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Start Over You searched for: Names Reuther, Walter, 1907-1970. Remove constraint Names: Reuther, Walter, 1907-1970. Formats Motion pictures. Remove constraint Formats: Motion pictures.
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Collection

Arthur H. Vandenberg papers, 1884-1974 (majority within 1915-1951)

8 linear feet (on 11 microfilm rolls) — 25 volumes — 20 phonograph records — 1 film reel — 1 audiotape (reel-to-reel tapes)

Online
Republican U.S. Senator from Michigan; advocate of the United Nations and bipartisan foreign policy. Correspondence, scrapbooks, diaries, and visual materials.

The Arthur H. Vandenberg collection consists of 8 linear feet of materials (available on microfilm), 25 volumes of scrapbook/journals, and assorted audio and visual materials. The collection covers Vandenberg's entire career with a few folders of papers post-dating his death in 1951 relating to the dedication of memorial rooms in his honor in the 1970s. The collection is divided into four major series: Correspondence; Speeches; Campaign and Miscellaneous Topical; Clippings, Articles, and Scrapbooks; Miscellaneous and Personal; Visual Materials; and Sound Recordings.

Collection

Blair Moody Papers, 1928-1954 (majority within 1934-1952)

27.5 linear feet (in 29 boxes) — 29 film reels — 60 phonograph records — 37 GB (online)

Online
Detroit newspaperman and United States Senator from Michigan. Correspondence chiefly concerning his 1952 senatorial campaign and his newspaper work in the United States and abroad during World War II; scrapbooks of newspaper articles written by Moody and published for the most part in the Detroit News and Barron's; tape recordings of public affairs radio program; photographs and motion pictures of public affairs interview programs.

The Blair Moody collection documents the career of a Washington-based newspaper correspondent and columnist and United States Senator. The collection covers the period 1928 to 1954, though the bulk of materials date since the mid-1940s. Much of the collection pertains to that period of time when Moody was in the Senate or was running for election to the Senate, although his newspaper career is also well documented. The collection has been divided into the following series: Biographical; Correspondence; Personal/Family; Newspaper Career; Gridiron Club; Senatorial Papers; Speeches; Scrapbooks; Sound Recordings; and Visual Materials.

Collection

Henry Hitt Crane Papers, 1902-1977 (majority within 1938-1964)

32.5 linear feet — 1 film — 1 optical discs (DVDs) — 1 digital files (streaming video file) — 113 GB (audiofiles, online)

Online
Methodist clergyman, pastor of the Centre Methodist Church in Malden, Massachusetts, the Elm Park Methodist Church in Scranton, Pennsylvania, and Central Methodist Church in Detroit, Michigan. Correspondence, 1938-1958, subject reference file, ca. 1902-1966, name reference file, 1938-1958, sermon file, 1925-1958, scrapbooks, 1928-1958, church bulletins and newsletters from church at which Crane pastored, sound tape recordings of messages preached by Crane, and visual materials consisting of photographs and motion picture film. The Crane papers document an interest in, and activities with, various liberal and progressive organizations, and his association and friendship with other clergy and individuals with similar pacifist and activist backgrounds.

The files of clergy are often narrow in scope encompassing only the activities of an individual within the setting of his/her own church. Henry Hitt Crane was more than the pastor of Central Methodist Church in Detroit. He was a nationally known speaker, eloquent in his advocacy of pacifism and civil rights. The Crane collection reflects the scope of his activities both within the churches he pastored, within the city of Detroit as an influential church leader, and nationally within larger Methodist circles and among other advocates of liberal causes similar to his own. Through his correspondence, articles, and published messages, we see Crane as representative of that class of nationally known clergymen, respected for their opinions, champion of progressive causes, and willing participants in the often contentious debates that followed World War I on matters of morality, politics, and social justice.

The Crane papers, with some exceptions, cover the period when Henry Hitt Crane first entered the ministry during the years of World War I and continuing past his retirement, until approximately 1964. There is decidedly less material from the years before his coming to Central Methodist Church in 1938; by far the largest bulk of documents date from 1938 to 1958 when Crane pastored this metropolitan church. The exceptions to the basic span dates of 1917 to 1958 are files collected by Crane of sermons, published pamphlets, and other materials of his father and uncle, also Methodist clergymen. There are also materials that date after 1958, mainly copies of messages received from other clergy with some correspondence.

