Collections : [University of Michigan William L. Clements Library]

This collection is made up of 4 items related to poet Joyce Kilmer and his poem "Trees," including its first printed appearance, a holograph manuscript of the poem, a partial musical setting by Oscar Rasbach, and a real photograph postcard portrait of Kilmer in uniform.

This collection is made up of 5 items related to Joyce Kilmer and his poem "Trees." Items include a holograph manuscript of the poem; an original copy of the magazine Poetry: A Magazine of Verse, in which the poem was first published; a partial manuscript musical setting of the poem signed by its composer, Oscar Rasbach, who set it to music in 1922; and a real photo postcard portrait of Kilmer. See the Detailed Box and Folder Listing for more information about each item.

This collection consists of four volumes of the "News Gitter" manuscript magazine or newsletter created by students from Wisconsin Creek, Montana, in 1913, as a part of a student literary society called the O.A.O., "Our Afternoon Off." Several additional pages of notes, poetry, and a partial address by Willis Funk, president of the O.A.O. commenting on its founding, are also present. Entries for the periodical include jokes and mock wanted advertisements, comments about school affairs and students, poetry, local news and weather, among other topics.

This collection consists of four volumes of the News Gitter manuscript magazine or newsletter created by students from Wisconsin Creek, Montana, in 1913, as a part of a student literary society called the O.A.O., "Our Afternoon Off." Several additional pages of notes, poetry, and a partial address by Willis Funk, president of the O.A.O. commenting on its founding, are also present. Entries for the periodical include jokes and mock wanted advertisements, comments about school affairs and students, poetry, local news and weather, among other topics.

Content relating to the students' educational experiences include discussions of examinations, jokes about teachers and lessons, commentary about school government, notices for upcoming performances, among other topics. Several entries specifically relate to a female teacher, Miss Le Tourneau. The manuscript magazines also feature material reflecting the students' social experiences. They document student absences and disputes, classroom antics, facilities issues, humor, and the formation of the literary society O.A.O., "Our Afternoon Off." Some of the entries reference romantic interests between students, while others reflect signs of puberty, like the entry in the first volume that noted "Willis Funk is developing a fine crop of whiskers." Some content relates to race and ethnicity, such as articles in volume three titled "Miniature Mexican Insurrection," one about "Two Irish lads… quar[rel]ing on the school house steps," and one that references African Americans and uses racial epithets.

This collection consists of two variations of a 1912 yearbook for members of the 1915 co-ed class of Rochester High School in Rochester, Pennsylvania.

This collection consists of two variations of a 1912 yearbook for members of the 1915 co-ed class of Rochester High school in Rochester, Pennsylvania. These yearbooks include pencil and pen-and-ink portraits of students, faculty, and sports teams, as well as caricatures, cartoons, and humorous drawings. Several poems are also included. Their content touches on humor, social affairs, class members' personalities, curriculum, athletics, and gender. The content is very similar between the two volumes, with some variations of student descriptions and introductory matter.

The first volume, titled "The Nightmare," includes an introduction stating that "the only excuse for publishing this book is because the rest of the bunch have one apiece . . . [and] merely aids one in passing some idle hours in school . . . this book is strictly 'Entre Nous,' so don't tell anybody outside of America." One page, headed "Familiar Quotations" quotes Bunny Amos Rex as having said, "Aw fellows let's git together and do some devilment." On the opposite page of the "Quotations" section is a drawing of the Rochester High School with the label "Agony Building." Accompanying the student portraits are humorous descriptions of said students: Armin Barner is described as an elegant musician, politician, electrician and magician of the lowest rank.

The second volume, titled "Freshmen Class Book 1911," includes a preface claiming the book "touches on such topics as Elementary Science, Natural Science, Natural Phylosophy, Orthography, Uranography, Geodasy and Wireless Telegraphy" to emulate "when all writters chiseled out dedications for a book thereby showing their originality." It further states that the class has attempted the same "because of our first class solid ivory domes." Many pages feature illustrations or descriptions of the school's sports teams. It also contains croquet scores for the women's team, who apparently gave the class "the thing we need to brag over," as they "mopped the valley clean" in their season.

