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The Alexander family papers document the family, life, and early career of pianist Margaret June Alexander (also known as Vonya Alexandre) throughout the early 1900s. The collection is made up of two journals kept by her mother, Myrilla M. Anderson, plus letters, writings, artwork, family photographs, printed programs, sheet music, and other materials related to this Decatur County and Indianapolis, Indiana, family.

The Alexander family papers document the family, life, and early career of pianist Margaret June Alexander (also known as Vonya Alexandre) throughout the early 1900s. The collection consists of two journals kept by her mother, Myrilla M. Anderson, plus approximately 1 linear foot of letters, writings, artwork, family photographs, printed programs, sheet music, books, newspaper clippings, and other materials related to this Decatur County and Indianapolis, Indiana, family.

Margaret's mother, Myrilla Anderson Alexander, wrote two journals during Margaret's early life and stages of her musical career. The first, kept between 1894 and 1896, documents Myrilla's experiences during Margaret's infancy and a list of musical lessons, associated fees, and required books. The second journal covers 1907 to 1917, and focuses primarily on Margaret's musical performances, complemented by enclosed newspaper clippings, correspondence, and programs.

The Alexander family papers include Myrilla M. Anderson Alexander's sketchbook of ink, watercolor, and charcoal illustrations. A hand bound book appears in the collection, written for Myrilla Alexander by R. E. Sylvester, which contains poetry and sketches.

The collection includes 4 letters by Myrilla Alexander, picture postcards, calling cards, 2 blank living wills from the state of Florida, and a 1945 marriage certificate for Carl F. Grouleff and Vonya Kurzhene. A typed document titled "Remembrances of Anna Stover and Edith Surbey" recounts the friends' lives from their early education through their ongoing religious charity work. Other items include a handwritten description of Margaret June Alexander's 1913 performance at Carnegie Hall, a list of quotations, and a certificate regarding the eligibility of Mary Alexander Tarkington and Caroline Anderson Haugh to join the Daughters of the American Revolution.

Approximately 110 photographs depict Margaret June Alexander, her performance partner Mischel Kurzene, and members of the Alexander, Anderson, and Tarkington families. An address book kept by Myrilla Alexander includes addresses and birthdays of family and friends.

The collection's printed items include programs for musical events, sheet music, newspaper clippings, and two books. Approximately 50 programs reflect Margaret June Alexander's musical career between 1907 and 1927. Obituaries for members of the Alexander and Tarkington families appear within the collection's newspaper clippings. Multiple copies of an undated, printed advertisement for "Dr. Alexander's Effervescing Headache Powders" are also present. The collection's 2 books are G. W. H. Kemper's A Medical History of the State of Indiana (Chicago: American Medical Association Press, 1911) and Joseph Tarkington's Autobiography of Rev. Joseph Tarkington (Cincinnati: Curts & Jennings, 1899).

The Augustus J. J. Thibaudeau family photograph album contains approximately 308 photographs and 4 manuscript items related to the family and friends of Augustus J. J. Thibaudeau, a prominent lawyer based in Niagara Falls, New York, and a representative of the Photo-Pictorialist movement in photography.

The Augustus J. J. Thibaudeau family photograph album contains approximately 308 photographs and 4 manuscript items related to the family and friends of Augustus J. J. Thibaudeau, a prominent lawyer based in Niagara Falls, New York, and a representative of the Photo-Pictorialist movement in photography.

The album (26 x 31 cm) has black cloth covers with “Snap Shots” embossed in silver on the front. The 4 loose manuscript items are contained in a Mylar enclosure at the beginning of the album and include two letters from Marie Thibaudeau written to her mother and father while abroad in England in 1923; a booklet made of faux-bark paper containing a watercolor illustration and poem about fishing titled “Stower’s Fish”; and a hand-written recipe booklet containing 18 recipes for various dishes.

