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The Blanchard family papers document the lives and careers of several members of the Blanchard, Cobb, and Proctor families from the mid-nineteenth century through the late twentieth century. Includes visual materials, publications, personal writings, and extensive correspondence files.

The Blanchard Family Papers document the professional achievements and personal lives of several generations of a scientifically minded and artistically gifted family. The papers focus heavily upon the eminent plant pathologist and nematologist Nathan A. Cobb, his wife Alice Vara Cobb, their daughter, biologist Frieda Cobb Blanchard, and her husband, herpetologist Frank Nelson Blanchard (the latter two of whom were professors at the University of Michigan). In addition to the photographs, drawings, correspondence, journals, and writings of these four individuals, the collection is rich in family correspondence, diaries, and personal papers from other members of the Cobb and Blanchard families (and their forebears and branches, including the Bigelow, Proctor, Ross, White, and Randall families). The Blanchard Family Papers will be of value to researchers interested in a variety of topics: scientific endeavors and methodologies (and in particular those related to agronomy, nematology, botany, and herpetology); the visual arts and the development of photography in the late nineteenth and early twentieth centuries; colonial and provincial life in Australia and Hawaii (respectively); and the daily affairs of American (and Michigan) families throughout the twentieth century. The Blanchard Family Papers consist of seven series: Nathan A. Cobb, Alice Vara Cobb, Frieda Cobb Blanchard, Frank Nelson Blanchard, Blanchard and Cobb Family Letters, Other Family Members, and Isaac G. Blanchard.

Papers of David M. Dennison, professor of physics at the University of Michigan; contain lecture notes and exam materials, correspondence, speeches, files relating to research in theoretical physics, University of Michigan and travel files.

The David M. Dennison Papers contain both the personal correspondence of the Dennison family and items relating to David M. Dennison's research and teaching while at the University of Michigan.

The first part of the collection is correspondence from 1894-1896 from James Lutheran Dennison and his wife to their son Walter Dennison, the father of David M. Dennison. One folder contains correspondence from George Dennison and his wife Nina to his brother Walter Dennison also from the 1890s.

Biographical and personal materials for David M Dennison are comprised of letters from David M. Dennison and his wife, Helen Lenette Johnson, memorial materials from David's death, home finances, and travel information. Family documents in this collection are comprised mostly of his son Edwin's Ph.D. research at the University of Michigan. Dennison's papers include various speeches, articles, and other writings about the physics he was studying, primarily focused on the later part of Dennison's time at the University. Materials from the University of Michigan include lecture notes and exams from the many physics classes Dennison taught. Documents relating to administration of the physics department and David's colleagues are also a part of this collection. Of note is David and Helen's correspondence and connection to the Niels Bohr Institute.

Audio-visual materials in the collection include photographs of David and Helen from the early 1900s through the 1970s. There are also two cassette tapes with recording of talks given by David, as well as photograph negatives and spectroscopic plates, lantern slides depicting astronomical images pertaining to his astro-physics research.

The David V. Tinder Collection of Michigan Photography consists of over 100,000 images in a variety of formats including daguerreotypes, ambrotypes, tintypes, cartes de visite, cabinet photographs, real photo postcards, stereographs, and mounted and unmounted paper prints. The collection is primarily made up of vernacular photographs of everyday life in Michigan taken by both professional and amateur photographers from the 1840s into the mid-twentieth century. In addition to supporting local history research, the collection has resources for the study of specific events and subjects. Included are images related to lumbering, mining, suburbanization; the industrialization of cities; travel and transportation; the impact of the automobile; the rise of middle-class leisure society; fashion and dress; ethnicity and race; the role of fraternal organizations in society; and the participation of photographers in business, domestic, and social life. The collection is only partially open for research.

The subject contents of different photographic format series within the Tinder collection vary, depending in part upon how each format was historically used, and the date range of that format's popularity. For example, cartes de visite and cased images are most often formal studio portraits, while stereographs are likely to be outdoor views. Cabinet photographs are frequently portraits, but often composed with less formality than the cartes de visite and cased images. The postcards and the mounted prints contain very diverse subjects. The photographers' file contains many important and rare images of photographers, their galleries, promotional images, and the activities of photographers in the field. See individual series descriptions in the Contents List below for more specific details.

Included throughout are images by both professional and amateur photographers, although those by professionals are extant in far greater numbers.

Frank C. Gates was a professor of botany at the University of the Philippines, 1912-1915. He later taught botany and biology at the University of Michigan Biological Station and Kansas State College. His collection includes personal and biographical material, including a biography written by his son, David M. Gates; personal and professional correspondence; journals; academic and research material, such as birding and botany notebooks as well as descriptions and drafts of writings pertaining to Philippine vegetation and travels in the Philippines; and photographic material, including lantern slides, photographs, and photograph albums.

