Search

This collection is made up of letters that Senator Christopher Ellery wrote to his wife Clarissa from Washington, D.C., in 1803. Ellery discussed his involvement in political discussions and his love for his absent wife and children.

This collection is made up of 3 letters that Senator Christopher Ellery wrote to his wife Clarissa from Washington, D.C., in and around 1803 (one item is undated). Ellery discussed his involvement in political conversations, including a meeting in which he addressed President Jefferson about "removals from office," an upcoming convention, and friendly encounters with other Congressmen. He also reflected on his separation from his wife and children, expressed his love for his family, and offered sympathy for his wife, who oversaw the household while he worked in Washington.

This collection is made up of autobiographical manuscripts, correspondence, documents, and family photograph albums related to James B. Pond, Sr. and Jr. Some of the items pertain to Pond's service during the Civil War and both father and son's lecture business.

This collection is made up of autobiographical manuscripts, correspondence, documents, and family photograph albums related to James B. Pond, Sr. and Jr. Some of the items pertain to Pond Sr.'s service during the Civil War and both father and son's lecture business.

The Pond Family Papers series includes one box containing miscellaneous correspondence ranging in date from 1896-1932, Civil War related material, autobiographical sketches, family photographs, and personal photograph albums.

The Civil War related material includes a few items relating to James Pond's Civil War service in the 3rd Wisconsin Cavalry, among which are a typescript of official reports relating to the massacre at Baxter Springs, Kansas, a printed poem on the massacre, and a printed notice of the death in the 1880s of William T. Brayton of the 3rd Cavalry. Pond also collected other reminiscences of the war, including an autobiographical account of Mrs. Horn, wife of a Missouri surgeon, which includes a description of Quantrill's raiders pillaging town and taking her husband prisoner, and a memoir of Edward P. Bridgman, a soldier in the 37th Massachusetts Infantry who served with John Brown in 1856, and may have known Pond.

More than half of this series consists of autobiographical manuscripts, parts of which, at least, were published as magazine articles. Most of these focus on his early years (prior to 1861) when he and his family were living a marginal existence in frontier Wisconsin and when he was a young man in search of a livelihood. The collection includes three major manuscripts, each present in several copies or versions, all of which are related to each other - "A Pioneer Boyhood," "The American Pioneer: My Life as a Boy," and "Pioneer Days" - plus there are less polished manuscripts of childhood and Civil War reminiscences. All appear to have been written initially in 1890, though some copies were apparently made several years later. In addition, there is an autobiographical sketch "How I got started in the Lecture Business" in which he describes his part in Anna Eliza Young's "apostatizing" and entering onto the lecture circuit.

The collection also contains 5 photograph albums. These volumes contain over 800 personal photographs taken between 1896 and 1902, including many pictures of family members at leisure both indoors and outdoors and Pond's business acquaintances from his lecture agency. Travel photographs include views of Colorado Springs, Colorado, and Winnipeg, Manitoba, as well as a group of pictures taken during a visit to England, Switzerland, and Germany in 1901. European items include a series of colored prints, located in Volume 4. The albums contain images of locomotives, railroad cars, and steamships. Volume 1 contains images of the inauguration of William McKinley and Volume 2 contains images of crowds gathered for a GAR parade in Buffalo, New York. Throughout the albums are glimpses of various lecture tours and clients including John Watson (Ian Maclaren) and Anthony Hope in Volume 2 and Francis Marion Crawford in Volume 3. Other notable figures include Sam Walter Foss and William Dean Howells in Volume 1, Charles W. Blair and Edward William Bok in Volume 3, and Sir Henry Morton Stanley, Charles William Stubbs, Robert Stawell Ball, Horace Porter, Frank Thomas Bullen, and Israel Zangwill in Volume 4. In addition to the albums, there are loose photographs of family, James B. Pond Jr., and the Adventurers' Club of New York. Oversized photographs are housed in Box 3.

The Pond Lecture Bureau Papers series consists of one box containing client files (arranged chronologically), loose photographs, and ephemera. Much of the content consists of correspondence between clients/prospective clients and photographs of clients (likely for promotional material). This series spans from 1877 to the 1940s covering periods of ownership from both James B. Pond, Sr. and Jr. Some of these clients are as follows: Henry Ward Beecher, Reverend Joseph Parker, Thomas DeWitt Talmage, Leon Pierre Blouet, Reverend John Watson (Ian Maclaren), William Winter, Edward Rickenbacker, Harry A. Franck, Gunnar Horn, Maurice Brown, and Major Radclyffe Dugmore. Unidentified oversized photographs and a scrapbook are housed in Box 3.