Around 111 loose photographs of various sizes and formats are also contained in a Mylar enclosure and mostly include individual and group portraits (both indoors and outdoors), natural landscape views, and images of homes. A small percentage of these photographs have captions on their versos, including some that identify subjects. Of the loose photographs, images of interest include a group portrait of young women at Wellesley College in 1918 during their freshman year; portraits of Marie Thibaudeau, including several showing her posing with her beloved dog Sam-Sam; snapshots taken during a trip to Rome in 1932; and numerous images showing exterior views of houses as well as swimming, fishing, boating, and other outdoor activities taking place near the Thibaudeau family cottage on the Georgian Bay in Ontario.

Approximately 197 photographs are pasted into the album proper. A number of these photographs are partially unglued and in some cases writing on their versos is accessible. The album has many photographs showing waterfront summer vacation scenes from what appears to be different trips to the family cottage over a span of several years; some of these images in the front end of the album have inscriptions on their versos which indicate those photographs were taken in August 1910 by “D.B.” Other images of note include a picture showing a group of young women in a large sleigh with the verso caption reading “Marie Thibaudeau ΖΣΕ Jan, 24, 1912”; a pair of photographs showing siblings Kenneth Fraser Allan and Dorothy Elizabeth Allan when aged 3 and 6 respectively; two group portraits of young men in military uniforms standing in formation; photographs taken at Wellesley College showing buildings, students, campus scenes, large group activities, and a commencement ceremony; two photographs of a biplane mid-flight; and a series of interior views of an unidentified home that appears to have a menorah above the fireplace.

The Boston, Plymouth, and New Bedford photograph album contains 24 images of scenes in Boston, Plymouth, and New Bedford in Massachusetts as well as one cyanotype postcard of a young woman.

The Boston, Plymouth, and New Bedford photograph album contains 24 images of scenes in Boston, Plymouth, and New Bedford in Massachusetts as well as one cyanotype postcard of a young woman.

The album (16 x 19.5 cm) has leather covers with the word “Photographs” stamped on the front in gold. A loose card is included that provides explanatory information and corresponding page numbers for each photograph in the album. Most of the photographs are outdoor scenes with groups of people. Images of note include views of Park Street in Boston looking towards the capitol building, the 1867 suspension bridge, Ether Monument and Washington Monument in the Boston Public Gardens, the Boston Public Waterworks from Beacon Street in Chestnut Hill, a fisherman, an old whaling ship in New Bedford, Plymouth-area monuments, cemeteries, and downtown, and two people in a carriage in front of the Egypt Train Depot in Scituate, Massachusetts. Also present is a cyanotype postcard of a young woman sitting and reading with “Miss Mary E. Black/Eggemoggin, Maine” written on the back.

The Camilla Sink journal contains entries about Sink's daily life from 1857-1876, as well as genealogical information about her descendants, essays about her life and character, and a diary that one of her children kept in 1900. Camilla Sink's entries, copied by her children into this single bound volume, pertain to her life and her children's lives in New York, Ohio, Indiana, and Illinois.

This volume (994 pages) contains Camilla Sink's journal, copied by one of her children (February 1, 1857-November 1, 1877, pp. 1-837); poems, biographical sketches, proverbs, and genealogical information (pp. 838-928); and a diary kept by one of Sink's children (January 1, 1900-December 10, 1900, pp. 928-994).

Camilla Sink's journal entries are prefaced by remarks about her life, death, and character, written by one of her children. Sink wrote almost daily from February 1, 1857-April 13, 1877, but illness led her to write only sporadically until her final entry on November 1, 1877. She most frequently commented on the weather, her social activities, and news of her children and their families. Sink lived in Rome, New York, and spent time visiting her family in Cleveland, Ohio; Chicago, Illinois; and Elkhart, Indiana. Sink provided news of her illnesses and ailments, or those of her children and other acquaintances, and sometimes discussed her feelings about bereavement and aging. Some of her entries from the spring of 1861 mention marching soldiers; in mid-April 1865, she wrote about the death of Abraham Lincoln and the journey of his funeral train. On September 29, 1876, she recounted a visit to Washington, D.C., and entries from early October 1876 concern her visit to the Centennial Exhibition in Philadelphia.

