Collections : [University of Michigan William L. Clements Library]

Lydia Brown compiled this notebook of copied poems, principally religious and moral in nature, sometime in the early nineteenth century. She often drew calligraphic titles and other embellishments, including borders, flowers, and leaves. Several times throughout the volume, Lydia Brown includes included "A E 12" after her name, possibly an abbreviation for the Latin phrase "aetatis," indicating she may have been 12 at the time of writing and the volume could have served as an educational exercise for learning penmanship.

Lydia Brown compiled this notebook of copied poems, principally religious and moral in nature, sometime in the early nineteenth century. She often drew calligraphic titles and other embellishments, including borders, flowers, and leaves. Several times throughout the volume, Lydia Brown included "A E 12" after her name, possibly an abbreviation for the Latin phrase "aetatis," indicating she may have been 12 at the time of writing and the volume could have served as an educational exercise for learning penmanship. A test sheet at the end of the volume includes several practice penmanship elements, and pencil lines throughout indicate how Lydia Brown was keeping her writing straight.

• To Hope
• A Paraphrase of the Lord's Prayer
• Charity
• Safety in Christ
• Say Why!
• Childhood
• Life
• Content
• Faith
• Hope
• Charity
• Humility
• Friendship
• Fortitude
• Modesty
• Patience
• Inscription on a Clock
• Friendship
• Sunset and Sunrise
• Reputation
• A Request
• Hope
• The Rose
• Friendship
• Time
• Repentance
• Prayer
• Religion
• The Happy Cottage
• A Thought
• Evening Cloud
• Extract
• An Epitaph
• Time
• Modesty
• Extract
• Repentance
• Life
• Prayer
• The Tear
• Sympathy

This collection is made up of 2 volumes that Marianna Chandler Lanman composed while studying at Mrs. Rowson's Academy for Young Ladies in Boston, Massachusetts, around 1814. One concerns arithmetic, focusing on practical applications in bookkeeping, conversion, and monetary transactions; the other contains copied poems, calligraphic alphabets, and graphic illustrations.

This collection is made up of 2 volumes that Marianna Chandler Lanman composed while studying at Mrs. Rowson's Academy for Young Ladies in Boston, Massachusetts, around 1814. One concerns arithmetic, focusing on practical applications in bookkeeping, conversion, and monetary transactions; the other contains copied poems, calligraphic alphabets, and graphic illustrations. Lanman dedicated both volumes to her parents.

Lanman composed the first volume, entitled "Practical Arithmetic[:] Comprising All the Rules for Transacting Business" (10"x16", 60 pages), at Mrs. Rawson's Academy in 1814. Its sections, each labeled in calligraphy, concern mathematical operations, rules and theorems; weights and measures; and practical applications of mathematical principles. Many of the later pages concern subjects such as the calculation of simple and compound interest, the value of "federal money" against "lawful money" (state currencies), commission charges, and bookkeeping. The explanatory text is accompanied by finished exercises and problems. The volume also includes tables of weights and measures and an index.

The second volume, "Specimens of Penmanship" (16"x10", 23 pages), is undated. Lanman copied poetry and proverbs on the book's odd-numbered pages; most concern subjects such as happiness, rural living, and gratitude. The title of a poem on the "Pleasures of retired Life" is written on a drawing of a ribbon (p. 19). One poem, entitled "Virtue's Tears Embalm the Brave," is dedicated to the memory of American casualties of the War of 1812 (p. 21). The volume contains several drawings: a hermit in his home (p. 3), a bald eagle among patriotic decorations (p. 21), a sailing ship (p. 21), and a line drawing of a bird with the word "industry" in its feathers (p. 23). The volume also includes examples of cursive, German, and Old English alphabets.

Maryann B. Clark of Antwerp, New York, created this volume in 1852, inserting nine samples of hair of herself, her father, mother, siblings, other relatives, and possibly friends. The samples are arranged in various styles of ornamental hairwork and affixed to the page with pieces of ribbon or fabric. Each hair sample is accompanied by the individual's name, birth and death date (if applicable), and a verse. In the back of the volume, Clark copied the "Mourner's Lamentation," a poem written by her brother-in-law Joseph S. Foster upon the death of Persis Sabrina (Clark) Foster.

Maryann B. Clark of Antwerp, New York, created this volume in 1852, inserting nine samples of hair of herself, her father, mother, siblings, other relatives, and possibly friends. The samples are arranged in various styles of ornamental hairwork and affixed to the page with pieces of ribbon or fabric. One white lock of hair belonged to Clark's grandmother who died at the age of 90. Each hair sample is accompanied by the individual's name, birth and death date (if applicable), and a verse. Some of the verses relate directly to the individuals, such as those for her deceased brothers and sister whose hair samples are accompanied by poems about the death of siblings. Other poems relate to hair and remembrance. In the back of the volume, Clark copied the "Mourner's Lamentation," a poem written by her brother-in-law Joseph S. Foster upon the death of Persis Sabrina (Clark) Foster.

