Collections : [University of Michigan William L. Clements Library]

The Mildred Drury photograph album contains 175 photographs of young men and women taken while traveling throughout Europe and the United States ca. 1910.

The Mildred Drury photograph album contains 175 photographs of young men and women taken while traveling throughout Europe and the United States ca. 1910. The images consist primarily of informal snapshots of family, friends, and travel. There are no captions or notations beyond an inscription on the front inside cover which reads, "Mildred W Drury."

The first pages of the album include photographs taken in New York City. On a few of these pages, Columbia University's Low Memorial Library can be seen. On page 15, a woman sculpting a bust and a sculptor's studio are shown. The next few pages show various views from the grounds of Château de Versailles. In particular, Hameau de la Reine can be seen in the background on page 20. Also taken in France, photographs on pages 68 through 70 show views from the Eiffel Tower. On page 21 are photographs of Ely Cathedral. The next series of photographs were likely taken in the Netherlands. Images show canals, canal boats, towpaths, and traditional dress and architecture of the region. Following, are five pages of the Alps, traveling through the mountains, and hotels. Photographs on pages 48 through 52 were taken in Italy and show Amalfi, Amalfi Drive (Strada Statale 163), Piazza San Marco, gondolas, and women doing laundry. The last portion of the album includes photographs likely taken in the United States. These photographs show family gatherings, snowshoeing, golfing, and canoeing.

The album is 20.25 x 14.75 cm with green cloth covers.

The European vacation photograph album contains 74 photographs taken throughout Europe ca. 1910. A majority of the photos show various rooms and interior views of an apartment in Rome. Other specific locations include Oxford (England), Subiaco (Italy), Canterbury (England), Füssen (Germany), Weesen (Switzerland), and Glarus (Switzerland).

The European vacation photograph album contains 74 photographs taken throughout Europe ca. 1910. A majority of the photos show various rooms and interior views of an apartment in Rome. Other specific locations include Oxford (England), Subiaco (Italy), Canterbury (England), Fussen (Germany), Weesen (Switzerland), and Glarus (Switzerland).

The first 50 photos housed in the album consist primarily of interior views of the apartment. Handwritten notes provide general descriptions of the view (e.g. "looking from salon through little room where the books are into the salottino"). One specific piece of furniture mentioned is a credenza; which, according to the note, came from the British Embassy. Also included are images of a garden terrace (covered in snow), rooftop cityscape views of Rome, and three individuals (man, woman, and maid). The woman, likely the creator of the album, is referred to as Mable and the maid as Livie. In addition, there is one photo of the Holywell Ford House at Magdalen College, Oxford.

The remaining 24 photos are loose and housed in an envelope. These images show scenes of traveling and sightseeing throughout Europe. Specific sites include the House of Agnes in Canterbury, Sacro Speco in Subiaco, and downtown views of Weesen and Füssen. Of particular note is a photo of a pile of empty fiaschi. The handwritten notation on the back reads "This is our pile of empty wine flasks. I don't belong to the WCTU."

The album is 20.5 x 15 cm with black cloth covers.

The Galveston, Texas photograph album contains 33 photographs, the majority of which depict Galveston, Texas ca. 1908.

The Galveston, Texas photograph album contains 33 photographs, the majority of which depict Galveston, Texas ca. 1908. Included are cyanotypes, albumen prints, and postcard photo prints. Photographs consist of a railroad crossing tower, railroad station, trestle bridge, freight and passenger steamers, downtown street views, family photographs, grandstands, earth embankments, buildings under construction, and Galveston's seawall and grade raising project. Amusement/water parks shown include Electric Park (Galveston, Texas), Chutes Park (Galveston, Texas), and Lake Cliff Park (Dallas, Texas).

The album is 19 x 14.5 cm with brown paper covers. A cyanotype of an unidentified building is pasted to the front cover.

The Gloversville, New York photograph album contains 100 photographs taken in Gloversville, New York, and the surrounding area ca. 1905.

