Collections : [University of Michigan William L. Clements Library]

The Abigail Clark Farley collection is made up of essays, poetry, letters, and fiction that Farley wrote around the 1860s and 1870s. Topics include slavery, the Civil War, Seventh-day Adventists, and the state of Wisconsin.

The Abigail Clark Farley collection is made up of approximately 150 pages of essays, poetry, letters, and fiction that Farley wrote around the 1860s and 1870s. Some individual items contain more than one work, and she occasionally practiced decorated penmanship. The lengthiest item is a story entitled "Slander," a 52-page work (pages 5-8 are not present), and other essays or letters are as long as 4 pages. Though most items are attributed to Abigail Clark (later Abigail Farley), some are excerpts from other sources, such as "The Narative of Lewis Clark" [sic].

Around the time of the Civil War, Farley wrote essays expressing her opposition to slavery and her feelings about the war's high death toll. In many letters, poems, and essays, she commented on Seventh-day Adventism, various religious and moral topics, and friendship. Other essays and copied poems concern nature and the geography of Wisconsin. A group of elegiac poems are accompanied by genealogical notes. The collection includes a brief biographical note about Queen Victoria.

Abigail Farley's letters include an item written under a male pseudonym chastising a female acquaintance for unbecoming behavior (October 7, 1865) and a letter to Ellen G. White about her new husband's abusive behavior (March 28, 1871). One manuscript concerns a prophecy that came to Quaker minister Joseph Hoag. Small ink drawings of birds appear on one page of poems. One item documents partial terms for Abigail Clark's employment as a penmanship instructor. The collection includes recipes for lemon pies, rheumatic drops, several kinds of cake, and nerve ointment.

This collection consists of a manuscript schoolbook that belonged to Abraham P. Sherril in the mid-1810s and 4 daybooks that Sherril kept between 1837 and 1850. The schoolbook contains rules and example problems in subjects such as mathematics, business finance, and surveying, as well as examples of a daybook and double-entry ledger. The daybooks concern sales of foodstuffs, cloth, and other items in Pike, New York, from the 1830s-1850s.

This collection consists of a manuscript schoolbook and 4 daybooks. The Schoolbook (145 pages) contains 118 pages of notes and example problems concerning mathematics, business finance, and surveying, dated at East Hampton, New York, from March 1815-March 1818. Many of the geometrical and surveying problems are illustrated, and financial problems pertain to subjects such as European currencies and calculation of interest. The schoolbook also includes a copied poem. The final 27 pages provide examples of a daybook (January 1, 1819-January 31, 1819, 11 pages) and double-entry ledger (January 1, 1819-May 29, 1819, 16 pages). The same accounts are represented in each of these sections, and most pertain to sales of foodstuffs and fabrics. The 4 Daybooks (June 22, 1837-May 29, 1850, 765 pages) record Sherril's accounts with customers in Pike, New York. He sold foodstuffs such as butter, spices, and tea; household goods such as brooms and nails; clothing and fabrics such as calico; and other items, such as tobacco and soap.

This album contains autographs of the acquaintances of Adelaide Harris Davis of Cambridge, Massachusetts, collected between 1859 and 1864. Adelaide was a student at Elizabeth Cabot Cary Agassiz's day school, and received autographs from Elizabeth Cabot Cary Agassiz, Louis Agassiz, and Alexander Agassiz, who taught at the school, as well as friends, primarily female. The volume also has several black-and-white engravings. A circular letter is laid in and a tuition receipt is housed separately.

This album (101 pages) contains autographs of the acquaintances of Adelaide Harris Davis of Cambridge, Massachusetts, collected between 1859 and 1864. The front and back covers are decorated with imprinted artistic details and text reading "Album of Remembrance;" the album was printed by Leavitt & Allen of New York. Charles F. D. wrote a note on the first page celebrating many of Adelaide's virtues and recording his presentation of the album to her on February 22, 1859. Most of the acquaintances who signed the album were female, and some noted their locations or the date. Adelaide collected a majority of the signatures between 1859 and 1861 and one in 1864. Most signers were from Cambridge, Massachusetts, but contributors also came from New York, Vermont, and Iowa, as well as other towns in Massachusetts. Some included short mottos, such as Augusta M. Stevens, who inscribed a Shakespeare quotation (p. 55).

