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Collection

A Pleasant Excursion or a Trip to Niagara manuscript, 1825

1 volume

This slim volume contains a partial account of a trip from New York City to Niagara Falls in August 1825, with entries cutting off abruptly at Lockport, New York. The currently unidentified writer traveled on the incomplete Erie Canal aboard the safety barge Lady Clinton and by road on the last leg of their journey. The author included descriptions of scenery, geographic features, towns, and canal systems they passed. Within the volume are calligraphic headings, pressed leaves, and a color illustration of two birds and flowers.

This slim volume contains a partial account of a trip from New York City to Niagara Falls in August 1825, with entries cutting off abruptly at Lockport, New York. The currently unidentified writer traveled on the incomplete Erie Canal aboard the safety barge Lady Clinton and by road on the last leg of their journey. The author included descriptions of scenery, geographic features, towns, and canal systems they passed. Within the volume are calligraphic headings, pressed leaves, and a color illustration of two birds and flowers.

Major points of the route serve as headings within the volume, being visually differentiated from the main text by calligraphic headings. Observations on town layouts and architecture—including rough estimations of population count—provide a developmental snapshot of the region as perceived by the writer. Also mentioned is the construction on the Mt. Pleasant Prison at Sing Sing [Sing Sing Prison, Ossining, New York] and the quarry of white marble used by the builders.

The writer's travel by road was apparently not as easy as their travel by canal. After turning off the Ridge Road at Hartland, New York, descriptions of the woodland seem to indicate a host of obstructions in the form of mudholes, ruts, and stumps (p. 22). Apart from the entries on towns and landscapes, the writer noted a hotel landlord in Victor, New York, who kept two wolves, two small deer, and a fox in his yard (p. 16).

Yellowed imprints of larger leaves placed into the volume can be found on later pages, but only the smallest have lasted to the present day.

Collection

Beauty and the Beast manuscript play prompt, [1854]

1 volume

This volume contains a manuscript play prompt for the fairytale "Beauty and the Beast," drawn directly from Julia Corner's 1854 adaptation of the same tale.

This volume contains a manuscript play prompt for the fairytale "Beauty and the Beast," drawn directly from Julia Corner's 1854 adaptation of the same tale.

The text largely corresponds with Corner's adaptation, albeit with abbreviated or simplified stage directions. The text appears to have been written by one hand, with a pencil annotation at the end of the volume in a second hand, crediting the performance of this play to "some of the girls that go to Miss Lacy's School."

Although the location of Miss Lacy's School is unclear, the spelling within may indicate contemporary American rather than British expectations. The roles are for a merchant, the Beast, the merchant's daughters, Beauty, and a beneficent fairy with four attendants.

Collection

George H. Coomer, A Lively Whaling Scene manuscript, [circa 1880s]

1 volume

George H. Coomer wrote this manuscript about the "lively whaling scene" experienced by a sailor in California and the Santa Barbara Islands, possibly around the 1880s. The "scene" is purported to be a second-hand account told by Coomer's friend, and it may or may not be fiction. The volume also contains a vignette about the whaling vessel Minerva.

George H. Coomer wrote this manuscript about the "lively whaling scene" experienced by a sailor in California and the Santa Barbara Islands, possibly around the 1880s. The "scene" is purported to be a second-hand account told by Coomer's friend, and it may or may not be fiction. The volume also contains a vignette about the whaling vessel Minerva.

Collection

Jacqueline Kennedy Onassis, Bethlehem Steel Corporation Field Trip Collection, 1969

26 items

This collection consists of two letters from Jacqueline Onassis to Douglas Mansell, thanking him for the 4th grade field trip he led at the Bethlehem Steel Corporation's shipyard in Hoboken, New Jersey. In one letter, she enclosed 19 handwritten reflections by the students about the shipyard visit. The field trip was for Onassis's son, John F. Kennedy, Jr., and his class at the Collegiate School for Boys in New York. Five photographs depicting the class and their chaperones at the shipyard, featuring Onassis and her son, accompany the correspondence.
Collection

L. N. Fowler and W. R. Strachan phrenological reading in Synopsis of Phrenology; and the Phrenological Developments..., [1844?]

1 volume

L. N. Fowler and W. R. Strachan provided a phrenological reading of Joseph Shore of New Bedford with pen and ink in the side margins of each page of the printed pamphlet Synopsis of Phrenology; and the Phrenological Developments, together with the Character and Talents of [Joseph Shore] as given by [L.N. Fowler and W.R. Strachan]... [New York, 1844?]. The printed volume is illustrated with phrenological charts, skull variations, and profiles of faces (including one of William Shakespeare). The yellow paper wrappers are four printed pages headed "Phrenology Proved by Pathological Facts."