The second section of the volume contains poetry, writings, biographical sketches, and genealogical information copied by and written about Camilla Sink and her descendants. Poetry and proverbs concern topics such as bereavement, and one of her children wrote a memorial poem in her honor (pp. 886-887). Genealogical information pertains to the births, marriages, and deaths of Camilla Sink's parents, children, grandchildren, and great-grandchildren. A second series of journal entries, written by one of Camilla Sink's children, concerns the author's daily life and social activities in 1900. Items laid into the volume include a photographic postcard with a girl's portrait; a newspaper clipping; 3 certificates related to the academic progress of Chester Weier and Gladys Kleckner in Monroe, Michigan (June 20, 1907-June 14, 1912); and a certificate regarding Gladys Kleckner's confirmation at St. Stephen's Church in McKeesport, Pennsylvania, on March 14, 1915.

The Chilocco Indian School collection consists of 1 piece of realia, 1 school yearbook, 1 pamphlet, 1 manuscript, 1 graduation certificate, and 107 photographic images in various formats related to the Chilocco Indian School in northern Oklahoma.

The Chilocco Indian School collection consists of 1 piece of realia, 1 school yearbook, 1 pamphlet, 1 manuscript, 1 graduation certificate, and 107 photographic images in various formats related to the Chilocco Indian School in northern Oklahoma. Many of the images are portraits of individuals, structures, and activities associated with the Chilocco Indian School; most are individual and group portraits of Native Americans, but there are also several images showing school buildings, agricultural activities, sports teams, and white American adults and children. The majority of the images are real photo postcards from the 1910s.

A total of 16 tintypes (mostly 8 x 5 cm) are present in the collection. Included are studio portraits of Native American men, women, boys, and girls wearing western clothing. Many of the tintypes have been moderately hand-colored. None of the subjects nor their tribal affiliations have been identified.

Also present are 18 photographic prints (6 unmounted and 12 mounted). The 6 unmounted prints are all 11 x 6.5 cm snapshots taken in 1920 that appear to have been taken by tourists and were once stored in a photograph album. Inscribed captions include the following: "Gold Fish Pond Chilocco OK 1920"; "Three Indian Boys"; "View of the lake at Chilocco"; "Little Girls Dormitory at Chilocco Government School 1920"; "Dairy at Chilocco"; "Chilocco OK Indian School Stadium 1920." Of the mounted photographs, there are 10 of approximately the same size (8.5 x 6.5 cm; all albumen prints) that show individual and group studio portraits of Native American men, women, boys, and girls. The remaining two mounted photographs (12.5 x 8.5 cm and 10.5 x 6.5 cm respectively; both albumen prints) are studio portraits of a very young Native American girl and a Native American boy with his mother which bears the verso inscription "T. Wolf." None of the subjects nor their tribal affiliations have been identified.

Real photo and photomechanical postcards (mostly 14 x 8.5 cm) make up the remaining 73 photographic images in this collection. Most images consist of individual and group portraits of Native American and white people, the latter of which many appear to have been affiliated with various Indian Agencies and/or boarding schools.

Items of particular interest include an image of a young Native American boy captioned "Jim McKay's kid"; a studio portrait of an unidentified Native American man by George B. Cornish; a studio portrait of a man possibly identified as "Red Fox" through an inscription on the verso; a studio group portrait of an unidentified married Native American couple captioned "New Year Eve. 08-09" in which the photographer appears to have edited the negative by painting fake snowflakes on the subjects; a group portrait of Umatilla Agency superintendent E. L. Swartzlander's children Lawrence and Inez; views of Chilocco Indian School buildings such as Haworth Hall, Home One, the Printing Department, and the inside of a classroom; and three photographs showing young men dressed in World War I-era army uniforms.

Sports-related images include group portraits of the 1912-13 Chilocco men's basketball team, the 1906 and 1915 Chilocco women's basketball teams, the 1945-46 Chilocco men's football team, and a Chilocco men's baseball team from an unknown year.

A relatively small number of postcards have been signed. Of the postcards that have signatories, there are eight signed by Samson B. Harjo (Seminole; name also spelled "Sampson B. Harjo"); one signed by "John Wolf" (tribal affiliation unknown); one signed by "Silas Beal Brown"; three signed by Chief Tishomingo's grandson Joe F. Factor (Chickasaw); and five signed by Umatilla Agency clerk Alvin Barbour.

