Collections

This collection contains correspondence, newspaper clippings, a typescript, and a photograph related to William D. Workman's appearance on a television program about the integration of schools in the South, originally aired on September 29, 1957. Workman received 23 responses over the following days. Writers most frequently expressed their support of segregated schools, and many also commented on race relations and other political issues concerning the South.

This collection contains correspondence, newspaper clippings, a typescript, and a photograph related to William D. Workman's appearance on a television program about the integration of schools in the South, originally aired on September 29, 1957. Workman received 23 responses over the following days. Writers most frequently expressed their support of segregated schools, and many also commented on race relations and other political issues concerning the South.

Most items in the Correspondence and Newspaper Clippings series are letters of thanks Workman received shortly after his television appearance. Viewers and listeners sent 23 acknowledgments in letters, postcards, and telegrams, most written on September 30, 1957. Though the overwhelming majority of correspondents provided positive feedback, one provided a strongly negative response. Most letters originated from viewers in southern states, who lauded Workman for his comments on the effects of integration policies on the South, and often expressed their own opinions and thoughts on racial issues and on relations between the North and South. Writers overwhelmingly supported segregation. Many referred to the right to self-governance, and a man named Ed. C. Dennis, Jr., jokingly referred to the possibility of South Carolina seceding from the Union. One woman also noted her father's service in the Confederate Army, and many writers commented on recent desegregation attempts in Little Rock, Arkansas. A few correspondents also shared their feelings, usually negative, about Jews and Catholics. Workman received newspaper clippings and pamphlets on similar topics, particularly on religious and political issues; one took exception to the upcoming film Island in the Sun, which featured interracial romances. The series also holds a bundled group of letters between Workman and producers at CBS, who thanked him for his participation in the program.

The Typescript and Photograph series contains a typescript of the "Report on Integration," which aired on CBS television on September 29, 1957, and on CBS radio on September 30, 1957, as well as a black-and-white photograph of the panel participants.

The V-Mail Process collection is made up of 8 photographs and accompanying typed explanations, created in April 1944, which demonstrate the process of creating V-mail for the United States Marine Corps 2nd Division. The photographs are individually numbered and the typed explanations occasionally include commentary on the careers of pictured marines.

The V-Mail Process collection is made up of 8 photographs and accompanying typed explanations, created in April 1944, which demonstrate the process of creating V-mail for the United States Marine Corps 2nd Division.

Eight 8"x10" black-and-white photographs illustrate steps in the V-mail creation process, from initial composition to delivery. Eight 1-page, typed documents explain each step and occasionally identify the members of the Marine Corps 2nd Division depicted in the images, variously noting names, ranks, hometowns, and service histories. The explanatory text also provides numerical figures associated with the Marine Corps mail service, including an estimate of total pieces handled daily (image 2D-37), the number of letters on each roll of film and number photographed per hour (image 2D-39), the rate at which an operator prints and cuts images (image 2D-40), and the number of V-mail letters that could fit in one mailbag (image 2D-43). Sergeant J. L. Burns took the first photograph, and Sergeant Andy Knight took the remaining 7; each image is also attributed to Warrant Officer J.F. Leopold, Photo Officer, 2nd Marine Division.

The Vacation days on the Cedar River photograph album contains 11 photographs of a summer cottage and vacation along the Cedar River, Cedar Rapids, Iowa in 1915.

The Vacation days on the Cedar River photograph album contains 11 photographs of a summer cottage and vacation along the Cedar River in 1915. The inside front cover page includes a typed note naming Miss Christine Peper, likely the owner of the album, and William Baylis, a landscape photographer based in Cedar Rapids. William Baylis' name can be found on the back of each photograph. The images show people canoeing, fishing, sawing, and eating watermelon on the porch of a small cottage. On the inside back cover page, below a photograph of the cottage, is a typed note stating, "This summer-cottage on the Cedar river is for rent by the day, week or month. EVERY SEASON." Two photographs appear to have been torn out.