The Frank C. Gates papers are dated from 1871-2010 and include biographical and personal material, such as a biographical monograph authored by his son, David M. Gates; personal and professional correspondence; journals; publications; research notebooks; postcards, photographs, photographic negatives, photograph albums, and lantern slides. In addition to documenting Gates's time spent teaching botany at the University of the Philippines and exploring the vegetation of the Philippines Islands (1912-1915), this collection also documents his personal and professional life, service in World War I, and research interests and efforts.

Missionaries to China, 1920-1931; George T. Blydenburgh was the superintendent of a new hospital in Nanchang, Jiangxi Province. Correspondence to family members describing daily life, family matters, and news of the hospital's progress; photographs, newspaper clippings, and glass lantern slides documenting the Blydenburgh family's experiences (bulk 1920-1931). Statements and descriptions of incidents related to military campaigns in Nanjing, Shanghai, and Nanchang. Writings and outlines about life in China (1921-1934). Annual reports from the Nanchang General Hospital (1924-1932). Publications from the Nanking [Nanjing] Language School (1921-1922). Scrolls of woodblock prints, calligraphy, and painting (circa 1920-1930).

Marion P. Blydenburgh lived in China from 1920-1931 with her husband, George T. Blydenburgh, who was the superintendent of the Nanchang General Hospital (also known as the Susan Toy Ensign Memorial Hospital) in Jiangxi Province through the Board of Foreign Missions of the Methodist Episcopal Church. This collection contains correspondence written to family members in the United States describing daily life, family matters, and news of the hospital's progress as well as photographs, newspaper clippings, and glass lantern slides documenting the Blydenburgh family's experiences.

First-hand accounts from George Blydenburgh, Marion Blydenburgh, and others of incidents related to military campaigns in Nanjing, Shanghai, and Nanchang are among materials in this collection. Also included are annual reports from the Nanchang General Hospital, publications from the Nanking [Nanjing] Language School, as well as scrolls of woodblock prints, calligraphy, and painting. The collection is arranged in five series with Visual Materials and Correspondence encompassing the majority of the collection followed by Writings, Nanchang Hospital Reports, and Published Materials.

An orthopedic surgeon in the United States Army, author, inventor, and University of Michigan alumnus (B.S. and M.D. 1899). Corbusier served in the China Relief Expedition, the Philippines Campaign, the Mexican Border War, and World War I. The collection contains biographical information, correspondence, writings by Corbusier, collected articles and clippings, photographs and glass plate lantern slides, loose scrapbook materials, and a photo album. Materials document Corbusier's experiences during the China Relief Expedition, the Mexican Border War, the Philippines Campaign, and World War I. The collection also contains a small amount of materials focusing on his time as a student at the University of Michigan, as well as to his medical and military careers.

The papers of Harold Dunbar Corbusier include a range of materials focusing on his medical and military career with the United States Army Medical Corps and the Medical Department of the U.S. Army Reserves between 1900 and ca. 1945.

The Biographical series included his biography, a diary reflecting on his childhood experiences at Fort Mackinac in Michigan, a typed manuscript highlighting his experiences during the Boxer Rebellion in China. Also included here are his professional publications and collected articles, event programs and invitations.

The Correspondence series primarily includes letters to his then fiancé Louise Shepard, as well as letters from military and governmental departments, hospitals, and other military and medical associations. images The Visual Materials series includes glass plate slides and a photo album with images of Chinese landmarks and troops from the eight nations fighting against the Boxers. Also included are photographs mostly focusing on the China and Philippines campaigns, and loose scrapbook materials (mostly clippings) focusing on China and Asia in general.

Resident in China from Farwell, Michigan; papers concern her family life in Farwell, and missionary activities; include letters, diaries, and accounts of father, Josiah L. Littlefield, Farwell lumber dealer and visitor to China, 1916-1917; letters, 1918-1928, of husband, Dr. Dennis V. Smith, medical missionary to China, describing in part Chinese politics and civil war, 1918-1920; letters and other papers of Hazel Littlefield Smith, including materials concerning various European travels, and manuscripts of writings about Irish author Lord Dunsany, her father, and Farwell, Michigan; and photographs. Other correspondents of Hazel Smith include world-renowed scientists (Edwin Hubble and William Beebe), from Chinese Princess Der Ling, and from distinguished European writers and actors (Pierre LaMure, Selma Lagerlof, Brian Aherne, and Ronald Colman).