The Alvin Barbour postcards (6 in total) are the only postcards in the collection that contain correspondence. Writing from Pendleton, Oregon, Barbour was in communication with a girl at the Chilocco Indian School named "Anna" of unknown tribal background who appears to have come from the Umatilla Agency. In one postcard with a view of a school building dated March 4 1914, Barbour expresses delight that Anna was "pleased with the pennant" he sent her and that he hopes it will "remind you of home and of the sender." In another postcard bearing an outdoor portrait of Barbour dated April 18 1914, Barbour states that he is glad Anna has recovered from an illness and that he sent her some Easter lilies. Two postcards dated April 27 1914 show images of Barbour and a Native American girl from the Umatilla Agency identified as "Ruth" taking turns sitting on a fallen tree trunk. Two postcards do not bear any correspondence and include an outdoor portrait of Barbour (signed "Yours very truly, Alvin Barbour") and an unsigned outdoor group portrait of Barbour with two other men posing on a bridge.

The realia item is a double-handled silver basketball trophy (10 x 15 x 6 cm) bearing the engravings "Chilocco Basket Ball League 08" and "Bird's Head - Escudero - Du Bois - Taylor - Jones." The trophy was awarded to "Team Jones" in 1908 after they won all four of their matches in their five-team intramural league. "Bird's Head" may possibly be Jesse Bird's Head, while "Escudero" may possibly be Cipriano Escudero (approximately 1882-?).

Printed publications include a 1932 Chilocco Indian School senior class yearbook as well as an illustrated libretto and associated program from a 1907 Chilocco Indian School production of Hiawatha. The front cover of the libretto bears the inscription "Lulu Gregory, Tonkawa, Okla."

The manuscript item consists of a three-page handwritten document regarding the "Crimson" flag of an unidentified University Preparatory School (possibly the Tonkawa U.P.S.) and its importance being "similar to that of the Stars & Stripes to the United States." The document is unsigned and undated.

Also present is a graduation certificate (51 x 40.5 cm) granted by the Chilocco Indian School in 1897 to Myrtle M. Long (tribal affiliation uncertain). The diploma was signed by Superintendent Benjamin F. Taylor, principal teacher Philena Everett Johnson, and teacher Anna D. Burr.

Chris H. Jorgensen, a Danish immigrant who lived in Harlan, Iowa; California; and New Braunfels, Texas, kept this notebook from 1891 to 1959. He wrote in English and Danish languages, Pitman shorthand, and some version of English abbreviation. Jorgensen used the notebook to document genealogy and family relationships, listing out birth, marriage, and death dates as well as relatives' names and locations. He also maintained other lists relating to purchases of automobiles, household appliances, and clothing, with added specifics such as dimensions, mileage, and where they were acquired. The volume includes a list of books kept from 1893 to 1958 documenting Jorgensen's wide-ranging interests in religion, literature, philosophy, and sciences. Jorgensen also included very brief diary entries from 1895 to 1908 and 1947 to 1959, primarily noting places he worked, including lumber camps and vineyards in California. Two photographs, presumably of Jorgensen, are laid into the volume.

Chris H. Jorgensen, a Danish immigrant who lived in Harlan, Iowa; California; and New Braunfels, Texas, kept this notebook from 1891 to 1959. He wrote in English and Danish languages, Pitman shorthand, and some version of English abbreviation. Jorgensen used the notebook to document genealogy and family relationships, listing out birth, marriage, and death dates as well as relatives' names and locations. He also maintained other lists relating to purchases of automobiles, household appliances, and clothing, with some specifics such as dimensions, mileage, and where they were acquired. The volume includes a list of books kept from 1893 to 1958 documenting Jorgensen's wide-ranging interests in religion, literature, philosophy, and sciences. Jorgensen also included very brief diary entries from 1895 to 1908 and 1947 to 1959, primarily noting places he worked, including lumber camps and vineyards in California. Two photographs, presumably of Jorgensen, are laid into the volume.

