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The Albert D. Noble, Jr., glass negatives collection consist of 92 glass plate negatives made by photographer Albert D. Noble, Jr. as well as 33 photographic prints, 2 newspaper clippings, and a computer disk with 180 digital images (including additional photographs by Noble, Jr. and copies of older family portraits).

The glass plate negatives are contained in two boxes and include images of Noble, Jr.'s childhood home in Grand Rapids and other private residences and public buildings in the area as well as views taken in Detroit of Noble, Jr.'s family's Christmas decorations, community ice skating, bicycling in the countryside, rural buildings, and regional parks including Belle Isle Park. The majority of images depict people, activities, and scenes from summer vacations to places like Orchard Lake and Upper Straights Lake; a group visit to the French Lick Springs Hotel in Indiana in 1902; views from the Pan-American Exposition in Buffalo, New York in 1901 (misidentified in Bayard C. Schoettle's publication Glass Negatives: Albert Dewitt Noble, Jr. as an event based in Grand Rapids); and numerous studio portraits of family members, acquaintances, and the noted elocution teacher Edna Chaffee Noble (no relation to Noble, Jr.). The glass plates are in a variety of sizes (16.5 x 21.5, 12.5 x 20.5, 11.5 x 16.5, and 10 x 12.5 cm) and each is stored in individual paper slipcases. Some but not all of the splipcases provide information regarding an image's subject matter. Most of the plates are in good condition, with only a few displaying cracks and none being broken. 33 photographic prints (31 unmounted and 2 mounted) are also present and include an image of several cows near a body of water, two mounted albumen prints of "Orchard Lake Cottage," two silver platinum prints showing an unidentified house and a sailboat, 16 unmounted gelatin silver prints showing various domestic, industrial, social and architectural scenes (most of which are represented in the glass negatives), and a series of 11 unmounted snapshots and 1 negative transparency showing scenes from Roseland Park Cemetery and the gravesite of Edna Chaffee Noble. Two newspaper clippings from the July 16 1899 Detroit Free Press Art Supplement related to Noble, Jr.'s second place finish in a photo competition are also included.

The CD-R accompanying the collection contains about 180 scanned images including all 92 of the glass plates present in the collection, approximately 75 additional photographs produced by Noble, Jr., and several photographs of trophies awarded to Noble, Jr., by the Grand Rapids camera club. The CD-R also includes images of early Noble family portraits that were scanned and retouched by Schoettle during his preparation for Glass Negatives: Albert Dewitt Noble, Jr.

Ann Arbor German-American family, owners of the Allmendinger Organ Company which later became the Ann Arbor Organ Company. Correspondence, scrapbooks, family genealogy, photographs concerning family affairs, materials on Helene Allmendinger's radio show, examples of spirit messages received by Helene Allmendinger from deceased family members; information pertaining to the Ann Arbor Organ Company, and family members still living in Germany.

The collection is divided into the following series: Family records and correspondence; Helene Allmendinger papers; Ina Allmendinger papers; Ann Arbor Organ Company; Harriet Birch papers, Other family members; Miscellaneous, and Photographs.

Andrew Tanner was photographer, born in Missouri, who traveled about the United States. He lived for a time in Ann Arbor, Michigan and on Coryell Island (part of the Les Cheneaux Islands) in Michigan's Upper Peninsula. The collection consists of glass plate negatives of images taken while in different parts of the United States and Mexico.

The Andrew Tanner Photograph Collection includes glass plate negatives from his travels across the United State and in Mexico in the late 19th and early 20th centuries. Images in the collection demonstrate in a vivid way life in the United States, the natural environment, and the photographic processes of the time. The plates are in excellent condition and images are of very good quality. Tanner's original plate numbers are indicated on the slides, and where known, are indicated on the sleeves containing the plates; some plates were also assigned numbers by their intermediate owner, Jack Kausch, and, where known, these are also indicated on the envelopes. The images in the collection (14 boxes) date from 1894 to 1909, and are organized into three series: 5x7 Plates, 1894-1909 (13 boxes), 8x10 Plates, ca. 1900 (1 linear foot), and Miscellaneous (1 linear foot).

