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The Howard F. Barnum World War I photograph album contains 216 items relating to Barnum's service during the war. A majority of the collection are personal photo-postcards of his time overseas and postcards from his travels with the Army of Occupation in France, Germany, and Luxembourg. Also included are photographs, letters, a print, and ephemera.

The Howard F. Barnum World War I photograph album contains 216 items relating to Barnum's service in the American Expeditionary Forces. The majority of the collection is comprised of personal photo-postcards of his time overseas and postcards from his travels with the Army of Occupation in France, Germany, and Luxembourg. Also included are photographs, letters, a print, and ephemera.

The album begins with 92 personal photo-postcards, many of which have a short handwritten caption on the front. The majority were taken while Barnum was stationed near the Rhine River, in Mayen, Germany. They show daily life, the ammunition dump, M.O.R.S. details, studio portraits, monuments and castles along the Rhine, and a Rhine River boat tour. One image is of the men he served with, "Billet #6," and lists the name and hometown of each man. There are a few images included from his training at Camp Hancock in Augusta, Georgia.

Seemingly unrelated to Barnum’s service, are five photos likely taken in the United States of construction on a neighborhood street. Following, are an image of captured American soldiers, one of a simulated gas attack, and 15 smaller images similar in content to the photo-postcards. Most of these smaller images have handwritten captions on the back.

This album includes a total of 78 picture postcards include a complete collection of 20 black and white views from the painting Panthéon de la Guerre. Other locations depicted include Paris, Southampton, Koblenz, and Camp Dodge and Rock Island in the United States

The last portion of the album contains ephemera from Barnum's military service, with the exception of one letter from August 6, 1905 written by Barnum to his mother while on vacation with his father and brother. Other items include the board game Trench Checkers, a Third Army Carnival program, a Mother’s Day pamphlet, an honorable discharge chevron, a USS Santa Paula billet card, and a "Souvenir Roster of the New York Masonic Club of the Army of Occupation."

The Islamic Art Archives is composed of six collections, including those of Mehmet Ağa-Oğlu, Arthur Upham Pope, Donald Newton Wilber, Oleg Grabar, Marianna Shreve Simpson, and the Afghanistan Archaeological Remains Photographs Collection. The collection also includes photographic prints of the pages of the illustrated manuscripts Maqamat and Shah Nama, and additional photographs of Islamic architecture.

The Islamic Art Archives is composed of six collections, including those of Mehmet Ağa-Oğlu, Arthur Upham Pope, Donald Newton Wilber, Oleg Grabar, Marianna Shreve Simpson, and the Afghanistan Archaeological Remains Photograph. The Mehmet Ağa-Oğlu collection documents the Islamic and pre-Islamic art and architecture of the Middle East, Persia, the Caucasus, Western Asia, North Africa, and Southern Spain. Arthur Upham Pope focused primarily on Persian architecture and monuments, but his collection also includes photographs of Persian ceramics, textiles, and illustrated manuscripts. Wilber, Pope's colleague, also primarily studied Iranian monuments but he focused on those built during the Achaemenid and Sasanian empires. Oleg Grabar's work focused on the architecture of the seventh and eighth centuries of the Umayyad dynasty, the architecture of Jerusalem under Islamic rule, Arabic and Persian illustrated manuscripts and ornaments, and contemporary Islamic architecture. On the other hand, the Afghanistan Archaeological Remains Photograph collection depicts Afghanistan sculptures, statues, figural reliefs, pottery, and other archaeological remains, the majority of which are from the Kabul Museum in Afghanistan. Finally, Dr. Simpson's collection documents her work and her notes from her study of Islamic manuscripts around the world. The collection also includes photographic prints of the pages of the illustrated manuscripts Maqamat and Shah Nama.

Professor of English in the College of Engineering at University of Michigan, and student of songs and folklore of the Great Lakes. Correspondence, 1931-1956, bibliographic notecards on Great Lakes and Michigan folklore, unpublished manuscript entitled, "The Great Lakes", recordings of Great Lakes folk music, transcribed lyrics for the folksongs, notes, books and newspaper clippings on topics relating to folklore and history of the Great Lakes; and photographs.

The Ivan Walton collection documents Professor Walton's persistent efforts over a period of several decades to gather and preserve the cultural heritage of the Great Lakes, and to make its existence and significance known to his colleagues and the general public.

The collection is organized into eleven major series: Correspondence; Michigan Folklore Society; Field notes and logs; Student class notes; Research materials; Research notes (paper slips); 3x5 card files; Walton manuscripts; Transcripts; Photographs; and Sound recordings. In addition, Box 1 contains the Introductory series that includes the 1979 finding aid to the collection, prepared by Wil Rollman and Cheryl Baker under the auspices of the Michigan Sea Grant Program. Researchers should be advised that the 1979 finding aid contains some inacuracies.

Papers of Dr. Jack Kevorkian (1928-2011), medical pathologist, social activist, advocate for the terminally ill patient's right to die and physician-assisted suicide (which Kevorkian called "Medicide"), author, artist, and musician. By his own estimation, Dr. Kevorkian assisted in the suicides of more than 100 terminally ill people between 1990 and 1998. Kevorkian was acquitted in three physician-assisted suicide trials, and a mistrial was declared in the fourth. In a fifth trial, he was convicted of second-degree murder after administering a lethal injection and served eight years in prison. The collection includes materials related to the Kevorkian family (personal and business records, correspondence, photographs, and audiovisual recordings); Jack Kevorkian's research files and files related to Medicide (files related to the physician-assisted suicides and recordings of Kevorkian's consultations with the terminally ill); and miscellaneous papers (his personal and professional correspondence, published works and manuscript drafts, records related to his court trials, photographs, recordings of news coverage and interviews, audio recordings of Kevorkian's music, and images of his art).