Jorgensen's notebook features multiple lists documenting his life, such as a timeline of his life from birth to 1938 when he moved to New Braunfels, Texas. Several sections of the volume are dedicated to Jorgensen genealogy, listing out family births, deaths, marriages, names of cousins, and other notable events like his father's naturalization as an American citizen on September 13, 1887. Other lists document the type of transportation he owned, when they were acquired, as well as purchasing details and their mileage. He also listed out dates and details about goods he purchased, like hats, watches, typewriters, electric washers, glasses, pens, and more, sometimes with their dimensions. He listed out businesses and medical practitioners, particularly optometrists, he appears to have frequented. He copied some of his official documents, like licenses, his naturalization certificate, and a warranty deed. Some of these copies provide physical descriptions of Jorgensen.

Chris Jorgensen wrote lists of publications he owned or read from 1893 through 1958, including books, periodicals, and other texts. He read deeply from religious works, with several relating to spiritualism, Mormonism, Unitarianism, Catholicism, Swedenborgianism, Buddhism, Hinduism, Atheism, Seventh Day Adventism, Christian Science, and others. Other publications relate to California, science and agriculture, temperance, almanacs and geography, education and music, philosophy and ethics, and more. Jorgensen was also actively reading literature, ranging from classics like Aristotle, Milton, Dante, and Shakespeare to contemporary works by Harriet Beecher Stowe, Jack London, Robert Louis Stevenson, Oscar Wilde, Arthur Conan Doyle, Jules Verne, Willa Cather, H. G. Wells, Friedrich Nietzsche, Richard Wright, among many others.

Jorgensen titled two sections of the notebook "diaries," writing brief entries from 1895 to 1908, after he moved to California. He primarily recorded the lumber camps, vineyards, and other places where he worked. He also wrote about items he purchased and notable events like natural occurrences and workplace accidents. The diary entries begin again in 1947 and continue until 1959, with brief notes about places he may have been, various businesses and purchases, and some events like the end of rationing in 1947, the 1948 presidential election, a lunar eclipse, among others.

Portions of the notebook are challenging to decipher, as they are written in a combination of Pitman shorthand, Danish, English, and a currently unidentified form of English abbreviations. Some of these entries appear to include dates and some form of financial accounting. Jorgensen appears to have a particular interest in ethnology, natural history, and books, as references written in standard English appear intermixed with Pitman shorthand entries relating to these topics. Some of the entries appear to document visits to Chicago for the 1893 Columbian Exposition, and another to a county fair in Iowa, seeming to note exhibits or content seen.

Several thumb prints made in ink are present in the volume, as well as several stamps used for his name and address. One features a bicyclist falling off his bike. Two photographs are laid into the volume, presumably of Jorgensen.

Chris H. Jorgensen, a Danish immigrant who lived in Harlan, Iowa; California; and New Braunfels, Texas, kept this notebook from 1891 to 1959. He wrote in English and Danish languages, Pitman shorthand, and some version of English abbreviation. Jorgensen used the notebook to document genealogy and family relationships, listing out birth, marriage, and death dates as well as relatives' names and locations. He also maintained other lists relating to purchases of automobiles, household appliances, and clothing, with added specifics such as dimensions, mileage, and where they were acquired. The volume includes a list of books kept from 1893 to 1958 documenting Jorgensen's wide-ranging interests in religion, literature, philosophy, and sciences. Jorgensen also included very brief diary entries from 1895 to 1908 and 1947 to 1959, primarily noting places he worked, including lumber camps and vineyards in California. Two photographs, presumably of Jorgensen, are laid into the volume.

Chris H. Jorgensen, a Danish immigrant who lived in Harlan, Iowa; California; and New Braunfels, Texas, kept this notebook from 1891 to 1959. He wrote in English and Danish languages, Pitman shorthand, and some version of English abbreviation. Jorgensen used the notebook to document genealogy and family relationships, listing out birth, marriage, and death dates as well as relatives' names and locations. He also maintained other lists relating to purchases of automobiles, household appliances, and clothing, with some specifics such as dimensions, mileage, and where they were acquired. The volume includes a list of books kept from 1893 to 1958 documenting Jorgensen's wide-ranging interests in religion, literature, philosophy, and sciences. Jorgensen also included very brief diary entries from 1895 to 1908 and 1947 to 1959, primarily noting places he worked, including lumber camps and vineyards in California. Two photographs, presumably of Jorgensen, are laid into the volume.