This collection was accumulated by Hazel Littlefield Smith and consists of materials concerning her career and interests and those of her family, specifically her husband, Dr. Dennis Smith, and her father, Josiah Littlefield (1845-1935), a pioneer lumberman and businessman in Farwell, Michigan.

The collection is particularly valuable for three topics: early days (late nineteenth and early twentieth centuries) in Farwell, Michigan; missionary life in China in the period ca. 1915-1928; and the travels and writings of Hazel Littlefield Smith. The materials include correspondence, compositions and business-related materials of Josiah Littlefield; correspondence and other materials of Dr. Dennis Smith, Hazel Littlefield Smith (and Josiah Littlefield) concerning conditions in early republican China; and correspondence and other materials of Hazel Littlefield Smith concerning her travels in Europe (1920s-1950s), her management of the family farm near Farwell, Michigan (1940s), and her essays, poetry and other publications, including Lord Dunsany: King of Dreams.

The three principal figures in the collection--Hazel Littlefield Smith, Dennis Smith and Josiah Littlefield--were highly perceptive observers of persons and events. Their letters are rich in detail, whether describing travel experiences or everyday life in rural northern Michigan.

The collection is arranged into six series: Littlefield Family, China-related materials, Hazel Littlefield Smith, Miscellanea, Dr. Dennis V. Smith, and Visual Materials.

The Henry Chandler Cowles photograph collection is comprised primarily of lantern slides. As a botany professor at the University of Chicago, Cowles led several field trips to observe ecological environments during the years from 1898 to 1934. The lantern slides in this collection cover the geographic areas of Michigan, Colorado, Indiana, Wisconsin, and Illinois and include photographic subjects such as dunes, plant life, forests, landscapes, and class group pictures.

The Henry Chandler Cowles photograph collection is comprised primarily of glass lantern slides from Cowles's ecology trips covering the years 1898 to 1936 with the majority being unmarked or falling between the years 1900-1912. Captions affixed to the plates are noted when available along with any numbering. Some of the handwriting is difficult to make out as are the Latin names of the plants but every attempt at correct spelling has been made. The collection is divided into seven series: Michigan Photographs, Colorado Photographs, Illinois Photographs, Indiana Photographs, Wisconsin Photographs, Miscellaneous Photographs, and Indiana Transparencies. Each state has subseries of General -- which indicates a many single location photographs -- and subseries of cities for which a group of photographs exists.

Papers of Juris Upatnieks, a University of Michigan scientist who helped to lay the foundations of holography, a photography technique that recreates the recorded objects with all of their three-dimensional optical properties. Collection includes Upatnieks correspondence with American and international scientists and companies, scientific papers, proposals and technical reports, sometimes prepared in collaboration with other scientists, as well as digitized laboratory notebooks and lantern slides illustrating his research on various subjects.

The collection documents Juris Upatnieks' scientific research and output and divided into six series: Correspondence, Subject Files, Proposals, Reports, Lantern Slides, and Laboratory Notebooks.

The Lantern slides and glass plate negatives collection consists of approximately 1,260 magic lantern slides, glass plate negatives, and glass plate transparencies from commercial and non-commercial sources documenting a wide range of subjects.

The Lantern slides and glass plate negatives collection consists of approximately 1,260 magic lantern slides, glass plate negatives, and glass plate transparencies from commercial and non-commercial sources documenting a wide range of subjects.

The collection contains a total of 33 boxes and is loosely organized by topical groupings. The following list references individual boxes and the general nature of their contents.

• 10 x 12.5 cm glass negatives of views of Ann Arbor, Michigan, ca. early 1900s taken by an unidentified photographer. Includes views of several University of Michigan buildings, hospitals, fraternity houses, and private residences.

• Sixteen 8 x 10 cm cardboard-mounted slides showing posters for upcoming films and local product advertisements intended for use in movie theater intermissions. Producers include Excelsior Illustrating Co., Inc. and Photo Repro Co., Inc. Identified films include High Steppers (1926); The Blind Goddess (1926); Without Mercy (1926); Chickie (1925); Stop, Look and Listen (1926); West Point (1927); Pals First (1926); Ella Cinders (1926); Paying the Price (1927); The Avalanche (1919); and Turn to the Right (1922).
• Ten 7.5 x 7.5 cm slides documenting damage caused by the 1906 San Francisco earthquake (two of the slides are broken).

• 10 x 12.5 cm glass negatives including scenic views of fields, woods and towns, Canterbury Cathedral, ships in harbor, New York City streets, Coney Island beaches, street merchants, and children interacting with dogs (often humorously). All or some the images were produced by photographer William S. Pearsall in 1906 or earlier.