• [Miel] E. Berlancourt (poem in French) (p. 19)
• Alice C. Gates (p. 23)
• Francena Danforth ("Sweet be her dreams, the fair, the young," by Barry Cornwall) (p. 47)
• Lizzie Howe ("Watch and pray! The world deceiving…," by M. A. Dodd) (p. 57)
• "Belle" (p. 61)
• Sarah A. Manoun (p. 63)
• Sarah C. Fisher (p. 67)
• Carrie L. Fisher (p. 75)

• L. E. Agassiz (p. 79)
• E[lizabeth] C[abot Cary] Agassiz (p. 79)
• A[lexander] Agassiz (p. 83)
• Li. Agassiz (p. 93)

Several black-and-white engravings depict women at leisure and other scenes. An undated circular letter laid into the volume appeals to former students of the Agassiz day school to contribute to a gift prior to the school's having to close on June 26, 1862, because of the Civil War. A receipt, housed separately, records Eliphalet Davis's payment of $37.50 for one quarter's tuition at the Agassiz school (June 27, 1861).

The Alexander family papers document the family, life, and early career of pianist Margaret June Alexander (also known as Vonya Alexandre) throughout the early 1900s. The collection is made up of two journals kept by her mother, Myrilla M. Anderson, plus letters, writings, artwork, family photographs, printed programs, sheet music, and other materials related to this Decatur County and Indianapolis, Indiana, family.

The Alexander family papers document the family, life, and early career of pianist Margaret June Alexander (also known as Vonya Alexandre) throughout the early 1900s. The collection consists of two journals kept by her mother, Myrilla M. Anderson, plus approximately 1 linear foot of letters, writings, artwork, family photographs, printed programs, sheet music, books, newspaper clippings, and other materials related to this Decatur County and Indianapolis, Indiana, family.

Margaret's mother, Myrilla Anderson Alexander, wrote two journals during Margaret's early life and stages of her musical career. The first, kept between 1894 and 1896, documents Myrilla's experiences during Margaret's infancy and a list of musical lessons, associated fees, and required books. The second journal covers 1907 to 1917, and focuses primarily on Margaret's musical performances, complemented by enclosed newspaper clippings, correspondence, and programs.

The Alexander family papers include Myrilla M. Anderson Alexander's sketchbook of ink, watercolor, and charcoal illustrations. A hand bound book appears in the collection, written for Myrilla Alexander by R. E. Sylvester, which contains poetry and sketches.

The collection includes 4 letters by Myrilla Alexander, picture postcards, calling cards, 2 blank living wills from the state of Florida, and a 1945 marriage certificate for Carl F. Grouleff and Vonya Kurzhene. A typed document titled "Remembrances of Anna Stover and Edith Surbey" recounts the friends' lives from their early education through their ongoing religious charity work. Other items include a handwritten description of Margaret June Alexander's 1913 performance at Carnegie Hall, a list of quotations, and a certificate regarding the eligibility of Mary Alexander Tarkington and Caroline Anderson Haugh to join the Daughters of the American Revolution.

Approximately 110 photographs depict Margaret June Alexander, her performance partner Mischel Kurzene, and members of the Alexander, Anderson, and Tarkington families. An address book kept by Myrilla Alexander includes addresses and birthdays of family and friends.

