Collections : [University of Michigan Bentley Historical Library]

Harbor Springs, Michigan organization founded in 1972 to promote conservation through land acquisition by donation or purchase, the establishment of nature preserves, and educational programs, rather than through lawsuits or political action. The record group consists of correspondence, memoranda, minutes, reports, notes, newspaper clippings, press releases, annual reports, and brochures relating to its history and activities. Also included are biographical sketches of founding members based on oral history interviews and some photographs, slides, and architectural drawings. In addition, there are records relating to various outside activities of executive director Tom Bailey.

The records of the Little Traverse Conservancy (LTC) document the organization's history and dealings. The record group sheds light on the accomplishments of LTC, most notably its land acquisitions, the establishment of its nature preserves, and its environmental education program, as well as its internal organization and growth. In addition, other activities of its members are documented, in particular those of executive director Tom Bailey, who has served in various capacities in several other community- and state-based organizations. The LTC records cover the period from the Conservancy's founding in 1972 to 2006. The record group is divided into six series: Background Information, Early Board of Trustees Files, the Horace M. Huffman, Jr. Files, Projects, Executive Director Files (Tom Bailey), and Tom Bailey - Other activities. Correspondence in all series is primarily outgoing. Most files are ordered chronologically (generally in reverse chronological order) unless otherwise noted.

The papers of Richard C. Frank, preservation architect and planner, contain paper files as well as architectural drawings and sketches from Frank's Preservation / Urban Design / Incorporated firm and from his work after leaving the firm in 1984. Major projects include Crossroads Village in Genesee County, the Detroit People Mover, Orchestra Hall of Detroit, and the Smithsonian Institution Art and Industries Building.

The Frank papers are organized into six series: Project Files, Orchestra Hall, Crossroads Village, Smithsonian Institution Arts and Industries Building, Other Files, and Visual Material. The records contain paper files as well as architectural drawings and sketches. In most instances, the container list reflects the original order of the files. If a project number was written on a file folder or tube, this number is also recorded in the container list. Additionally, the majority of the material has been kept in its original folder.

Jonathan W. Bulkley (1938-2019) was the University of Michigan's Professor Emeritus of Civil and Environmental Engineering and Peter M. Wege Endowed Professor Emeritus of Sustainable Systems in the School of Natural Resources and Environment (now the School for Environment and Sustainability). Bulkley's expertise in water resource management and water policy was sought in numerous lawsuits over the course of his career, most notably as special master (1978-1979) and monitor (1979-2009) in several cases regarding the failure of various Michigan organizations to comply with iterations of the 1972 Clean Water Act. He was also a member of the Ann Arbor, Mich. Housing Commission and served as its president in 1974-1976. This collection primarily documents Bulkley's legal and other professional activities and includes architectural drawings, clippings, correspondence, court proceedings and testimony, reports, legal documents, committee and meeting files, operating logs, notes, publications, and photographs. A small portion of records relates to Bulkley's work on the Ann Arbor Housing Commission. These records include records of meetings, policy statements, and staff materials documenting the work of the commission.

The Jonathan W. Bulkley papers primarily document Bulkley's involvement in several legal cases, including the 1977 lawsuit United States v. The City of Detroit (case number 77-71100) and the 1987 lawsuitU.S. v. Wayne County (case number 87-70992), both presided over by Judge John Feikens. These lawsuits concerned the failure of both the City of Detroit and Wayne County's wastewater treatment plants to adhere to the Federal Water Pollution Control Act and Clean Water Act. Judge Feikens was lauded for his handling of these cases, as he focused on negotiation and settlement, rather than unilateral judgement; the cases were resolved through complex consent judgements that were amended over time.

This collection also documents Bulkley's involvement in the Ann Arbor Housing Commission as well as various other academic and professional work he undertook throughout his career. Examples include his work in various smaller lawsuits, including one brought against the City of Toledo, Ohio by the U.S. (civil action number 3:91:CV7646), his involvement in the controversy over the removal of the Huron River's Argo Dam, and his work with the Michigan Environmental Science Board (MESB).

