Collections : [University of Michigan Bentley Historical Library]

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Collection

Williams family papers, 1838-1953

2 linear feet

A. L. Williams family of Owosso, Michigan. Personal and business correspondence of A. L. Williams, Owosso, Michigan pioneer, railroad entrepreneur, and spiritualist; and personal letters of other members of the family, including May Williams Dewey, wife of E. O. Dewey (Thomas E. Dewey family); and miscellaneous newspaper clippings, business ledgers, and personal and business diaries concerning business affairs and daily activities; "spirit messages" received from departed family and others; also photographs.

The Williams Family [Owosso] collection consists of 2 linear feet of material. It includes the personal and business papers of four generations of Williamses from 1838 to 1953. However, the bulk of the material relates to the family of Alfred Leonzo Williams between 1860 and 1890.

Collection

William R. Ringer papers, 1920-1922

0.3 linear feet

William R. Ringer was a student at the University of Michigan Law School from 1920 to 1922. Collection consists of three volumes of detailed diary entries interspersed with ephemera collected while a student.

The William R. Ringer papers document his time as a law student at the University of Michigan from September 1920 to June 1922. The papers are organized into two series Diaries and Background.

Collection

William Ratigan papers, 1939-1978

3 linear feet

Charlevoix, Michigan resident, novelist and historian of Great Lakes shipwrecks, the Mackinac Bridge, folklore, and other subjects; correspondence, manuscripts of books, and research materials.

The William Ratigan collection consists of correspondence, manuscripts of his books, research and reference files on topics of interest to him, and photographs. There are letters in the collection from William B. Eerdmans, Marianne Moore, Milo Quaife, David B. Steinman, and folklorist Ivan Walton.

The photographs in the collection are of shipping and boating at Charlevoix, Michigan, of Charlevoix boat builder, Roy Ranger, of construction of the Mackinac Bridge, of the Sault Sainte Marie Canal, and of other topics related to Ratigan's writing interests.

Collection

William P. Lemon papers, 1908-1966

18 linear feet

Presbyterian clergyman, longtime pastor of the First Presbyterian Church of Ann Arbor, Michigan, 1934-1951; correspondence, copies of essays and book reviews written for religious periodicals, sermons and addresses, mimeographed study notes of talks given in Detroit before the Men's Club for the Study of Religion, religious and literary notebooks, and travel journals.

The series in the collection are: Biographical; Correspondence; Writings; Speeches, sermons, lectures; Miscellaneous notes; Scriptures; Literary Studies; and Scrapbooks, journals, etc.

Collection

William P. Favorite Papers, 1918-1977

0.75 linear feet

Graduate of the College of Engineering of the University of Michigan, later founder of Radio Construction Company, firm that erected various radio towers, notably the University of Michigan's Peach Mountain Radio Astronomy Observatory. Files relating to his construction business and to University of Michigan reunions; also collected materials relating to the history of Sturgis, Michigan.

The William P. Favorite collection contains material relating to reunions of the 1917 and 1920 graduating classes of the School of Engineering at the University of Michigan; records, 1941-1962, of Radio Construction Company, including material related to the construction of the University of Michigan's Peach Mountain Radio Astronomy Observatory; and collected material relating to the history of Favorite's home town of Sturgis, Michigan.

Collection

William Perdue Halstead papers, 1935-1975

5 linear feet

Professor of speech communication and theatre at the University of Michigan. Correspondence and other materials relating in part to his interest in university theatre productions.

The William P. Halstead papers consist of correspondence, clippings, theater programs and other materials relating to his work in the Speech Department and to his interest in university theater productions. (Halstead bound most of his papers in chronological order. The bound volumes and additional unbound materials are separated into five series: Personal, Production Materials, University of Michigan, Department of Speech, Miscellaneous, and Photographs.

Collection

William N. Miller papers, 1910-1928

0.2 linear feet

Detroit contractor and businessman. Materials include drawings, photographs, and other materials depicting the Great Lakes Terminal Warehouse in Detroit, as well as other projects.

Drawings, photographs, and other materials depicting the Great Lakes Terminal Warehouse in Detroit and other projects.