The collection's printed items include programs for musical events, sheet music, newspaper clippings, and two books. Approximately 50 programs reflect Margaret June Alexander's musical career between 1907 and 1927. Obituaries for members of the Alexander and Tarkington families appear within the collection's newspaper clippings. Multiple copies of an undated, printed advertisement for "Dr. Alexander's Effervescing Headache Powders" are also present. The collection's 2 books are G. W. H. Kemper's A Medical History of the State of Indiana (Chicago: American Medical Association Press, 1911) and Joseph Tarkington's Autobiography of Rev. Joseph Tarkington (Cincinnati: Curts & Jennings, 1899).

An anonymous author dedicated this 44cm x 29cm volume, "A Missionary's Fate. A Prophecy," to Miss Minnie Jenks, in or after 1868. It includes seven pages of neatly written, rhyming, narrative poetry accompanied by five ink and watercolor illustrations. This xenophobic cautionary poem and illustrations trace a young woman's fatal transatlantic Christian missionary expedition. She departs the United States intending to convert and teach Assamese people, but she is instead transported to Africa where her solitary missionary efforts result in her murder and cannibalization. The illustrations include her seaside departure, the missionary standing on a stump and singing to (racist caricatures of) African men, cannibalism, African men trying on the woman's clothing, and a scene of grief back in the United States.

An anonymous author dedicated this 44cm x 29cm volume, "A Missionary's Fate. A Prophecy," to Miss Minnie Jenks, in or after 1868. It includes seven pages of neatly written, rhyming, narrative poetry accompanied by five ink and watercolor illustrations. This xenophobic cautionary poem and illustrations trace a young woman's fatal transatlantic Christian missionary expedition. She departs the United States intending to convert and teach Assamese people, but she is instead transported to Africa where her solitary missionary efforts result in her murder and cannibalization. The poem ends with her grief-stricken family members weeping and fainting back home, and a concluding moral.

The illustrations include a dock scene, with passengers boarding a ship, persons on the dock waving farewell, and sailors at work on deck. Another shows the missionary woman standing on a stump with a hymn book (sheet music for "In the Sweet Bye and Bye" visible) and singing to a group of African men. The artist portrayed them as racist caricatures, and the men are holding knives, testing their edges, and sharpening teeth with an iron file. The following image depicts the woman on the ground with the men eating or carrying off her bones and severed parts of her body. Next, the men are trying on the woman's clothing; a chief is wearing her bonnet and carrying her parasol and purse/bag, another man is putting on her shoes, and another wears her skirt. The concluding artwork is a parlor scene back in the United States, wherein family and friends received a postal parcel containing a piece of the missionary's dress, her hymn book, a lock of her hair, and a shoestring. The people are shown weeping into handkerchiefs, one of them fainted and one holding the lock of hair.

A transcription of the seventh, final page of the poem--and the moral of the tale--is: "Oh gentle maid, on good intent, / Who would in 'Missions' lead the van, / Take warning from this maid, who went / Afar to free from Ignorance' ban. / Do all the good that here you can / Where you may have a little ease; / 'Home Missions' try on some one man - / Or two or more, if so you please, - / But do not try the Asamese."

These two volumes contain complementary financial records kept by Andrew Thompson, a merchant in Chester County, Pennsylvania, who traded foodstuffs and alcohol, particularly whiskey, in the early 1800s. One volume lists daily transactions and the other tracks running accounts with specific individuals. Each contains additional laid-in items such as receipts, financial records, and notes.

These two volumes contain complementary financial records kept by Andrew Thompson, a merchant in Chester County, Pennsylvania, who traded foodstuffs and alcohol in the early 1800s. The first volume holds chronological accounts of Thompson's daily transactions between April 2, 1816, and August 28, 1821. Each entry typically reflects an individual purchase, and corresponds with a running account kept in the accompanying volume. Thompson most frequently sold whiskey, which constituted the entirety of his sales on several occasions. Other entries reflect the costs of labor, including sawing work; at least one regards a "coloured man" who assisted in "diging for pipes in meadow" (February 25, 1817). Receipts and financial records laid into the volume often correspond with the dates of accounts; one loose item also contains a poem (June 10, 1820). Two pages in the back of the volume document Thompson's accounts with "Stiles," from whom he bought oats, rye, and whiskey in bulk.

