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Collection

Broadside Press Records, 1968-1999 (majority within 1985-1996)

10 Linear Feet

The Broadside Press records include correspondence, typescripts, broadsides, books, financial records, audiovisual material, photographs, realia, and other printed material. These records document a portion of the history of the Detroit-based African-American-owned publisher of poetry broadside, anthologies and other works.

The Broadside Press records include correspondence, typescripts, broadsides, books, financial records, audiovisual material, photographs, realia, and other printed material. The ten linear feet span the years 1968 to 1998, with the bulk of materials falling between 1985 and 1996. Records are arranged in ten series: Correspondence (0.5 linear feet), Book Production Material (1 linear foot), Broadsides (0.25 linear feet), Programs and Events (0.5 linear feet), Business Records (1 linear foot), Financial Records (1 linear foot), Photographic Material (0.5 linear feet), Audiovisual Material (0.5 linear feet), Ephemera (1.5 linear feet), and Realia (.25 linear feet).

Collection

David Cope Papers, 1907-2023 (majority within 1980s-2000s)

26.5 Linear Feet — 26 records center boxes and 1 oversize flat file

David Cope is a poet in the Objectivist tradition and the founder of Nada Press, a small press which publishes the literary magazine and other poetry. Cope, a University of Michigan graduate and lifelong Michigan resident, taught literature and writing at Grand Rapids Community College and Western Michigan University. The collection documents Cope's writing, editing, and to some extent teaching and other spheres of Cope's life, through correspondence, manuscripts, notes, printed material, photographs, and videotapes.

David Cope made his first donation of papers to the Special Collections Research Center in 1987. Since then he has continued to make frequent contributions. The David Cope Papers cover Cope's writing and correspondence from the 1970s to the present, as well as his editing and teaching activities. In addition to offering insight into Cope's work, the collection details some of the activities and thoughts of friends and fellow writers and poets; in particular, Allen Ginsberg, Jim Cohn, Antler, and Jeff Poniewaz. Not currently well-documented are the more personal aspects of Cope's life--especially his family life--except for those details made available through his writings and correspondence.

The David Cope Papers are divided into eight series: Correspondence and Name Files, Writings, Editing Materials, Teaching and Education Materials, Publicity Materials, Personal, Photographs, and Audio/Visual. A small selection of books from Cope's library have been removed from the collection and have been cataloged individually. They are shelved by call number in Special Collections and can be requested through the Library's catalog.

Collection

Emery Edward George Papers, 1965-[ongoing]

11 linear feet

University of Michigan professor of Germanic Language, Literature, and Culture, scholar and translator of East and Central European literature, poet. Correspondence with authors, scholars, poets, and editors; manuscript and printed versions of poetry printed by George's Kylix Press; notes, drafts, typescripts, and proofs of articles, reviews, and the major editorial works "Contemporary East European poetry," and "Husbanding the golden grain: studies in honor of Henry W. Nordmeyer."

Correspondence with authors, scholars, poets, and editors; manuscript and printed versions of poetry printed by George's Kylix Press; notes, drafts, typescripts, and proofs of articles, reviews, and the major editorial works "Contemporary East European poetry,"(Ardis Press, 1983; Oxford University Press, 1993), and "Husbanding the golden grain: studies in honor of Henry W. Nordmeyer," (University of Michigan, 1973). Also includes large series on Friedrich Holderlin and Miklos Radnoti, reflecting George's primary subjects of research and translation.

Collection

J. Herbert Newport Collection, 1922-1991

6 linear ft. (7 oversize boxes and 6 oversize folders.) — Photographs are scattered throughout the collection. — Audio cassettes are located in Box 6. — Several books on Duesenberg automobiles were accessioned with the collection and are catalogued separately.

J. Herbert Newport was a designer of automobile bodies from the 1930s through the 1970s, employed designing custom bodies for Duesenberg automobiles as well as bodies and parts for companies such as DuPont, General Motors, Studebaker, and Nash. The collection documents his design work through drawings and photographs and the Duesenberg phenomenon, which continues to the present day with car collecting and restoration, through correspondence, photographs, advertisements, and ephemera, drawings, and various research materials.

