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This collection contains correspondence that Charles Deane, a merchant and historian based in Cambridge, Massachusetts, received in the mid-19th century. Deane's correspondents included ministers, historians, and politicians, who discussed American history, contemporary historiography, and the activities of historical societies in the Boston area.

This collection contains correspondence, gift acknowledgements, engraved portraits, and photographs related to Charles Deane, a merchant and historian based in Cambridge, Massachusetts. Deane's correspondents included ministers, historians, and politicians, who discussed American history, contemporary historiography, and the activities of Boston-area historical societies.

The Correspondence series (165 items) contains 146 letters to Charles Deane, 5 letters to Robert C. Waterston, 4 letters to Helen Waterston Deane, and 10 letters to Deane's children and other recipients. Charles Deane's correspondents provided news of social events in Boston and Cambridge, particularly related to local historical and antiquarian societies. Many writers offered opinions on Deane's writings, acknowledged the receipt of his publications, or thanked Deane for reviewing their own material. Others discussed topics in American history. One partially printed invitation regards a "Popham Celebration" in honor of the founding of the first English colony in North America (August 10, 1869). Additional items include a condolence letter from Thomas Wentworth to Helen Deane after Charles Deane's death (November 14, 1889).

Charles Deane received 8 Gift Acknowledgements between April 17, 1845, and October 13, 1864, thanking him for contributions to the Harvard University Library (6 items), the Boston Public Library (1 item), and the Boston Athenaeum (1 item). The documents are signed by Josiah Quincy, John Langdon Sibley, and other library affiliates. Two Engraved Portraits depict William Ellery Channing (1780-1842) and Amos Lawrence (1786-1852).

The Photographs series contains 3 carte-de-visite studio portraits depicting William Ellery Channing, Ezra Stiles Gannett, and George Livermore.

The Gerald T. and Charlotte B. Maxson printed ephemera collection contains over 5,000 pieces of assorted ephemera, the majority of which were commercially printed in the United States during the mid to late 19th-century.

The Gerald T. and Charlotte B. Maxson printed ephemera collection contains over 5,000 pieces of assorted ephemera, the majority of which were commercially printed in the United States during the mid to late 19th-century.

The Maxson collection provides a valuable resource for the study of 19th-century visual culture, commercial advertising, and humor in addition to the role of gender, ethnicity, and race in advertising. American businesses are the predominant focus of the collection, though many international businesses are also represented. While trade cards are by far the most prevalent type of ephemera found in this collection, an extensive array of genres are present including die cut scrapbook pieces, photographs, engravings, maps, serials, and manuscript materials.

The 23 binders that house the Maxson collection were arranged by the collectors themselves. Items are organized somewhat randomly in terms of topical arrangement. While pockets of related materials can be found here and there (for instance, the entirety of Volume 16 contains circus-related items while Volume 11 contains an extensive number of Shaker-related materials), for the most part any given subject may appear in any given volume. In some cases, items are clustered as a result of having been acquired together or due to a documented common provenance. Occasional typed annotations written by the Maxsons help provide additional context for certain items.

The Maxson Collection Subject Index serves as a volume-level subject index for materials found throughout the binders. The subjects indexed here are generally representative of both visual and commercial content. In addition to more general subjects, many names of specific people, places, buildings, events, and organizations that appear in the materials have also been listed. Researchers engaging with this collection should be aware that they will encounter numerous examples of racist caricatures, especially ones depicting African American, Native American, Irish, and Chinese people.

This collection consists primarily of incoming personal and professional correspondence received by John Barbour, an Episcopal minister and professor at Berkeley Divinity School, concerning religious life in Connecticut in the late 1800s.

This collection consists primarily of approximately 1,150 incoming personal and professional letters received by John Barbour, an Episcopal minister and professor at Berkeley Divinity School, concerning religious life in Connecticut in the late 1800s. The papers also include 5 photographs, 4 printed portraits, and a small group of additional printed items.

The Correspondence series spans most of Barbour's career. The bulk is comprised primarily of letters John Barbour received between 1883 and 1899, reflecting the everyday lives of clergy in Connecticut and New England, as well as Barbour's work with the Episcopal Church and at Berkeley Divinity School. Many of the letters contain professional inquiries and reports of the writers' daily lives and work with local churches. Several relate to Barbour's role as the librarian of the Berkeley Divinity School, including factual questions and inquiries about specific volumes. Other letters request his services as a minister, including several from the Connecticut Hospital for the Insane in Middletown, Connecticut, and from other clergy requesting substitutes. Additionally, many of the letters concern religious education and mention prominent bishops and others in the Episcopal Church.

Two early items relate to John Barbour's father, Henry S. Barbour, and to administrative affairs of the town of Torrington, Connecticut, in 1852 and 1857. The series also includes a timetable for trains between Hartford, Connecticut, and New York City, and a manuscript complaint from attorney John R. Wittig to the Rt. Rev. Bishop Williams, issued against John Barbour, claiming that Barbour colluded with Wittig's wife in a conspiracy to "get rid" of him and seize his property (March 17, 1885).

The Photographs and portraits series holds 5 carte-de-visite photographs of members of the Barbour family, including Henry S., Sylvester, Herman H., Julia, and Joseph L. Barbour, as well as 4 printed portraits of Episcopal clergy.

The Printed items series contains biographical sketches of bishops, Episcopal clergy, and other figures, removed from published books and newspapers. Among those represented are Bishop John Williams and librarian Melvil Dewey. The series also includes approximately 20 invitations, programs, circular letters, and advertisements. One advertising card for the Fannie C. Paddock Memorial Hospital of Tacoma, Washington Territory, bears an engraved image of the facility.