The second volume contains similar accounts for the same types of goods, kept as running totals with specific individuals, as well as an index of Thompson's customers, who included several women. Entries in this volume correspond with those in the first, and some are accompanied by signed notes verifying that they had been settled. Receipts and other financial records are similarly laid into this volume, and they include an unofficial copy of a court summons, signed by Samuel Wilson of Chester County, Pennsylvania (February 28, 1818; p. 130). Every other page of this volume is numbered, and it contains in total approximately 532 total pages.

This collection consists of six manuscript poems written by Anna Seward (1742-1809), including a copy of Monody on Major André, which was published in 1781.

This collection consists of two volumes that contain six manuscript poems written by Anna Seward (1742-1809). The first volume includes a 21-page copy of Monody on Major André, which was published in 1781, as well as an untitled 6-line poem in French on the follies of young women. Major John André, about whom she composed her Monody, had courted one of Seward's close friends and went on to be accused and executed by the Americans as a spy during the Revolutionary War. The pieces in the second volume include 8 pages of "Verses by Miss Seward, on receving [sic] Mr Hayley's Picture drawn for her by Mr. Romney," signed by Seward and dated Litchfield, November 7, 1781; a 12-line "Epitaph On Anne Whately who died May 1793 aged ten years"; and two undated sonnets.

William Hayley was an English poet who briefly courted Seward and with whom she corresponded throughout her adult life. The William L. Clements Library holds prints of the George Romney portrait to which her poem refers. Anne Whately has not been identified.

The Ante papers consist primarily of the World War II-era correspondence of 1st Lieutenant Frank G. Ante, written to Betty Jane Jacober, his sweetheart and, later, wife, throughout his time in the army.

The Ante papers consist primarily of the World War II-era correspondence of 1st Lieutenant Frank G. Ante, written to Betty Jane Jacober, his sweetheart and, later, wife, throughout his time with the army. The earliest letters in the Correspondence series date to Ante's time in New Albany, Indiana, where he worked for the Goodyear Tire & Rubber Company; these reveal his loneliness and desire to return to Betty in Cincinnati. Soon after the war broke out, Ante attempted to enlist and, though initially unsuccessful, entered training at Camp Barkeley, Texas, in the late summer of 1942. Ante wrote to Betty daily and shared numerous anecdotes about life in the army, including a description of his time in Officer Candidate School and his experience with censored correspondence. Ante left for England on October 8, 1943, and once in England was assigned to censorship duty; he occasionally mentioned the Army's mail policies, particularly in relation to censorship. In early 1944, Ante frequently commented on the Allied military efforts in Europe, including the D-Day invasion and his experiences as the army marched eastward into Germany. On May 7, 1945, the "very bitter" Ante provided his frank reaction to the massive celebrations that followed the German surrender, criticizing Americans for their joy at an outcome purchased at a heavy human cost. Throughout his letters, Ante was warmly affectionate toward Betty, and he continuously looked forward to his return to Ohio.

Other material in the collection includes V-mail addressed to Ante from his sister, Mary, during his time in Europe, numerous Greeting Cards Betty sent to her husband, and Miscellaneous material including orders for soldiers occupying Germany, two poems, and a newspaper clipping.

This collection contains approximately 430 items, nearly all of which are incoming letters addressed to Artemas Hale, a cotton gin manufacturer and politician from Bridgewater, Massachusetts. Hale received correspondence from acquaintances and political contacts throughout southeastern Massachusetts, as well as from politicians serving in Washington, D. C., and from family members who resided in Mississippi. Most letters concern mid-19th century politics on both national and local levels, and writers address issues such as the Whig Party, education, the Mexican War, and slavery. Approximately 10 items are letters by Artemas Hale, invitations, and a manuscript poem.