Photos (1910) of construction project in Detroit for the Michigan Central railroad; photos of other projects including the Great Lakes Terminal Warehouse in Detroit.

Collection

William Muschenheim papers, 1923-2004 (majority within 1951-1985)

13.5 linear feet (in 15 boxes) — 7 folders

Online
Modernist architect based in New York City, 1929-1950, and professor of architecture at the University of Michigan, 1950-1972, where he also carried on an active private practice until shortly before his death in 1990. A graduate of MIT, Muschenheim studied further with Peter Behrens at the Vienna Academy of Fine Arts and was strongly influenced both by a visit to the Bauhaus in Weimar, Germany and by a period working in urban planning with Peter Korn in Berlin. Two major Muschenheim collections exist, one within the Avery Architectural and Fine Arts Library at Columbia University and another within the Bentley Historical Library at the University of Michigan. The Muschenheim collection at the Avery represents primarily his professional career from 1929 to 1957, and the Muschenheim collection at the Bentley concerns his later professional practice and teaching career at the University of Michigan, as of 1950. This finding aid describes both the Avery and Bentley collections.

Staffs of the Avery Architectural and Fine Arts Library and the Bentley Historical Library have prepared separate finding aids for their respective William Muschenheim collections. These have been merged to provide one integrated finding aid. This integrated finding aid lists all Muschenheim materials held by both repositories. All of the drawings, papers, photographs and other materials for each project are brought together in a single job-number/chronological sequence. The physical location of each item/folder is indicated by "A" for Avery and "B" for Bentley. The combined finding aid organizes the Muschenheim papers into four series:

  1. Biographical and Professional Material [Bentley]
  2. University of Michigan Teaching Career [Bentley]
  3. Publications and research [Bentley]
  4. Project Files [Avery and Bentley]

The project files of William Muschenheim are described according to Muschenheim's original filing system in which he interfiled the drawings, correspondence, specifications, and other papers for each job/client. Muschenheim typically assigned each client a single job number no matter how many projects he may have done for the client. There are a total of 130 numbered jobs in the Avery Collection (#1-130, with gaps between jobs 11-17, 25-26, 28-29) and 63 numbered jobs in the Bentley collection (#132-193, there are no materials for 22 of the jobs). There are also nine unnumbered projects (4 Avery and 5 Bentley) and several folders of miscellaneous material.

Each numbered job consists of one or more projects and each project is subdivided by format of material into Drawings, Papers, Photographs, and Presentation Boards as appropriate. There is some variance in the manner in which the two archives have arranged and described project material. The Avery has described its drawings at the item level while the Bentley provides only folder level descriptions for most projects. For this finding aid item level descriptions are provided for selected Bentley projects. Photographs are found in the "Papers" in some Avery project files but are listed separately in the Bentley finding aid.

At both the Avery and Bentley the oversize architectural drawings have been removed from their original folders and stored separately.

The William Muschenheim Architectural Drawings and Papers at the Avery Library span 1929-1957, with bulk dates 1931-1950. Muschenheim's papers document 130 separate jobs, and the visual material consists of 3081 sheets of drawings. The projects mainly represent Muschenheim's work in New York City, but also include work in Albany (NY), Amenia (NY),Bridgehampton (NY), Chappaqua (NY), Hampton Bays (NY), Malverne (NY), Massapequa (NY), Nassau Point (Long Island), Washington (CT), Washington DC, Westhampton Beach (NY), and Woodstock (NY), among other locations.

William Muschenheim had numerous clients which included the following family members: Carl Muschenheim, Elsa Muschenheim, and Frederick A. Muschenheim. In addition to the many clients for whom Muschenheim did alteration work, he also worked with a wide variety of companies. Some of the companies include Bigelow Carpet Company, C.G. Flygare Inc., Excel Metal Cabinet Co., Inc., F. Schumacher & Co., Famaes Development, Hans Knoll, Howard & Schaffer, Inc., Kurt Versen Lamps, Inc., Ledlin Light Designers, Portland Cement Association, and Thonet Brothers, among many others.