The Gloversville, New York photograph album contains 100 photographs taken in Gloversville, New York, and the surrounding area ca. 1905. The first portion of the album consists of natural landscape and scenic cyanotypes. Also included are photographs of a flood, street-railroad cars, city street views, a photographer's studio, children, a farm, dogs, a drugstore, and a soda fountain. The last few pages of the album contain 60 small portraits.

The album is 20 x 14.5 cm with black cloth covers.

The Massachusetts and Rhode Island vacation photograph album contains 28 snapshot photographs taken along the coastal regions of Massachusetts and Rhode Island ca. 1905.

The Massachusetts and Rhode Island vacation photograph album contains 28 snapshot photographs taken along the coastal regions of Massachusetts and Rhode Island ca. 1905. A majority of these images show Martha's Vineyard and Newport, Rhode Island. Many of these images show scenes of tourist destinations. Notable destinations include Paul Revere's House, the Thoreau-Alcott House, The Breakers, Touro Synagogue Cemetery, and the Marine Hospital of Vineyard Haven. Also shown are views of beaches and people in swimwear.

The album is 18.5 x 14.5 cm with dark brown cloth covers.

The David A. Day scrapbook was assembled shortly after Rev. Day's death in 1897 to commemorate one of the most renowned American missionaries in West Africa. It includes photographs and illustrations of the mission and its missionaries, accompanied by captions providing background on the activities of the mission, the way of life of its inhabitants, and biographical notes on some converts. Laid into the front cover is a seven-page typed memoir of Day's life.

The David A. Day scrapbook was assembled shortly after Rev. Day's death in 1897 to commemorate one of the most renowned American missionaries in West Africa. The thirty-four silver print photographs are supplemented by half-tone illustrations of the mission and its missionaries (excised from an unidentified publication), and are accompanied by hand-written and typed captions providing background on the activities of the mission, the way of life of its inhabitants, and biographical notes on some converts. Laid into the front cover is a seven-page typed memoir of Day's life. Based upon writing inside the front cover, the scrapbook appears to have been assembled at or for the mission within a few years after Day's death.

Although the creator of the scrapbook is unidentified, the book remains a valuable record of the Lutheran missionary enterprise in Liberia and missionary responses to the inhabitants of that country. The series of images and captions seem equally concerned with religious "progress" (Christianization) and the material improvement of native lives as gauged by their adoption of western dress, methods of production, and attitudes toward work. Singled out for special note are a seven year old girl from "one of the tribes 100 miles north of the mission" who took pride in her dress and ability to use a broom, and a particularly devoted convert, Henry Stewart, and the author of the scrapbook included several views of particularly well-dressed groups of converts assembled and posed in orderly fashion. Along with views of the tidy mission complex itself, there is a secondary emphasis on the unconverted, with illustrations of their method of travel (by hammock), "half-civilized" natives at a saw mill, and semi-nude men standing by the river, awaiting a canoe. The typed captions offer a somewhat more extended, but still relatively brief commentary on native (Grebo) life and their lack of western attitudes and advantages.

Due to the highly brittle paper and exceptionally delicate nature of the scrapbook, researchers are requested to consult with the curatorial staff before beginning their research.

This memory album was assembled by Mary Hewins Fox (later Mary Hewins Fiske) to document her involvement with theater, music, and poetry in New York City.

Mary Fox apparently assembled and illustrated this memory album of her original work in about 1863. She included song lyrics (some published in a newspaper under a pseudonym, Dan Bryant), 24 watercolor and 6 pencil illustrations, and 5 photographs. Mary Fox's illustrations depicted well-known actors in familiar roles, though two are illustrations of neo-classical sculptures (Powers' Greek Slave and Copland's Ino and Bacchus), and other sketches with classical themes.

