Collections : [University of Michigan William L. Clements Library]

London apothecary William P. Marshall compiled notes on medical ailments, descriptions of chemicals and medicines, and formulae for medical treatments in this volume, entitled "Medical Manipulation."

In 1830, London apothecary William P. Marshall compiled notes on medical ailments, descriptions of chemicals and medicines, and formulae for medical treatments in an 89-page volume entitled "Medical Manipulation." Marshall wrote directly in the volume and on pages pasted into the volume.

The book's formal title is "Medical Manipulation: An Œconomical Farrago of Galenical Anomalies with Pathological Remarks by Wm. P. Marshall, M.R.C.S., Licentiate of the Society of Apothecaries &c. &c." The first title page contains a colored drawing of a shield with the inscription "Resurgere in Cœlo," below a skull sitting on a shelf. The second page includes a clipping with a printed illustration of a skull and crossbones. Roughly half of the pages have notes about general pathology, respiration, the voice, expectoration, "percussion," the heart, and diagnosis. The other pages primarily have pasted-in notes about, and formulae for, medicines and chemicals used for medical treatments. One of these notes is in poetic form ("Materia Medica," pp. 10, 12). The pasted-in pages cover older notes written directly into the volume.

Newspaper clippings about various medical subjects, including one on "lunatics" (p. 78) and many formulae, are affixed to many pages. One clipping has a reprinted poem "Found in the Skeleton Case at the Royal Academy" (p. 57), and at least two articles are in Spanish. The front endpaper has a price list from J. Warrick & Co. chemical importers in London, England.

This volume largely consists of William N. Ames's logbook entries for the 369-ton whaleship Martha, Master Joseph Wheldon, January 14-March 25, 1838 (14 pages and fragments of pages). The Martha departed Hudson, New York, heading for the Indian Ocean with stops at Gough Island and Madagascar. The remainder of the volume is pages or fragments of pages for the ship Alexander Mansfield, 1832, including the poem "The Yankey Privatear" (4 pages); one letter fragment; and pages of additional accounting and poetry (9 pages).

This volume consists largely of William N. Ames's logbook entries for the 369-ton whaleship Martha, Master Joseph Wheldon, January 14-March 25, 1838 (14 pages and fragments of pages). The Martha departed Hudson, New York, heading for the Indian Ocean with stops at Gough Island and Madagascar. The remainder of the volume is pages or fragments of pages for the ship Alexander Mansfield, 1832, including the poem "The Yankey Privatear" (4 pages); one letter fragment; and pages of additional accounting and poetry (9 pages).

William Ames kept daily entries for the first three months of the Martha's voyage, documenting wind speed and direction, latitude and longitude, shipboard activities, and sightings of marine life. Multiple entries contain sightings of blackfish (pilot whales), finback whales, white whales, and birds. On single occasions, he mentioned seeing a dead whale, whales feeding, and porpoises. On March 6, 1838, he noted: "hard winds hard luck and No Whales is to hard Never mind we live in hopes of beter luck and more whales for the future."

The front pastedown bears six whale stamps, haphazardly applied (three tails and three bodies).

This manuscript rhyming poem written by "Hazel" is about a young girl who hung an extra Christmas stocking for an impoverished child, and Santa Claus' enlistment of elves to help provide gifts.

This manuscript rhyming poem written by "Hazel" is about a young girl who hung an extra Christmas stocking for an impoverished child, and Santa Claus' enlistment of elves to help provide gifts.

The poem is written in a blank book bound with red, white, and green braid, and pages featuring printed decorative borders of holly. The volume also features six watercolor illustrations depicting Santa, the elves, and the gifts in the stockings. The cover bears the title and painted holly and leaves.

An inscription on inside front cover reads "A merry Christmas from Hazel."

This collection contains correspondence, documents, and a poem related to Philadelphia merchant Samuel Coates, including Coates's recounting of Mayhew Folger's discovery of the HMS Bounty mutineers' colony on Pitcairn Island, correspondence concerning nautical travel in 18th-century New York and contemporary opinions on the American Revolution. Four items relate to the late Doctor Samuel Cooper, for whom Coates served as estate executor.

