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Collection

William and Charlotte Kaufman Papers, 1911-2005 (majority within 1932-2002)

38 boxes, 5 oversize drawers (approximately 45 linear feet)

William Kaufman, M.D., Ph.D (Physiology), discovered that niacinamide (vitamin B-3) can effectively treat symptoms in arthritic patients. This collection documents Kaufman's niacinamide research, his work as an author of academic and popular medical articles, and his personal life. William's wife's, Charlotte (Schnee) Kaufman's papers are also included, especially those relating to the Family Life Film Center of Connecticut.

The William and Charlotte Kaufman Papers document many facets of both William and Charlotte Kaufman's professional and personal lives. The collection has been arranged into fourteen series: Niacinamide, Other Medical Topics, Other Writings, General Correspondence, Professional Organizations, Personal, Charlotte Kaufman, Patient Records, Computer disks, Artwork, Audiovisual, Slides, Photographs and Negatives, and Realia.

William Kaufman's research in the therapeutic use of niacinamide and its effect on arthritis is documented by professional correspondence, correspondence with interested members of the public, patient records, published and unpublished writings, notes, photographs and negatives, and relevant writings by others. Kaufman's involvement in various medical organizations and his work as an author of popular and academic articles are also well represented. Drafts of plays and poems, an autobiography, sketchbooks, and paintings show William's creative work as an amateur artist, playwright, and poet. Papers relating to Kaufman's personal life are also present in the collection.

Material relating to Charlotte Kaufman mostly stems from her work as Executive Director of the Family Life Film Center of Connecticut, Inc. A wide range of materials document the workings of the Film Center: correspondence, leaflets, memos, discussion notes, training materials, posters, newspaper clippings, and photographs. Charlotte's activity in other community organizations and her personal life are represented by photographs, schoolwork, biographical material, creative writings, invitations, newspaper clippings, and correspondence.

Series Level Scope and Contents Notes:

The Niacinamide series consists of approximately 4.5 linear feet and provides insight not only into Kaufman's research and writing on niacinamide as a therapy for arthritis but also into his research's impact and general reception. This series includes data such as charts and summary results, but please note that some niacinamide study data is in other parts of the collection: forms recording individual patients' joint measurements are in the Patient Records series and are mostly restricted due to the presence of personally identifiable health information; a significant number of photos, slides, and negatives of Kaufman's patients who participated in the niacinamide studies are part of the Photographs and Negatives series and many of these visual materials are also restricted.

Niacinamide correspondence constitutes the largest group of material in the Niacinamide series and this correspondence is subdivided into three groups: professional correspondence and name files (exchanges with doctors and other health care providers, companies, government agencies, etc.); requests for niacinamide or arthritis advice or treatment testimonials from members of the public; and simple requests and delivery confirmations for Kaufman's articles and books on niacinamide. The professional correspondence includes exchanges between Kaufman and important medical figures such as Linus Pauling, Abram Hoffer, Jonathan Wright, Andrew Saul, and others. Researchers interested in Kaufman's niacinamide work may also want to consult the General Correspondence series as it contains a small amount of correspondence mentioning niacinamide.

The Niacinamide series documents Kaufman's niacinamide work in several other ways: through drafts, publications, notes, press notices on Kaufman's two monographs, material related to Kaufman winning the Tom D. Spies Award, as well as material related to Kaufman's role in a 1942-1943 study at the Bridgeport Brass Company, in which workers were given vitamin supplements and the effect on their overall health and mental state was assessed.

The Other Medical Topics series is composed of roughly 2 linear feet of material directly related to Kaufman's medical writings (those not about niacinamide). The writings cover a wide range of topics, from electrocardiography to psychosomatic eating problems and are intended for a wide range of audiences, from medical specialists to members of the public. Drafts, copies of Kaufman's publications, and notes make up the bulk of the series. There is also correspondence, published background material, drafts, and notes related to the Béla Schick Festschrift (1958) , which Kaufman edited, and about the Lowenfeld Mosaic Test (the test, which consists of a set of colored plastic shapes that the subject is supposed to arrange into a pleasing pattern, is part of the Realia series).

