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The Northern Michigan photograph collection contains an assortment of 43 photographic postcards, 28 mounted photographs, and 6 unmounted photographs showing people and scenes related to logging camp operations in northern Michigan, street views most likely from the town of Trenary, and road construction between Rapid River and Masonville.

The Northern Michigan photograph collection contains an assortment of 43 photographic postcards, 28 mounted photographs, and 6 unmounted photographs showing people and scenes related to logging camp operations in northern Michigan, street views most likely from the town of Trenary, and road construction between Rapid River and Masonville.

Per Albert Peterson (1886-1968), grandfather of collection donor Anne Peterson, is identified in two photographs. It is unclear whether members of the Peterson family took any of these photographs themselves. According to occasional annotations (many of which are not contemporary to when the photographs were taken), members of the “Johnson” family, including Oscar Johnson, John Johnson, and Manny Johnson, are the most frequently represented individuals. One group portrait of loggers is captioned “Wessling Johnson Camp” while another is captioned “Harry Schmit Camp 14.” Several postcards are addressed to an Eva Bannister located in Winters, Michigan, and a Henry Roos of Rapid River and Blaney, Michigan.

Depictions of logging camp operations include several group portraits that illustrate the size of a typical early 20th-century logging camp. A few images also highlight the cookhouse and social side of camp life, while there is also one photograph that shows the first motorized tractor used in log transport in the region. Other images show aspects of town and domestic life in Michigan’s Upper Peninsula from approximately 1908 to 1920. There are group portraits of railroad workers, ice cutters, maple sap gatherers, a baseball team; family members at home or being pulled in dog sleighs; and scenes of town life including a parade that appears to involve individuals dressed in blackface, an early movie theater, a fire engine, and a train crossing. One group portrait appears to have been taken around the 1940s.

A sequence of 13 photographic postcards provides a detailed overview of the stages of rural road construction in the early 1920s including views of trains unloading material onto conveyors, narrow-gauge gravel trains delivering materials to the work site, work crews and horse-drawn graders contouring the surface, and steamrollers compressing the roadbed. The postcards include brief annotations typewritten on the front of the cards.

The Olga and Jesse Smith collection is made up of photographs, correspondence, and other materials revolving around this couple's work at the Ironwood and Ponca Schools for Native Americans, in South Dakota and Oklahoma, respectively.

The Olga and Jesse Smith collection is made up of photographs, correspondence, and other materials revolving around this couple's work at the Ironwood and Ponca Schools for Native Americans, in South Dakota and Oklahoma, respectively. The largest portion of the collection dates during their time at Ironwood School, 1909-1912, and the Ponca School, 1912-1914.

The centerpiece of the Smith collection is a photograph album, apparently kept by Olga Smith. Consisting of 304 mounted snapshots, this album is divided roughly into two parts: photos from South Dakota and photos from Oklahoma. The first images were taken in and around the Rosebud Reservation in South Dakota. Their subjects include the Ironwood and Upper Cut Meat Day Schools, portraits of school children and other male and female members of the Lakota tribe, Native Americans in tribal costumes and on horseback, an excursion to the Badlands, and other subjects. Photographs taken in Oklahoma include views of the Ponca School and its school children, and other portraits.

This photograph album is valuable in its entirety, and for many of its outstanding individual images. Some of the most impressive photographs are casual portraits of Native Americans, snapshots of a Catholic "Indian Funeral," views of school buildings and grounds, and Native American rituals and encampments. The album also provides insight into what the Smiths deemed important enough to photograph and retain.

The collection also contains 39 loose photographs and images, including tintypes, real photo postcards, picture postcards, a cyanotype, studio portraits, and other miscellaneous photographs. These include family photographs, portraits of Native Americans (some in full regalia), Ponca and Ironwood schools and schoolchildren, images of Native American women cooking out-of-doors, a Rosebud Reservation hotel, a cemetery at the St. Francis Mission, and a several commercial picture postcards of locations on reservations in Oklahoma and North Dakota. See the Additional Descriptive Data for a more thorough list of subjects and names represented in the photograph album and loose photographs.