The album is 18 x 14 cm with black paper covers. The front cover includes a pasted on photograph of a sailboat. "Vacation Days on the Cedar River - Billy's Cottage, 1915, Cedar Rapids, Iowa" is handwritten on the front cover in white

The Southwest automobile camping photograph album contains 46 photographs of an auto camping trip to Arizona and New Mexico in 1928.

The Southwest automobile camping photograph album contains 46 photographs of an auto camping trip to Arizona and New Mexico in 1928. Each photograph includes notation naming location, individuals, and some dates. Multiple photographs are missing. The first portion of the album shows various locations in Arizona including the Sentinel (Arizona), Gillespie Dam, San Xavier Mission and Grotto, Casa Grande Ruins, Wickenburg Mountains, Granite Dells, Hopi Point and Powell Memorial at the Grand Canyon, Painted Desert, and Canyon Lake. Locations in New Mexico include Elephant Butte Dam, Hot Springs, and Raton Pass. Auto camps shown include "Stumble Inn," (Tucson, Arizona), Rowe's Well Camp (near the Grand Canyon), and Texas Home Camp (Hot Springs, New Mexico). The last image is of the Oklahoma State Capitol.

Many captions name William and Mattie Mulholland in the photographs. Also included is one loose photograph of poodles from "Baby Doll Kennels," in Erie, Pennsylvania.

The album is 20.5 x 13.5 cm with black artificial leather covers.

This photograph album contains 72 photographs of a Shriners International trip to Glacier and Grand Canyon National Parks in 1920.

This photograph album contains 72 photographs of a Shriners International trip to Glacier and Grand Canyon National Parks in 1920. Each page includes handwritten notations stating location. The album begins with images of La Crosse (Wisconsin), Vista House along the Columbia River (Oregon), Grand Canyon, and Garden of the Gods. Following, are views of Glacier National Park including Saint Mary Lake, Many Glacier, Many Glacier Hotel, and Shriner members dancing with "waitresses." Of particular note are images of Shriner members among Blackfeet and Hopi Native Americans. The album ends with two images of San Francisco; a birds-eye view of the city and the Golden Gate strait.

The album is 20.5 x 14.5 cm with brown paper covers. "Shrine Trip 1920" is handwritten on the front cover.

Collection of documents and photographs relating to Ypsilanti, Mich. African American community.

Charter of Touissant Lodge no. 21, Knights of Pythias, Ypsilanti, Michigan, 1923; charter of Eden Council no. 408, Ancient United Knights and Daughters of Africa, 1926; charter of Huron Lodge no. 695, Improved Benevolent Protective Order of Elks of the World, 1926; miscellaneous and printed material relating to Ypsilanti African American chapters of fraternal and service organizations; and photographs.

Photographs, dated 1940s-1990s (scattered dates), include group photos of Ypsilanti African American chapters of American Legion and Freemasons; photos of Ypsilanti community leader John Burton; snapshots from Million Man March.

The Mildred Drury photograph album contains 175 photographs of young men and women taken while traveling throughout Europe and the United States ca. 1910.

The Mildred Drury photograph album contains 175 photographs of young men and women taken while traveling throughout Europe and the United States ca. 1910. The images consist primarily of informal snapshots of family, friends, and travel. There are no captions or notations beyond an inscription on the front inside cover which reads, "Mildred W Drury."

The first pages of the album include photographs taken in New York City. On a few of these pages, Columbia University's Low Memorial Library can be seen. On page 15, a woman sculpting a bust and a sculptor's studio are shown. The next few pages show various views from the grounds of Château de Versailles. In particular, Hameau de la Reine can be seen in the background on page 20. Also taken in France, photographs on pages 68 through 70 show views from the Eiffel Tower. On page 21 are photographs of Ely Cathedral. The next series of photographs were likely taken in the Netherlands. Images show canals, canal boats, towpaths, and traditional dress and architecture of the region. Following, are five pages of the Alps, traveling through the mountains, and hotels. Photographs on pages 48 through 52 were taken in Italy and show Amalfi, Amalfi Drive (Strada Statale 163), Piazza San Marco, gondolas, and women doing laundry. The last portion of the album includes photographs likely taken in the United States. These photographs show family gatherings, snowshoeing, golfing, and canoeing.