Other Writings consists of about 6 feet of mostly unpublished material directly related to Kaufman's writings that are neither medical nor niacinamide-related in subject. They are divided into four subseries: creative writing, money, autobiography, and miscellaneous.

The creative writing subseries consists of drafts, publications, and notes and fragments of Kaufman's short stories, poems, plays, and novels. This subseries also contains a small amount of correspondence and other material related to Kaufman's efforts to publish and publicize his creative writings.

Kaufman's interest in money led to the publication of a few articles, most notably "Some Emotional Uses of Money," primarily about what Kaufman termed "psycho-economic behavior." The money subseries contains drafts, publications, notes, source material for Kaufman's articles, and an unpublished book on money. The subseries also includes letters expressing readers' reactions to Kaufman's money pieces, as well as requests for advice.

Two draft versions and some notes and fragments of William Kaufman's autobiography, Snippets , make up the autobiography subseries. The miscellaneous subseries consists of drafts, notes, and publicity on writings of Kaufman's that don't fall into any of the above categories (i.e. are neither medical, nor creative pieces, nor money-related), for example, an opinion piece on writing obituaries .

The General Correspondence series (roughly 3 linear feet) is divided into two groups: personal correspondence between William and Charlotte Kaufman and general correspondence (correspondence that doesn't primarily concern niacinamide, the business of William's professional organizations, or William's employment) between William and others.

The correspondence between William and Charlotte Kaufman spans their relationship from their first meeting in Ann Arbor in 1936 until just before William's death in 2001. The early correspondence also includes a fair amount of attachments, including creative writings by both William and Charlotte, letters from others, and some sketches by William. The bulk of the letters date from 1938 and 1939, the years just before Charlotte and William were married. Their correspondence is arranged chronologically by, but not within, year.

The general correspondence subseries ranges in subject from personal to medical and includes correspondence with: Dave Brubeck, Luke Bucci, Rodrigo Carozo, William Crook, Thomas Dorman, Carlton Fredericks, John Fulton, Anna Freud, Bernard Halpern, David Harley, Fred Hodges, Paul Kallós, Heinz Karger, Sam Kaufman, John Leonard, Marshall Mandell, Theron Randolph, Samuel Schnee, Béla Schick, Nicholas Spinelli, Frank Wilson, and White House staff members during the Franklin D. Roosevelt and Dwight Eisenhower administrations.

The Professional Organizations series (approximately 1 linear foot) details Kaufman's involvement with various medical organizations, including as American Editor-in-Chief of the International Archives of Allergy and Applied Immunology , President of the Academy of Psychosomatic Medicine, and in various posts in the American College of Allergists and other organizations. The series consists primarily of correspondence and memos. It also contains programs, menus, schedules, some newspaper clippings, and meeting minutes.

The Personal series consists of about 3 feet of papers that relate to William Kaufman's personal affairs. The material falls in nine groups: biographical, education, employment, family, finances, health, homes, inventions and copyrights, and articles and press releases.

A broad swath of material documents Kaufman's basic personal information. Included are passports, a diary, and Who's Who entry material. William Kaufman's academic achievements are well represented and span from Pottsville High to University of Michigan Medical School to continuing education courses. His academic life is reflected in grades, notes, yearbooks, newspaper clippings related to scholarships and honors, fraternity materials, student identification cards, financial records, graduation programs, and alumni correspondence and reunion materials.

Periods of William Kaufman's employment in hospitals and New York pharmaceutical advertising agencies are documented in memos, drafts of industrial writings (interpretation of FDA regulations, drug labeling, promotion and education, etc.), announcements and press about Kaufman's professional appointments, and other business papers. The family material documents particular episodes in the lives of the Schnee and Kaufman families. These papers were originally grouped together and have been retained in this order. Besides these few groups, all correspondence with members of the Schnee and Kaufman families is part of the General Correspondence and Charlotte Kaufman series.