The volume is handmade. The cover is paper with fabric ribbon sewn along the edges.

Maryann B. Clark of Antwerp, New York, created this volume in 1852, inserting nine samples of hair of herself, her father, mother, siblings, other relatives, and possibly friends. The samples are arranged in various styles of ornamental hairwork and affixed to the page with pieces of ribbon or fabric. Each hair sample is accompanied by the individual's name, birth and death date (if applicable), and a verse. In the back of the volume, Clark copied the "Mourner's Lamentation," a poem written by her brother-in-law Joseph S. Foster upon the death of Persis Sabrina (Clark) Foster.

Maryann B. Clark of Antwerp, New York, created this volume in 1852, inserting nine samples of hair of herself, her father, mother, siblings, other relatives, and possibly friends. The samples are arranged in various styles of ornamental hairwork and affixed to the page with pieces of ribbon or fabric. One white lock of hair belonged to Clark's grandmother who died at the age of 90. Each hair sample is accompanied by the individual's name, birth and death date (if applicable), and a verse. Some of the verses relate directly to the individuals, such as those for her deceased brothers and sister whose hair samples are accompanied by poems about the death of siblings. Other poems relate to hair and remembrance. In the back of the volume, Clark copied the "Mourner's Lamentation," a poem written by her brother-in-law Joseph S. Foster upon the death of Persis Sabrina (Clark) Foster.

The volume is handmade. The cover is paper with fabric ribbon sewn along the edges.

This collection contains 3 letters and a poem related to Major General Richard Montgomery, a native of Ireland who became a Continental Army officer during the American Revolution. The items, 3 of which are addressed to British Army officer Perkins Magra, concern a venereal infection, Montgomery's life as a country farmer in New York in the mid-1770s, and the beginning of the American Revolution.

The Montgomery collection consists of 3 letters and 1 poem related to Richard Montgomery and his wife, Janet Livingston. Three of the items are addressed to British Army officer Perkins Magra.

In the first letter, dated from Dublin on November 27, [1769], Montgomery complained about a woman whom he claimed had infected him with a venereal disease. In a letter to Magra dated 1774, Montgomery discussed his decision to live in the countryside, and shared his conviction that he would be killed "by a pistol." Montgomery's final letter concerns events in Boston, the widespread political influence of the Second Continental Congress, and George Washington and Charles Lee (July 2, 1775). The collection also contains a narrative poem that Janet Livingston Montgomery wrote for Magra on May 25, 1775, with a brief prose postscript dated June 1, 1775. Montgomery congratulated Magra on his marriage and commented on the Battle of Bunker Hill, her husband's appointment to the provincial congress, and the possibility of war.

This collection consists of four volumes of the "News Gitter" manuscript magazine or newsletter created by students from Wisconsin Creek, Montana, in 1913, as a part of a student literary society called the O.A.O., "Our Afternoon Off." Several additional pages of notes, poetry, and a partial address by Willis Funk, president of the O.A.O. commenting on its founding, are also present. Entries for the periodical include jokes and mock wanted advertisements, comments about school affairs and students, poetry, local news and weather, among other topics.

This collection consists of four volumes of the News Gitter manuscript magazine or newsletter created by students from Wisconsin Creek, Montana, in 1913, as a part of a student literary society called the O.A.O., "Our Afternoon Off." Several additional pages of notes, poetry, and a partial address by Willis Funk, president of the O.A.O. commenting on its founding, are also present. Entries for the periodical include jokes and mock wanted advertisements, comments about school affairs and students, poetry, local news and weather, among other topics.

Content relating to the students' educational experiences include discussions of examinations, jokes about teachers and lessons, commentary about school government, notices for upcoming performances, among other topics. Several entries specifically relate to a female teacher, Miss Le Tourneau. The manuscript magazines also feature material reflecting the students' social experiences. They document student absences and disputes, classroom antics, facilities issues, humor, and the formation of the literary society O.A.O., "Our Afternoon Off." Some of the entries reference romantic interests between students, while others reflect signs of puberty, like the entry in the first volume that noted "Willis Funk is developing a fine crop of whiskers." Some content relates to race and ethnicity, such as articles in volume three titled "Miniature Mexican Insurrection," one about "Two Irish lads… quar[rel]ing on the school house steps," and one that references African Americans and uses racial epithets.

