Collections : [University of Michigan Bentley Historical Library]

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.4 linear feet (7 folders and 5 volumes in 1 box)

Native of Ann Arbor, Mich. and officer in the U.S. Civil War; served as a Regent of University of Michigan and Chief Justice of the Michigan Supreme Court. Collection includes a diary, 1862-1865, written while serving in Co. D, 20th Michigan Infantry in the Civil War and recounting daily activities and the sieges of Knoxville and Petersburg; correspondence, mainly with his mother and wife, while a student at University of Michigan and during the Civil War; papers of other family members; and portraits of Grant and members of his family as well as and water-colors of Civil War.

The Claudius Buchanan Grant papers provide insight into the Civil War as experienced by a Union officer and also document life in the United States during the first half of the nineteenth century. This collection is comprised of three series: Personal Papers, Family Papers, and Visual Materials.

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21 linear feet (in 22 boxes including 1 oversize box) — 6 film reels (16 mm and 35 mm) — 3.9 GB (online)

Automotive enthusiast writer who edited Car and Driver and founded Automobile Magazine. Also worked for advertising agencies and served as an industry consultant. Material include correspondence, business files, text of speeches, publicity items, photographs, bound issues of Automobile Magazine and audio-visual material.

The David E. Davis Papers document various aspects of Davis's work and personal life. The materials have been divided into fifteen series: Personal and Biographical, Correspondence, Business files, Writing, Speeches, Events, Awards, Publicity, Collected materials, Topical files/Miscellaneous, Visual and Audio materials, Digital Materials, Oversized materials, Bound Magazines, and Film. With a few exceptions, folder contents reflect original order. Similar documents may be in different folders.

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Collection

David E. Davis papers, 1960-2009

21 linear feet (in 22 boxes including 1 oversize box) — 6 film reels (16 mm and 35 mm) — 3.9 GB (online)

Online

18 linear feet — 14 oversize folders

Professor of architecture at the University of Michigan; includes correspondence, professional organizational activities files, documentation, photographs, and architectural drawings accumulated during his work with the Michigan Historic Buildings Survey

The Emil Lorch papers are valuable for their documentation of the career of this important architectural educator and for that material about Michigan architecture and historic structures that Lorch accumulated in the course of his professional study and organizational involvement. The collection includes extensive correspondence with many of the country's leading architects, most notably members of the "Chicago School," and architectural educators, and manuscript and photographic documentation resulting from Lorch's involvement with the Michigan Historic Buildings Survey and various restoration projects, including Mackinac Island.

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0.2 linear feet — 1 painting

Grace H. Miller was a school teacher in the Philippines during the 1920s. Her brother, James M. Miller, was a U.S. Army physician in Manila during the same period. The collection includes Grace H. Miller's diaries about life in the Philippines and her travel accounts; and correspondence of James M. Miller describing his life and work in Manila. Visual materials include photographs and an untitled oil painting depicting three indigenous Filipino women. The painting was attributed to Fernando Amorsolo by Ana Maria Theresa P. Labrador in 2022.

Diaries of Grace H. Miller (1921-1922) describing life in the Philippines and travel in China, South Asia, and Europe; correspondence of James M. Miller (1924-1926) describing life in the Philippines; and one letter (1938) from Miller's wife Bess describing life in the Canal Zone; and visual materials. Photographs of hospital and hospital staff, the Philippine people, and local and scenery.

The collection includes an untitled oil painting on wood panel that depicts three indigenous Filipino women in Baguio. The painting is signed and dated 1925. In 2022, the painting was attributed to Fernando Amorsolo (1892-1972). To learn more about the attribution, see Processing Information.

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2 linear feet

Congregationalist missionary to Angola, and other members of the Miller family. Family letters, missionary newsletter, personal diaries concerning life in Hancock and Detroit, Michigan; Miller family materials; and photographs.

The collection consists of personal papers of Janette Miller and other members of the Miller family. The collection includes family letters, missionary newsletter, personal diaries concerning life in Hancock and Detroit, Michigan, photographs, and Miller family materials.

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93 volumes — 0.2 linear feet — 1 oversize folder

Champion prize fighter of Detroit, Michigan. Scrapbooks, 1935-1941 (arranged chronologically by bout), and clippings, articles, and fan letters, 1948-1951, relating to his career as a boxer.

The scrapbooks contain newspaper clippings and magazine articles in the period of 1935-1941. The volumes include full-length articles, brief sketches, cartoons and newspaper photographs detailing each fight, the preliminaries, Louis' opponent, the bout itself, and post-fight assessments. The volumes are numbered 1-94; volume 48 was not received.

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4.4 linear feet — 1 oversize folder

Urban planning specialist. Reports, sketches, and other material relating to the development of the Willow Run Bomber Plant area in Wayne County, Michigan, during World War II; studies of the proposed Detroit Civic Center, 1952; also papers concerning his later work as planning director in Santa Clara County, California; letter from Frank Lloyd Wright; and sketchbooks with drawings and watercolors of buildings and scenes in Europe, the United States, and Taiwan; also photographs of Belser.
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63 linear feet (in 93 boxes)

Photographs (positive and negative), slides, and transparencies taken by the company's photographers to document company activities, products, services, employees at work and at leisure, company exhibits and commemorations, and the response of the company to natural disasters and civil disturbances.