The remainder of the Personal series is composed of two smaller groups: information related to the selling, buying, rezoning, taxation, and insuring of the Kaufmans' homes; and certificates of copyright, letters patent, legal paperwork, correspondence, and design plans related to the construction of Kaufman's joint measuring instruments.

The Charlotte Kaufman series is 7 linear feet of Charlotte Kaufman's files. The bulk of the series arises from Charlotte Kaufman’s role as Executive Director of the Family Life Film Center of Connecticut (established February 22, 1967). The Family Life Film Center papers overlap with Charlotte’s involvement with other citizens’ groups championing causes such as better schools and better police-community relations. Charlotte’s original topical folder organization, where present, was retained and most folder labels are hers. All dates assigned to the folders are rough bulk dates and not necessarily comprehensive. There is a significant amount of material related to a grant given to the Family Life Film Center by the U.S. Department of Health, Education, and Welfare, Social & Rehabilitation Service to conduct a pilot program designed to raise awareness of career options for handicapped individuals.

Also included in the Charlotte series are materials relating to Charlotte's other community activities (such as her involvement with the Alliance Française du Comte de Fairfield), correspondence between Charlotte and other individuals (not related to niacinamide--those letters have been included in the Niacinamide series), and personal materials, which include biographical material, papers relating to Charlotte's education, employment, family, and health. A highlight of the personal Charlotte material is a folder of material about her 1939 trip to Alaska and Charlotte's interest in Alaska becoming a place for resettlement of refugees from Hitler's Europe.

The Patient Records series (one linear foot) consists primarily of joint measurements of and case histories of patients, most likely collected as part of William Kaufman's niacinamide studies in the 1940s. A few patients have more extensive files that may include correspondence or additional charts. Due to the presence of personally identifiable health information, much of the material in this series is closed to researchers and consultation with Special Collections staff is required before accessing this series. Original binder and folder titles have been retained where present. This series contains a few photographs, but most patient photos have been transferred to the Photographs and Negatives series.

The Computer Disks consists mostly of 3.5 inch floppy disks that contain backups of emails and files the Kaufmans had on their home computer. The majority of the disks are indexed and organized in binders and their original order and housing has been retained. The series also includes 3 CDs.

The Artwork series is comprised of William Kaufman’s drawings, sketches, and paintings. This includes a series of mostly black-and-white drawings of imaginary creatures titled “Kaufman’s Kritters.” Documents complementing the artwork are also in this series and include Kaufman’s efforts get his artwork published and his entries into various shows and contests.

The relatively small Audiovisual series is comprised of cassette tapes, including a 1978 interview William Kaumfan did with Carlton Fredericks, and film in various formats including 16mm motion pictures reels, microfilm, and canisters of 36mm film. Among the films is a short film, A Day in the Life of P. T. Barnum, that Charlotte Kaufman produced.

The Slides series consists of a few thousand color slides, including a small number of glass-plate slides. The patient studies slides, which are mostly images of mouths, tongues, eyes, and, to a lesser extent, other body parts, make up the largest part of the series. It is very likely that these slides were produced as part of William Kaufman's niacinamide studies. The patient studies slides are divided into three groups: boxed, sleeved, and glass-plate. All three groups are organized alphabetically by patient name. Most of these patient slides are closed due to the presence of personally identifiable health information. Researchers interested in the slides should consult Special Collections staff. Additionally, there are a small number of personal and other slides.

