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This small hand-made volume contains 24 locks of men and women's hair, some of them tied with ribbon, braided, or looped. While its creator is not indicated, internal evidence suggests that Maryette Canedy of Northfield, Minnesota, likely compiled the booklet in 1863, to document friends and relatives in Minnesota and Vermont. A pencil, colored pencil, and ink illustration of a woman holding a bouquet of flowers is pasted on the front cover. Its inscription includes "Miss Emely [Shurpy?] drawing," her residence in Northfield, Minnesota, and the date of January 25, 1863.

This small hand-made volume contains 24 locks of men and women's hair, some of them tied with ribbon, braided, or looped. While its creator is not indicated, internal evidence suggests that Maryette Canedy of Northfield, Minnesota, likely compiled the booklet in 1863, to document friends and relatives in Minnesota and Vermont. A pencil, colored pencil, and ink illustration of a woman holding a bouquet of flowers is pasted on the front cover. Its inscription includes "Miss Emely [Shurpy?] drawing," her residence in Northfield, Minnesota, and the date of January 25, 1863.

• The name of the individual who provided the hair.
• The place the person lived, such as Stanford [i.e. Stamford, Vermont]; Wilmington, [Vermont]; North Adams, [Massachusetts]; and Northfield, Minnesota.
• Short sayings or further identifying information. For example, the entries for Charles C. Phipps, Anna Phipps, and Anna Canedy mention their relationship to the compiler: grandfather, grandmother, and mother, respectively.
• The age of the individual when the clipping was taken.

Maryette Canedy's hair sample is missing.

This collection consists of 24 slips of paper with poems written by female students at Washington, Maine, in August 1853, to their teacher Ethelda Coggan. Many are affectionate or urge remembrance, and several of the verses are repeated by multiple students. All but one of the poems includes a ribbon affixed to the paper or evidence that a ribbon had formerly been affixed. Several include locks of hair or hairwork pieces tied into the ribbons. Two additional pieces of unsigned writing are also present. One appears to have been written at the end of the fall term, reflecting on the changes that occurred during the school season, including the death of a student's father, and on the relationships and fond memories created in the schoolhouse. The other piece is a manuscript draft of an essay on perseverance.

This collection consists of 24 slips of paper with poems written by female students at Washington, Maine, in August 1853, to their teacher Ethelda Coggan. Many are affectionate or urge remembrance, and several of the verses are repeated by multiple students. All but one of the poems includes a ribbon affixed to the paper or evidence that a ribbon had formerly been affixed. Several include locks of hair or hairwork pieces tied into the ribbons. In multiple instances, more than one student from a family appears to have written a poem, and the individuals from the same family used the same type of ribbons on their paper.

Two additional pieces of unsigned writing are also present. One appears to have been written at the end of the fall term, reflecting on the changes that occurred during the school season, including the death of a student's father, and on the relationships and fond memories created in the schoolhouse. The other piece is a manuscript draft of an essay on perseverance.

This collection consists of 24 slips of paper with poems written by female students at Washington, Maine, in August 1853, to their teacher Ethelda Coggan. Many are affectionate or urge remembrance, and several of the verses are repeated by multiple students. All but one of the poems includes a ribbon affixed to the paper or evidence that a ribbon had formerly been affixed. Several include locks of hair or hairwork pieces tied into the ribbons. Two additional pieces of unsigned writing are also present. One appears to have been written at the end of the fall term, reflecting on the changes that occurred during the school season, including the death of a student's father, and on the relationships and fond memories created in the schoolhouse. The other piece is a manuscript draft of an essay on perseverance.

This collection consists of 24 slips of paper with poems written by female students at Washington, Maine, in August 1853, to their teacher Ethelda Coggan. Many are affectionate or urge remembrance, and several of the verses are repeated by multiple students. All but one of the poems includes a ribbon affixed to the paper or evidence that a ribbon had formerly been affixed. Several include locks of hair or hairwork pieces tied into the ribbons. In multiple instances, more than one student from a family appears to have written a poem, and the individuals from the same family used the same type of ribbons on their paper.

Two additional pieces of unsigned writing are also present. One appears to have been written at the end of the fall term, reflecting on the changes that occurred during the school season, including the death of a student's father, and on the relationships and fond memories created in the schoolhouse. The other piece is a manuscript draft of an essay on perseverance.

Between 1850 and 1853 Maria Marsh collected over one hundred hair samples from friends and family. She affixed them to the pages of this handmade album with pieces of fabric or paper, including decorative papers with metallic finishes, some cut into the shapes of hearts. The hair samples are predominantly identified with a number, the name of the individual, and the place of their residence. While the bulk of the entries are from people living in various places in New York state, several from Pennsylvania, Massachusetts, New Jersey, and Michigan are also present. Most of the hair samples are arranged in simple loops, but some are shaped in ornamental hairwork styles. Various shades of hair color are represented, include blonde, brunette, and one red. One entry is for an unnamed infant who died at four months old, and whose hair was too short to be able to loop or work. Some entries include brief lines of verse relating to remembrance.