A small group of 10 letters accompanies the Smith collection. These include six letters and postcards from Olga to her parents and sister at Anderson and Graysville, Indiana, 1909-1910. Two of Olga's letters provide extensive details on life in Cut Meat on the Rosebud Reservation in February 1909. These letters describe the surrounding area, the school, the responsibilities of the Smiths' students, interactions with Native Americans, language barriers, the daily routine, and carriage and train travel. One of these two letters was printed in an Indiana newspaper. In the remaining four letters, Olga provides further insight into life on the reservation, pleads with her parents to visit, and offers advice on how to smuggle a child onboard a train without paying their fare. Smiths' daughter Mildred wrote a letter to her grandparents, in which she discusses her pets and expresses hope that they will come to visit (dated June 1909). Finally, two 1912 letters from Ironwood students to Jesse Smith in January 1912 discuss their chores and school attendance, and a single telegram to Jesse Smith in October 1914 regards his transfer to "Kiowa Schools," Oklahoma, to serve as supervising principal.

A selection of miscellaneous materials completes the Olga and Jesse Smith collection. Six of these nine items relate to the Smiths' school administration and their own efforts to learn and retain Sioux names and vocabulary. These include pages of typed names, titled "Indian Names That is Good for the Soul and Body," and "Sioux Indian Words from Memory"; two pages hung in the Ironwood school by Olga Smith, which list the female students cleaning and sewing responsibilities for two weeks; and a 55-page typed list of Native American names (possibly students). This last item contains approximately 1,450 names. Other miscellaneous materials include a commencement program for Olga Byrkett's graduation, 1898; a card with a hand-drawn teepee and tent which advertises a Progressive Dinner Party given by the Mission Ladies at Colony, Oklahoma, December 1916; and a Grand Secretary's Certificate for Jesse W. Smith, Master Mason, Ponca, Lodge No. 83, December 1924.

The Pope-Horn papers consist primarily of letters exchanged by future United States Senator James Pinckney Pope and Pauline Horn during their courtship. The couple's letters reflect their daily lives, their relationship, and political issues in Idaho and throughout the United States. Additional material includes postcards, photographs, and other ephemera.

The Pope-Horn papers (2.5 linear feet) consist primarily of letters exchanged by future United States Senator James Pinckney Pope and Pauline Horn during their courtship. Additional items include postcards, photographs, and other ephemera.

The Correspondence series is made up of letters and postcards between James Pinckney Pope and his future wife, Pauline Ruth Horn. Horn described her daily life in Des Plaines, Illinois, and often attended theatrical productions in nearby Chicago. Pope, who pursued careers in law and politics in Boise, Idaho, likewise shared details of his life, such as his work experiences and attendance at local sporting events. In one emotional letter, he expressed his feelings about the Titanic disaster (April 17, 1912). During the 1912 election cycle, the couple increasingly discussed political matters, sharing their views on Theodore Roosevelt and the dominant parties, including the fracturing of the Republican Party. Pope also paid attention to local politics, and wrote of a proposed Idaho law for regulating morality that would ban buttermilk ("a fermenting and intoxicating liquor") and bar women from wearing wigs or makeup, particularly during wedding ceremonies (February 23, 1913). The couple continued to write after their marriage, though less frequently, and often recounted news from their travels. Several letters throughout the series enclose newspaper clippings, and the series also holds 25 postcards Pauline and members of her family received from numerous acquaintances.

The collection's 22 Photographs and Photographic Postcards includes pictures of an unidentified woman and her family (1912), snapshots that appear to have originated much later than the other material in the collection, and unsent photographic postcards of an unidentified woman and her dog.

• Red envelope containing colored pictures of various sights from the American West, such as buffalo and scenes from Denver and Salt Lake City (November 5, [1905]).
• Business card advertising "Arthur Hodges For Mayor"
• Business card for Henry C. Doolittle
• Brochure advertising Des Plaines, Illinois
• Unused picture postcards

This volume contains records for riders of the Portland & White Mountains stagecoach, which ran in the area of Portland, Maine, northwest to Conway, New Hampshire. Kept haphazardly, with writing often overlapping other writing, the driver documented the location where he picked up passengers, the number of seats they occupied, and occasionally their names. Pick up locations were often at hotels and taverns, such as the Cumberland House and American House in Portland.

This volume contains records for riders of the Portland & White Mountains stagecoach, which ran in the area of Portland, Maine, northwest to Conway, New Hampshire. Kept haphazardly, with writing often overlapping other writing, the driver documented the location where he picked up passengers, the number of seats they occupied, and occasionally their names. Pick up locations were often at hotels and taverns, such as the Cumberland House and American House in Portland.

