Some entries for Otisco specify it as Otisco, Michigan, but it is possible some are also from Otisco, New York.

Most of the hair samples are arranged in simple loops, but some are shaped in ornamental hairwork styles. Various shades of hair color are represented, include blonde, brunette, and one red. One entry is for an unnamed infant who died at four months old, and whose hair was too short to be able to loop or work. Some entries include brief lines of verse relating to remembrance.

The volume's covers were crafted out of Thomas Tillotson Superior Cutlery display boards, with small holes where the tableware was originally affixed.

Between 1850 and 1853 Maria Marsh collected over one hundred hair samples from friends and family. She affixed them to the pages of this handmade album with pieces of fabric or paper, including decorative papers with metallic finishes, some cut into the shapes of hearts. The hair samples are predominantly identified with a number, the name of the individual, and the place of their residence. While the bulk of the entries are from people living in various places in New York state, several from Pennsylvania, Massachusetts, New Jersey, and Michigan are also present. Most of the hair samples are arranged in simple loops, but some are shaped in ornamental hairwork styles. Various shades of hair color are represented, include blonde, brunette, and one red. One entry is for an unnamed infant who died at four months old, and whose hair was too short to be able to loop or work. Some entries include brief lines of verse relating to remembrance.

Between 1850 and 1853 Maria Marsh collected over one hundred hair samples from friends and family. She affixed them to the pages of this handmade album with pieces of fabric or paper, including decorative papers with metallic finishes, some cut into the shapes of hearts. The hair samples are predominantly identified with a number, the name of the individual, and the place of their residence. Pages sometimes include multiple members of the same family. While the bulk of the entries are from people living in various places in New York state, several from Pennsylvania, Massachusetts, New Jersey, and Michigan are also present. Most frequently named places include Otisco, Beakman, and Williamsburg. Some entries for Otisco specify it as Otisco, Michigan, but it is possible some are also from Otisco, New York.

Most of the hair samples are arranged in simple loops, but some are shaped in ornamental hairwork styles. Various shades of hair color are represented, include blonde, brunette, and one red. One entry is for an unnamed infant who died at four months old, and whose hair was too short to be able to loop or work. Some entries include brief lines of verse relating to remembrance.

The volume's covers were crafted out of Thomas Tillotson Superior Cutlery display boards, with small holes where the tableware was originally affixed.

This collection is made up of 2 volumes that Marianna Chandler Lanman composed while studying at Mrs. Rowson's Academy for Young Ladies in Boston, Massachusetts, around 1814. One concerns arithmetic, focusing on practical applications in bookkeeping, conversion, and monetary transactions; the other contains copied poems, calligraphic alphabets, and graphic illustrations.

This collection is made up of 2 volumes that Marianna Chandler Lanman composed while studying at Mrs. Rowson's Academy for Young Ladies in Boston, Massachusetts, around 1814. One concerns arithmetic, focusing on practical applications in bookkeeping, conversion, and monetary transactions; the other contains copied poems, calligraphic alphabets, and graphic illustrations. Lanman dedicated both volumes to her parents.

Lanman composed the first volume, entitled "Practical Arithmetic[:] Comprising All the Rules for Transacting Business" (10"x16", 60 pages), at Mrs. Rawson's Academy in 1814. Its sections, each labeled in calligraphy, concern mathematical operations, rules and theorems; weights and measures; and practical applications of mathematical principles. Many of the later pages concern subjects such as the calculation of simple and compound interest, the value of "federal money" against "lawful money" (state currencies), commission charges, and bookkeeping. The explanatory text is accompanied by finished exercises and problems. The volume also includes tables of weights and measures and an index.

The second volume, "Specimens of Penmanship" (16"x10", 23 pages), is undated. Lanman copied poetry and proverbs on the book's odd-numbered pages; most concern subjects such as happiness, rural living, and gratitude. The title of a poem on the "Pleasures of retired Life" is written on a drawing of a ribbon (p. 19). One poem, entitled "Virtue's Tears Embalm the Brave," is dedicated to the memory of American casualties of the War of 1812 (p. 21). The volume contains several drawings: a hermit in his home (p. 3), a bald eagle among patriotic decorations (p. 21), a sailing ship (p. 21), and a line drawing of a bird with the word "industry" in its feathers (p. 23). The volume also includes examples of cursive, German, and Old English alphabets.