The Crane papers have been maintained in the order as created by Crane and his secretarial staff at Central Methodist Church. The series in the collection are Correspondence, Subject Reference Files, Name Files, Sermon Files, Scrapbooks, Church Bulletins and Newsletters, Visual Materials, and Retirement Files.

Collection

Media Resources Center (University of Michigan) films and videotapes, 1930s, 1948-1986

2500 films and videotapes (approximate)

Online
The television production studio and media services unit of the University of Michigan, commonly referred to as "Michigan Media." It was formed in 1978 through the merger of the university Television Center and the university Audio-Visual Education Center. The Television Center began producing educational programs for broadcast on commercial and public stations in 1950. The Audio-Visual Education Center produced films for the university and operated a film distribution library. The Media Resources Center closed in 1986. The collection consists of documentary type film and video and film and video of television programs produced by the Media Resources Center and its predecessors.

The University of Michigan Media Resources Center Films and Videotapes collection consists of "archives" film footage produced or collected by the Center and television programs and films produced by the Center. The "archives" films are divide into three series; Archives Film (Series AF), Film File (Series AF) and Audio-Visual Education Center Film File Series AVEC Film File. The television programs are organized based on the

Archives Films

The "archival films": consist of documentary style, 16mm film footage of a variety of University of Michigan events, buildings, and personalities. The series originated in 1959 when the Television Center began a project to create a "university film archives." Some of this footage was shot for the purpose of being incorporated into television programs, but much of the filming was done simply to create a film record of the university. Filming was done on a regular basis through about 1972. After that date the Michigan Media collection includes comparatively few "archival" films.

The subject matter of the archival films falls into several broad categories:

  1. Series AF -- Archives Films and Series FF -- Film File
    • Ceremonial - including footage of awards ceremonies, inaugurations, graduations, building groundbreakings and dedications
    • Campus scenes - buildings and construction sites, students on the Diag, and general activity on campus
    • Athletic events and marching band performances
    • Student activities -- including protests, fraternity/sorority activities, homecoming, course registration, and social events.
    • Faculty and administrator interviews
    • Visiting dignitaries and participants in special programs and conferences on campus.
    • Films collected by the Television Center - these include several films from the 1920s and 1930s
  2. Series AVEC Film File
    • Original footage shot for use in Audio-Visual Education Center films

Films in the three archival series range from a few minutes to more than an hour in length. The films may be negatives, original positives, or work prints. Some are identified as "trims," i.e. original footage edited out of finished productions. The work prints have often been cut and spliced and portions may be missing. Several titles were originally recorded on either two- or one-videotape reels or directly on 3/4-inch videotape cassette.

The early films, ca 1953-ca.1963, are generally black and white. After 1963 color film is more common. Many of the films, especially, from the early years, are silent. For some of these there are accompanying 16mm magnetic sound tracks or 1/4-inch reel-to-reel audio tapes.

The film description part of the finding aid is arranged by series film number or titles. Film numbers were assigned by the Television Center in an approximate chronological order. The description of individual films is based on a card File created by the Television Center and on a viewing of each film by Bentley staff.

The descriptive record for each film includes the film number; title; date; a brief summary of the content of the film; a listing of significant persons appearing in the film; and technical information on the color, sound, polarity, and length of the film.

The films are stored in canisters, usually on a core rather than a reel. A film number generally refers to an individual film title. There is sometimes more than one film number in a canister and occasionally more than one film number on a single reel or core. Alternate versions of a title are indicated by a lower case letter.

The Television Center gave the films titles which are more or less descriptive. These titles have been retained except for a few instances in which a more descriptive title was assigned or in which a uniform title was created for all parts of a multi-reel film. The individual reels of multi-part titles are designated by a lower case letter, e.g. 98a, 98b, 98c. For some titles the may be more than one film, possibly a negative, positive, work print, or other version. A few tittles have been digitized and are available on DVD and streaming files.