This volume was produced by Peter McGivney as a gift for his sister, Julia A. McGivney. Its entries are largely copies of popular song lyrics and some poetry. Many focus on sentimental themes like remembrance, familial relationships, love, death, and religion. A few patriotic titles were included. Peter McGivney elaborately decorated and illustrated the volume with paintings, pencil drawings, pen-and-ink embellishments, printed scrapbook die-cuts, and calligraphic titles and borders. He drew numerous patriotic images, including American flags, shields, eagles, Union soldiers, and a portrait of George Washington. Flowers, leaves, birds, and landscapes feature prominently, along with depictions of women. He drew several illustrations of hands holding calling/visiting cards filled out with the names of friends and family members. One watercolor illustration of an African American man accompanies the lyrics of a minstrel song.

This volume was produced by Peter McGivney as a gift for his sister, Julia A. McGivney. Its entries are primarily copies of popular song lyrics and some poetry. Many focus on sentimental themes like remembrance, familial relationships, love, death, and religion. Some patriotic titles are also included. Titles like "Little Low Cabin" and "Half Way Doings" were likely minstrel songs, and include racist dialect. One is accompanied by a watercolor painting of an African American man in striped pants and a blue overcoat standing at a table with a Bible on it and a whitewash bucket on the floor.

Peter McGivney elaborately decorated and illustrated the volume with paintings, pencil drawings, pen-and-ink embellishments, printed scrapbook die-cuts, and calligraphic titles and borders. He drew numerous patriotic images, including American flags, shields, eagles, Union soldiers, and a portrait of George Washington. Flowers, leaves, birds, and landscapes feature prominently, along with depictions of women. He drew several illustrations of hands holding calling/visiting cards filled out with the names of friends and family members.

• "The Lady’s Yes," by Elizabeth Barrett Browning
• "Write Me a Letter [from] Home," by Will S. Hays
• "[Darling] Minnie Lee," by Dexter Smith
• "Ella Ree," by Charles E. Stewart
• "God Bless My Boy at Sea," by T. Brigham Bishop
• "Little Robin, Tell Kitty," by Frank Howard
• "Killarney," by E. Falconer
• "Sunny Days," by Edwin Ransford
• "Remember Me," by M. W. Balfe
• "We Parted by the River Side," by Will S. Hays
• "The Last Rose of Summer," by Thomas Moore
• "Lottie Lee," by C. T. Lockwood
• "Kiss the Little Ones," by W. F. Wellman, Jr.
• "Kiss Me Mother E'er I Die," by W. Dexter Smith, Jr.
• "To a Beloved Woman," translated from Sappho
• "Driven from Home," by Will S. Hays
• "Bessy O'er the Lea" [e.g. "Darling Bessie of the Lea"], by George Cooper
• "Our Own," by Margaret Elizabeth Sangster
• "[When] The Corn is Waving, Annie Dear," by Charles Blamphin
• "A Woman's Question," by Adelaide Anne Proctor
• "Daisy O'Lynn," by M. H. McChesney
• "I'll Remember You Love in my Prayers," by Will S. Hayes
• "Don't be Angry With Me, Darling," by W. L. Gardner
• "The Good Bye at the Door," by J. E. Carpenter
• "Love On," by Eliza Cook
• "Sweet Genevieve," by George Cooper
• "When the [Autumn] Leaves are Falling," by J. E. Carpenter
• "Mother, Is the Old Home Lonely," by Arthur W. French
• "The Golden Side," by Mary Ann Kidder
• "Wait Till the Moonlight Falls on the Water," by Sam Bagnall
• "The Bells of Shadow" [e.g. "The Shandon Bells"], by Francis Mahony
• "Annie of the Vale," by G. P. Morris
• "My Pretty Jane," by Edward Fitzball
• "Silver Threads among the Gold," by Eben E. Rexford
• "When I Saw Sweet Nellie Home," by John Fletcher
• "Come Like a Beautiful Dream," by George Cooper
• "What Will I Do Without Thee," by Elmer Ruan Coates
• "Star of the Evening," by James M. Sayles
• "The Good Bye at the Door," by J. E. Carpenter
• "Memory Bells," by Henry Tucker
• "I Love the Merry Sunshine," by J. W. Lake
• "Every Home has Lost a Darling," by George Cooper
• "Wilt thou say Farewell Love," by Thomas Moore
• "A Sweet Face at the Window," by W. C. Baker
• "Faded Flowers," by I. H. Brown
• "The Blind Girl," by Joshua Swan
• "What Will I Do Without Thee," by Elmer Ruan Coates
• "Why Was I Looking Out," by Claribel
• "God Save the Flag," by Oliver Wendell Holmes