• Twenty-two 8 x 10 cm cardboard-mounted slides (some damaged) showing motion picture posters intended for display during movie theater intermissions with play dates handwritten in space at bottom. Dates listed range from 1918 to 1929. Identified films include The Devils Circus (1926); The Love of Sunya (1927); The Bridge of San Luis Rey (1929); Mademoiselle Modiste (1926); Classified (1925); Chang (1927); The Demi-Bride (1927); The Swell-Head (1927); Steele of the Royal Mounted (1925); The Voice of the City (1929); His Supreme Moment (1925); Monte Carlo (1926); An Old Fashioned Boy (1920); Lovers in Quarantine (1925); Riders of the Dawn (1920); Paid Back (1922); The Breaking Point (1921); and Gypsy Blood (also named Carmen - 1918 in Germany, 1921 in U.S.A.)
• Seven 8 x 10 cm hand-colored slides showing scenes from the popular book The Bad Boy and His Pa by George W. Peck produced by the Chicago Projecting Co. in 1904. Tableaux are carefully staged and elaborately tinted.

• Includes 8 x 10 cm slides showing scenes from The Bad Boy and His Pa by the Chicago Projecting Co. Other identified films include Babe Comes Home (1927); Figures Don't Lie (1927); and The Danger Girl (1916).

• Twenty-six 8 x 10 cm cardboard-mounted movie theater slides related to coming attractions or local products. One item of particular note includes a notice to female patrons that they do not need to remove their hats if they are seated in the women’s section. Identified films include The Taxi Dancer (1927); Square Crooks (1928); The City Gone Wild (1927); Too Much Money (1926); The First Night (1927); Broadway Nights (1927); Rainbow Riley (1926); The Wizard (1927); Vamping Venus (1928); The People vs. Nancy Preston (1925); Lovely Mary (1926); Rookies (1927); The Swan (1925); The Cohens and Kellys (1926); His People (1925); and My Official Wife (1926).

• Twenty-three 8 x 10 cm cardboard-mounted movie theater slides related to coming attractions or local products. Identified films include The Phantom Police (1926); The Testing Block (1920); The Brute Master (1920); The Cowboy Ace (1921); The Song and Dance Man (1926); His Brother's Keeper (1921); Private Izzy Murphy (1926); The Wanderer (1925); Eve's Leaves (1926); Good and Naughty (1926); It's The Old Army Game (1926); Vanishing Trails (serial, 1920); Don't Shoot (1922); The Whirlwhind of Youth (1927); The Shield of Honor (1927); Across to Singapore (1928); Naughty But Nice (1927); The Barrier (1926); For The Love of Mike (1927); The Dark Angel (1925); Keeping Up With Lizzie (1921); and Top O' The Morning (1922).
• Seven 8 x 10 cm slides (mostly duplicates) related to the Yale “Pageant of America” series showing damage in the aftermath of World War I.
• One 8 x 10 cm slide showing an ancient Egyptian tablet depicting battle.

• Twenty 8 x 10 cm slides documenting various activities in the town of Fitchburg, Massachusetts, around the turn of the 20th-century, including a hot-air balloon excursion and a fire engine race, along with other local scenes.
• Thirty-nine 8 x 10 cm slides showing scenic views (some hand-colored) in New Jersey and New York between 1896 and 1907. Most are attributed to Dr. J. T. Morehouse, but other noted contributors include the Charles Beseler Co., Dr. Ferdinand G. Kneer, William Archibald, and George W. Lamoreux. Items of particular interest include an aerial view of lower Manhattan; a map of New Jersey showing holdings of Esso; and a hand-colored view of a high railroad bridge in Portage, New York.

• Twenty 8 x 10 cm slides by Ann Arbor photographer George R. Swain documenting select manuscripts and maps from the William L. Clements Library.
• One 10 x 12.5 cm glass negative view of the Clements Library exterior.
• Seven 8 x 10 cm slides of outdoor scenes in Alaska and California from around 1900.
• Two 8 x 10 cm copy negatives of elaborate unidentified interiors.

• Six 8 x 10 cm slides of scenes in California and British Columbia. Includes view of a redwood logging train.
• Ten 8 x 10 cm glass negatives of scenes in British Columbia, mountain views, and photos of maps.
• Four 8 x 10 cm slides by Ann Arbor photographer George R. Swain of items from the William L. Clements Library.
• Nine 8 x 10 cm slides showing people and places (notably Firle Place) in the United Kingdom during the 1920s.