The Jack Kevorkian Papers are arranged into five series: Kevorkian Family, Research and Practice, Morganroth & Morganroth, Personal Interests, and Medicide Files.

The Kevorkian Family papers mostly include correspondence, recollections, photographs, and video and audio recordings of family gatherings. The Research and Practice series contains Kevorkian's correspondence on scientific subjects, his research files, and Kevorkian's articles on various medical, ethical, and bioethical topics. Also included are recorded interviews and media segments featuring Kevorkian as well as media reports about his activities and court trials. Materials in the Personal Interests series include sheet music of Kevorkian's musical compositions, recordings of Kevorkian playing music, reproductions of his paintings, publicity regarding exhibits of his art, and a sample of collected books. The Morganroth & Morganroth series includes materials used during the court trials, such as correspondence and Kevorkian's research as well as the script of the HBO film, You Don't Know Jack, annotated by Mayer Morganroth. The Medicide Files series contains the files of the terminally ill patients who had asked him assist in ending their lives and who he helped in doing so. Medicide files include correspondence between Kevorkian and his consulting "patients" and their families, photographs, and forms developed by Kevorkian as well as recordings of consultations.

John J. Loughray's collection of materials relating to the history of Northern Michigan, particularly Roscommon County and logging activity.

The John J. Loughray collection contains photographs, postcards, printed histories, plat maps, and reminiscences relating to the history of Roscommon County, Mich., particularly Houghton Lake, Prudenville, and Roscommon as well as the logging industry. Visual materials include photographs of logging activities and locations within Northern Michigan and Loughray and his family and maps of Roscommon County. The collection also includes a documentary video, "Sawdust and Shanty Boys: Logging the Saginaw Valley White Pine," copyright 2006. The materials are arranged alphabetically by area/subject name.

Kalamazoo, Michigan newspaperman; papers relating to his career in journalism and to his trip to the Far East in 1940.

The Walsh papers includes scattered materials relating to his career as a newspaperman. The bulk of the collection concerns the flight of American newspapermen aboard a clipper plane to the South Pacific prior to World War II. Other materials relate to the history and operation of the Kalamazoo Gazette. Items of interest include research material concerning Dr. William E. Upjohn and the history of the Upjohn family. There is also correspondence received, 1929-1930, supporting the newspaper's editorial position regarding enforcement of the 18th Amendment. Some of the correspondents in the collection include: Caroline Bartlett Crane, Fred W. Green, Frank Murphy, Chase S. Osborn, Franklin D. Roosevelt, Arthur H. Vandenberg, and Wendell L. Willkie.

This collection primarily consists of letters written by Captain Joseph Carson during his service with the United States Army's Ordnance Department in France from 1918 to 1919. Additional material includes letters written to Carson by his father, Hampton L. Carson, and by several of his friends. Carson wrote about army life in France during the last stages of the war and in the months immediately following the Armistice.

This collection primarily consists of letters written by Captain Joseph Carson during his service with the United States Army's Ordnance Department in France from 1918 to 1919. The first item in the collection is "Excerpts from Dr. Willard's Letter" (three typed pages) dated June 3, 1917, in which the doctor described a visit to London that included tours of several military hospitals. Carson's letters, written between his arrival in France in September 1918 and his departure for the United States in February 1919, are addressed to his mother, father, wife, and daughter, Sarah Whelen Carson (a single letter, dated November 6, 1918). He described the scenery and wrote of his work in the army, far behind the front lines. On November 6, 1918, he drew a small map of his location at a military post, and in a separate letter of the same date enclosed a photograph. In mid-November, he reflected on the armistice and on local celebrations, and looked forward to returning home early the following year. His post-armistice letters are dated from Tours, France, and include discussions of courts martial held in mid-January 1919. In addition to his outgoing correspondence, the collection holds a handful of incoming letters Carson received from his father, Hampton Lawrence Carson, and from other acquaintances, as well as a typed poem entitled "Richard C. Nevil" (November 30, 1918). Also included is a postcard to Carson's wife from Edward P. Hamilton of the 306th Field Artillery Regiment, which depicts the Palace of Fontainebleau (January 3, 1918).

Collected materials include Civil War diary (1863) of William Harts, soldier with Co. B, 1st Michigan Infantry; also papers of Leon Bell, member of 339th Infantry (Polar Bears) sent to northern Russia after World War I.

Colorado clergyman, proponent of the creation of the Black Canyon of the Gunnison River as a national monument, U.S. Army chaplain during World War II. Correspondence with family members while serving as chaplain during World War II, also other documents from his military service, including programs from services he performed during the war; papers accumulated from his career as Presbyterian minister in Colorado, especially notes from sermons; scattered papers of other, earlier family members; and Black Canyon Monument series which includes correspondence, blueprints and landscaping designs, clippings, and various publications; files relating to research and writing of book about Black Canyon; and photographs and postcards of the area.

The Mark T. Warner Papers (3 linear ft.) include correspondence with family members while serving as chaplain during World War II and other documents from his military service, including programs from services he performed during the war; papers accumulated from his career as Presbyterian minister in Colorado, especially notes from sermons; scattered papers of other, earlier family members; and papers relating to is efforts to have Black Canyon Monument established. The papers are organized into of five series: Personal; Chronological; Church Files, Military Files; and Black Canyon Monument.

This is a collection of printed materials and photographs collected by Mary Hunt in preparation for writing Hunts' Guides, a series of Michigan travel books.

This collection contains printed materials and photographs collected by Mary Hunt in preparation for writing the Hunts' Guides series of Michigan travel books. The collection is divided into two series:Printed Materials and Photographs.