Laid into the volume are two, likely unrelated items: a real photo postcard of a stagecoach with a driver and two horses, and a "Stage and Rail Road" ticket from Charlestown to Philadelphia, May 17, 1853.

This collection consists of letters that Lieutenant Randal H. Crouse wrote to his mother, Lillie M. Crouse, while serving with the American Expeditionary Forces during World War I. Crouse described his experiences at Camp Hancock, Georgia, and in France, where he often commented on life near the front. The collection also has postcards, documents, photographs, and newspaper clippings.

This collection contains 85 letters that Lieutenant Randal H. Crouse wrote to his mother, Lillie M. Crouse, while serving with the American Expeditionary Forces during World War I. The collection also has 4 letters by other writers, 9 postcards, 4 documents, 15 photographs, and 29 newspaper clippings (including 7 duplicates) related to Crouse's time in the military.

The Correspondence series (89 items) comprises the bulk of the collection and consists mostly of the letters that Randal Crouse sent to his divorced mother, Lillie M. Crouse, from Camp Hancock, Georgia, and France between September 1917 and April 1919. At Camp Hancock, he discussed the reorganization of his Pennsylvania National Guard unit into the 112th Infantry Regiment and mentioned several specific training exercises, including some involving gas masks (January 27, 1918). He described other aspects of camp and military life and, upon his arrival in France around May 1918, provided his impressions of the scenery and people, as well as descriptions of his experiences at the front. Soon after his arrival, he reported hearing nearby artillery fire and shared his awe at the multicultural makeup of the allied forces, which included soldiers from a number of foreign countries (May 27, 1918). Though he remained optimistic about the war's imminent end, Crouse mentioned his participation in some difficult fighting, credited the Germans with putting up a strong resistance, and described airplane crashes he had witnessed (August 17, 1918). By October 30, 1918, he expressed his relief at being transferred to a safer area following weeks of hard fighting, and on November 3, 1918, he described a one-day visit to Paris.

Following the signing of the Armistice, Crouse revealed more details about military actions he had participated in, including movements near Metz, and expressed his surprise upon hearing of the large scale of the influenza epidemic, from which the war had distracted him. In his letter of December 4, 1918, he copied several pages from a captured German diary that described the advance on Paris in September 1914; the letter also encloses a printed map of a portion of the Western Front near the end of the war. Throughout the spring of 1919, Crouse continued to discuss his travels through France and his anticipation of a return to the United States.

The series has 4 letters by other correspondents, including 3 by Lillie M. Crouse, who wrote a letter to her son while he attended a summer camp (July 13, 1908), prematurely reported Germany's surrender (November 7, 1918), and expressed her wish for military volunteers to displace active service veterans (March 31, 1919). Jordy L. Stafer, a soldier, also wrote a letter to Lillie M. Crouse, whom he knew from York (October 9, 1918).

The Postcards and Greeting Card series (7 items) contains mail that Randal Crouse sent to his mother during the war. The postcards show scenery in Germany and in Glasgow, Scotland, and one is a photographic postcard of Crouse in uniform. The Christmas card has a drawing of an American soldier reading with a young girl.

Documents (4 items) include a memorandum by W. H. Hay commending the service of the 28th Division of the United States Army, as well as 2 items related to the allotment of Randal Crouse's pay to his mother. Also present is a photographic card identifying Crouse as a member of the American Expeditionary Forces.

The Photographs series (15 items) has 6 snapshots of soldiers, including 2 taken in front of a cannon; 2 larger formal portraits of Randal H. Crouse; and 7 small snapshots of a soldier smoking a cigar and an old European building.

Newspaper clippings (29 items) primarily concern the actions of the 28th Division of the United States Army, including several reprinted letters that Randal Crouse sent to his mother while serving overseas, taken from the Gazette and Daily (York, Pa.) and other papers. Seven of the items are duplicates.

This diary contains Rhoda B. Stoker's recollections of a car trip she took with her family in August 1935. They traveled from Salt Lake City, Utah, to Idaho, Oregon, Washington, British Columbia, California, and Nevada. The volume includes family and travel photographs from 1920, 1924, 1933, and 1935.