The Newport collection has been divided into eleven series: J. Herbert Newport, Correspondence, The Duesenberg, Duesenberg Models, Ephemera and Print, Photographs, Albums, Drawings, Painting, Audio Materials and Realia.

Collection

Judith Guest Papers, 1975-1986

5.5 linear ft.

Novelist, University of Michigan graduate; includes correspondence, typescripts, notes, screenplays, interviews, and print material, such as reviews, interviews, and announcements, mostly relating to her works Ordinary People and title Second Heaven.

The Judith Guest collection consists of correspondence, typescripts, notes, screenplays, interviews, and print material, such as reviews, interviews, and announcements. The papers are divided into five series: Correspondence; Promotional material, reviews, interviews; Serials; Speeches; and Works, which contains the Ordinary People and Second Heaven subseries. Guest's initial correspondence with Viking regarding the manuscript for Ordinary People, which may be found in the Correspondence series, is particularly evocative of the excitement surrounding its publication.

The Promotional material, review, interviews; Serials; and Speeches series consist of ephemera relating to Guest's career as a writer including numerous clippings of biographical profiles and book reviews. These series also document some of the author's professional and promotional activities, such as publication tour interviews and speeches.

The emphasis of the collection is on Guest's creative process in writing Ordinary People and Second Heaven, which comprises the Works series. Many drafts of both novels are included, with editorial and authorial marginalia and corrections. The metamorphosis of the bestselling Ordinary People into a screenplay is well documented in Guest's attempt, followed by screenwriter Alvin Sargent's final shooting script.

Collection

Naomi Long Madgett and the Lotus Press Papers, 1937-2004 (majority within 1970-2003)

14 Linear Feet — 14 record boxes — genreform: Photographs in box 14 and scattered throughout the collection (see contents list). — genreform: Visual material in box 13. — genreform: Audio material in box 13. — genreform: Books by Naomi Long Magdett and Lotus Press, and books from Madgett's personal library, have been catalogued separately. Some chapbooks appear in the General Correspondence series, where such material were enclosed with a letter to Madgett. See the Writings and Author Files series for materials from the production of some Lotus Press books.

Naomi Long Madgett was a prominent poet, educator, and editor, recognized for her significant contribution to African-American letters. Since 1972 she organized and operated, single-handedly, Lotus Press, which publishes poetry by African-Americans and others. The collection documents Madgett's career and the operations of Lotus Press, through correspondence, manuscripts (both by Madgett and by authors published by Lotus Press), ephemera, audiovisual material, and photographs. Lotus Press merged with Broadside Press to form Broadside Lotus Press in 2015.

The Naomi Long Madgett Papers document the prominent career of Ms. Madgett as a poet and a teacher, and her operation of Lotus Press, which Madgett ran single-handedly for more than 30 years. Thus, the collection makes a good source of insight both into Madgett's own writing and aesthetic sensibility, and into the cultures of lyric poetry and African-American letters in the latter decades of the 20th Century. The bulk of the material covers the 1980s, the 1990s, and the first few years of the 21st century, with Madgett's activities in the 1970s being represented as well. From the correspondence collected here a vivid picture emerges of Madgett's relationships with some of the authors whose work she published--such as James Emanuel and Gayl Jones--as well as with other authors, such as Gwendolyn Brooks. In addition, correspondence and ephemera evidence the growth of Madgett's own reputation, documenting her many professional activities, awards, and honors over the years. While manuscripts by Madgett herself do not comprise a large part of the collection, the fortunes of one of her most famous poems, "Midway," are documented in detail, and an autobiography (Pilgrim Journey) provides an extensive synthesis by the author of her own influences and career (a section of which has been published by Gale's Contemporary Authors' Autobiography Series). Finally, the collection provides a close look at the daily operation, from its inception, of a small literary press.

The Naomi Long Madgett papers have been arranged into nine series: Personal, Writings, General Correspondence, Workshops and Events, Author Files, Business Records, Ephemera, Photographs, and Audiovisual. Books published by Lotus Press, as well as other books and periodicals from Madgett's library, have been catalogued individually and are shelved by call number in the Special Collections Library. Within the collection, however, much material is available from the production of certain Lotus Press books; see below Writings and Author Files.