L. N. Fowler and W. R. Strachan provided a phrenological reading of Joseph Shore of New Bedford with pen and ink in the side margins of each page of the printed pamphlet Synopsis of Phrenology; and the Phrenological Developments, together with the Character and Talents of [Joseph Shore] as given by [L.N. Fowler and W.R. Strachan]... [New York, 1844?]. The printed volume is illustrated with phrenological charts, skull variations, and profiles of faces (including one of William Shakespeare). The yellow paper wrappers are four printed pages headed "Phrenology Proved by Pathological Facts."

Collection

Madison (Conn.) temperance speech, [1849?]

24 pages

A currently unidentified person wrote this temperance speech in Madison, Connecticut, around 1849. The writer included extracts from previous annual reports of the Madison Temperance Society and provided a brief history of the society before writing about the effect of drinking and temperance on society.

A currently unidentified person wrote this temperance speech in Madison, Connecticut, around 1849. The writer included extracts from previous annual reports of the Madison Temperance Society and provided a brief history of the society before writing about the effect of drinking and temperance on society.

The extracts include the number and sex of adult members, as well as the number of juvenile members. The writer noted that a majority of the members were women and that a significant portion of members who pledged against the use of distilled liquors were self-proclaimed Sons and Daughters of Zion.

The writer frequently referenced the Gospel, proclaiming that "no drunkard shall inherit the Kingdom of Heaven" (page 20). They tell the story of a man in the prime of his life who, although working hard, could never acquire a "permanent home" for himself and his family because of his expenditures on alcohol. The writer insisted that if those men stopped spending their money on alcoholic beverages, they would be able to afford a home and good clothing for their family within a few years.

The speech concludes with a condemnation of members who violated their pledges, and a suggestion that further steps be taken to ascertain the exact number of society members on account of poor record-keeping.

Collection

Martha Louise Day self-portraits album, [circa 1878]

1 volume

This album, belonging to Martha Louise "Mattie" Day, contains 26 self-portraits drawn by Mattie's "C. H. S." classmates, and includes profile drawings, names, and brief comments relating to a shared experience.

This album, belonging to Martha Louise "Mattie" Day, contains 26 self-portraits drawn by Mattie's "C. H. S." classmates, and includes profile drawings, names, and brief comments relating to a shared experience.

Mattie wrote, "You are requested to draw your picture, with appropriate remarks" on the front paste-down. The bulk of the drawings were done by her female classmates, and their writing often referenced memories involving Mattie. Some made self-deprecating remarks about their appearances. "A. H." wrote, "When this you see/don't forget the eve we played and I beat you all at dominoes." Adilia H. wrote, "The rose is red/the violet blue/sugar is sweet/and so are you Mattie. Ever your friend." Many include the note, "Class '78 C.H.S." One pink ribbon is laid into the volume.

Collection

O. S. Fowler phrenological reading in Synopsis of Phrenology; and the Phrenological Developments..., 1851

1 volume

Orson Squire Fowler provided a phrenological reading of Amos Mathess in pencil on the top and bottom margins of each page of the printed pamphlet Synopsis of Phrenology; and the Phrenological Developments, together with the Character and Talents of [Amos Mathess] as given by [O. S. Fowler]..., New York: Fowlers and Wells, Clinton Hall, 131 Nassau Street, 1851. The reading is dated December 2, 1851. The printed volume is illustrated with phrenological charts, skull variations, and profiles of faces (including one of William Shakespeare). The front bears a printed phrenological chart, "Symbolical Head," showing each area of the head illustrated with people and objects related to the "Numbering and Definition of the Organs." The back is a printed advertisement for The American Phrenological Journal, published by Fowlers and Wells.

Orson Squire Fowler provided a phrenological reading of Amos Mathess in pencil on the top and bottom margins of each page of the printed pamphlet Synopsis of Phrenology; and the Phrenological Developments, together with the Character and Talents of [Amos Mathess] as given by [O. S. Fowler] ..., New York: Fowlers and Wells, Clinton Hall, 131 Nassau Street, 1851. page. The reading is dated December 2, 1851. The printed volume is illustrated with phrenological charts, skull variations, and profiles of faces (including one of William Shakespeare). The front bears a printed phrenological chart, "Symbolical Head," showing each area of the head illustrated with people and objects related to the "Numbering and Definition of the Organs." The back is a printed advertisement for The American Phrenological Journal, published by Fowlers and Wells.

Collection

Polkville (N.Y.) manuscript temperance address, 1848

1 volume

This impassioned speech about the dangers of intemperance, licentiousness, and infidelity was given at Polkville, New York, in May 1848. The currently unidentified orator warned against travelling exhibitions, theatre, sleight of hand, "modern ball room influence," and public singing.

This impassioned speech about the dangers of intemperance, licentiousness, and infidelity was given at Polkville, New York, in May 1848. The currently unidentified orator warned against travelling exhibitions, theatre, sleight of hand, "modern ball room influence," and public singing. They also make what may or may not be a reference to Dr. R. H. Collyer's "Model Artists" (pertinent to animal magnetism/mesmerism).