This diary (1 volume) contains Rhoda B. Stoker's recollections of a car trip she took with her family in August 1935. They traveled from Salt Lake City, Utah, to Idaho, Oregon, Washington, British Columbia, California, and Nevada. The volume includes family and travel photographs from 1920, 1924, 1933, and 1935. The volume, comprised of two ruled spiral notebooks bound together with yarn, contains around 170 pages of material: the first 46 pages (recto) are numbered 1-[46], and the remaining pages (verso) are numbered [47-183].

Stoker's narrative (pages 1-[46]) recounts the trip she took with her son Edwin and "Aunt Clara King" from August 4, 1935-August 20, 1935. The family traveled by car from their home in Salt Lake City, Utah, to Vancouver, British Columbia, and followed the Pacific Coast south to Los Angeles, California. On their return journey, they drove from Los Angeles to Salt Lake City via the Mojave Desert and Las Vegas, Nevada. Stoker recorded details about the group's experiences and expenses, including the names of restaurants they visited, the car's odometer reading, and the amount and cost of gasoline they purchased; she combined all trip expenses at the end of her account (p. [46]). Stoker described the scenery and cities they visited, including San Francisco and Los Angeles, and discussed traveling by car ferry.

Stoker pasted photographs and postcards into her diary, sometimes including descriptions of photos she intended to add. Most images have captions, which include information about the location, date, and photographer. The pictures depict the Stoker family, their companions, and scenery from trips to the Pacific Coast in the summers of 1933 and 1935, including the family's lodgings, redwood trees, bridges, steamers, car ferries, military boats and submarines, and the family's car. One series of photographs depicts animals (prepared with taxidermy) at Golden Gate Park in San Francisco. Painted postcards and postcard sets show cities such as Tijuana, Mexico; San Diego, California; Portland, Oregon; Seattle, Washington; and Victoria, British Columbia, as well as scenes from California's Pacific coastline.

This collection contains 14 letters that Pharmacist's Mate Robert N. Harrington wrote to his aunt and uncle, Ella and George R. Bliss of Greenfield, Massachusetts, while serving in the United States Marine Corps during World War II. He commented on life at Camp Waldron, Idaho, and Camp Lejeune, North Carolina; provided a detailed account of his experiences during the Battle of Iwo Jima; and described his service in Hawaii near the end of the war.

This collection contains 14 letters that Pharmacist's Mate Robert N. Harrington wrote to his aunt and uncle, Ella and George R. Bliss of Greenfield, Massachusetts, while serving in the United States Marine Corps during World War II. He commented on life at Camp Waldron, Idaho, and Camp Lejeune, North Carolina; provided a detailed account of his experiences during the Battle of Iwo Jima; and described his service in Hawaii near the end of the war. The collection also holds a letter Harrington wrote while in college, a letter that the Bliss family received from a serviceman named "Bill," and an undated real photo postcard.

Harrington first wrote his aunt and uncle from Seattle, Washington, on September 28, 1942, about a recent trip to Chicago with his grandmother and about expectations for the coming school year. He sent 13 letters while serving in the United States Marine Corps between May 1943 and December 1945, and 1 on June 22, 1946, after his discharge. He wrote about military life at Camp Waldron in Farragut, Idaho, in 1943, and Camp Lejeune, North Carolina, until October 1944. Among other topics, Harrington discussed his desire to enter combat and his romantic life. In one letter, he scolded his aunt for her failure to treat her diabetes properly. Two of his letters contain enclosures: newspaper clippings of a humorous military cartoon and quips (October 23, 1944), and a newspaper clipping of a column by Ernie Pyle (October 29, 1944).

Harrington arrived in the "Central Pacific" by December 1944, and he participated in the Battle of Iwo Jima in early 1945. On April 8, 1945, he wrote a 5-page letter to his relatives detailing his experiences in the battle. He commented on the size of the forces, on his pleasure at seeing the Japanese positions being bombed by navy ships and by airplanes, and on his distaste for the Japanese. He also described his experiences losing friends and treating wounded soldiers, provided details on the kinds of wounds others received, and discussed the positive effects that blood transfusions had on patients. Harrington, who had been wounded, continued to serve in Hawaii and in the Pacific until at least December 1945. He frequently described his leisure activities, and in June 1946, he shared the details of a recent trip to New York City with a friend.