Jorgensen's notebook features multiple lists documenting his life, such as a timeline of his life from birth to 1938 when he moved to New Braunfels, Texas. Several sections of the volume are dedicated to Jorgensen genealogy, listing out family births, deaths, marriages, names of cousins, and other notable events like his father's naturalization as an American citizen on September 13, 1887. Other lists document the type of transportation he owned, when they were acquired, as well as purchasing details and their mileage. He also listed out dates and details about goods he purchased, like hats, watches, typewriters, electric washers, glasses, pens, and more, sometimes with their dimensions. He listed out businesses and medical practitioners, particularly optometrists, he appears to have frequented. He copied some of his official documents, like licenses, his naturalization certificate, and a warranty deed. Some of these copies provide physical descriptions of Jorgensen.

Chris Jorgensen wrote lists of publications he owned or read from 1893 through 1958, including books, periodicals, and other texts. He read deeply from religious works, with several relating to spiritualism, Mormonism, Unitarianism, Catholicism, Swedenborgianism, Buddhism, Hinduism, Atheism, Seventh Day Adventism, Christian Science, and others. Other publications relate to California, science and agriculture, temperance, almanacs and geography, education and music, philosophy and ethics, and more. Jorgensen was also actively reading literature, ranging from classics like Aristotle, Milton, Dante, and Shakespeare to contemporary works by Harriet Beecher Stowe, Jack London, Robert Louis Stevenson, Oscar Wilde, Arthur Conan Doyle, Jules Verne, Willa Cather, H. G. Wells, Friedrich Nietzsche, Richard Wright, among many others.

Jorgensen titled two sections of the notebook "diaries," writing brief entries from 1895 to 1908, after he moved to California. He primarily recorded the lumber camps, vineyards, and other places where he worked. He also wrote about items he purchased and notable events like natural occurrences and workplace accidents. The diary entries begin again in 1947 and continue until 1959, with brief notes about places he may have been, various businesses and purchases, and some events like the end of rationing in 1947, the 1948 presidential election, a lunar eclipse, among others.

Portions of the notebook are challenging to decipher, as they are written in a combination of Pitman shorthand, Danish, English, and a currently unidentified form of English abbreviations. Some of these entries appear to include dates and some form of financial accounting. Jorgensen appears to have a particular interest in ethnology, natural history, and books, as references written in standard English appear intermixed with Pitman shorthand entries relating to these topics. Some of the entries appear to document visits to Chicago for the 1893 Columbian Exposition, and another to a county fair in Iowa, seeming to note exhibits or content seen.

Several thumb prints made in ink are present in the volume, as well as several stamps used for his name and address. One features a bicyclist falling off his bike. Two photographs are laid into the volume, presumably of Jorgensen.

The David V. Tinder Collection of Michigan Photography consists of over 100,000 images in a variety of formats including daguerreotypes, ambrotypes, tintypes, cartes de visite, cabinet photographs, real photo postcards, stereographs, and mounted and unmounted paper prints. The collection is primarily made up of vernacular photographs of everyday life in Michigan taken by both professional and amateur photographers from the 1840s into the mid-twentieth century. In addition to supporting local history research, the collection has resources for the study of specific events and subjects. Included are images related to lumbering, mining, suburbanization; the industrialization of cities; travel and transportation; the impact of the automobile; the rise of middle-class leisure society; fashion and dress; ethnicity and race; the role of fraternal organizations in society; and the participation of photographers in business, domestic, and social life. The collection is only partially open for research.

The subject contents of different photographic format series within the Tinder collection vary, depending in part upon how each format was historically used, and the date range of that format's popularity. For example, cartes de visite and cased images are most often formal studio portraits, while stereographs are likely to be outdoor views. Cabinet photographs are frequently portraits, but often composed with less formality than the cartes de visite and cased images. The postcards and the mounted prints contain very diverse subjects. The photographers' file contains many important and rare images of photographers, their galleries, promotional images, and the activities of photographers in the field. See individual series descriptions in the Contents List below for more specific details.