Materials collected by Helen Blair Lamar and subsequently donated to the Blair Society for Genealogical Research and pertaining to the Austin Blair family of Michigan and related family lines, the Hanks family and the North family. The collection, arranged by family name and then by individual, includes original with some typed transcripts of family letters, diaries, legal documents, poetry, personal items, and visual materials.

Helen Blair Lamar kept the papers of the Blair, Hanks and North families for many years. After her death they were given to the Blair Society for Genealogical Research, which in turn donated them to the Bentley Historical Library. This collection exemplifies the slightly random character of family papers accumulated over several generations. There is a wide variety of material on a large number of individuals. In an attempt to keep things as clear as possible, the majority of the papers--manuscript, typescript and printed--have been arranged by FAMILY GROUPS which are subdivided by Personal Name and arranged by generation. This is followed by a small second series of miscellaneous PRINTED MATERIALS. A substantial third series of VISUAL MATERIALS includes Scrapbooks, Photographs, Daguerreotypes and Ambrotypes, Tintypes and Glass Plate Negatives.

Founder of the Van Leuven Browne Hospital School for Crippled Children and advocate for improved educational and work opportunities for children with physical disabilities. Contains materials related to the Van Leuven Browne Hospital School for Crippled Children and Browne's other initiatives for children with disabilities. Correspondence, scrapbooks, photographs, and publications; includes copies of novels and magazines related to disabled children that were authored by Browne.

The Blanche Van Leuven Browne papers document Browne's advocacy for children with physical disabilities. Highlighted in the collection is her work with the Van Leuven Browne Hospital School for Crippled Children between 1907-1917. Collection includes Browne's correspondence, Hospital School patient registers, schedules, and other administrative information, as well as photographs, glass plate negatives, clippings, and publications related to the school. The collection also contains copies of the novels written by Browne, "A Story of the Children's Ward" and "Easter in the Children's Ward," and other materials she published.

The Board for Student Publications was founded in 1903, as the Board in Control of The Michigan Daily, with the authority over all operations ofThe Michigan Daily, including content and editorial issues. Its authority was extended to all student publications in 1908, and its name changed to The Board in Control of Student Publications. In 1969, the Board name was changed to the Board for Student Publications. It retained financial control over student publications, but only serves in an advisory capacity on editorial issues. The records mostly consist of the Board's minutes, and also include correspondence of board chairmen and staff, materials pertaining to various student publications, financial materials, U-M directories, and blueprints and drawings of the Student Publications Building during its various renovations. The collection also contains numerous photographs and audiovisual materials focusing on alumni, staff, and events.

The records include minutes, topical files, photographs, and audiovisual materials. Includes materials related to events, applications for senior staff positions, and files relating to the operation of The Michigan Daily and other student publications. Also included is information on the renovation of the Student Publications Building.

Six linear feet of material was added in May of 2018:

Box 7: Board Documents 1919-2017, contains Board meeting materials including a Board in Control of Student Publications bound book of meeting minutes from 1956 to 1958; policies and procedures; legal documentation (Articles of Incorporation and bylaws); Year-End financial statements; Michigan Daily photographs; miscellneous publications; U-M directories; and Board appointment letters.

Box 8: Board Documents 1992-2002, contains Board meeting materials; Year-End financial statements; Board retreat packages; legal documentation (bylaws); reunion photographs; and Board reappointment letters.

Box 9: Board Documents 1997-2006, contains Board meeting materials; University Audits reports; Board nomination letters, photographs of the board; Board Retreat packages; and Student Publications building infrastructure reports.

Box 10: Board Documents 1945-2006, contains Board meeting materials; University Audits reports; photographs of the Gargoyle 90th Anniversary reunion and other Student Publications staff and alumni. Additional materials include a December 1945 Gargoyle cover and accompanying letter; and building renovation documents.