Fox's songs are typical of popular songs of the era. The printed songs were published under the name of Dan Bryant. In the book, Mary Fox has crossed out "Dan Bryant" and written her own name: Mrs. C.K. Fox. The printed songs include "Oh, My Love's Gone," "The Female Smuggler," and "My Johnny was a Shoemaker." The hand-written songs include "Lager Beer Song," "The Irish Sutler Girl" (possibly inspired by the Civil War), and "The Gal not Sports."

This collection consists of two letters from Jacqueline Onassis to Douglas Mansell, thanking him for the 4th grade field trip he led at the Bethlehem Steel Corporation's shipyard in Hoboken, New Jersey. In one letter, she enclosed 19 handwritten reflections by the students about the shipyard visit. The field trip was for Onassis's son, John F. Kennedy, Jr., and his class at the Collegiate School for Boys in New York. Five photographs depicting the class and their chaperones at the shipyard, featuring Onassis and her son, accompany the correspondence.

This collection contains correspondence, newspaper clippings, a typescript, and a photograph related to William D. Workman's appearance on a television program about the integration of schools in the South, originally aired on September 29, 1957. Workman received 23 responses over the following days. Writers most frequently expressed their support of segregated schools, and many also commented on race relations and other political issues concerning the South.

This collection contains correspondence, newspaper clippings, a typescript, and a photograph related to William D. Workman's appearance on a television program about the integration of schools in the South, originally aired on September 29, 1957. Workman received 23 responses over the following days. Writers most frequently expressed their support of segregated schools, and many also commented on race relations and other political issues concerning the South.

Most items in the Correspondence and Newspaper Clippings series are letters of thanks Workman received shortly after his television appearance. Viewers and listeners sent 23 acknowledgments in letters, postcards, and telegrams, most written on September 30, 1957. Though the overwhelming majority of correspondents provided positive feedback, one provided a strongly negative response. Most letters originated from viewers in southern states, who lauded Workman for his comments on the effects of integration policies on the South, and often expressed their own opinions and thoughts on racial issues and on relations between the North and South. Writers overwhelmingly supported segregation. Many referred to the right to self-governance, and a man named Ed. C. Dennis, Jr., jokingly referred to the possibility of South Carolina seceding from the Union. One woman also noted her father's service in the Confederate Army, and many writers commented on recent desegregation attempts in Little Rock, Arkansas. A few correspondents also shared their feelings, usually negative, about Jews and Catholics. Workman received newspaper clippings and pamphlets on similar topics, particularly on religious and political issues; one took exception to the upcoming film Island in the Sun, which featured interracial romances. The series also holds a bundled group of letters between Workman and producers at CBS, who thanked him for his participation in the program.

The Typescript and Photograph series contains a typescript of the "Report on Integration," which aired on CBS television on September 29, 1957, and on CBS radio on September 30, 1957, as well as a black-and-white photograph of the panel participants.

The V-Mail Process collection is made up of 8 photographs and accompanying typed explanations, created in April 1944, which demonstrate the process of creating V-mail for the United States Marine Corps 2nd Division. The photographs are individually numbered and the typed explanations occasionally include commentary on the careers of pictured marines.

The V-Mail Process collection is made up of 8 photographs and accompanying typed explanations, created in April 1944, which demonstrate the process of creating V-mail for the United States Marine Corps 2nd Division.

Eight 8"x10" black-and-white photographs illustrate steps in the V-mail creation process, from initial composition to delivery. Eight 1-page, typed documents explain each step and occasionally identify the members of the Marine Corps 2nd Division depicted in the images, variously noting names, ranks, hometowns, and service histories. The explanatory text also provides numerical figures associated with the Marine Corps mail service, including an estimate of total pieces handled daily (image 2D-37), the number of letters on each roll of film and number photographed per hour (image 2D-39), the rate at which an operator prints and cuts images (image 2D-40), and the number of V-mail letters that could fit in one mailbag (image 2D-43). Sergeant J. L. Burns took the first photograph, and Sergeant Andy Knight took the remaining 7; each image is also attributed to Warrant Officer J.F. Leopold, Photo Officer, 2nd Marine Division.