The Helen Buchanan papers contain incoming correspondence, financial records, ephemera, and photographs related to the life of Helen Buchanan (later Jones) in the early 20th century. Much of the correspondence is from her friend Juliana Conover, who discussed women's issues and her life in Princeton, New Jersey, during World War I, and from Buchanan's suitor and eventual husband, Walter McKnown Jones, who wrote about medical treatments he experienced and life on his coffee plantation in Puerto Rico.

The Helen Buchanan papers contain 5 linear feet of incoming correspondence, financial records, photographs, printed items, ephemera, and writings pertaining to the life of Helen Buchanan (later Jones) in the early 20th century. Much of the correspondence is from her friend Juliana Conover, who discussed women's issues and her life in Princeton, New Jersey, during World War I, and from Buchanan's suitor and eventual husband, Walter McKnown Jones, who wrote about medical treatments he experienced and life on his coffee plantation in Puerto Rico.

The Correspondence series comprises the bulk of the collection and contains incoming letters and postcards addressed to Buchanan between 1906 and 1919, while she lived at Ayrshire Farm in Upperville, Virginia; Washington, D. C.; Rome, Italy; and Hacienda Limon (near Villalba, Puerto Rico).

Helen's friend Juliana Conover wrote 258 letters advising her much younger friend on love and courtship, providing updates on her life in Princeton, New Jersey, and commenting on current events. In one early letter, she shared her horror at the recent Titanic tragedy (April 16, 1912). Much of Conover's correspondence concerns Helen's courtship with and engagement to Walter McKnown Jones; she often reported on his health, and she supported the relationship despite misgivings on the part of Helen's father. Conover dispensed candid advice on a variety of topics, including intimacy and birth control (April 12, 1916). Along with sending personal updates and news of friends in Princeton, she sometimes mentioned the war and the families whose sons served in the military (May 14, 1917). After the war, she worked with the American Library Association's Library War Service at Camp Dix, New Jersey.

Walter McKnown Jones, Helen's friend, fiancé, and (later) husband, wrote approximately 200 letters to her between 1914 and 1919, largely concerning their courtship and engagement. Early in their acquaintance, he spent considerable time attending to his ill health and undergoing medical treatments. After recovering in the United States, he returned to his coffee plantation in Puerto Rico, where he described his work and efforts to sell coffee; these included trips to New York City and other destinations throughout the late 1910s. Many of his later communications with Helen are telegrams reporting his current location and attempting to make plans to meet his wife.

The Family Correspondence subseries holds letters from many different writers, including several regular correspondents. James A. Buchanan, Helen's father, wrote 45 letters between 1906 and 1919, often regarding her financial situation and family news. He described his European travels, which included witnessing a review of German military troops in Berlin (September 2, 1908) and visiting a military cemetery in Brest, France, where war casualties and influenza epidemic victims were buried (March 4, 1919). John and Francis Buchanan, Helen's brothers, shared stories of their academic and athletic experiences. John wrote about Yale's stringent entry requirements and his preparation for entrance exams (August 14, 1911). Other family correspondence includes letters from aunts, cousins, and extended family members, who told Helen about their lives in various New York cities and in Ilchester, Maryland.

Much of the Friends Correspondence subseries consists of letters by Etta Dunham de Viti de Marco and her daughter Etta, with whom Helen lived while studying in Rome, Italy. The elder Etta frequently discussed her work with Italy's Montessori movement, and her daughter provided Helen with updates on her life at school in Ascot, England. Etta Dunham di Viti de Marco shared her opinions of the war and expressed her desire for U.S. intervention (July 4, 1915). Nora Davis Farrar, the wife of Frederick Percival Farrar, an English chaplain to King George V, wrote 44 letters between 1908 and 1914, describing her life in Pennsylvania and British Columbia. A variety of other correspondents related news of their lives in various European countries and in the United States. Several postcards depict black-and-white views of "Il Cerro" in Italy.