The author discussed the monetary profits of tavernkeepers, landlords, and rum-sellers, and also condemned those who indirectly supported liquor dealers through the support of balls, or dinners with oysters and cigars. The people who attended such gatherings were labelled as aiders and abettors. Within the speech is the motto "To the rescue of the World from the reign of King Alcohol."

The orator argued that the decline, crime, mutiny, and subsequent execution Philip Spencer (1823-1842) was the result of intemperance influenced by "The Pirate's Own Book." Other subjects mentioned include college life, party politics, and the need for all temperance supporters and societies to work together despite political and social differences.

Collection

Rd. Kraker, Little Girl's Own Book manuscript, 1864

1 volume

Rd. Kraker created this 20-page handwritten booklet titled "Little Girl's Own Book," with an introduction dated April 1, 1864. The manuscript was "Brilliantly Illustrated by Darling" and identified as a first edition in the "1st Series of Confederate Primers," "printed" by the "Southern Emesis Book and job Printing Office." The booklet contains a story, with added notes on proper behavior. According to Kraker's introduction, the content was gleaned from conversations in the "Lager Bier Saloon of Hanns Kroftler" and its earnestness and sentiment was adapted to the "comprehension and bias of mind of the female children of the south." The author told the story of a Northern and a Southern girl, in which the girl in the north became tired of living on a farm and eating onions, so decided to travel to the warmer climate of the south and visit her friend. Upon arriving by train, she witnessed a battle and fell in love with a Confederate soldier. After he returned to the battlefield, she gained solace from her southern friend, through listening to music, by singing and writing, and by seeking treatment for sadness from a physician.

Rd. Kraker created this 20-page handwritten booklet titled "Little Girl's Own Book," with an introduction dated April 1, 1864. The manuscript was "Brilliantly Illustrated by Darling" and identified as a first edition in the "1st Series of Confederate Primers," "printed" by the "Southern Emesis Book and job Printing Office." The booklet contains a story, with added notes on proper behavior. According to Kraker's introduction, the content was gleaned from conversations in the "Lager Bier Saloon of Hanns Kroftler" and its earnestness and sentiment was adapted to the "comprehension and bias of mind of the female children of the south."

The author told the story of a Northern and a Southern girl, in which the girl in the north became tired of living on a farm and eating onions, so decided to travel to the warmer climate of the south and visit her friend. Upon arriving by train, she witnessed a battle and fell in love with a Confederate soldier. After he returned to the battlefield, she gained solace from her southern friend, through listening to music, by singing and writing, and by seeking treatment for sadness from a physician. One of the songs referenced is Charles Carroll Sawyer and Henry Tucker's "When Will This Cruel War Be Over?"

Fourteen illustrations correspond to the story:
  • A moving train, "ye adventurus maid going to the Sunny South."
  • A battle scene, with firing cannon, and a freestanding chimney beside two men (one laying on the ground, the other standing), "Findeth ye home desolate."
  • Boxes and barrels of goods, "Tobacco &c Tar & Turpentine" and "Pine Trees" beside a jug marked "apple jack."
  • Barrels, with a pitcher and glass atop one of them marked "Buorbon" [i.e. Bourbon], "ye Stapels continued."
  • A woman in a rocking chair weeping into a handkerchief while a man in a soldier's uniform walks away.
  • A piano.
  • Four people walking; the two in front are a man and a woman.
  • A woman standing, holding what appears to be a fan.
  • A farmhouse beside a fence, animals, a birdhouse, and a tree with gourds hanging from its branches (as homes for Martins).
  • A woman seated, knitting.
  • A woman playing the piano; another woman stands beside her with a hand on her shoulder. They are singing, "When this Cruel war is over-!"
  • Vision of injured soldiers, one leg amputee standing with crutches.
  • A woman seated and writing a letter.
  • A physician seated at a tent opening, reading a letter.

The text includes a parody of physician's explanation and prescription to the disconsolate young woman. The instructions read:

"The exostotic exudation overcoming the endosmotic implication in the peri and endocardium, pluviates the sanguinious, and decalorificates the systemic platitudes. The circumambient exoteric disintegrates the envelope and allows the exoteric functions to retrospect the perihelion of animal deficiancies. The pia mater interconvoluted with the [?] covering and becomes simultaneously congested by contact with the [?] substance. Hence retrovision becomes duplicated and prevision imparalelized. The remedy is equally perspicuous and followed earnestly will inevitably effect a cure..."

The volume includes several lines and paragraphs written in German Kurrantschrift. The most robust is the final page, headed by the text "The Soldier's Lament" and "Der Betrübte-lammantiert Soldadt," followed by a poetic description of snow-capped mountains and remarks on girls' behavior, i.e. "Wie schön wäre es [wenn?] die kleine Mädchen immer die Wahrheit sprächen" (How nice would it be [if?] little girls always spoke the truth), etc.