This collection contains correspondence that Jewish Private J. Walter Feigenbaum received from his sister, Jeanette, and mother, Rose, while he served with the United States Army during World War II. The women, who lived in Washington, D.C., wrote of the domestic political situation prior to the 1944 presidential election, shared their opinions on developments in the war, and provided news of family friends.

This collection (24 items) contains correspondence that Jewish Private Jacob Walter Feigenbaum received from his sister and mother while he served with the United States Army during World War II. Jeanette Feigenbaum, Walter's sister, wrote most of the letters, often with brief notes from her mother Rose, who sometimes sent letters of her own (frequently in the same envelopes). The women discussed numerous political and personal topics, often related to the 1944 presidential election and domestic politics. Jeanette frequently expressed her frustrations with the political landscape, including her skepticism about Harry Truman, reaction to the Dewey campaign's tactics, and views on legislation related to the military. She commented on the progress of the war in Europe, reports of German atrocities against the citizens of Warsaw, Poland (August 30, 1944), and the political situation in Nazi Germany, including the failed plot to assassinate Hitler (July 21, 1944, and July 23, 1944). Her letters also mention Zionist newspapers, contain references to Jewish holidays, and discuss Jewish nationalism (September 5, 1944). Rose's letters focus more prominently on social news of family members and friends.

Each letter is accompanied by an envelope bearing a colored illustration of a soldier eager to receive mail. The soldiers depicted include jeep drivers, paratroopers, and machine gunners, and the envelopes belong to the same artistic series. Many of the letters also feature patriotic letterheads or watermarks, and two from September 1944 have panels from the cartoon "Private Buck," drawn by Clyde Lewis (September 5 and September 14, 1944).

This collection is made up of 6 letters that John Howard Payne wrote in 1832 (1 item) and 1850 (5 items), including a letter of introduction and letters to English actress "M. A. Tyrrell." In 5 letters to Tyrrell, Payne discussed his desire to make her acquaintance; her recent financial difficulties in Buffalo, New York; and his possible reappointment as consul to Tunis.

This collection is made up of 6 letters that John Howard Payne wrote in 1832 (1 item) and 1850 (5 items). The first item introduces Maryland native Richard Lloyd to Colonel George P. Morris at West Point, New York ([1832]). Payne opened his correspondence with actress M. A. Tyrrell (alternately spelled "Tyrell" and "Tyrrel") with 2 unsigned letters, in which he discussed his admiration of her and his desire to make her acquaintance. He requested that she indicate her desire to meet him with a small gesture during her next public outing (January 12, 1850, and January 17, 1850). His following 3 letters, written from May 2, 1850-September 5, 1850, pertain to Washington, D.C., social affairs; the city's Adelphi Theatre; Payne's acquaintance with a woman named Rosa Jacques; a salary dispute regarding Tyrrell's time in Buffalo; and Payne's possible reappointment as consul to Tunis. His letter of July 29, 1850, refers to the Adelphi Theatre's "engagement of Jim Crow." Payne composed the text of a public acknowledgement of thanks from Tyrrell to those who had supported her during her difficulties in Buffalo (September 5, 1850).

This volume contains Louise Fitz's description of her trip from Boston, Massachusetts, to the World's Columbian Exposition in Chicago, Illinois, and to Niagara Falls in May 1893. In Chicago, she and her traveling companions visited the major exhibit halls, state and international buildings, and the Midway Plaisance. Photographs and travel ephemera are laid into the volume.

This volume (121 pages) contains Louise Fitz's description of her trip from Boston, Massachusetts, to the World's Columbian Exposition in Chicago, Illinois, and to Niagara Falls in May 1893. Between pages 5-97, Fitz wrote journal entries about her daily sightseeing activities on every other page; the opposite pages contain photographs and ephemera related to her travels. The final pages contain laid-in commercial photographs of Washington, D.C., and personal photographs of Trenton Falls in upstate New York.

Fitz's journal entries recount most of her trip, from the time she left Boston on May 17, 1893, to her visit to Niagara Falls on May 26, 1893. While in Chicago, she and her companions frequented the World's Columbian Exposition; she described multiple visits to the grounds and specific exhibits in the larger halls, noting the use of electric lighting and appliances. Fitz commented on her visits to state and international buildings, the Midway Plaisance, and a local museum. After departing Chicago, Fitz traveled by train to Niagara Falls. Fitz placed commercial photographs on the pages facing her journal entries. The images are primarily views of the exposition's major exhibit halls. Other items pasted or laid into the volume include a printed map of the fairgrounds and surroundings, newspaper clippings, a used ticket book and ticket stubs, a program from a musical concert, advertisements, and artificial flowers. A letter from a representative at the exposition's Massachusetts State Building provides the text of inscriptions on the Transportation Building and the "Golden Door" (August 31, 1893).