Box 11: Board Documents 1958-2014, contains Board meeting materials; building renovation documents; Year-End financial statements and outside audit reports from PricewaterhouseCoopers. The box also includes additional publications; Board retreat packages; notes and letters to incoming staff; Student Publications building as well as Michigan Daily alumni and staff photographs.

Box 12 contains one volume of Board meeting minutes, 1981-1992; a Photo album, undated; and the following VHS tapes:

1. Michigan Daily Centennial Celebration (1990).

2. Michigan Daily alumni and staff interviews (2003).

3. The Michigan Difference (2004).

Included in the collection is 12.52 GBs of digital images and interviews of Student Publications noteable alumni, staff (at the time the materials were created), and special events.

The David V. Tinder Collection of Michigan Photography consists of over 100,000 images in a variety of formats including daguerreotypes, ambrotypes, tintypes, cartes de visite, cabinet photographs, real photo postcards, stereographs, and mounted and unmounted paper prints. The collection is primarily made up of vernacular photographs of everyday life in Michigan taken by both professional and amateur photographers from the 1840s into the mid-twentieth century. In addition to supporting local history research, the collection has resources for the study of specific events and subjects. Included are images related to lumbering, mining, suburbanization; the industrialization of cities; travel and transportation; the impact of the automobile; the rise of middle-class leisure society; fashion and dress; ethnicity and race; the role of fraternal organizations in society; and the participation of photographers in business, domestic, and social life. The collection is only partially open for research.

The subject contents of different photographic format series within the Tinder collection vary, depending in part upon how each format was historically used, and the date range of that format's popularity. For example, cartes de visite and cased images are most often formal studio portraits, while stereographs are likely to be outdoor views. Cabinet photographs are frequently portraits, but often composed with less formality than the cartes de visite and cased images. The postcards and the mounted prints contain very diverse subjects. The photographers' file contains many important and rare images of photographers, their galleries, promotional images, and the activities of photographers in the field. See individual series descriptions in the Contents List below for more specific details.

Included throughout are images by both professional and amateur photographers, although those by professionals are extant in far greater numbers.

D. C. Allen was a Three Oaks, Michigan book dealer and collector of material on the House of David, an adventist cult founded in England. The leader of this cult was Benjamin Purnell who made Benton Harbor his home and the site of his follower's business activities. The Allen collection (formerly housed at the Wyoming American Heritage Center) consists of most of the publications by and about the Israelite House of David, scattered manuscript materials mainly documenting the colony's business operations and court cases involving Purnell and the colony, and photographs and postcards depicting activities of the colony.

The collection gathered together by D. C. Allen includes published materials, manuscripts and other paper documentation, and photographs, postcards, and other visual materials. The published material consists mainly of books and pamphlets written by House of David founder "King Benjamin" Purnell and his wife Mary and others associated with the House of David. This collection was formerly stored at the University of Wyoming American Heritage Center.

The Frielandville family lived in Chelsea, Michigan. Consist of glass negatives with some prints showing family gatherings and activities, the family home, and an interurban train.

The Dorothy Frielandville photographs consist of glass negatives with some prints showing family gatherings and activities, the family home, and an interurban train.

Resident of Ypsilanti Township, Michigan. Collection consists of glass negatives and contact prints depicting farm life, the Fuller family and their neighbors and relatives, recreation, houses, and barns

This collection of visual images taken by Ella Fuller who was not a professional photographer provide a unique glimpse of daily rural life. Through her camera, Fuller recorded the activities of family and acquaintances. She had a natural talent to capture people as they were, at work and at play, thoughtful, interested in what they were doing. As May Davis Hill wrote, "The Fuller photographs provide an unselfconscious, direct view of rural life in a seemingly idyllic period. Reflecting a genre quality, the images record ordinary scenes from everyday life."