In 1993, Michigan Bell as a corporate entity was subsumed within the Ameritech Corporation. As a by-product of this reorganization and the downsizing resulting from it, the company agreed to deposit with the Bentley Historical Library its extensive archive of photographic images. Totalling approximately one million images, the Michigan Bell Telephone Company photo archive consists of negatives, copy prints, and color transparencies taken in the period since World War II (the bulk beginning in 1949). The collection does not include photos taken since 1983; interspersed throughout, however, are numerous images from before 1949.

The collection has been maintained in the order received with two principal series: Positives and Negatives.

The content of the photographs in the two series varies considerably. Naturally the collection documents the products of the company (phones and other communication devices) and the services provided (e.g. employees at work or the company reacting to a specific customer need). These photos were taken both to inform the general public as accompaniment to press notices and advertising copy and as a communications vehicle within the company, informing employees through the company news publication, Tielines, of activities going on in other divisions of the company or among the various regional Bell offices.

More importantly perhaps, the collection has value for its documentation of events and activities that are common to all large companies. These include images relating to: 1. The activities of employees within the corporation at their work (office workers, repairmen, operators, various support personnel, managers, etc.); 2. The activities of employees outside their work routine as members of corporate social groups (i.e., the company baseball or ice hockey team), at home engaged in leisure time activities, or involved in company-sponsored charitable or public service functions; and 3. Commemorations of specific milestones or events (company parade floats, area office open houses, corporate displays at public events such as fairs, etc.).

In addition, the collection documents the extraordinary and unforeseen as the phone company reacts to events and emergencies not within its control (floods, tornadoes, fires, the 1967 Detroit riot, strikes, and the like) or as a participant in history-making events (the announcement in Ann Arbor of the success of the Salk polio vaccine or the preparation involved in the 1980 Republican National Convention that convened in Detroit).

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9.6 linear feet (in 13 boxes) — 2 oversize drawers — 1 microfilm

Ann Arbor, Michigan and Chicago, Illinois family. Correspondence of Elihu B. Pond, editor of Michigan Argus, his sons, Chicago architects, Irving Kane and Allen Bartlit Pond, founders of firm of Pond & Pond, and other family members; include materials concerning family affairs, architectural projects, Jane Addams and the work of Hull House, European travels, politics especially as relates to period of the Civil War and the election of 1896; also photographs, architectural drawings and other visual materials.

The Pond Family papers consist primarily of correspondence and other materials of architects, Irving Kane (1857-1939) and Allen Bartlit Pond (1858-1929) documenting family matters, European travels, their involvement in the civic and social life of Chicago, and professional activities. The collection has been divided into four subgroups: Allen B. Pond papers; Irving Kane Pond papers; papers of other family members and miscellaneous; and visual materials.

Correspondence comprises the bulk of both the Allen and Irving Pond subgroups. This correspondence consists almost exclusively of exchanges between the brothers when they were separated because of travel, and with their parents and sister. There is little correspondence with clients, professional associates, or others outside of the family. The letters, however, are often detailed and revealing of the thoughts and activities of the Pond brothers. In addition to the usual descriptions of landscapes and social events when traveling abroad, their letters contain many comparisons of European and American trends in architecture, housing, the development of cities. To their family and with each other, the brothers also wrote of their non-professional interests: Chicago politics, social settlements in the city, humanitarian causes, and their involvement with various literary groups. Of note in the Allen Pond papers are letters containing references to Jane Addams and her work at Hull House. There are also accounts they received from family about Jane Addams and her talks when visiting Ann Arbor. Letters concerning Jane Addams are dated Sept. 1896; Jan. 1898; Sept. 18, 1898; Jan. 22,1900; Mar. 1901; May 28,1901; June 15,1901; undated 1901; Apr. 21,1902; July 7,1902; Aug. 18,1902; Feb. 16, 1903; Jan. 12,1904; Jan. 23,1905; Feb. 1905; May 29,1907; Mar. 1908; and Apr. 1908.

Their sister, Mary Louise and their mother, Mary Barlow (Allen) Pond wrote weekly of family affairs and the social and cultural events of Ann Arbor. Both comment extensively on the ideas and activities of many of the leading intellectual and literary figures of the day - William James, John Dewey, Kipling, Wharton and Shaw - as well as on their daily interactions with Angells, Cooleys and other prominent Ann Arbor families. Unfortunately, there are few surviving letters from Allen and Irving to the family in Ann Arbor. Much of the information in the collection about their work is therefore by indirect reference only.

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1 envelope

Robert A. Thom (1915-1979) was an American illustrator from Birmingham, Michigan, known for his popular and widely exhibited painting series that focused on topics like the history of Michigan, medicine, and pharmacy. Consists of photos of Thom and George Bender looking at a canvas from a series entitled, "A Pictorial History of Pharmacy." Also includes photos of Thom with F. Clever Bald.

The collection consists of photos of Thom and George Bender looking at a canvas from a series entitled, "A Pictorial History of Pharmacy." Also includes photos of Thom with F. Clever Bald.

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