The listing for each film or program in includes a Title, date of production, and abstract/summary of the content of the film and ,when available, the names of persons or organizations featured in the film. University of Michigan faculty and staff are identified by departmental or administrative affiliation (e.g. Peter Gosling, UM-Geog. A list of abbreviations used is included in the Additional Descriptive Data Section of this finding aid.) Technical information for the films is provided in the format: Original: 16mm film, pos, b/w, sil, 343, 00:09:35. The order of the information is:

  1. Format -- film / videotape / magnetic sound track
  2. Polarity -- neg (negative) /. Pos (positive) / wp (work print)
  3. Color -- b/w or color
  4. Sound -- silent / sound / sof (sound on film)/ at (accompanying 1/4-inch audiotape)
  5. Length -- expressed in feet (footage value is sometimes an estimate)
  6. Running time -- in the form 01:33:25 (hours:minutes:seconds)
  7. (in cases where there are several versions of a title, there may be multiple values for each category)

Television Programs and AVEC Films

The Television Programs consist of 16mm kinescope films and two-inch and 1-inch videotapes of programs produced by the Center for distribution to commercial and educational television stations. The collection represents only a portion of the television programs produced by the Center. There were no extant copies of some programs when the library acquired the collection.

The films and videotapes in the Michigan Media collection were appraised and only a portion have been selected for permanent retention by the Bentley Historical Library. A number of appraisal criteria were used in determining which television programs and films were retained:

  1. subject matter relating to the University of Michigan;
  2. subject matter relating to the state of Michigan;
  3. subject matter of general, national interest;
  4. participation of prominent UM faculty or staff;
  5. participation of prominent Michigan personalities;
  6. participation of persons of national or international significance;
  7. programs marking significant technical or artistic developments at Michigan Media;
  8. award winning programs.

The television programs are organized by series created by the Center. The series for the most part reflect different type of programming the Center produced, from the earliest "telecourses" to the independent programs produced under the title "Understanding Our World". to the multi-part programs that were the core of the "University of Michigan Television Hour. See the History section for details on the different series.

The description for individual programs includes the title and date of the program, a unique id number, and an abstract of the content of the program with listing of the host and guests on the program. A program may exist in one or more formats: kinescope negative, kinescope positive and 1-inch or 2-inch videotape. Technical information for each program is recorded in the format16mm kinescope film, neg. #511, Pos. #665, 2-inch video #458. (the negative number was treated as a production and for some programs recorded originally on videotape a negative was not actually produced). The television programs were generally either twelve, fifteen or thirty minutes in length Most are black and white and all have sound.

In 2009 a selection of television programs and films and tapes were digitized. for each tape or film selected a preservation Beta SP tape was made as well as a DVD use copy and a streaming file (mpeg4 and Flash). For some films a high resolution digital copy was made as well (mpeg2). The finding aid lists the original format(s) and the derivative formats for the digitized items.

Collection

Media Resources Center (University of Michigan) records, 1948-1987, 1948-1987

35 linear feet — 2500 items

The television production studio and media services unit of the University of Michigan, commonly referred to as "Michigan Media." It was formed in 1978 through the merger of the university Television Center and the university Audio-Visual Education Center. The Television Center began producing educational programs for broadcast on commercial and public stations in 1950. The Audio-Visual Education Center produced films for the university and operated a film distribution library. The Media Resources Center closed in 1986. The record group consists of administrative records including Broadcasting Committee minutes, annual reports, unit review material, correspondence, and budget material; scripts for television programs and films; press releases; telecourse outlines and study guides; and brochures and catalogs; also photographs; and films.

The records of the University of Michigan Media Resources Center document the production of educational television programs and films at the University of Michigan, 1950-1988. The collection includes administrative records, scripts, press releases and program summaries, photographs, and films and videotapes. This finding aid describes in detail the paper and photograph portion of the collection and briefly describes the film and videotape. A companion finding aid entitled "University of Michigan. Michigan Media. Program Descriptions" provides detailed descriptions of the films and videotapes in the collection. The Program Description finding aid is stored at the reference desk in the reading room of the Bentley Historical Library.

Collection

Sligh Family Papers, 1842-2012

36 linear feet (in 41 boxes) — 31 oversize volumes — 1 oversize folder

Online
Grand Rapids, Michigan family, involved in furniture making and other businesses, also active in local state and Republican Party politics and businessmen's associations. Papers include family papers and correspondence, business records, scrapbooks and visual materials.

The Sligh family collection consists of the personal and business papers of the four generations of Slighs mentioned in the biographical introduction: James W. Sligh, Charles R. Sligh, Charles R. Sligh, Jr., and Robert L. Sligh. Although there is some overlap, the files have been arranged into seven series, one for each of these three Slighs, one for the Sligh Furniture Company and related family businesses, and one each for Newspaper clippings and Scrapbooks, and Visual Materials.