• "Fair Maid of Perth"
• "Arabella Dolora"
• "A little Puss"
• "Rebecca at the Well"
• "E Pluribus Unum"
• "Excelsior"
• "The French Iron Clad Solferino"
• "Volcano of Turrialba (Mexico)."
• "View of Paknam on the Memam. Farther - India"
• "The Rose of Orleans"
• "The Queen of Flowers"
• "Marriot's Aerial Steam Carriage. 'Avitor.'"
• "Love in Winter"
• "Dressing for the Masquerade"
• "William Penn first Settler of Pennsylvania 1675"
• "The Tambourine Player"
• "Love in Summer"

The Polly C. Bishop Mansfield Collection contains poetry and sewing produced by Mansfield while a young woman during the mid-nineteenth century. Four poems entitled "Remembrance," "Nevermore," "Friendship," and "Persevere" are written on both sides of a slim sheet of paper. Mansfield hand-sewed a stuffed fabric fish, drawing scales, gills, and eyes on it with ink. The fish is affixed with thread to a manuscript note that reads, "Sarah Heaton Stiles and Polly Bishop Mansfield had a bet on and Polly was to give Sarah a shad, in payment. And she (Polly) made this shad, perhaps about 1850-2. They were young women."

The Polly C. Bishop Mansfield Collection contains poetry and sewing produced by Mansfield while a young woman during the mid-nineteenth century. Four poems entitled "Remembrance," "Nevermore," "Friendship," and "Persevere" are written on both sides of a slim sheet of paper. Mansfield hand-sewed a stuffed fabric fish, drawing scales, gills, and eyes on it with ink. The fish is affixed with thread to a manuscript note that reads, "Sarah Heaton Stiles and Polly Bishop Mansfield had a bet on and Polly was to give Sarah a shad, in payment. And she (Polly) made this shad, perhaps about 1850-2. They were young women."

The Rees Cadwalader notebook contains copied poems and essays on a variety of topics, including several composed in memoriam.

The Rees Cadwalader notebook (48 pages) contains copied poems and essays on a variety of topics, including several composed in memoriam. The text on the inside cover indicates that Cadwalader kept the book for practicing his penmanship, and he may have been a student when he began the volume in 1801. The 16 entries are comprised of 12 poems, 3 essays, and a recipe for black ink. Two prominent themes are death and religious faith, often in conjunction, and the book contains narrative and introspective works, such as a story about the Doan outlaws and elegiac poems, respectively. Also of interest are a lengthy recollection of a dream experienced by Sarah Hunter, who twice saw visions of heaven and hell, poems about several types of love (including the love of God, spousal love, and a father's love for his daughter), and a tale of star-crossed lovers separated by their families' mutual hatred. Several compositions are attributed, and at least three were previously published: "An Address to the Deity" (published in the first edition of Anna Letitia Barbauld's poetry, 1773), "The Evening Fireside" (published in 1805), and "A Birthday Reflection" (published in The Friend, 1831). Pages 43-46 are missing, and page 47 is blank.

This typescript consists of extracts from the diary of Major Richard Bailey Crandall, pertaining to his service with the 6th Vermont Infantry Regiment from January to May 1864. Crandall wrote about visits to Vermont and Washington, D.C., his religious beliefs, his romantic feelings for a female correspondent, and his regiment's engagements with Confederate forces during the Overland Campaign.

This typescript consists of extracts from the diary of Major Richard Bailey Crandall, pertaining to his service with the 6th Vermont Infantry Regiment during the Civil War. From January 1, 1864, to June 5, 1864, Crandall wrote brief entries about his daily activities, with a few gaps. In mid-January and early February, Crandall discussed his social activities while visiting friends and family members in Montpelier, Vermont, and New York City. In New York, he remarked on his pleasant friendship with a woman (identified by the initial "L"); he wrote about his romantic feelings for and correspondence with L. throughout the remainder of his diary, often wondering whether she reciprocated his sentiments. In early April, Crandall spent 10 days' leave in Washington, D.C., where he described members of the House of Representatives. Crandall often attended religious services and otherwise commented on his faith. His diary contains a few brief religious and patriotic poems.

The majority of Crandall's entries concern aspects of military life, such as camp life, picket duty, and leisure activities; he occasionally referred to academic debates and prayer meetings. By early May, he wrote primarily about his regiment's movements and encounters with Confederate forces. The diary contains brief descriptions of Crandall's participation in the Battle of the Wilderness, the Battle of Cold Harbor, and several skirmishes; he often recounted his regiment's movements during the fighting and reported on casualties. By mid-May, Crandall and other soldiers were exhausted by the constant fighting, though he maintained his commitment. He made his final entry on June 5, 1864, two days before his death. The volume includes two additional entries made by one of Crandall's parents on June 7 and June 17, 1864, regarding his death at the hands of a Confederate sharpshooter and his burial.

The original diary is located at the Vermont Historical Society.