• Six 8 x 10 cm slides by Ann Arbor photographer George R. Swain showing exterior and interior views of the William L. Clements Library in the 1940s.
• Twenty-four 8 x 10 cm slides by Ann Arbor photographer George R. Swain of items from the William L. Clements Library. Includes an image of materials from the Thomas Gage papers stored in one their original document chests.

• Five 8 x 10 cm slides showing unidentified locations (possibly in Alaska) produced by the Seattle, Washington studio of Asahel Curtis.
• Four 8 x 10 cm slide reproductions of paintings.
• Three 8 x 10 cm slides of miscellaneous content.

• 8 x 10 cm glass negatives documenting a 1728 French translation of an earlier memoir by Jerome Lobo regarding attempts to convert Ethiopians to Christianity. An enclosed note says slides were for “a Prestor [sic] John talk.”

• 8 x 10 cm slides from an extensive educational series on lumbering processes and techniques produced ca. 1910. Images detail the production of railroad ties, including loggers’ methods of shaping each piece with their axes, and the proper method of stacking ties. Most of these views appear to be from Michigan’s lower peninsula, but one slide is from Wyoming in 1910.

• 8 x 10 cm slides showing various stages in logging operations and mill processes in states from Maine to California. Includes one hand-colored view of a mill pond in Virginia and a map of the U.S. that renders the size of each state relative to its timber resources.

• 8 x 10 cm slides showing production stages for treenails and stulls. Also includes images of various types of mill saws in marketing photos as well as working mills.

• 8 x 10 cm slides primarily related to pulp production with views showing logging sites, stages of the milling process, and specific machinery used. Includes images showing both ox-drawn and wooden-wheeled logging wagons.

• 8 x 10 cm slides showing portable mills set up near logging sites and log flumes in various stages of construction and operation. Several images of elaborate flume constructions are present.

• 8 x 10 cm slides related to fir logging, possibly in Sitka, Alaska. Also present are a couple views showing treenail production.

• 8 x 10 cm slides showing locust logging, log loaders, and lumber yards.

• 8 x 10 cm slides showing different types of log loaders as well as maps of the U.S. highlighting population and timber resources.

• 8 x 10 cm slides related to the Lidgerwood (written as “Ledgerwood” on slide labels) logging system which made extensive use of winches and pulleys. The Lidgerwood Company was instrumental in building the Panama Canal and later developed machinery for the logging industry. Also present are more images of log loaders and diagrams/photos of mill machinery.

• 8 x 10 cm slides related to the Lidgerwood system as well as views of logging and mill operations in several states.

• 8 x 10 cm slides showing pull boats towing log rafts and various logging and milling operations.

• 8 x 10 cm slides showing finished lumber products being shipped by boat, rail, and wagon as well as images related to shingle production.

• 8 x 10 cm slides showing steps in the production of shingles, stulls, and poles as well as steps in paper production, including micro views of linen and cotton paper fibers.

• Twenty-eight 8 x 10 cm slides showing stages in paper production as well as views of portable mills and flumes, especially flume dumps.
• Ten 10 x 12.5 cm glass negatives by unidentified photographer ca. 1902 related to estate in Berlin, Maryland nicknamed “Anchuha.” Includes snapshots of house and family members.

• Despite the separate accession number, these lumbering slides appear to be from the same educational series contained in other boxes. The topics covered by the 8 x 10 cm slides in this box include agricultural use of logged spaces, large mill operations, redwood logging, steam tractors, splash dams and charcoal kilns.

• 8 x 10 cm slides covering log jams, barrel staves and cooperage, flumes, big tree logging, and maps of national forests. Non-Michigan locations also represented. Includes color slide by Asahel Curtis showing Douglas fir timbers on railroad car.

• 8 x 10 cm slides showing pole roads, agricultural use of logged land, large mills, machinery used in distillation and cooperage, logging of wide range of individual tree species. Non-Michigan locations also represented.

• 8 x 10 cm slides showing tramways, pull boats, portable mills, geared locomotives, and skidways as well as a graph comparing regional production. Nine shattered slides are present.

• 8 x 10 cm slides showing gasoline and steam skidders, lumber yards, motor trucks, and Arizona tree species. One image of particular interest shows an early Kelly truck with a full load of logs and an African American driver.

• Eight 8 x 10 cm glass negative copies of photos showing scenes in Alaska, including the Muir Glacier.
• Four 8 x 10 cm slide views of British Columbia, possibly from a Canadian Pacific Railroad car.
• Three 12.5 x 18 cm glass negative self-portraits by Charles P. Steinmetz, ca. 1904/5.
• One 12.5 x 18 cm glass negative titled “Girl on Bicycle”