This collection contains correspondence, documents, and a poem related to Philadelphia merchant Samuel Coates. Most of the material consists of incoming personal letters addressed to Coates, including three letters by Richard Dimsdale, who recounted his recent nautical travels around New York City and throughout the state of New York (June 29, 1773) and provided his opinion on recent social unrest in the colonies (September 9, 1775). Another acquaintance, Joseph Pemberton, inquired about food prices in Philadelphia during the Revolutionary War, and shared his desire for Washington to surround General Howe and secure victory (January 23, 1777). Additional incoming items include a letter from Ezekiel Edwards (October 25, 1772), a shipping receipt (December 18, 1772), and a letter from William Jones concerning the estate of the late Samuel Cooper (February 4, 1799). The collection also holds three items written by Samuel Coates: a letter to Moses Brown describing a recent epidemic and conditions in the Pennsylvania Hospital (October 30, 1798); a letter about Samuel Cooper's estate (December 6, 1806); and a letter from Samuel Coates to Henry Clifton (ca. 1809) containg whaling captain Mayhew Folger's account of his discovery of a colony on Pitcairn Island consisting of the widows, children, and last survivor of the HMS Bounty mutineers. Additional material includes an indenture apprenticing Samuel Cooper to Samuel Clark, Bartholomew Wistar, and Samuel Coates, managers of the Pennsylvania Hospital (January 1, 1793), and a poem written by Enoch Lewis in memory of Samuel Cooper (September 6, [1798]).

This collection consists of two variations of a 1912 yearbook for members of the 1915 co-ed class of Rochester High School in Rochester, Pennsylvania.

This collection consists of two variations of a 1912 yearbook for members of the 1915 co-ed class of Rochester High school in Rochester, Pennsylvania. These yearbooks include pencil and pen-and-ink portraits of students, faculty, and sports teams, as well as caricatures, cartoons, and humorous drawings. Several poems are also included. Their content touches on humor, social affairs, class members' personalities, curriculum, athletics, and gender. The content is very similar between the two volumes, with some variations of student descriptions and introductory matter.

The first volume, titled "The Nightmare," includes an introduction stating that "the only excuse for publishing this book is because the rest of the bunch have one apiece . . . [and] merely aids one in passing some idle hours in school . . . this book is strictly 'Entre Nous,' so don't tell anybody outside of America." One page, headed "Familiar Quotations" quotes Bunny Amos Rex as having said, "Aw fellows let's git together and do some devilment." On the opposite page of the "Quotations" section is a drawing of the Rochester High School with the label "Agony Building." Accompanying the student portraits are humorous descriptions of said students: Armin Barner is described as an elegant musician, politician, electrician and magician of the lowest rank.

The second volume, titled "Freshmen Class Book 1911," includes a preface claiming the book "touches on such topics as Elementary Science, Natural Science, Natural Phylosophy, Orthography, Uranography, Geodasy and Wireless Telegraphy" to emulate "when all writters chiseled out dedications for a book thereby showing their originality." It further states that the class has attempted the same "because of our first class solid ivory domes." Many pages feature illustrations or descriptions of the school's sports teams. It also contains croquet scores for the women's team, who apparently gave the class "the thing we need to brag over," as they "mopped the valley clean" in their season.

This typescript consists of extracts from the diary of Major Richard Bailey Crandall, pertaining to his service with the 6th Vermont Infantry Regiment from January to May 1864. Crandall wrote about visits to Vermont and Washington, D.C., his religious beliefs, his romantic feelings for a female correspondent, and his regiment's engagements with Confederate forces during the Overland Campaign.

This typescript consists of extracts from the diary of Major Richard Bailey Crandall, pertaining to his service with the 6th Vermont Infantry Regiment during the Civil War. From January 1, 1864, to June 5, 1864, Crandall wrote brief entries about his daily activities, with a few gaps. In mid-January and early February, Crandall discussed his social activities while visiting friends and family members in Montpelier, Vermont, and New York City. In New York, he remarked on his pleasant friendship with a woman (identified by the initial "L"); he wrote about his romantic feelings for and correspondence with L. throughout the remainder of his diary, often wondering whether she reciprocated his sentiments. In early April, Crandall spent 10 days' leave in Washington, D.C., where he described members of the House of Representatives. Crandall often attended religious services and otherwise commented on his faith. His diary contains a few brief religious and patriotic poems.

The majority of Crandall's entries concern aspects of military life, such as camp life, picket duty, and leisure activities; he occasionally referred to academic debates and prayer meetings. By early May, he wrote primarily about his regiment's movements and encounters with Confederate forces. The diary contains brief descriptions of Crandall's participation in the Battle of the Wilderness, the Battle of Cold Harbor, and several skirmishes; he often recounted his regiment's movements during the fighting and reported on casualties. By mid-May, Crandall and other soldiers were exhausted by the constant fighting, though he maintained his commitment. He made his final entry on June 5, 1864, two days before his death. The volume includes two additional entries made by one of Crandall's parents on June 7 and June 17, 1864, regarding his death at the hands of a Confederate sharpshooter and his burial.

The original diary is located at the Vermont Historical Society.