The Financial Records series (140 items) consists of bank receipts, notifications of charitable donations, and additional receipts for clothing, books, and household items, dated from 1908-1918.

The Photographs and Negatives series includes approximately 50 individual portraits of Helen Buchanan's friends, family members, homes, and properties. One photograph album contains 375 pictures taken between 1928 and 1935, depicting scenes from family vacations in Canada and people, dogs, and horses. Many photographs show men and women in equestrian competitions, and some later images depict Ayrshire Farm in Upperville, Virginia.

A "Theatre Record" chronicles Helen's theatrical excursions in Washington, D.C., between December 25, 1907, and December 25, 1908. She recorded her opinions of productions and players. Programs are pasted and laid into the volume.

The Printed Items and Ephemera series consists of calling cards, picture postcards, pamphlets, newspaper clippings, and other items. Ephemera includes pamphlets and printed letters related to the Washington, D.C. chapter of the Drama League of America; postcards and programs related to the Societa Romana della Caccia alla Volpe; and other materials. Twenty-nine picture postcards from Italy and Puerto Rico are present.

The collection contains approximately 15 Writings and Fragments. These are poems, a manuscript speech on the play Candida, an inventory of articles owned by Helen, and other items.

The William B. Clinton papers consist primarily of letters that Clinton wrote to his mother and siblings in Schenectady, New York, while working at a mining camp in Sewell, Chile, in the early 20th century.

The William B. Clinton papers consist of 153 letters that Clinton wrote to his mother and siblings in Schenectady, New York, while working at a mining camp in Sewell, Chile, in the early 20th century. The collections also includes an additional 6 letters written by various senders, 2 newspaper clippings, a 2-page journal entry, and 2 pieces of ephemera.

Clinton wrote about his life in Chile, exploring topics that ranged from local geography to customs and politics. The bulk of the correspondence begins in January 1917, with Clinton only 8 weeks into his Chilean experience, and many of his early letters concern his homesickness. As he adapted to Sewell, Clinton focused more on his job and on everyday life in Chile and spent significant periods of time in other Chilean towns on work-related business. In addition to describing his duties at work and his thoughts about labor politics, he frequently made observations about cultural differences and his social life. In his letter of March 7, 1920, he enclosed a dance card and printed program for an event featuring "The Chocolate Soldier Minstrels."

During the First World War, Clinton heard little international news but kept up on local politics. He observed holidays such as the Fourth of July, even though local residents often took no notice of them and often displayed disdain toward the United States. Several of his letters of the letters focus on culinary topics such as a cooking class (with attached recipes) (November 8, 1919) and a diet prescribed by "Dr. Rich" (Ddecember 22, 1921).

The collection also contains a 2-page journal entry detailing an anonymous author's experience escorting strikebreakers into a mill, 2 newspaper clippings, and a recipe for a tomato-based sauce, and a typed poem about workers entitled "Time Clocks Start - October 12."

This manuscript rhyming poem written by "Hazel" is about a young girl who hung an extra Christmas stocking for an impoverished child, and Santa Claus' enlistment of elves to help provide gifts.

This manuscript rhyming poem written by "Hazel" is about a young girl who hung an extra Christmas stocking for an impoverished child, and Santa Claus' enlistment of elves to help provide gifts.

The poem is written in a blank book bound with red, white, and green braid, and pages featuring printed decorative borders of holly. The volume also features six watercolor illustrations depicting Santa, the elves, and the gifts in the stockings. The cover bears the title and painted holly and leaves.

An inscription on inside front cover reads "A merry Christmas from Hazel."

The Georgianna M. Brackett photograph album contains cyanotypes and other photographs taken at Smith College from 1896 to around 1901. The volume includes candid and posed pictures of Brackett and her classmates, teachers, room interiors, college buildings, and social gatherings.