Included throughout are images by both professional and amateur photographers, although those by professionals are extant in far greater numbers.

This collection is made up of postcards, a photograph album, and other items related to Edwina L. Klee, a nurse who volunteered with the Red Cross in Russia during the early years of World War I.

This collection (approximately 0.25 linear feet) is made up of postcards, a photograph album, and other items related to Edwina L. Klee, a nurse who volunteered with the Red Cross in Russia during the early years of World War I. Loose photographs (5 items) include a portrait of Tsar Nicholas II in a military uniform, a formal portrait of Klee in her nurse's uniform, and pictures of groups of nurses. One of the group photographs is dated April 28, 1923. A printed map highlights Klee's route from Finland to Petrograd, Kiev, and Odessa, as well as her route through Russia toward Beijing. The collection includes two of Klee's passports: a United States passport signed by William Jennings Bryan (August 1914) and a Russian passport issued around 1915.

The 54-page photograph album contains around 350 pictures, most of which have captions. Many of the images are scenes from Edwina Klee's travels abroad, including views of buildings, monuments, and cityscapes in Falmouth and London, England; Dundee, Scotland; Stockholm and Gothenburg, Sweden; Rauma, Finland; Petrograd (now Saint Petersburg), Russia; and Kiev, Russia (now Ukraine). Some of the first photographs show the SS Red Cross and other ships along the New York City coastline. Photographs from Klee's time in Russia often show nurses, doctors, patients, operating rooms, patient quarters, and hospital grounds; some soldiers' wounds are clearly visible, including shrapnel wounds and cases of severe frostbite. Other images depict scenes of daily Russian peasant life, Austrian prisoners of war, and a religious procession honoring the feast of Saint Vladimir. A few items document Klee's travels in China. The album also contains an engraved view of a cathedral's exterior and interior, accompanied by a description of Ely Cathedral, and pictures of the family of Tsar Nicholas II.

The collection includes 61 photographic and picture postcards showing prominent buildings and monuments in England, Sweden, Finland, Russia, and Japan, as well as everyday Russian scenes; one includes a brief history of the Kamakura Daibutsu. Edwina Klee addressed some of the postcards to her mother, sister, and other recipients in Chicago and elsewhere, and a small number are cards she received from European acquaintances. Klee's notes usually mention her past and future travel destinations and her correspondence with those at home. The final items are a souvenir postcard book featuring Russian landmarks and a souvenir book of photographs from Kiev.

This collection contains incoming correspondence and other items related to Elsie F. Weil of Chicago, Illinois, and New York City, including many passionate letters from Weil's close friend Gertrude Emerson, who wrote about her foreign travels, life in New York City, and her deep bond with Elsie. Other friends and, to a lesser extent, family members, wrote to Elsie about their daily and social lives in New York City, Chicago, and Boston. Additional materials include two of Elsie's diaries, articles written by Elsie F. Weil and Gertrude Emerson, and ephemera.

This collection (1.5 linear feet) contains incoming correspondence and other items related to Elsie F. Weil of Chicago, Illinois, and New York City, including many letters from Weil's close friend and fellow writer Gertrude Emerson. Other friends and family members wrote to Elsie about their daily and social lives in New York City, Chicago, and Boston. Additional materials include two of Elsie's diaries, articles written by Elsie F. Weil and Gertrude Emerson, and ephemera.

The bulk of the collection is comprised of Elsie F. Weil's incoming correspondence. The first group of items consists of letters that Elsie's father Jacob, brother Leo, and mother Pauline sent to her from 1897-1907. Jacob and Leo Weil offered advice, and Pauline Weil provided family news from Chicago while Elsie lived in Lafayette, Indiana, around 1904. In 1913, Elsie received letters about her career as a writer, often mentioning specific articles. Additional professional correspondence appears throughout the collection.

Gertrude Emerson began writing to Elsie Weil in January 1914, and remained Weil's primary correspondent through the early 1920s. Her early letters pertain to her life in Winnetka, Illinois, where she taught at the Girton School. Emerson encouraged Weil to pursue a career in writing, discussed her own work, and shared news of her family. In the spring of 1914, she described a trip to New York City. During their periods of separation, Emerson expressed her desire to reunite with Weil and proposed plans for their shared future. Her letters include passionate declarations of her love for Weil and her devotion to their friendship, and she often referred to her desire to hold Weil, offering a birthday kiss in her letter postmarked April 26, 1915. She also spoke of her wish to travel around the world, though her mother prohibited transatlantic travel in 1915 on account of the growing threat from German submarines ([May 7, 1915]).