Materials in this collection include correspondence, maps, memos, reports, articles and clippings, notes, papers, court proceedings, testimony, and other legal materials, committee and meeting files, operating logs, course notes, architectural drawings, subject files, project plans, and photographs.

Researchers should note that due to the complex and intermingled nature of the various legal cases, some materials relating to the Detroit Water and Sewerage Department (DWSD) may be found in the Rouge River Watershed (RRW) series, and vice versa. When possible, materials have been kept in Bulkley's original groupings, and have been arranged in a rough chronological order.

Robert E. Schwartz was a mid-century modern architect working out of Midland, Michigan. The collection includes working drawings, sketches, and newspaper clippings of residential and commercial buildings designed.

The Robert E. Schwartz papers reflect the mid-century modern architectural design movement of the mid-20th century in the United States, especially that part of the movement that was employed in residential structures, although the collection contains drawings of his commercial structures as well. His residential structures exhibit fundamental characteristics of the Modern Movement including their simple geometric forms, lack of applied ornamentation, use of large expanses of glass to bring nature and sunlight into the structure, and their open, free-flowing floor plans. The collection has been maintained in the order received and is divided into four series: Architectural Drawings, Newspaper Clippings, Professional Papers, and Visual Material.

Noted Michigan-based modern architect and former Professor and later Dean of the University of Michigan College of Architecture and Urban Planning. Metcalf's work includes over 150 buildings in Michigan and Ohio. The material in this collection spans the years 1942 to 2017, and includes architectural drawings, presentation boards, client files, photographs and slides, correspondence, newspaper clippings, journals, articles, and teaching material.

The Robert C. Metcalf papers include architectural drawings, presentation boards, presentation books, client files, photographs, slides, and negatives of Metcalf's work on residential, commercial, and community projects. The collection provides comprehensive documentation on virtually all of the projects undertaken by Metcalf. Projects are documented from design to construction and often subsequent additions and renovations. The materials in the collection are organized into three series: Project Files, General Files, and Visual Materials.

The General Files series includes personal material such as an audio interview with Robert Metcalf (2010), a date book (1974), and Metcalf's undergraduate student work from the University of Michigan (1942-1950).

The University Planner's Office oversees the master planning, site planning, and site design for the university. The records consist of correspondence, memoranda, meeting minutes, reports, architectural drawings, and photographs spanning the years 1840 to 2014.

The records of the University Planner's Office consist of 48 linear feet, 72.3 GB of digital files, and one oversize volume. Records contain correspondence, memoranda, meeting minutes, reports, architectural drawings, and photographs spanning the years 1840 to 2014. The records document the role of the University Planner's Office in campus planning on the University of Michigan campuses and in conjunction with the City of Ann Arbor.

Michigan-based architect, founder of Gunnar Birkerts and Associates, professor in the University of Michigan College of Architecture and Urban Planning. The collection is comprised of six series: Personal papers, Professional papers, Faculty papers, Project records, Personal Project Files and Personal Correspondence and Files. Personal papers includes biographical information, family photographs, early architectural drawings, and course notebooks and project drawings completed while a student at the Technische Hochschule Stuttgart. Professional papers includes transcripts and notes of speeches, lectures and seminars (many of these are also available on audiotapes; some are available on videocassettes). Also included are correspondence, awards, travel diaries with conceptual drawings, newspaper and journal articles and photographs. Faculty papers include course and other materials relating to his career as professor at the University of Michigan College of Architecture and Urban Planning. Project files contains textual files, photographs, and conceptual drawings associated with 122 of the buildings and projects designed by Birkerts. Scanned images of some conceptual drawings are available online.

The Gunnar Birkerts Collection offers researchers the opportunity to study the personal, professional and faculty papers and conceptual sketches of one of the masters of American modern architecture, whose career spans the second half of the twentieth century. The collection encompasses 15 linear feet of Birkerts' student work, notes and transcripts of speeches, lectures and interviews, video and audio tapes, writings, correspondence, awards, travel diaries, academic course materials, photographs and project records. Perhaps the greatest significance of this collection lies in its presentation of over 1900 drawings of 122 buildings and projects by the architect's own hand, many of which are valuable, early conceptual sketches.