Between 1850 and 1853 Maria Marsh collected over one hundred hair samples from friends and family. She affixed them to the pages of this handmade album with pieces of fabric or paper, including decorative papers with metallic finishes, some cut into the shapes of hearts. The hair samples are predominantly identified with a number, the name of the individual, and the place of their residence. Pages sometimes include multiple members of the same family. While the bulk of the entries are from people living in various places in New York state, several from Pennsylvania, Massachusetts, New Jersey, and Michigan are also present. Most frequently named places include Otisco, Beakman, and Williamsburg. Some entries for Otisco specify it as Otisco, Michigan, but it is possible some are also from Otisco, New York.

Most of the hair samples are arranged in simple loops, but some are shaped in ornamental hairwork styles. Various shades of hair color are represented, include blonde, brunette, and one red. One entry is for an unnamed infant who died at four months old, and whose hair was too short to be able to loop or work. Some entries include brief lines of verse relating to remembrance.

The volume's covers were crafted out of Thomas Tillotson Superior Cutlery display boards, with small holes where the tableware was originally affixed.

Between 1850 and 1853 Maria Marsh collected over one hundred hair samples from friends and family. She affixed them to the pages of this handmade album with pieces of fabric or paper, including decorative papers with metallic finishes, some cut into the shapes of hearts. The hair samples are predominantly identified with a number, the name of the individual, and the place of their residence. While the bulk of the entries are from people living in various places in New York state, several from Pennsylvania, Massachusetts, New Jersey, and Michigan are also present. Most of the hair samples are arranged in simple loops, but some are shaped in ornamental hairwork styles. Various shades of hair color are represented, include blonde, brunette, and one red. One entry is for an unnamed infant who died at four months old, and whose hair was too short to be able to loop or work. Some entries include brief lines of verse relating to remembrance.

Between 1850 and 1853 Maria Marsh collected over one hundred hair samples from friends and family. She affixed them to the pages of this handmade album with pieces of fabric or paper, including decorative papers with metallic finishes, some cut into the shapes of hearts. The hair samples are predominantly identified with a number, the name of the individual, and the place of their residence. Pages sometimes include multiple members of the same family. While the bulk of the entries are from people living in various places in New York state, several from Pennsylvania, Massachusetts, New Jersey, and Michigan are also present. Most frequently named places include Otisco, Beakman, and Williamsburg. Some entries for Otisco specify it as Otisco, Michigan, but it is possible some are also from Otisco, New York.

Most of the hair samples are arranged in simple loops, but some are shaped in ornamental hairwork styles. Various shades of hair color are represented, include blonde, brunette, and one red. One entry is for an unnamed infant who died at four months old, and whose hair was too short to be able to loop or work. Some entries include brief lines of verse relating to remembrance.

The volume's covers were crafted out of Thomas Tillotson Superior Cutlery display boards, with small holes where the tableware was originally affixed.

Maryann B. Clark of Antwerp, New York, created this volume in 1852, inserting nine samples of hair of herself, her father, mother, siblings, other relatives, and possibly friends. The samples are arranged in various styles of ornamental hairwork and affixed to the page with pieces of ribbon or fabric. Each hair sample is accompanied by the individual's name, birth and death date (if applicable), and a verse. In the back of the volume, Clark copied the "Mourner's Lamentation," a poem written by her brother-in-law Joseph S. Foster upon the death of Persis Sabrina (Clark) Foster.

Maryann B. Clark of Antwerp, New York, created this volume in 1852, inserting nine samples of hair of herself, her father, mother, siblings, other relatives, and possibly friends. The samples are arranged in various styles of ornamental hairwork and affixed to the page with pieces of ribbon or fabric. One white lock of hair belonged to Clark's grandmother who died at the age of 90. Each hair sample is accompanied by the individual's name, birth and death date (if applicable), and a verse. Some of the verses relate directly to the individuals, such as those for her deceased brothers and sister whose hair samples are accompanied by poems about the death of siblings. Other poems relate to hair and remembrance. In the back of the volume, Clark copied the "Mourner's Lamentation," a poem written by her brother-in-law Joseph S. Foster upon the death of Persis Sabrina (Clark) Foster.

The volume is handmade. The cover is paper with fabric ribbon sewn along the edges.

Maryann B. Clark of Antwerp, New York, created this volume in 1852, inserting nine samples of hair of herself, her father, mother, siblings, other relatives, and possibly friends. The samples are arranged in various styles of ornamental hairwork and affixed to the page with pieces of ribbon or fabric. Each hair sample is accompanied by the individual's name, birth and death date (if applicable), and a verse. In the back of the volume, Clark copied the "Mourner's Lamentation," a poem written by her brother-in-law Joseph S. Foster upon the death of Persis Sabrina (Clark) Foster.

Maryann B. Clark of Antwerp, New York, created this volume in 1852, inserting nine samples of hair of herself, her father, mother, siblings, other relatives, and possibly friends. The samples are arranged in various styles of ornamental hairwork and affixed to the page with pieces of ribbon or fabric. One white lock of hair belonged to Clark's grandmother who died at the age of 90. Each hair sample is accompanied by the individual's name, birth and death date (if applicable), and a verse. Some of the verses relate directly to the individuals, such as those for her deceased brothers and sister whose hair samples are accompanied by poems about the death of siblings. Other poems relate to hair and remembrance. In the back of the volume, Clark copied the "Mourner's Lamentation," a poem written by her brother-in-law Joseph S. Foster upon the death of Persis Sabrina (Clark) Foster.

The volume is handmade. The cover is paper with fabric ribbon sewn along the edges.