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Leslie Bassett is a composer and professor of music at the University of Michigan. Bassett's papers, consisting of correspondence, collected memorabilia, photographs, lectures, scrapbooks, and music, document his career as a composer and professor of music.

The Leslie Bassett Papers consist of correspondence, collected memorabilia, photographs, lectures, scrapbooks, and musical compositions documenting his career as a composer and professor in the School of Music of the University of Michigan.

This collection contains the following series: Correspondence, Memorabilia, Topical Files, Photographs, Scrapbooks, Sound Recordings, and Compositions.

William Bolcom (born 1938) is a composer and pianist. Joan Morris (born 1943) is a mezzo-soprano. They were both members of the University of Michigan School of Music faculty. Bolcom and Morris have given numerous performances since 1973. They have also recorded albums of classical and popular songs. Performance files include programs, itineraries, newspaper articles and reviews of each performance, and contracts. There are also files relating to the University of Michigan student production of Mina & Colossus as well as Barnum's Nightingale; original scores to Bolcom's compositions, including McTeague, Casino Paradise, and A View from the Bridge; topical files relating to awards, competitions, and other activities and interests; and physical and digital audiovisual materials.

The papers of William Bolcom and Joan Morris document Bolcom's work as a composer and performer as well as Bolcom's and Morris's collaboration in performing and recording American popular songs and classical music. There is also some material relating to their academic work at the University of Michigan, notably a 1988 production of a student opera, Mina & Colossus. The papers include programs, itineraries, and correspondence relating to performances, manuscript and published scores, topical files, audio and visual material (including sound recordings), and photographs.

Organist and professor of music at the University of Michigan, and other members of the Christian family; correspondence, clippings, concert programs, and other papers re his teaching, concert career, European student days, etc.

The Palmer Christian collection is comprised of four series: Correspondence and other papers; Programs and reviews of recitals; Madrigals; and Photographs. The correspondence is noteworthy for long-term correspondents such as symphony conductor Eric De Lamarter who regularly communicated with Christian for over twenty year period beginning in 1925 and from Eugene Ormandy. During World War II, Christian received many letters from former students then serving in the military.

Professor at University of Michigan School of Music, papers largely related to the Music School's Honors Program and Crawford's teaching career.

The Crawford papers in the main date from 1949 to 2001. Historical material collected by Crawford dates from 1893 to 1915. The Crawford papers measure 3.75 linear feet. They consist almost exclusively of records from the School of Music's Honors Program, which Crawford administered in the 1960s, and Crawford's teaching material. The collection has been divided into four series, School of Music Records, Teaching Material, Other Professional Material, and Collected Historical Music Material.

Performer and professor of modern dance at the University of Michigan. Collection contains subject files relating to Delanghe's activities as a choreographer, dancer, teacher and department chair. Collection also contains photographs and audiovisual material documenting productions with which Delanghe was involved.

The Gay Delanghe papers document a range of Delanghe's professional activities, with particular focus on choreography, teaching, and performing. The bulk of the records originate from the time of her graduation from the University of Michigan in 1965 through the first twenty years of her tenure in the University of Michigan Dance Department. There are few records from her childhood and college years, or from her late career. The records serve to illuminate her engagements as a dancer, and as a teacher, as well as the processes that went into her choreography and the staging of her work. In addition to this finding aid, a performance list exists which attempts to compile information on all of Delanghe's performances for which documentation exists in the collection. This list is available in Performance and Publicity series and upon request.

The collection is divided into ten series of materials relating to various aspects of the professional and artistic activities of Gay Delanghe. These series are: Biographical Materials, Choreography, Correspondence, Funding and Awards, Notebooks, Photographs, Programs and Publicity, Teaching, University of Michigan Department of Dance, and Audiovisual Materials.

Professor of music at the University of Michigan School of Music. Green was a noted writer and teacher on the topic of teaching violin and other string instruments. Correspondence, biographical information, lectures and various writings, course materials, programs, and subject files relating in part to Nicolai Malko and Ivan Galamian; also photographs.