In its pairing of narrative and visual documents, the Gunnar Birkerts Collection offers a rich perspective on the architect himself, illuminating his views on the creative process and the resulting conceptual designs which have defined his expressive architecture over his illustrious fifty-plus-year career. The Gunnar Birkerts Collection is the architect's deeply personal legacy. He recognizes that, while some of his buildings may be demolished over time, his original conceptual designs on paper are conserved here for future generations to study and enjoy. To this end, he has endowed the Gunnar Birkerts Collection to ensure that his drawings will be preserved and that his place in architectural history can be studied and understood.

The Gunnar Birkerts Collection is comprised of six series: Personal Papers, Professional Papers, Faculty Papers, Project Records, Personal Project Files and Personal Correspondence and Files. The narrative and visual documents in these series illuminate the full breadth of the architect's life and work, from his early years as a student at the Technische Hochschule in Stuttgart, Germany in the 1940s to his career in Michigan as an internationally acclaimed architect, esteemed design professor and global lecturer from the early 1950s to the present.

Modernist architect based in New York City, 1929-1950, and professor of architecture at the University of Michigan, 1950-1972, where he also carried on an active private practice until shortly before his death in 1990. A graduate of MIT, Muschenheim studied further with Peter Behrens at the Vienna Academy of Fine Arts and was strongly influenced both by a visit to the Bauhaus in Weimar, Germany and by a period working in urban planning with Peter Korn in Berlin. Two major Muschenheim collections exist, one within the Avery Architectural and Fine Arts Library at Columbia University and another within the Bentley Historical Library at the University of Michigan. The Muschenheim collection at the Avery represents primarily his professional career from 1929 to 1957, and the Muschenheim collection at the Bentley concerns his later professional practice and teaching career at the University of Michigan, as of 1950. This finding aid describes both the Avery and Bentley collections.

Staffs of the Avery Architectural and Fine Arts Library and the Bentley Historical Library have prepared separate finding aids for their respective William Muschenheim collections. These have been merged to provide one integrated finding aid. This integrated finding aid lists all Muschenheim materials held by both repositories. All of the drawings, papers, photographs and other materials for each project are brought together in a single job-number/chronological sequence. The physical location of each item/folder is indicated by "A" for Avery and "B" for Bentley. The combined finding aid organizes the Muschenheim papers into four series:

1. Biographical and Professional Material [Bentley]
2. University of Michigan Teaching Career [Bentley]
3. Publications and research [Bentley]
4. Project Files [Avery and Bentley]

The project files of William Muschenheim are described according to Muschenheim's original filing system in which he interfiled the drawings, correspondence, specifications, and other papers for each job/client. Muschenheim typically assigned each client a single job number no matter how many projects he may have done for the client. There are a total of 130 numbered jobs in the Avery Collection (#1-130, with gaps between jobs 11-17, 25-26, 28-29) and 63 numbered jobs in the Bentley collection (#132-193, there are no materials for 22 of the jobs). There are also nine unnumbered projects (4 Avery and 5 Bentley) and several folders of miscellaneous material.

Each numbered job consists of one or more projects and each project is subdivided by format of material into Drawings, Papers, Photographs, and Presentation Boards as appropriate. There is some variance in the manner in which the two archives have arranged and described project material. The Avery has described its drawings at the item level while the Bentley provides only folder level descriptions for most projects. For this finding aid item level descriptions are provided for selected Bentley projects. Photographs are found in the "Papers" in some Avery project files but are listed separately in the Bentley finding aid.

At both the Avery and Bentley the oversize architectural drawings have been removed from their original folders and stored separately.

The William Muschenheim Architectural Drawings and Papers at the Avery Library span 1929-1957, with bulk dates 1931-1950. Muschenheim's papers document 130 separate jobs, and the visual material consists of 3081 sheets of drawings. The projects mainly represent Muschenheim's work in New York City, but also include work in Albany (NY), Amenia (NY),Bridgehampton (NY), Chappaqua (NY), Hampton Bays (NY), Malverne (NY), Massapequa (NY), Nassau Point (Long Island), Washington (CT), Washington DC, Westhampton Beach (NY), and Woodstock (NY), among other locations.