Weil and Emerson traveled together to Korea, Japan, and China in 1915 and 1916, and the collection includes a series of typed letters that Weil addressed to an unspecified group in early 1916. She described their travels between locations, shared observations about local cultures, and reported on their daily activities. A newspaper article about their trip, printed in Japanese, is filed in with the correspondence (December 15, 1915, 3 copies). Weil later received letters and postcards from acquaintances in Asia, particularly in late 1916. Gino Merchiorri, a soldier, wrote two letters to Weil about his experiences in the United States Army during World War I.

Gertrude Emerson moved to New York City in late 1916 after being hired by Asia magazine, and often wrote to Weil, who remained in Chicago, about her life there. She commented on her social life and her friends, who included the writer Ernestine Evans and the naturalist William Beebe. In 1919, she traveled to British Guiana (present-day Guyana), stopping shortly, mid-voyage in the Virgin Islands and Barbados. Before her arrival in South America, she described her sea travel and the Caribbean cities and islands she visited. While in Guyana, Emerson described the scenery and everyday life, particularly with regard to Indian "coolie" workers and their culture. After her return to New York City that fall, she discussed her social life, Elsie's articles for Asia, and their shared New York apartment.

Emerson wrote another series of travel letters while visiting Japan, the Philippines, Malaysia, and India in 1920 and Mexico in 1924. While in India, she met with Mohandas Gandhi and commented on Indian politics. Though she consistently voiced her love for Weil throughout her correspondence, other topics came to dominate her correspondence. By the mid-1920s, Emerson had fallen in love with a man named Kim, whom she considered marrying. Some of her later letters, including several undated items, are written on long sheets of thin, illustrated paper. Other illustrated items include a brief typed essay with a watercolor depiction of a Flemish portrait (enclosed with her letter of February 9, 1914) and a sketch of the view outside of her window in Winnetka (undated).

Elsie Weil received smaller groups of letters from other friends from the mid-1910s to mid-1920s, including Rose Wilder Lane, who described her life in Mansfield, Missouri, in the late summer and early fall of 1919. She shared her fondness for the scenery of the Ozarks, discussed her career as a writer, and told anecdotes about her experiences. She later wrote about travels in Europe and her life in Paris, France, where she briefly described international relations between the Allied powers just after World War I. She also commented on female involvement in political issues. Blix Leonard of Boston, Massachusetts, and Elmer Stanley Hader of New York City frequently illustrated their letters; some of their sketches and drawings are humorous and cartoonish. Weil also corresponded with Kenneth Durant and Ernestine Evans. Some of Weil's New York correspondents expressed their support for the Bolshevik Revolution in 1919.

The collection includes 3 diaries. The first, which has the title "My Trip Abroad" and "Elsie F. Weil" stamped in gold on its front cover, was intended for use during a trip abroad; Weil used it only to record the name of her ship, the SS Manchuria, and the date of her departure, September 19, 1922. The other two diaries contain brief entries respecting Weil's daily activities for 1920 and 1925, with some significant gaps between entries. These diaries often refer to Weil's social acquaintances, including Gertrude Emerson, "Rose," and others.

The collection's 6 photographic prints include 3 views of Gertrude Emerson on horseback and 1 of Emerson posing outdoors. The other pictures show an unidentified man posing outdoors in a suit and a Buddha statue in a Tokyo temple.

Additional items include magazine and newspaper articles by Gertrude Emerson, Elsie F. Weil, and Ernestine Evans, largely concerning travel to Asia; instructions related to creating flower arrangements; and unused bookplates belonging to Elsie F. Weil, bearing an Asian-style illustration of boats on water. Other visual materials include picture postcards from East Asian countries and a series of postcards from Wisconsin. The final items are a Christmas card and an advertisement once inserted in a newspaper.