The Georgianna M. Brackett photograph album (21cm x 27cm) contains 259 cyanotypes and other photographic prints documenting her experiences at Smith College from 1896 to around 1901. Most of the items are cyanotypes, and the album also includes collodion prints and platinum prints. Items are often pasted several to a page and some fill the entire page. Many have captions, often recording the name and class year of pictured students. The album has a pebbled brown leather cover. A printed program from a performance of the Smith College Glee, Banjo, and Mandolin Clubs on March 27, 1897, is laid into the front cover.

Brackett compiled pictures of her friends, instructors, and social activities, as well as pictures of the college and nearby buildings and scenery. Her album contains many pictures of women from several classes, taken individually and in groups; Brackett appears in some of the photographs. A number of photographs show dormitory rooms, some in Hubbard House. Also included are group photographs of Hubbard House residents; one shows women in Halloween costumes. Of note are three photographs of class mascots, including a young African American boy who was mascot for the class of 1899. Scenes from Ivy Day processions, a Smith College commencement ceremony, appear for a few different graduation classes. The volume includes scenes of large groups of students waiting to watch a basketball game outside and inside of the college gymnasium, pictures from a class rally, and group portraits of basketball teams representing the classes of 1898 and 1900. Also present are candid shots of Smith College teachers and the school's first president, Laurenus Clark Seelye, and studio portraits of unidentified young men and women. Brackett also collected exterior and interior shots of college buildings and students' residences, including some inside the campus art gallery, music hall, and chapel. One group of pictures is labeled "Cassell's Colorado" (July 1896-August 1896). One photographic print is laid into the volume and an envelope with a brief, humorous manuscript poem is pasted in amongst the photographs.

The album's compiler may have been a member of Smith College's camera club and exchanged prints with other members.

This guest book (121 pages) contains contributions from visitors to The Curtis, a summer boarding house and hotel in New Castle, New Hampshire, in the late 19th and early 20th centuries. The book contains poetry, signatures, quotations, sketches, and watercolors, as well as 5 cyanotype photographs.

This guest book (121 pages) contains contributions from visitors to The Curtis, a summer boarding house and hotel in New Castle, New Hampshire, in the late 19th and early 20th centuries. The guest book contains poetry, signatures, quotations, sketches, and watercolors, as well as 5 cyanotype photographs.

Most entries are dated between 1895 and 1906; one is dated 1916. Visitors mainly stayed at The Curtis between the months of June and September, many for a month or longer. Most guests came from New Hampshire and Massachusetts, and some visited from Maine, Vermont, Iowa, and California. Several guests included lines of verse alongside their signatures, including one who copied "At the Stand of the Tide," a poem by Harriet McEwan Kimball (pp. 38-39). One patron, Marie Middlekauff, signed in German (p. 33), and 2 referenced "Miss Bickford's" hospitality and cooking. A few contributors drew sketches, and 3 signed next to cyanotype photographs depicting sailboats, people at leisure, and a cat.

• Colored painting of an industrial town on a river, Alice M. Comstock, July 23, 1903 (p. 4)
• Sketch of buildings, M. L. Wood, June 1898 (p. 45)
• Sketch of a street, Alice Washington Ball, [1898] (p. 47)
• Sketch of a steamer, L. McL. King, 1898 (p. 49)
• "The Studio," sketch of a barn beside a body of water, Joseph B. Davol, (p. 51)
• "Why we tarried," sketch of a female golfer, William F. Crocker, [1899] (p. 77)
• "The presiding genius of The Curtis," sketch of an owl, Alice Prossitte Hall, [1899] (p. 83)
• "The Homestead," watercolor painting, Frederick E. Bartlett, [1899] (p. 85)
• Sketch of a planter with flowers, Thomas B. Frost et al., September 2, 1899 (p. 87)
• Sketch of a sailboat and waterfront buildings, Ethel Woods Varrell, September 17, 1899 (p. 89)
• Sketch of a young woman's head, Josephine Bruce, September 1899 (p. 91)
• Sketch of a house, Pauline McKay, October 5, 1900 (p. 101)
• "Keep Dark!," sketch of an African-American man in profile (p. 107), accompanied by poem on next page, Mr. & Mrs. F. A. Whiting, Mr. & Mrs. A. H. Hall, and Mr. & Mrs. F. Allen Whiting, September 11, 1905, pp. 106-107
• "Piscataqua Cafe," sketch of a building and pier, C. F. S. (p. 110)
• Cartoon sketch of a cowboy outside of a building, saying, "I done it!," Lionel Sherwood (pp. 112-113)
• Sketch of a sailboat on water, with waterfront buildings and factories in background, James N. Vandegrift, July 28, 1906 (p. 117)