This collection contains approximately 430 items, nearly all of which are incoming letters addressed to Artemas Hale, an agent for a cotton gin manufacturer and a politician from Bridgewater, Massachusetts. Hale received correspondence from acquaintances and political contacts throughout southeastern Massachusetts, as well as from politicians serving in Washington, D. C., and from family members residing in Mississippi. Most letters concern mid-19th century politics on both national and local levels, and writers address issues such as the Whig Party, education, the Mexican War, and slavery. Approximately 10 items are letters by Artemas Hale, invitations, and a manuscript poem.

The majority of Hale's incoming letters concern political matters in Massachusetts and throughout the United States, particularly between 1839 and 1860. Most authors wrote from the area near Hale's home in Bridgewater, Massachusetts, or from Washington, D. C. Several politicians were frequent correspondents, and many discussed their involvement with the Whig Party, as well as other aspects of party politics. Others commented on local and national elections; the collection contains commentary on each presidential election between 1844 and 1860. Additional frequent topics include the Mexican War, slavery and sectionalism, and the affairs of the United States Congress. Early letters often concerned the budget and workings of the Massachusetts State Normal School (now Framingham State University), as well as national affairs. Notable contributors include Julius Rockwell, Horace Mann, Samuel Hoar, Samuel J. May, John S. Pendleton, Robert C. Winthrop, Daniel P. King, and Joseph Grinnell.

Personal letters Hale received from family and friends are interspersed throughout the collection, including family letters written before 1839 and 2 letters written in 1840 by Thophilus P. Doggett, a minister in Bridgewater, regarding his travels to Florida and throughout the Caribbean. Hale's brother Moses wrote of his life as a farmer in Westport, Mississippi (June 5, 1843). Another relative, Harrison Hale, wrote 4 letters between 1847 and 1851, providing his impressions of southern life and, particularly in his letters dated April 8, 1859, and February 3, 1861, about the upcoming Civil War. In addition, 2 of Thomas B. Lincoln’s letters concern railroad construction in Texas (December 23, 1855) and the outbreak of military hostilities (December 11, 1860), and [Keith A.] Bartlett wrote 1 letter about his Union Army service at Camp Brightwood (October 8, [1861]). The collection also holds two pages of indexes, possibly taken from a letter book, and a patriotic poem entitled "Sleeping for the Flag" (undated).

The Asa Waldo Wildes daybook contains an account of his 1857 trip from Detroit to Michigan's Upper Peninsula via Lake Huron and Lake Superior, as well as poetry, financial accounts, and a draft of an 1857 survey report.

The Asa Waldo Wildes daybook contains an account of his 1857 trip from Detroit to Michigan's Upper Peninsula via Lake Huron and Lake Superior, as well as poetry, financial accounts, and a draft of an 1857 survey report.

The daybook opens with a note regarding the death of Wildes's young son Francis on September 17, 1849, accompanied by a pair of short poems; other poetry, dated 1857 and 1858, appears on the next 11 pages. The next segment consists of a 28-page draft of a survey made for the Marquette & Ontonagon Railroad.

A 38-page account concerns Wildes's journey to the Upper Peninsula on the steamer Illinois, beginning May 18, 1857. Wildes wrote about the 1812 Siege of Detroit, seen through the eyes of a War of 1812 veteran (pp. 11-12), but focused primarily on the sights and people encountered along Michigan's eastern and northern coasts. He described both American and Canadian cities along the lakeshore, and on one occasion detailed his interactions with local Indian traders, whom he met near Saginaw Bay. Despite its springtime start, the Illinois frequently encountered ice while on Lake Superior and became trapped on several occasions before reaching Fort Wilkins and Portage Charter Township. Once on land, Wildes focused on natural resources, paying special attention to the local copper and iron industries along Lake Superior's southern coast and around L'Anse, Michigan, where he concluded his narrative. The volume concludes with poetry and financial accounts related to the Grand Rapids & Indiana Railroad, dated as late as 1864.