The Green collection consists of three linear feet of material arranged mainly alphabetically by type of material or topic. The materials focus on her years as a teacher both in Michigan and Iowa. Green devoted her life and career to the teaching of proper methods for teaching stringed instruments to students at all levels of instruction from elementary to college. She was also a prolific writer of articles about violin instruction, some of which generated a significant amount of comment. Of particular note in this respect is her January 1941 article in The School Musician. This article concerned her belief that band groups and classes were being favored by parents and band directors at the expense of orchestral groups and classes. The article and responses she received are included in the collection.

Other strengths of the collection include numerous articles that she wrote or which were written about her. There are samples of her course syllabi as well as other materials relating to how she conducted her classes. The largest part of the collection includes her correspondence with friends, family, fellow educators, and her students. The materials in the collection cover the length of her career as a teacher and instructor at the University of Michigan as well as the lectures and clinics she conducted during her retirement years. The collection contains very little about her youth, but there are a few newspaper articles about her father, Albert W. Green who was a violin maker and instructor. In addition there is an audio recording of a lecture she gave September 20, 1978 at the University of Connecticut. The photos are mainly of Elizabeth Green herself. The ads and reviews mainly pertain to her 1961 book The Modern Conductor, but there are also ads from some of her other works. There is a complete copy of her 1966-1967 manuscript Teaching Theory Creatively.

Professor at the University of Michigan (1965-1988). Director of Choirs, and respected conductor of choral music, well-known for his extensive repertoire and new interpretations of 20th century choral music. The collection includes photographs, video, press clippings, writings, correspondence, and programs documenting Hilbish's work as an instructor and conductor from 1948 to 2004.

The Thomas Hilbish papers document his educational background and his career as a conductor and choral instructor. The papers include performance material (scores, programs, publicity, photographs and videotapes) and teaching material. All phases of his career are included, from Princeton through to the University of Michigan as well as various visiting professorships. The papers are organized into five series: Biographical, Conducting Work, Programs, Teaching, and Audio-Visual Material.

Professor of law and president of the University of Michigan. Papers include correspondence, reports, and speeches relating to all aspects of his University activities; and visual materials.

The Harry B. Hutchins papers cover the years 1879 through 1929, and include records generated during his years as professor and dean of the law department, President of the University of Michigan, and in retirement. Boxes 1-18 are primarily comprised of correspondence. Reports of the departments, schools, and other units of the university are contained in box 19, folders 30-32, and box 20, folders 1-13. As president, Hutchins did not regularly submit annual reports to the Board of Regents. Additional materials include speeches, photographs, and biographical material.

Professor of music education at University of Michigan. Correspondence relating to his work in music education; also programs relating to music education, particularly the Summer Conference on Music Education; and photographs.

The David Earl Mattern Papers document Mattern's education and career from 1905 to his death in 1959. The collection is organized in four series: Biographical and Personal Materials, Education, Professional Career, and Photographs. Topics covered extensively in this collection include the University of Michigan Men's Glee Club, the Extension Orchestra, and Mattern's activities during the university's Summer Session.

The Earl V. Moore collection consists of the personal and professional papers of a noted musician, composer and director. Moore taught music at the University of Michigan from 1916 and served as director of the School of Music from1923 until his retirement in 1960.

The papers of Earl V. Moore document his career as professor and dean of the School of Music of the University of Michigan, as well as his career as a composer and performer. Though some of the papers and visual images date from the 1870s, the bulk of the collection dates from the 1920s through the 1960s. Consisting of three linear feet of papers and visual materials, the collection reflects Moore's many accomplishments as conductor, composer, lecturer, organist, and participant in professional societies.

The Moore papers have been divided into seven series: Biographical/Personal Materials, Correspondence, Topical Files, Newspaper Clippings, Musical Scores, Sound Recordings, and Visual Materials.