This collection is comprised of 14 illustrated letters that Henry Brevoort Eddy of Mamaroneck, New York, wrote to Louise Lyman, a friend living in Tarrytown, New York, and London, England. Eddy discussed his social life in Tuxedo Park, Mamaroneck, and New York City, and illustrated each letter with multiple (often humorous) ink drawings.

This collection is comprised of 14 illustrated letters that Henry Brevoort Eddy of Mamaroneck, New York, wrote to Louise Lyman, a friend living in Tarrytown, New York, and London, England. Eddy wrote 4 letters from New York City and Tuxedo Park, New York, between July and September 1895; he discussed a heat wave affecting Tuxedo Park and the surrounding area, as well as Sunday excursions in New York City, illustrated with cartoon portraits of beachgoers and a ferry boat. While in Tuxedo Park, he wrote of and illustrated sporting activities such as golf, bicycle riding, and tennis. A humorous drawing in his letter of August 12, 1895, shows a man and a woman quivering after a loud burst of thunder. In his other undated letters, he described and illustrated aspects of his social life and leisure activities, which included his frequent attendance at the Harvard Club in New York City. He often wrote his letters on Harvard Club stationery.

Eddy shared his observations on topics such as the effects of bicycling on women and commented on Lyman's letters and letter-writing habits. He occasionally mentioned his artistic work, including his upcoming posters for the New York Ledger and his desire to make his living drawing cartoons. Accompanying illustrations depict Eddy and others reading, and include several sketched cartoon portraits. Many of Eddy's drawings and observations were humorous, and on one occasion his work prompted him to depict himself as the devil drawing cartoons. Two illustrations show men fighting, and 3 refer to "Carl," an African-American acquaintance. One letter dated "July 8" includes a newspaper clipping of a poem Eddy composed, illustrated with several small, refined drawings and titled "This Is the House That Jack Built."

This collection is made up of correspondence and other items related to Philadelphia resident James Shields, particularly concerning his interest in 19th-century American author Eugene Field.

This collection (59 items) is made up of correspondence and other items related to Philadelphia resident James Shields, particularly concerning his interest in 19th-century American author Eugene Field.

The Correspondence series (45 items) contains incoming and outgoing letters of James Shields, primarily from July 1917-October 1932. Many are the writers' responses to Shields's inquiries about Eugene Field manuscripts and writings, Field's possible acquaintance with Patrick Lafcadio Hearn, and the possible location of a Field death mask. Some of Shields's correspondents had been personally acquainted with Field. An article about Hearn from The New Republic (October 7, 1972) is enclosed with Shields's draft letter of December 10, 1917. Later items, dated 1939-1942, pertain to a donation that Shields made to the Free Library of Philadelphia and the publications of the Aitkin-Kynett Company.

The Eugene Field Manuscripts (5 items) include fragments of 4 personal letters that Field wrote to his "Aunt Alice" from October 1894-October 1895, mostly about family news. The series also contains a manuscript copy of Field's poem "The Dreams."

The Poetry, Photographs, and Ephemera series (14 items) includes pamphlets containing remarks about Eugene Field by Eugene V. Debs and a brief poem by Field, a manuscript poem about hermit crabs attributed to Francis Sedgwick Child, a brief essay about Ralph A. Lyon, a name card, and other items. The photographs include images of a woman laying flowers on Field's grave and of Francis Wilson playing theatrical parts "Young Rip" and "Old Rip."