The Photographs and Negatives series is divided into three subseries: Photographs, Negatives, and Photographs and Negatives (the Photographs and Negatives subseries, while redundant, is used because some photographs were bundled together with their original negatives and these were kept together). All three subseries contain a variety of sizes and formats. The Photographs subseries and the Negatives subseries both include a substantial number of patient images, mostly demonstrating the flexibility of a particular joint. While some of these photographs are restricted (please consult with Special Collections staff if interested), some do not contain personally identifiable information and are open for research. All three subseries contain personal images (which include portraits, images of homes and artwork, as well as travel and conference pictures). The Negatives subseries also encompasses color transparencies, many of which are images associated with the Lowenfeld Mosaic Test .

Finally, the Realia series contains three dimensional artifacts, mostly metal medical instruments that William Kaufman invented and used in his niacinamide studies. In particular, many of the objects are goniometers, or instruments for measuring flexibility. The Lowenfeld Mosaic Test , in its original green case, is also part of this series.

Collection

William and Isaac Seymour collection, 1825-1869

27 items

The Seymour papers contain materials relating primarily to the Civil War service of Col. Isaac G. Seymour (6th Louisiana Infantry) and his son, William J., both residents of New Orleans.

The Seymour papers contain materials relating primarily to the Civil War service of Col. Isaac G. Seymour (6th Louisiana Infantry) and his son, William J., both residents of New Orleans. The most important items in the collection are the two journals kept by William Seymour describing his experiences in the defense of New Orleans, 1862, and as Assistant Adjutant General in the 1st Louisiana Brigade, Army of Northern Virginia. The first of these "journals" was begun by Col. Isaac Seymour as a manuscript drill manual for his regiment (55 pp.), but it appears to have been taken up by William following Isaac's death. This volume is arranged in four sections and includes a record of William Seymour's experiences from March, 1862 through May, 1864. The second volume is organized in a similar manner, but covers the period from April, 1863 through October, 1864, terminating in the middle of a description of the Battle of Cedar Creek. Both of William's "journals" are post-war memoirs drawn extensively from original diaries and notes, with some polishing and embellishment.

William Seymour's "journals" contain outstanding descriptions of life in the Confederate Army and are one of the premier sources for the Confederate side of the Battle of Forts Jackson and St. Philip. His journals also contain very important accounts for Chancellorsville, 2nd Winchester, Gettysburg (Cemetery Hill), Mine Run, the Wilderness and Spotsylvania (the Bloody Angle), but almost as important are the descriptions of camp life, and the morale and emotions of the troops. Seymour is an observant, critical, and knowledgeable writer who was placed in a position where he had access to information on fairly high level command decisions. Yet while his journal is focused on the military aspects of the war, he includes a number of brief personal sketches of officers and soldiers, and vignettes of life in the army, ranging from accounts of Union soldiers bolstered in their courage by whiskey, to the courage of an officer's wife stopping a deserter and the Knights of the Golden Circle surfacing in Pennsylvania during the Confederate invasion.

The remainder of the collection includes three Civil War-date letters relating to Isaac Seymour, one written from Camp Bienville near Manassas, Va. (1861 September 2), one from the Shenandoah River (1862 May 2), and the third a letter relaying news of Seymour's death at Gaines Mills. The letter of May 1862 is a powerful, despairing one, and includes Isaac Seymour's thoughts on the Confederate loss of New Orleans and severe criticism for Jefferson Davis, a "man of small caliber, with mind perhaps enough, but without those qualities which go to make up the great and good man." At this moment, Seymour reported that he was disappointed in the quality of his officers, and regretted that he had not resigned his commission upon his son's enlistment, and further, he felt that the Confederacy was being held together only tenuously, due solely to the "the righteousness of our cause, and the innate, deep rooted mendicable hatred to the Yankee race." The remainder of the correspondence consists primarily of documents, but includes an interesting Seminole War letter of Isaac to Eulalia Whitlock and a letter from "Sister Régis" to Isaac, as editor of the New Orleans Bulletin, begging the aid of the press on behalf of the Female Orphan Asylum.