The remaining 2 items are a letter that "Bill" wrote to George and Ella Bliss while serving at the New Orleans Army Air Base in December 1943, and an undated real photo postcard to Walter D. Vaughan of Clarendon, Vermont, which depicts a flag-raising ceremony.

The Roland F. Kerner papers contain correspondence, documents, printed items, and ephemera pertaining to Kerner's service in the United States Marine Corps and Seabees during World War II. He wrote letters to his mother and received letters from his fiancée while he was serving in the Pacific. The additional items concern various aspects of his military service.

The Roland F. Kerner papers are made up of correspondence, documents, printed items, and ephemera pertaining to Kerner's service in the United States Marine Corps and Seabees during World War II. The Correspondence series (256 items), which includes manuscript and typed letters, V-mail, telegrams, and postcards, contains Kerner's incoming and outgoing correspondence with his mother and his fiancée. From November 1942-May 1945, Kerner wrote to his widowed mother about his travels, training schedule, leisure activities, and military duties in the United States and the Pacific Theater. He also commented on her work and encouraged her not to overexert herself. Occasionally, Kerner mentioned developments in the war, such as the D-Day invasions. In a letter of September 7, 1943, he discussed island residents' desire to marry off their daughters to American soldiers, and his letter of April 1, 1945, reports his courtship with and engagement to Louise Stevens. Kerner wrote infrequently after May 1945, when he again went overseas; his later letters concern his travels in the Pacific and, in one case, a conflict with his brother-in-law, Paul Dieter (October 1, 1945).

From May 1945-October 1945, most items are love letters from Louise Stevens to Roland F. Kerner. She wrote about her daily life and social activities in Wheaton, Illinois, and shared her joy after hearing about the end of the war. Her letter of September 29, 1945, is written on illustrated stationery celebrating the Allied victory, and at least two of her letters enclose photographs. Far less frequently, Kerner received letters from his mother and sister, who wrote about housework and family life. Ray [Bilter], another soldier, wrote a letter about his experiences in Germany near the end of the war and shared his negative opinion of Germans after seeing concentration camps (April 29, 1945).

The Documents and Reports series (24 items) is made up of receipts, military records, and other items pertaining to Roland F. Kerner, such as a receipt for work on his car (June 2, 1942), a document about Kerner's approved leave of absence from the navy (May 17, 1945), documents about his eligibility for postwar education benefits (April 23, 1946), and 5 lists of naval personnel. An undated form about Kerner's military service encloses photographs of him in uniform.

The Printed Items series (21 items) mostly contains newspapers and clippings, often about the Pacific Theater of the war. Issues of Yank, the West Chicago Press, and servicemen's informal newsletters are included. Other items are two books with religious devotions and a map of the Pacific Ocean. The Ephemera series (15 items) consists of 4 wage slips, a letter fragment, photographs, 5 photographic postcards of scenes from Melbourne, Australia, and other items.

The Salomon family photograph album contains 55 photographs of friends, family members, and religious and political figures compiled by the family of Haitian President Lysius Salomon.

The Salomon family photograph album contains 55 photographs of friends, family members, and religious and political figures compiled by the family of Haitian President Lysius Salomon.

The album (30 x 22.5 cm) has embossed brown leather covers, gilt edges, and a metal clasp; it was produced and copyrighted by English firm T. J. Smith, Son, & Co. under the product name “Album Arbora.” A gilt-print index accompanied by a quote from Henry Wadsworth Longfellow on pg. 2 lists the locations of 13 decorative illustrations of various “Flowering Shrubs” found within the album.

Photographs mainly consist of carte de visite and cabinet card studio portrait photographs of various men, women, and children taken between the 1860s and 1880s. Also present is a souvenir from the funeral of a young Frenchman named Pierre Bertagne who passed away in 1925 at the age of 25 (between pgs. 2 & 3; includes a portrait of the deceased). Works of Haitian, French, English, German, Jamaican, Italian, Curaçaoan, Puerto Rican, and American photographers are represented. Black, white, and mixed subjects are included, and most individuals are unidentified. Eight portraits of President Salomon appear throughout the album; also present are photographic reproductions of illustrated portraits of Pope Pius IX (pg. 3), Italian statesman Giuseppe Garibaldi (pg. 7) and Prime Minister of Madagascar Rainilaiarivony (pg. 9) as well as a photographic portrait of Victor Emmanuel II, King of Italy (pg. 10). Numerous portraits of Catholic priests are also included.