The papers and drawings in the William E. Muschenheim collection at the Bentley Library span the years 1923 to 2004, however the bulk of the collection covers the years 1951 to 1985. The papers are primarily comprised of material documenting Muschenheim's research and teaching career from 1950 to 1973 at the University of Michigan, and the private practice he continued in Ann Arbor after leaving New York City. There are limited papers and drawings related to his life and professional work prior to 1950, although the Photographs Series includes beautiful black and white images of many of his important New York projects, and the Publications and Research Series is valuable for articles published in the thirties and the forties showcasing his work. Papers and drawings spanning the years 1929-1957 (bulk dates 1931-1950) are held at the Avery Library, Columbia University.

Muschenheim's early and lasting commitment to the modern movement and to an international view of architecture and architectural education is reflected in the collection, which consists of biographical and professional materials, research and course materials, publications related to his work, project files and drawings, and photographs and slides. The Muschenheim collection will interest researchers drawn to study the work of a pioneering modernist, well known for originality in working with color as an integral part of contemporary design, and those interested in the generation of architects involved in the fifties and sixties with legitimizing the modern period in an academic environment. Additionally, Muschenheim's efforts to illuminate the art of architecture as an important element and expression of culture to a broader segment of society renders the collection important to a wide range of disciplines and interests.

The papers are largely organized according to Muschenheim's original filing scheme, in which he interfiled material related to projects (including drawings) with professional papers, correspondence, and other documents, numbering them sequentially. The Bentley Library collection consists of material numbered 132 to 192. Many large original drawings were removed from folders, flattened, and are stored in drawers. Five series make up the collection: Biographical and Professional Materials; University of Michigan Teaching Career, College of Architecture and Design; Publications and Research; Project Files; and Digitization Project. Users should note that material related to a single project is often scattered throughout the collection. A Supplemental Guide to work produced after 1950 in the additional descriptive data portion of this finding aid. Also appended is Muschenheim's list of projects (numbered 1-189).

Collection

William Lucas Papers, 1965-1986 (majority within 1975-1986)

34 linear feet — 1 oversize folder — 25.2 GB (online) — 7 digital audiovisual files

Online
Wayne County sheriff, 1969-1982, Wayne County Executive, 1983-1986, and Republican candidate for governor of Michigan, 1986. Correspondence, subject files, clippings, videotapes, and photographs primarily concerning his work as sheriff and county executive, and his gubernatorial campaign.

The William Lucas Papers consist of manuscript and audiovisual materials which primarily document economic and social affairs in Wayne County, when Lucas served as county executive, and Lucas's campaign for governor in 1986. There are few materials on Lucas's career prior to his service as Wayne County executive. His gubernatorial campaign is documented in a somewhat piecemeal fashion, and study of it would be enhanced by the use of oral interviews. Media coverage of the campaign, however, has been preserved quite thoroughly. The Lucas Papers (34 linear feet) are comprised of six series: Personal, Wayne County Offices, Political, Clippings, Videotapes, and Photographs.

Collection

William L. Mills Papers, 1920-1988 (majority within 1950-1957)

1.3 linear feet (in 2 boxes)

Dearborn, Michigan newspaper publisher; candidate for mayor of Dearborn in 1957. Papers relating to the Dearborn Independent newspaper; collected materials detailing the career of Dearborn mayor Orville Hubbard; campaign files documenting Mills' unsuccessful bid to unseat Hubbard in 1957; and photographs.

The Mills collection, approximately 1.3 linear feet of correspondence, clippings, photographs, and related materials, covers the period of 1920 to 1988. The great bulk of the collection dates from the years of the late 1940s to 1957.

Although Mills was a newspaper publisher for a long period, the Mills collection relates only in part to this phase of his life. The great majority of materials concern his unsuccessful campaign against Orville Hubbard in 1957. Of interest are the series of articles that Mills wrote, titled "How Dearborn got a dictator mayor."

A series of photographs that Mills collected are of especial importance. Many of these do relate to the activities and operation of the Dearborn Independent, to the cities of Dearborn and Fordson, and to Mills' extensive ties with the Ford Motor Company and the Ford family.