The album is 20.25 x 14.75 cm with green cloth covers.

The Massachusetts and Rhode Island vacation photograph album contains 28 snapshot photographs taken along the coastal regions of Massachusetts and Rhode Island ca. 1905.

The Massachusetts and Rhode Island vacation photograph album contains 28 snapshot photographs taken along the coastal regions of Massachusetts and Rhode Island ca. 1905. A majority of these images show Martha's Vineyard and Newport, Rhode Island. Many of these images show scenes of tourist destinations. Notable destinations include Paul Revere's House, the Thoreau-Alcott House, The Breakers, Touro Synagogue Cemetery, and the Marine Hospital of Vineyard Haven. Also shown are views of beaches and people in swimwear.

The album is 18.5 x 14.5 cm with dark brown cloth covers.

This memory album was assembled by Mary Hewins Fox (later Mary Hewins Fiske) to document her involvement with theater, music, and poetry in New York City.

Mary Fox apparently assembled and illustrated this memory album of her original work in about 1863. She included song lyrics (some published in a newspaper under a pseudonym, Dan Bryant), 24 watercolor and 6 pencil illustrations, and 5 photographs. Mary Fox's illustrations depicted well-known actors in familiar roles, though two are illustrations of neo-classical sculptures (Powers' Greek Slave and Copland's Ino and Bacchus), and other sketches with classical themes.

Fox's songs are typical of popular songs of the era. The printed songs were published under the name of Dan Bryant. In the book, Mary Fox has crossed out "Dan Bryant" and written her own name: Mrs. C.K. Fox. The printed songs include "Oh, My Love's Gone," "The Female Smuggler," and "My Johnny was a Shoemaker." The hand-written songs include "Lager Beer Song," "The Irish Sutler Girl" (possibly inspired by the Civil War), and "The Gal not Sports."

The Louis G. Monté collection is made up of 2 diaries about Americans traveling in Europe in the summer of 1899. Monté and another traveler wrote entries about sightseeing in England, France, Germany, and the Netherlands. Both journals have pencil drawings of people encountered and each doubles as a scrapbook with photographs, tickets, programs, and other ephemera.

The Louis G. Monté collection is made up of 2 diaries about Americans traveling in Europe in the summer of 1899. Monté and another traveler wrote entries about sightseeing in several European countries, and both used their journals as scrapbooks.

Louis G. Monté wrote daily diary entries between July 5, 1899, and August 26, 1899 (Volume 1, pages 5-73). He described his journey from Charlestown, Massachusetts, to England on the steamer New England and arrived on July 14. He saw the sights in London, England; Paris, France; Aix-la-Chapelle (Aachen), Cologne (Köln) and Düsseldorf, Germany; and Amsterdam and Haarlem, Netherlands. He often visited museums and commented on local architecture and customs. Monté's brief final entries pertain to his return journey from Antwerp, Belgium, to New York on the steamer Southwark. Monté also used his book as a scrapbook for photographs and ephemera (pages 1-4 and 1a-36a; not all pages are used), and he wrote notes about French, English, and German currency on pages 2-4. The book's endpapers and cover also have items pasted in, such as tickets, programs, advertisements, and other ephemera. Photographs primarily depict scenes and people in the Netherlands, and numerous drawings illustrate people he encountered during his European travels. Pages 21a-22a (Volume 1) contain an essay on English architecture.

The second diary (unattributed) covers the author's travels from August 3, 1899-August 16, 1899 (pages 1-33), with photographs, stamps, tickets, train schedules, and other ephemera interleaved with the journal entries (pages 34-55 and 1a-55a; not all pages are used). The author drew pictures of people and wrote notes. He visited the same locations as Monté and sketched a nearly identical image of a woman in Aix-La-Chappelle, Germany (Vol. 1, p. 19a; Vol. 2, p. 2). Most of the pasted-in ephemera items pertain to travels in the Netherlands.