Collection

William A. Paton Papers, 1919-1984 (majority within 1940-1984)

5.5 linear feet

Professor of accounting at the University of Michigan from 1914 to 1959, consultant and expert witness for court cases, specialist in areas of valuation, utility rates, and income measurement. Transcripts of testimony given in various court cases; correspondence with colleagues and friends, including prominent political and economic conservatives; and topical files containing reports, surveys and teaching materials; also a National Bureau of Economic Research Study (1930) and Salary Amortization Surveys (1919) containing information about the financial organization of various American corporations; and photographs, videotape, and audiotapes.

The William A. Paton papers span the years 1919 to 1984 and mainly document his consulting work, the last two decades of his teaching career, and his post retirement activities. The collection is divided into six series: Testimony; Correspondence; Topical Files; Photographs; Videotape; and Audiotapes.

Collection

William B. Anscomb photograph collection, 1902-1906

1 envelope

University of Michigan alumnus who received his A.B. in 1906. Consists of snapshots of Ann Arbor (Michigan) as well as University of Michigan buildings and views.

The collection consists of snapshots of Ann Arbor (Michigan) as well as University of Michigan buildings and views.

Collection

William B. Cudlip papers, 1922-1985

8.5 linear feet

Detroit, Michigan, attorney, Republican regent of University of Michigan; regent’s files; political materials; and personal miscellanea.

The Cudlip collection contains files relating to his activities as regent of the University of Michigan, 1963-1972, to his work as delegate to Michigan's Constitutional Convention, 1961-1962, and as general counsel for the Michigan Bankers Association, 1932-1953. In addition, there is personal and political correspondence, 1922-1985, detailing in part with his involvement in Republican Party affairs, especially his friendship with Michigan Senator Arthur H. Vandenberg and his support of Vandenberg's candidacy for the Republican nomination for president in1940. Other files include speeches relating mainly to banking during the depression; an essay, entitled, "Pages from the diary of a lumberjack"; and notebooks from his University of Michigan Law School classes, 1923-1926.

Collection

William B. Mershon Papers, 1848-1943

46.5 linear feet — 1 oversize folder — 14 microfilms

Online
Saginaw, Michigan, lumberman and businessman, and Michigan State Tax Commissioner, 1912 and wildlife conservationist and sportsman. Papers include extensive correspondence files, business records and photographs.

The William Mershon collection consists of correspondence dealing with Mershon's various activities as a lumberman, Saginaw businessman, and member of the State Tax Commission in 1912. Subjects included in the papers are Michigan wildlife conservation, the Michigan Sportsmen Association, the Michigan Manufacturers Association, the Michigan State Tax Commission, Michigan politics, the Democratic party, personal business investments, lumbering and mining interest, and personal affairs.

The collection also includes diaries, a book of notes on hunting and fishing trips, and various business records such as cash books, time books, ledgers, and journals. These primarily concern his investments and lumbering business. Many of the business records are available on microfilm. The collection also includes photographs.

Collection

William Bolcom and Joan Morris papers, circa 1950-2014, 2018, undated

69 linear feet (in 82 boxes including oversize) — 31 bundles — 1 oversize folder — 3 oversize posters — 387.3 GB (online)

Online
William Bolcom (born 1938) is a composer and pianist. Joan Morris (born 1943) is a mezzo-soprano. They were both members of the University of Michigan School of Music faculty. Bolcom and Morris have given numerous performances since 1973. They have also recorded albums of classical and popular songs. Performance files include programs, itineraries, newspaper articles and reviews of each performance, and contracts. There are also files relating to the University of Michigan student production of Mina & Colossus as well as Barnum's Nightingale; original scores to Bolcom's compositions, including McTeague, Casino Paradise, and A View from the Bridge; topical files relating to awards, competitions, and other activities and interests; and physical and digital audiovisual materials.

