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This collection is made up of 51 handwritten music books dating from 1764 to 1890, with the majority being from the 19th century. The music includes from transcriptions/variations of famous works, chorale music, original compositions, and dance music. Much of the collection has no stated geographical location, though Pennsylvania is well represented.

The manuscripts are predominantly in English or German. Vocal tunes comprise a majority of the music present, regardless of genre. Multiple volumes includes music with antiquated form of the C clef. Both men and women wrote or were in possession of these manuscripts and many include dedications to friends or family members. Some of the manuscripts are transcribed copies of popular music theory books; in these cases, the author only transcribed a portion of the original. Several manuscripts include multi-colored, watercolor or pen and ink illustrations and lettering.

This collection is an undated 53-page manuscript, containing portions of the English translation of a work of organ music theory and practical application by German organist and instructor Wilhelm Schneider. The manuscript's first page corresponds to page 87 of Schneider's Practical Organ School . . . to which is added a complete Treatise on Harmony and thorough Bass. Translated and Adapted to the wants of Young Organists (Boston: Oliver Ditson & Company, 1851). Afterward, the manuscript follows a different organization from the printed work—chapter one of the manuscript corresponds, for example, to chapter two of the published version. A comparative analysis has not been completed, though a cursory review suggests that the manuscript has textual and possibly other variations from the published version.

This collection is an undated 53-page manuscript, containing portions of the English translation of a work of organ music theory and practical application by German organist and instructor Wilhelm Schneider. The manuscript's first page corresponds to page 87 of Schneider's Practical Organ School . . . to which is added a complete Treatise on Harmony and thorough Bass. Translated and Adapted to the wants of Young Organists (Boston: Oliver Ditson & Company, 1851). Afterward, the manuscript follows a different organization from the printed work—chapter one of the manuscript corresponds, for example, to chapter two of the published version. A comparative analysis has not been completed, though a cursory review suggests that the manuscript has textual and possibly other variations from the published version.