The Rees Cadwalader notebook contains copied poems and essays on a variety of topics, including several composed in memoriam.

The Rees Cadwalader notebook (48 pages) contains copied poems and essays on a variety of topics, including several composed in memoriam. The text on the inside cover indicates that Cadwalader kept the book for practicing his penmanship, and he may have been a student when he began the volume in 1801. The 16 entries are comprised of 12 poems, 3 essays, and a recipe for black ink. Two prominent themes are death and religious faith, often in conjunction, and the book contains narrative and introspective works, such as a story about the Doan outlaws and elegiac poems, respectively. Also of interest are a lengthy recollection of a dream experienced by Sarah Hunter, who twice saw visions of heaven and hell, poems about several types of love (including the love of God, spousal love, and a father's love for his daughter), and a tale of star-crossed lovers separated by their families' mutual hatred. Several compositions are attributed, and at least three were previously published: "An Address to the Deity" (published in the first edition of Anna Letitia Barbauld's poetry, 1773), "The Evening Fireside" (published in 1805), and "A Birthday Reflection" (published in The Friend, 1831). Pages 43-46 are missing, and page 47 is blank.

The Polly C. Bishop Mansfield Collection contains poetry and sewing produced by Mansfield while a young woman during the mid-nineteenth century. Four poems entitled "Remembrance," "Nevermore," "Friendship," and "Persevere" are written on both sides of a slim sheet of paper. Mansfield hand-sewed a stuffed fabric fish, drawing scales, gills, and eyes on it with ink. The fish is affixed with thread to a manuscript note that reads, "Sarah Heaton Stiles and Polly Bishop Mansfield had a bet on and Polly was to give Sarah a shad, in payment. And she (Polly) made this shad, perhaps about 1850-2. They were young women."

The Polly C. Bishop Mansfield Collection contains poetry and sewing produced by Mansfield while a young woman during the mid-nineteenth century. Four poems entitled "Remembrance," "Nevermore," "Friendship," and "Persevere" are written on both sides of a slim sheet of paper. Mansfield hand-sewed a stuffed fabric fish, drawing scales, gills, and eyes on it with ink. The fish is affixed with thread to a manuscript note that reads, "Sarah Heaton Stiles and Polly Bishop Mansfield had a bet on and Polly was to give Sarah a shad, in payment. And she (Polly) made this shad, perhaps about 1850-2. They were young women."

This volume was produced by Peter McGivney as a gift for his sister, Julia A. McGivney. Its entries are largely copies of popular song lyrics and some poetry. Many focus on sentimental themes like remembrance, familial relationships, love, death, and religion. A few patriotic titles were included. Peter McGivney elaborately decorated and illustrated the volume with paintings, pencil drawings, pen-and-ink embellishments, printed scrapbook die-cuts, and calligraphic titles and borders. He drew numerous patriotic images, including American flags, shields, eagles, Union soldiers, and a portrait of George Washington. Flowers, leaves, birds, and landscapes feature prominently, along with depictions of women. He drew several illustrations of hands holding calling/visiting cards filled out with the names of friends and family members. One watercolor illustration of an African American man accompanies the lyrics of a minstrel song.

This volume was produced by Peter McGivney as a gift for his sister, Julia A. McGivney. Its entries are primarily copies of popular song lyrics and some poetry. Many focus on sentimental themes like remembrance, familial relationships, love, death, and religion. Some patriotic titles are also included. Titles like "Little Low Cabin" and "Half Way Doings" were likely minstrel songs, and include racist dialect. One is accompanied by a watercolor painting of an African American man in striped pants and a blue overcoat standing at a table with a Bible on it and a whitewash bucket on the floor.

Peter McGivney elaborately decorated and illustrated the volume with paintings, pencil drawings, pen-and-ink embellishments, printed scrapbook die-cuts, and calligraphic titles and borders. He drew numerous patriotic images, including American flags, shields, eagles, Union soldiers, and a portrait of George Washington. Flowers, leaves, birds, and landscapes feature prominently, along with depictions of women. He drew several illustrations of hands holding calling/visiting cards filled out with the names of friends and family members.