The papers of William Bolcom and Joan Morris document Bolcom's work as a composer and performer as well as Bolcom's and Morris's collaboration in performing and recording American popular songs and classical music. There is also some material relating to their academic work at the University of Michigan, notably a 1988 production of a student opera, Mina & Colossus. The papers include programs, itineraries, and correspondence relating to performances, manuscript and published scores, topical files, audio and visual material (including sound recordings), and photographs.

Collection

William Brownrigg papers, 1919-1967

4 linear feet

First director of the Michigan Civil Service Commission and director of personnel at U.S. Department of Justice under Attorney General Frank Murphy. Correspondence, speeches, and book reviews concerning his public career and his work for the governor; also photographs.

The collection was arranged into the following series: Correspondence, Speeches; Other papers: reports, memoranda, drafts, etc.; and Miscellaneous. Correspondents in the collection include Prentiss M. Brown, Stuart Chase, V. O. Key, Edward H. Litchfield, George Meader, Frank Murphy, and James K. Pollock.

Collection

William Charles Parkinson Papers, 1950-1997 (majority within 1950-1980)

5.25 linear feet

Professor of physics at the University of Michigan (1947-1988); director of the cyclotron laboratory, 1962-1977; inventor of method and apparatus for measuring the velocity of a projectile and of an automatic timing and sequence-indicating system used in swimming. Series in the collection relate to cyclotron laboratory and research; department of physics activities, including history; professional organizations; swimming judging and timing system; University of Michigan committee assignments; and photographs.

The William C. Parkinson Papers consist of 5.25 linear feet of documents relating to the professional career of physics professor William C. Parkinson, spanning years 1950 through 1990 with the bulk of the material dating from 1950 to 1980. The papers were received in two major accession in July 1991 and May 2012.

The first accession was broken into five series: Cyclotron, Physics Department, Professional Organizations, Swimming Judging and Timing System, and University Committees. There is also a folder entitled "Biographical/Historical Information" at the beginning of the collection which includes a 1974 vita and a publication on the cyclotron laboratory of which Parkinson was director.

The 2012 Accession included additions to the Cyclotron and Physics Department series and two new series: Consulting and Visual Materials.

Collection

William Christian Weber Papers, 1858-1940

28 linear feet (in 30 boxes) — 15 oversize volumes — 15 oversize folders

Detroit, Michigan businessman and civic leader. Business correspondence relating to Weber's activities as a dealer in timber lands, his role as a member of the Art Commission in the development of Detroit, Michigan's Cultural Center, his involvement in the construction of the Detroit-Windsor bridge and tunnel and his activities during World War I; and correspondence and class notes of his sons, Harry B. and Erwin W. Weber, while attending University of Michigan; also photographs, including family portraits, aerial views of Windsor, Ontario, and Detroit, photographs of the construction of the Detroit-Windsor Tunnel and Ambassador Bridge, and glass negatives of family vacations in Upper Michigan, Ontario, and Quebec; and maps of land and timber holdings

The William C. Weber papers cover 28 linear feet (30 boxes), outsize folders, and 15 outsize volumes. Besides information on timber and mineral lands in Michigan, the important aspects of the Weber papers include information on the development of the Cultural Center of Detroit and Weber's very controversial role in it, items on the Detroit-Windsor bridge and tunnel and the development of the Border Cities, and the papers of his two sons, especially the letters they wrote as students at the University of Michigan and their class notes and examinations.

There is one foot of materials related to the Cultural Center (Box 19 and outsize folders) and another of the Detroit-Windsor Tunnel and Ambassador Bridge (Box 20 and outsize folders).

Architectural site plans and property maps of the Detroit Cultural Center are also found in the outsize unbound material.

The collection includes maps relating to Weber's his land holdings in northern Michigan and Windsor, Ontario, including maps of land survey, of timber estimates, and tax and title status for Michigan lands, maps of Windsor subdivisions, maps of coal mining region around Caryville, Tennessee and property maps of the Detroit Cultural Center.