Besides Lysius Salomon, other members of the Salomon family that may possibly be represented in the album include his second wife Florentine Salomon (pgs. 11, 15, and loose image between pgs. 40 & 41), daughter Ida Salomon Faubert (loose image between pgs. 40 & 41 and loose cabinet card between pgs. 42 & 43), and grandson Raoul Faubert (ca. 1920s real photo postcard, loose between pgs. 24 & 25).

Several photographs include inscriptions in French. Many of these inscriptions indicate that a photograph was given as a souvenir to either President Salomon himself or to Mrs. Salomon (presumably Florentine Salomon). For instance, on pg. 19 a portrait made in 1882 of a French priest of “Abbé de Aldrovandy” in Paris bears an inscription addressed to “Monsieur le General Salomon, President de la Republique D'Haiti,” indicating that the subject desired to have a fellow priest named Mathieu send this photograph to Salomon upon his death; a second inscription (presumably written by Mathieu) states the gentleman pictured has passed away and that his wish is being fulfilled by the portrait being sent to Salomon. Pg. 21 includes portraits of two women with inscriptions made out to “Mme La Presidant” and “Mde. Salomon” respectively, as well as a portrait of a young black man bearing an inscription in French that translates to: “Gratitude to our respectful and revered Father Le Duc de Saint Lous du Sud, President of the Republic of Haiti.” Also present on pg. 31 is a cabinet card portrait of the President of the Dominican Republic Fernando Arturo de Meriño with a verso inscription in Spanish that translates to: “To his Excellency General Salomon, President of the Republic of Haiti, his loyal friend Fernand A. de Merino Puerto Plata, February 5 1882.”

For conservation and preservation purposes, facsimile reproductions of each photograph have been put in place of the original photographs to replicate the arrangement of the album as it appeared when received. The original photographs are housed separately within the album container.

The Same-sex affection and gender studies photograph collection contains approximately 150 examples of photographs that illustrate closeness between subjects of the same sex as well as aspects of non-traditional gender presentation.

The collection includes photographic examples in multiple formats with real photo postcards, tintypes, cabinet cards, cartes de visite, and small format mounted photos being the most numerous. 145 images are contained in Box 1 of the collection while an additional 5 photographs on larger format card mounts are stored in Box 2. Images mainly consist of portraits of men posing familiarly with other men, women posing familiarly with other women, and portraits of groups and individuals engaged in cross-dressing. Due to the subjective nature of assessing these images combined with historical differences in what was considered socially acceptable displays of affection and the general lack of verifiable context, many of these photographs remain open to a variety of interpretations.

Numerous photographs show same-sex duos and larger groups holding hands, placing their hands on each other, leaning on each other, or demonstrating affection in some other observable way. Most subjects are unidentified, though occasionally individuals have been identified through the presence of inscriptions. In some cases, individuals pictured together have been confirmed to be relatives.

Numerous photographs of male and female individuals and groups engaged in cross-dressing are also present. In many instances, the cross-dressing most likely occurred for humorous reasons.

• Postcard showing two men embracing with the printed caption "We're looking for girls at Lansing, Mich."
• Real photo postcard bearing a studio group portrait of two men, one of whom appears to have an unbuckled belt.
• Cabinet card studio group portrait by Beardsley of Charlotte, Michigan, showing two men, one of whom holds a guitar, whose arms appear to align behind them in a manner that suggests they may have been holding hands.
• Two different group portraits of the same female couple identified through inscriptions as "Agnes Davis" and "Anna Wickerham."
• 1940s group portrait of four men included in a souvenir packet for “Swing Rendezvous,” a New York City-based lesbian/gay bar.
• Real photo postcard bearing a portrait of an unidentified man wearing women's clothing, including a dress, flower-laden hat, and beaded necklace.
• Postcard showing a man wearing women's clothing sat on a bench with the printed caption "The Male is late!"
• Outdoor portrait of two women dressed in men's clothing captioned "A pair of Peaches."
• Real photo postcard captioned "Four of a kind" showing two cross-dressed male-female couples sitting together, with the women sat in the men's laps.
• Series of four images showing a woman posing in World War I-era soldier's uniform.