• "The Lady’s Yes," by Elizabeth Barrett Browning
• "Write Me a Letter [from] Home," by Will S. Hays
• "[Darling] Minnie Lee," by Dexter Smith
• "Ella Ree," by Charles E. Stewart
• "God Bless My Boy at Sea," by T. Brigham Bishop
• "Little Robin, Tell Kitty," by Frank Howard
• "Killarney," by E. Falconer
• "Sunny Days," by Edwin Ransford
• "Remember Me," by M. W. Balfe
• "We Parted by the River Side," by Will S. Hays
• "The Last Rose of Summer," by Thomas Moore
• "Lottie Lee," by C. T. Lockwood
• "Kiss the Little Ones," by W. F. Wellman, Jr.
• "Kiss Me Mother E'er I Die," by W. Dexter Smith, Jr.
• "To a Beloved Woman," translated from Sappho
• "Driven from Home," by Will S. Hays
• "Bessy O'er the Lea" [e.g. "Darling Bessie of the Lea"], by George Cooper
• "Our Own," by Margaret Elizabeth Sangster
• "[When] The Corn is Waving, Annie Dear," by Charles Blamphin
• "A Woman's Question," by Adelaide Anne Proctor
• "Daisy O'Lynn," by M. H. McChesney
• "I'll Remember You Love in my Prayers," by Will S. Hayes
• "Don't be Angry With Me, Darling," by W. L. Gardner
• "The Good Bye at the Door," by J. E. Carpenter
• "Love On," by Eliza Cook
• "Sweet Genevieve," by George Cooper
• "When the [Autumn] Leaves are Falling," by J. E. Carpenter
• "Mother, Is the Old Home Lonely," by Arthur W. French
• "The Golden Side," by Mary Ann Kidder
• "Wait Till the Moonlight Falls on the Water," by Sam Bagnall
• "The Bells of Shadow" [e.g. "The Shandon Bells"], by Francis Mahony
• "Annie of the Vale," by G. P. Morris
• "My Pretty Jane," by Edward Fitzball
• "Silver Threads among the Gold," by Eben E. Rexford
• "When I Saw Sweet Nellie Home," by John Fletcher
• "Come Like a Beautiful Dream," by George Cooper
• "What Will I Do Without Thee," by Elmer Ruan Coates
• "Star of the Evening," by James M. Sayles
• "The Good Bye at the Door," by J. E. Carpenter
• "Memory Bells," by Henry Tucker
• "I Love the Merry Sunshine," by J. W. Lake
• "Every Home has Lost a Darling," by George Cooper
• "Wilt thou say Farewell Love," by Thomas Moore
• "A Sweet Face at the Window," by W. C. Baker
• "Faded Flowers," by I. H. Brown
• "The Blind Girl," by Joshua Swan
• "What Will I Do Without Thee," by Elmer Ruan Coates
• "Why Was I Looking Out," by Claribel
• "God Save the Flag," by Oliver Wendell Holmes

• "Fair Maid of Perth"
• "Arabella Dolora"
• "A little Puss"
• "Rebecca at the Well"
• "E Pluribus Unum"
• "Excelsior"
• "The French Iron Clad Solferino"
• "Volcano of Turrialba (Mexico)."
• "View of Paknam on the Memam. Farther - India"
• "The Rose of Orleans"
• "The Queen of Flowers"
• "Marriot's Aerial Steam Carriage. 'Avitor.'"
• "Love in Winter"
• "Dressing for the Masquerade"
• "William Penn first Settler of Pennsylvania 1675"
• "The Tambourine Player"
• "Love in Summer"

This collection consists of four volumes of the "News Gitter" manuscript magazine or newsletter created by students from Wisconsin Creek, Montana, in 1913, as a part of a student literary society called the O.A.O., "Our Afternoon Off." Several additional pages of notes, poetry, and a partial address by Willis Funk, president of the O.A.O. commenting on its founding, are also present. Entries for the periodical include jokes and mock wanted advertisements, comments about school affairs and students, poetry, local news and weather, among other topics.

This collection consists of four volumes of the News Gitter manuscript magazine or newsletter created by students from Wisconsin Creek, Montana, in 1913, as a part of a student literary society called the O.A.O., "Our Afternoon Off." Several additional pages of notes, poetry, and a partial address by Willis Funk, president of the O.A.O. commenting on its founding, are also present. Entries for the periodical include jokes and mock wanted advertisements, comments about school affairs and students, poetry, local news and weather, among other topics.

Content relating to the students' educational experiences include discussions of examinations, jokes about teachers and lessons, commentary about school government, notices for upcoming performances, among other topics. Several entries specifically relate to a female teacher, Miss Le Tourneau. The manuscript magazines also feature material reflecting the students' social experiences. They document student absences and disputes, classroom antics, facilities issues, humor, and the formation of the literary society O.A.O., "Our Afternoon Off." Some of the entries reference romantic interests between students, while others reflect signs of puberty, like the entry in the first volume that noted "Willis Funk is developing a fine crop of whiskers." Some content relates to race and ethnicity, such as articles in volume three titled "Miniature Mexican Insurrection," one about "Two Irish lads… quar[rel]ing on the school house steps," and one that references African Americans and uses racial epithets.