William Muschenheim had numerous clients which included the following family members: Carl Muschenheim, Elsa Muschenheim, and Frederick A. Muschenheim. In addition to the many clients for whom Muschenheim did alteration work, he also worked with a wide variety of companies. Some of the companies include Bigelow Carpet Company, C.G. Flygare Inc., Excel Metal Cabinet Co., Inc., F. Schumacher & Co., Famaes Development, Hans Knoll, Howard & Schaffer, Inc., Kurt Versen Lamps, Inc., Ledlin Light Designers, Portland Cement Association, and Thonet Brothers, among many others.

The papers and drawings in the William E. Muschenheim collection at the Bentley Library span the years 1923 to 2004, however the bulk of the collection covers the years 1951 to 1985. The papers are primarily comprised of material documenting Muschenheim's research and teaching career from 1950 to 1973 at the University of Michigan, and the private practice he continued in Ann Arbor after leaving New York City. There are limited papers and drawings related to his life and professional work prior to 1950, although the Photographs Series includes beautiful black and white images of many of his important New York projects, and the Publications and Research Series is valuable for articles published in the thirties and the forties showcasing his work. Papers and drawings spanning the years 1929-1957 (bulk dates 1931-1950) are held at the Avery Library, Columbia University.

Muschenheim's early and lasting commitment to the modern movement and to an international view of architecture and architectural education is reflected in the collection, which consists of biographical and professional materials, research and course materials, publications related to his work, project files and drawings, and photographs and slides. The Muschenheim collection will interest researchers drawn to study the work of a pioneering modernist, well known for originality in working with color as an integral part of contemporary design, and those interested in the generation of architects involved in the fifties and sixties with legitimizing the modern period in an academic environment. Additionally, Muschenheim's efforts to illuminate the art of architecture as an important element and expression of culture to a broader segment of society renders the collection important to a wide range of disciplines and interests.

The papers are largely organized according to Muschenheim's original filing scheme, in which he interfiled material related to projects (including drawings) with professional papers, correspondence, and other documents, numbering them sequentially. The Bentley Library collection consists of material numbered 132 to 192. Many large original drawings were removed from folders, flattened, and are stored in drawers. Five series make up the collection: Biographical and Professional Materials; University of Michigan Teaching Career, College of Architecture and Design; Publications and Research; Project Files; and Digitization Project. Users should note that material related to a single project is often scattered throughout the collection. A Supplemental Guide to work produced after 1950 in the additional descriptive data portion of this finding aid. Also appended is Muschenheim's list of projects (numbered 1-189).

The Bentley Historical Library houses the Michigan Historical collections, which documents the history of Michigan; and the University Archives and Records Program, which maintains the historical record of the University of Michigan. Founded in 1935 as the Michigan Historical Collections, directors of the library include Lewis G. Vander Velde, F. Clever Bald, Robert M. Warner, Francis X. Blouin, Jr., and Terrence J. McDonald. The records include administrative files, correspondence, meeting materials, files on exhibits, archived websites, images, audio-visual media, and documentation of special projects such as the Vatican Archives project.

The records of the Bentley Historical Library were received in six main accessions 1991, 2000, 2002, 2004, 2007 and 2014. Together the records comprise 79 linear feet, plus two oversize boxes, and oversize folder, three flat file drawers, and more than 16 GB of data spanning the years 1935-2014. The researcher should consult the summary box list on page vii for a quick overview of the materials in the collection.

Master engineer of 1st Battalion, 310th U.S. Army Engineers, in charge of the Army Topographical Office in Archangel, Russia during the Allied intervention in Russia, 1918-1920, the "Polar Bear Expedition." Collection includes maps, architectural drawings, photographs, and miscellanea relating to the work of the 310th Engineers in Russia. Architectural drawings include plans for buildings and fortifications.

The collection relates entirely to O'Dell's experience serving with the American Expeditionary Force, North Russia, 1918-1919. The bulk of the collection consists of maps and architectural designs for buildings and fortifications constructed by the American Expeditionary Force, North Russia. Most of the maps and designs were produced by the 310th Engineers. In addition, there are two folders of photographs taken of the area and a scattering of miscellaneous official documents.